Boston Art Review (BAR), an independent publication focused on contemporary art in Boston, has published an article titled 'ArtWonk: Budgets, Brouhahas, and Beowolff' that appears to cover a mix of art-world financial issues, controversies, and a reference to a figure or concept named 'Beowolff.' The piece is part of BAR's ongoing coverage of the local and broader art scene, including weekly happenings and programs.
Brooklyn-based disabled artist Finnegan Shannon's traveling exhibition "Don't mind if I do" is on view at the Smith College Museum of Art (SCMA) in Northampton through June 28. The show features a conveyor belt that brings interactive artworks to seated visitors, challenging traditional museum layouts that require standing and walking. Shannon collaborated with curator Lauren Leving and technical director Peter Reese to create the experience, which includes works by Lukaza Branfman-Verissimo, Pelenakeke Brown, Sky Cubacub, Emilie L. Gossiaux, Felicia Griffin, Joselia Rebekah Hughes, and Jeff Kasper. The exhibition has previously toured to moCa Cleveland, California State University Sacramento, and the University of Illinois Chicago.
Southern Guild, a Cape Town-based gallery, opened a permanent location in New York's Tribeca district on Friday, marking a major expansion for the gallery and a milestone for contemporary African art's international visibility. The inaugural exhibitions feature South African painter Mmangaliso Nzuza's "Ballad of the Peacock" and conceptual artist Usha Seejarim's "Used," both on view until May 17. Co-founder Trevyn McGowan described the 371m² space in a historic cast-iron building as both instinctive and strategic, following the closure of the gallery's Los Angeles outpost, which served as a testing ground for American audiences.
The artist duo DRIFT launched their 'Franchise Freedom' performance, a swarm of over 1,000 illuminated drones, above the Los Angeles County Museum of Art (LACMA). The event celebrated the public opening of the museum's new Peter Zumthor-designed David Geffen Galleries, creating a dialogue between the dynamic, airborne artwork and the building's horizontal, sand-toned concrete architecture.
Japanese sculptor Kohei Nawa has launched his first solo exhibition in Los Angeles at Pace Gallery, titled "Photon Camp." The show features 20 new works from his renowned "PixCell" and "Prism" series, which utilize glass beads and light refraction to transform everyday objects—ranging from taxidermied animals to consumer electronics—into pixelated, magnified sculptures. The artist operates out of Sandwich, a sprawling Kyoto-based creative hub housed in a former sandwich factory that employs a team of 50 across art, design, and architecture.
The Museum of Arts and Design (MAD) in New York has opened "Uncanny Valley," a major exhibition dedicated to the Los Angeles-based duo Nikolai and Simon Haas. The show features 85 works spanning 15 years of their practice, showcasing their signature blend of art, furniture, and craft through zoomorphic sculptures and kooky forms. Organized in collaboration with the Cranbrook Art Museum, the exhibition places these physical objects against surreal, algorithmically-generated backdrops that explore the intersection of human craftsmanship and digital technology.
Artist Ana Teresa Fernández has launched her solo exhibition "Under Pressure" at the National Museum of Mexican Art in Chicago, presenting a multi-disciplinary call to climate action. The exhibit features oil paintings, sculptures such as a silver-feathered Quetzalcoatl made from a hose, and performance-based works that use metaphors like expanding balloons to illustrate the planet's breaking point. A central component of the project involved a community-led "social monument" at Ohio Street Beach, where hundreds of participants used mirrors to flash an S.O.S. signal in Morse code toward the horizon.
The National Museum of Mexican Art in Chicago is currently hosting "Under Pressure," a solo exhibition by Mexican-born artist Ana Teresa Fernández. The show features a diverse range of media, including oil paintings, sculptures like a silver-feathered Quetzalcoatl made from a hose, and performance-based works that use metaphors like expanding balloons to illustrate the fragility of the environment. A central component of the project involved a community-led "social monument" at Ohio Street Beach, where hundreds of participants used mirrors to signal an S.O.S. in Morse code toward the horizon.
The Alpharetta Arts Center is hosting a solo exhibition of works by Cuban-born, Atlanta-based artist Alexi Torres through April 18. The showcase features a diverse range of media, including intricate oil paintings that mimic woven textures, bronze sculptures, and embroideries that explore themes of spiritual connection and human consciousness. Torres, who follows lunar cycles for his creative process, utilizes symbolic imagery such as a scarlet wicker Buddha and a Statue of Liberty rendered in baseball stitching to convey complex narratives.
Artist Allison Katz presents 'Outta the Bag,' her first solo exhibition with Hauser & Wirth in New York. The show features a diverse range of works that blend personal history, art-historical references, and linguistic wordplay, including her signature 'cock paintings' and motifs of mouths and architectural apertures. The exhibition serves as a homecoming for the Montreal-born, London-based artist, who spent her formative years in New York studying at Columbia University.
Detroit-based artist Elonte Davis and Hungarian curator Kriszti Sarusi are among several creatives reflecting on the personal and social impact of their recent projects. Davis highlighted his 2026 community-centered initiatives, including his solo exhibition 'Homeroom: Detroit Taught Me First' and workshops at the Detroit Institute of Arts, while Sarusi discussed 'Floating Reality,' an exhibition series designed to provide space for underrepresented artists through a collaborative collective.
Chicago-based artist Brian Sykes returned to the Beverly Arts Center for the opening of his multimedia exhibition, “I Heard the City Breathe.” The event drew a significant crowd and featured a unique blend of visual art, film, and live vocal performances, including a set by Sykes himself. The project explores the emotional and cultural realities of Chicago’s Black experience, utilizing an intergenerational approach to discuss identity and memory.
San Francisco-based artist Kate Tova has launched a solo exhibition titled "The Art of Rest" at the Oceanside Museum of Art. The show features a series of vibrant, large-scale multimedia works that blend traditional oil painting with unconventional materials like sequins and reflective surfaces. Tova’s latest body of work explores the psychological and physical necessity of stillness, challenging the modern culture of constant productivity through her signature "glitch" aesthetic and tactile textures.
The Denver Art Museum (DAM) has appointed Royce K. Young Wolf, Ph.D., as its new Associate Curator of Native Arts. A member of the Eastern Shoshone, Hidatsa, and Mandan nations, Young Wolf brings a multidisciplinary background as a language activist, photographer, and scholar. She previously held prestigious fellowships at Yale University and worked on major exhibitions for the MHA Nation Interpretive Center. In her new role, she will oversee strategic initiatives, acquisitions, and community-based curatorial projects for one of the nation's most significant Indigenous art collections.
The DePaul Art Museum (DPAM) is hosting a career-spanning retrospective for New York-based artist Barbara Nessim titled "My Compass Is the Line" before the institution permanently closes in June. The exhibition marks Nessim’s first solo show in Chicago, featuring works from the 1960s to the present that span painting, computer art, and her iconic 1982 Time magazine cover. The show highlights Nessim’s exploration of femininity and sexuality, drawing stylistic parallels to the Chicago Imagists while showcasing her technical versatility.
Phoenix-based painter Eliza McLamb is marking a quarter-century of artistic practice with a major retrospective at the Phoenix Art Museum. Titled "Eliza McLamb: 25 Years of Color and Emotion," the exhibition features over 40 abstract works produced between 1996 and 2021, showcasing her signature emotive style and deep connection to the Sonoran Desert.
The Louvre Museum is hosting a major retrospective dedicated to Martin Schongauer, a pivotal German artist of the late 15th century, running from April 8 to July 20, 2026. Titled "Martin Schongauer: Le bel immortel," the exhibition features approximately one hundred works, including his world-renowned engravings, rare paintings like the "Virgin in the Rose Garden," and intricate drawings. Curated by Pantxika Béguerie de Paepe and Hélène Grollemund, the show traces Schongauer’s evolution from a goldsmith’s son in Colmar to a master who bridged the gap between Gothic tradition and Renaissance innovation.
The Art Museum of the University of Memphis (AMUM) has launched two concurrent exhibitions. One showcases recent acquisitions to the museum's permanent collection, while the other is a solo exhibition featuring the work of Memphis-based artist Maysey Craddock.
Casablanca-born artist Yaniv Edery has opened his first UK gallery in a historic Georgian townhouse at Picardy Place, Edinburgh. The venue, located within a UNESCO World Heritage Site and the birthplace of Sir Arthur Conan Doyle, showcases Edery’s signature bold, immersive artworks characterized by animal portraits, crystals, and metallic finishes.
The Milwaukee Art Museum is hosting a major traveling retrospective of Gertrude Abercrombie, the Chicago-based painter known as the "jazz witch" of Hyde Park. Titled "Gertrude Abercrombie: The Whole World is a Mystery," the exhibition features nearly eighty paintings sourced from major museums and private collections, marking the largest survey of her work to date. The show highlights her unique brand of Surrealism, characterized by dreamlike interiors, stark landscapes, and enigmatic self-portraits.
San Antonio’s art scene is characterized by a rapid-fire schedule of artist-run exhibitions and pop-up events that often center around the Blue Star Arts Complex. A recent survey of the city's offerings highlighted diverse installations, including Scott Martin’s immersive automotive video work at Slab Cinema Arthouse and Lauren Raye Snow’s mystical portraiture at FL!GHT gallery. The local landscape is defined by a DIY spirit where openings are frequent, fleeting, and deeply communal.
The 2026 Whitney Biennial has opened at the Whitney Museum of American Art in New York, featuring a video and sound installation by artists Basel Abbas and Ruanne Abou-Rahme. Their work, titled 'Until we became fire and fire us,' explores collective feelings of love, longing, and haunting in the context of Palestinian erasure, weaving together traditional songs, contemporary footage of indigenous plants, and personal ephemera like drawings by Abou-Rahme's father.
Denver-based contemporary artist Ariana Barnstable has gained recognition for her "Lazy Cowgirl" series, a collection of vibrant, western-themed paintings characterized by faceless, stylish figures in bold landscapes. Beyond her personal practice, Barnstable has transitioned from being the first artist-in-residence at the EDIT at River North residential complex to becoming its art director, where she oversees community-focused creative programming.
Yoonshin Park's solo exhibition "Prompt and Prompted" is on view at the Hyde Park Art Center in Chicago, featuring artists' books, video, and paper-based works that explore reading, memory, and materiality. The show includes pieces from Park's "How (Not) to Read" series, such as the unfurled scroll "I can no longer see. Whose story remains?" (2022), alongside works like "Partial Reading," "Night," and "Neither Flat Nor Fixed," accompanied by a video of the artist manipulating materials that generates a white-noise soundtrack.
Chicago-based artist Jan Tichy has created a new exhibition titled 'Darkness' at Michigan State University's Eli and Edythe Broad Art Museum. The project is the result of a nearly nine-month collaboration with four MSU labs, most prominently the Department of Entomology, where Tichy worked with researchers and students to incorporate insects and scientific methods like blacklight sampling into the artwork.
A new exhibition titled 'Not A Pretty Landscape' opens at Kaleider Studios in Exeter from January 31 to February 1, featuring 15 artists who present contemporary and unconventional views of the South West, deliberately avoiding traditional coastal and rural landscapes. Curated by Exeter-based artist Claire Le Day, the show emerged from an open call with no rules or experience requirements, only the condition that no pretty landscapes be submitted. Artists keep 100% of their profits, and most will be present to meet visitors and manage sales. Featured artists include Jo Beer, whose portraits have been recognized by the National Portrait Gallery and the Royal Society of Portrait Painters.
The Marietta Cobb Museum of Art (MCMA) in Georgia is presenting its first juried exhibition focused exclusively on wood art and woodworking, titled "Georgia Wood Artists: A Juried Exhibition." Curated by Madeline Beck, the show features works selected from over 150 submissions by artists living in Georgia, including Arnold Abelman, Jody Pollack, Abraham Tesser, Thomas Williams, and Doug Pisik. The exhibition highlights a range of techniques such as carving, woodturning, marquetry, intarsia, joinery, and epoxy woodworking, and runs from January 10 to March 22, 2026.
Fine artist Vanessa Johansson is presenting her debut solo exhibition in the Sky Garden Penthouse of Gramercy’s 200E20TH in New York City. The show features atmospheric acrylic abstract paintings, displayed in a residential setting that complements CetraRuddy’s contemporary architecture. Johansson, who studied at the Art Students League, will next participate in the group exhibition “Women and Abstraction” at Pierre Cornette de Saint Cyr in Paris.
Dilys Blum, the longtime curator of fashion and textiles at the Philadelphia Museum of Art, has died at age 77. She retired last summer after 38 years at the museum, where she served as head of the costumes and textiles department, overseeing the care and interpretation of historic clothing and fabric-based art. Blum began her career at the Museum of London, later working at the Brooklyn Museum and the Chicago Conservation Center before joining the Philadelphia Museum in 1987. She curated notable exhibitions including "Off the Wall" (2019) and "BOOM: Art and Design of the 1940s" (2025), and authored several books on fashion history, including works on Elsa Schiaparelli, Roberto Capucci, and Patrick Kelly.
The Helsinki Art Museum (HAM) in Finland is opening a new permanent gallery dedicated to Tove Jansson, the illustrator of the Moomins. The Tove Jansson Gallery will open on 13 February, spanning three exhibition halls, with the inaugural exhibition inspired by Jansson’s book *Comet in Moominland* and running through 24 January 2027. The gallery aims to showcase Jansson's art diversely and introduce new perspectives on her as both a Helsinki-based and international artist.