Vancouver Art Gallery selects architects for second attempt at new building

The Vancouver Art Gallery (VAG) has selected Formline Architecture and Urbanism, based in Vancouver, and KPMB Architects, based in Toronto, to design its new building at Larwill Park in downtown Vancouver. The announcement comes ten months after the museum abandoned a Herzog & de Meuron design due to a 50% cost increase, and after parting ways with director Anthony Kiendl. The VAG has outgrown its current 1913 courthouse home, and the new project was initiated 13 years ago by former director Kathleen Bartels. A preliminary design is expected next year, though no budget, timeline, or opening date has been revealed.

Independent 20th Century fair will move to Sotheby’s Breuer Building in 2026

The Independent 20th Century art fair will move to the Breuer Building in New York, soon to become Sotheby’s headquarters, for its 2026 edition running September 24–27. The fair, previously held at Casa Cipriani, will expand to accommodate over 50 galleries. Sotheby’s acquired the landmarked building in 2023 and has made subtle renovations led by Herzog & de Meuron, with the new headquarters opening November 8.

“It’s All in the Details” at the Art Museum of Southeast Texas

The Art Museum of Southeast Texas (AMSET) has opened a new exhibition titled “It’s All in the Details,” featuring approximately 50 works from its permanent collection, many of which have never been exhibited before. The show spans contemporary fine art and Mexican folk art, highlighting intricate techniques and the need for close viewing. Key works include Shawne Major’s mixed-media piece “Syzygy” (2022), Marcelino Eduardo Sánchez Rodriguez’s feather-based “Viva Mexico” (2009), and Mary McCleary’s densely layered collage “The Clouds Grew So Dense, She Couldn’t See” (2015), which had been hanging in the museum’s intern office for years.

Art gallery exhibition of works by Alberto Rey through Nov. 21

An exhibition titled “ATLAS: Historical Works and Recent Journeys of Alberto Rey” is on view at the Marion Art Gallery through November 21. The show features 133 paintings, drawings, and ceramics by Alberto Rey, a SUNY Distinguished Professor Emeritus who taught at Fredonia from 1989 to 2022. The works were created during and after a five-month expedition to 14 countries and 22 UNESCO World Heritage Sites in 2024, alongside pivotal pieces from past series such as “Binary Forms,” “Extinct Birds,” and “Critically Endangered Palms of Cuba.” The exhibition also includes journal entries, sketchbooks, and art supplies from the voyage.

Modern Art Museum of Fort Worth highlights Oak Cliff artist with ‘David-Jeremiah: The Fire This Time'

The Modern Art Museum of Fort Worth is presenting 'David-Jeremiah: The Fire This Time,' a solo exhibition featuring the Oak Cliff-based multidisciplinary conceptual artist David-Jeremiah. The show, on view from August 16 to November 2, includes new polychromatic paintings from his EE (Emma Esse) series and works from his I Drive Thee tondo series, which explore themes of transcendence, ritual, and the dichotomy of beauty and violence through the motif of fire and the Lamborghini automobile. The exhibition is guest-curated by Christopher Blay, a Liberian-born American artist and curator who serves as Director of Public Programs at the National Juneteenth Museum in Fort Worth.

'Through the Veil' exhibition at Sarasota Art Museum an immersive labyrinth of mixed media hanging assemblages

Nassau-born, Atlanta-based artist Lillian Blades presents 'Through the Veil,' her first solo museum exhibition, at the Sarasota Art Museum. The show features suspended mixed-media assemblages called 'veils,' made from Plexiglas, wood, family photographs, and found objects, stitched together with a metallic knotting technique. Inspired by her mother, who was a quilter and died in childbirth, Blades creates immersive, tapestry-like works that envelop viewers and cast intricate shadows on the museum's walls and floors. The exhibition also includes earlier wall assemblages encrusted with three-dimensional materials like antique mirrors and empty picture frames.

Artist Tiff Massey's "Baby Bling" exhibit to become permanent collection at Detroit Institute of Arts

Detroit-based artist Tiff Massey's artwork "Baby Bling" (2023) has been acquired as a permanent collection piece by the Detroit Institute of Arts (DIA), following the success of her temporary exhibition "7 Mile + Livernois." The sculpture, made from steel beads, woven rope, and brass, reimagines childhood hair accessories known as "bobos" worn by Black women and girls, celebrating Black hair culture and identity. Massey, the youngest artist to have a solo exhibition at the DIA, saw her "7 Mile + Livernois" show attract over 220,000 visitors from May 2024 through May 2025. "Baby Bling" will be installed in the museum's newly reimagined Modern and Contemporary wing when it reopens in 2026.

Toledo Museum of Art exhibition to explore landscape of digital and generative art

The Toledo Museum of Art will open "Infinite Images: The Art of the Algorithm," a special exhibition curated by Julia Kaganskiy that explores digital and generative art from the 1960s to the present. The show features works created using custom software, algorithms, and machine learning models developed by the artists themselves, emphasizing rule-based systems and automation as part of the creative process. Associate Curator Paige Rozanski notes that the exhibition contextualizes generative art within a longer tradition of analog algorithmic processes, distinguishing it from AI-generated images produced by large language models like ChatGPT.

Pompidou moves in as Grand Palais reopens after £395m revamp

The Grand Palais in Paris reopens after a €466m (£395m) four-year restoration led by Chatillon Architectes, the most significant transformation since its 1900 inauguration. The building will serve as a temporary venue for the Centre Pompidou while the museum undergoes its own renovation until 2030. The project restored original sightlines, added over 40 lifts and 30 staircases, and created modular exhibition spaces to meet contemporary curatorial demands.

Holbein drawings go back on show at Kunstmuseum Basel after almost 20 years

The Kunstmuseum Basel has reinstalled a collection of extremely fragile Hans Holbein drawings in a dedicated gallery as part of a major rehang of its 14th- to 19th-century galleries. The works, mostly preparatory studies by the Northern Renaissance painter, have not been publicly displayed for nearly 20 years and are so light-sensitive that the gallery's lighting system activates only when visitors enter. The museum's director, Elena Filipovic, notes that the drawings entered the collection in 1661 and have been kept undercover since the 1980s, last appearing in a major Holbein exhibition in 2006.

More than 200 galleries are signed on for The Armory Show's next edition

The Armory Show has announced over 200 galleries for its September 2025 edition at the Javits Center in New York, including more than 135 returning exhibitors and around 55 first-time participants. New features include a design-focused sector called Function, curated by Ebony L. Haynes, and a large-scale sculpture sector Platform led by the nonprofit Souls Grown Deep. The fair will also introduce a non-profit sector and honor Silke Lindner with the Gramercy International Prize.

A Journey to Distant Memories, a solo-exhibition of works by Pennsylvania- based painter O’Neil Scott.

The Zillman Art Museum at the University of Maine in Bangor announces a new solo exhibition, "A Journey to Distant Memories," featuring works by Pennsylvania-based painter O'Neil Scott. Running from May 16 to September 6, 2025, the show includes never-before-seen paintings and some of the artist's largest compositions. Scott, born in Spanish Town, Jamaica, draws inspiration from memories of his youth, exploring themes of community, migration, and the passage of time through works such as "In Case of Emergency" and "Fading Promises." Admission to the museum is free in 2025 thanks to sponsor Birchbrook.

Chinese museum visitors accuse artist Heman Chong of ‘cyber harassment’

A group of Chinese museum visitors has filed a formal complaint against Singapore-based artist Heman Chong, accusing him of cyber harassment. The visitors allege that Chong reposted their selfies from his exhibition "The Endless Summer" at UCCA Dune on his Instagram account with captions that mocked them for narcissism and appropriating his work. The complaint cites China's portrait rights law, which prohibits using recognizable images of individuals without consent, and also accuses Chong of gender-based targeting for only reposting images of women. The visitors demand a formal apology from Chong and joint action from UCCA Dune and the Aranya resort.

Paris gallery directors join forces to launch ‘open-ended’ advisory

Two Paris-based art dealers, Samy Ghiyati and Nicolas Nahab, have launched NG, a new multi-pronged art advisory business. The venture combines traditional advisory services with a roving exhibition programme, collection management, and foundation management. Nahab previously led Mendes Wood DM’s Paris gallery and worked at Marian Goodman and Yvon Lambert; Ghiyati was a director at David Zwirner’s Paris gallery after a stint at Kamel Mennour. Their first public project will be a selling exhibition of videos by Meriem Bennani in Essaouira, Morocco, opening in December.

Fire-damaged room at Castle Howard brought back to life by meticulous restoration

The Tapestry Drawing Room at Castle Howard, a historic stately home in Yorkshire, England, has been meticulously restored after being gutted by a fire in 1940. The room, originally adorned with early 18th-century tapestries woven by John Vanderbank and based on scenes by David Teniers, was reduced to a scorched shell. Nick Howard, whose family has lived in the house for three centuries, oversaw the restoration, which involved reinstalling the original tapestries—found rolled up in the attic—after conservation by Alison Stanton. The centerpiece, a painting by Marco Ricci titled *Judgment of Paris*, and a newly built fireplace based on archival photographs complete the revival.

From Africa to the Arctic Circle, this public artwork is stampeding into cities with a cry for climate action

A mobile public artwork called *The Herds* is traveling from the Congo Basin through Africa, Europe, and up to the Arctic Circle, featuring life-sized animal sculptures made from recyclable materials. The project began in April in Kinshasa and will pass through eighteen cities including Lagos, Marrakech, Madrid, London, and Copenhagen, culminating in Trondheim, Norway on July 30. Created by South Africa-based artists and led by artistic director Amir Nizar Zuabi, the herd grows as local species are added in each region, engaging communities through parades, performances, and workshops.

Teen Artists Challenge Traditional Boundaries at Fort Worth Gallery Show

The Pool Near Southside Arts Space in Fort Worth hosted the NAMNAL Exhibition, the city's first art and AI exhibition featuring twenty-two emerging youth artists. The show, which closed May 12, was the culmination of a STEAM-based initiative called NAMNAL (New Age Media – New Age Learning), founded by Sri Lankan American artist and AP art teacher Dhananjaya “DJ” Perera. The exhibition displayed 25 core works reimagined across mediums—from sketches to 3D prints, projection mapping, and embroidery—developed in collaboration with TCU’s College of Fine Arts and UT Dallas’ Harry W. Bass Jr. School of Arts, Humanities, and Technology.

Modern and Contemporary African and Middle Eastern Art: Olympia Auctions’ Largest Sale to Date

Olympia Auctions will hold its largest-ever sale of Modern and Contemporary African and Middle Eastern Art on May 7, 2025, in London. The auction features over 100 lots including works by pioneering Nigerian artists appearing at auction for the first time, Egyptian modernists from the Zulficar collection, classic South African paintings from a major collection, and Botswanan works on paper. Highlights include a portrait of Oum Kalthoum by George Bahgoury (estimate £25,000-30,000) and satirical portraits by Kingsley Obasi. Olympia Auctions expert Janet Rady, who has led the secondary market for Middle Eastern art since 2013, curated the sale.

Water leaks into the Louvre’s Cimabue exhibition, landing close to the master’s greatest early painting

On May 3, a hailstorm caused water to leak into the Musée du Louvre in Paris, nearly damaging Cimabue's "Maestà" (1280-85), the centerpiece of the exhibition "A New Look at Cimabue: At the Origins of Italian Painting." Drops fell close to the painting, which is displayed without glass protection, and also landed on the base of a nearby sculpture by Nicola Pisano's studio. Guards initially struggled to respond, but the exhibition was closed within half an hour, and the Louvre confirmed no works were damaged.

Latter-day Saint artists ‘Lift Up the Hands Which Hang Down’ in new exhibit

The Church History Museum in Salt Lake City has unveiled 150 artworks selected for the 13th International Art Competition of The Church of Jesus Christ of Latter-day Saints, themed "Lift Up the Hands Which Hang Down" after Doctrine and Covenants 81:5. The exhibition opened on April 24, 2025, featuring works by 584 artists from 26 countries, including pieces like "Deposition" by Sarah Hawkes and "The Parable of the Gardner: The Garden of the Lord" by Pamela Salinas Bernal. Curator Laura Paulsen Howe and BYU art history professor James Swensen, a juror, highlighted how artists visualized themes of succoring the weak and strengthening others through diverse media and personal testimony.

What is it like to be a young artist in Milan today? Denise Ceragioli answers

Com’è oggi essere una giovane artista a Milano? Risponde Denise Ceragioli

The article features an interview with young Milan-based artist Denise Ceragioli, who discusses the challenges and realities of sustaining an artistic practice in the city after graduating from the Brera Academy. She details her journey of finding a studio, the evolution of her painting from figurative to highly material-based work involving wax, and the importance of building relationships within Milan's art ecosystem of institutions, galleries, and independent spaces.

A Fashion Revolution at the Met

The New York Times reports that the Metropolitan Museum of Art's Costume Institute is undergoing a major transformation, moving from its basement location to become the museum's main entrance gallery. This shift, framed as "Costume Art," elevates fashion exhibitions to a central, welcoming role within the institution, signaling a new era for the department.

In the Tech Heart of Texas, an Art Show Built on Data, Code and A.I.

The Austin Museum of Art is hosting a landmark exhibition focused on the intersection of technology and creativity, featuring works driven by real-time data, complex algorithms, and artificial intelligence. The showcase highlights interactive installations that evolve throughout the day, challenging traditional notions of static art and inviting viewers to participate in the creative process through digital engagement.

Branchport Galleries presents "The New Botanical"

Branchport Galleries in Long Branch, New Jersey, presents "The New Botanical," an exhibition curated by Ellen Martin that reimagines traditional botanical art through contemporary works by Suzan Globus, Kevin Hinkle/Ellen Martin, Daniel Sroka, and Gao Yuan. The show, on view from May 14 to June 30, 2026, features techniques such as flower-pounding, extreme close-up photography, and photo-based wall sculptures, moving away from classical precision toward essence and abstraction. An opening reception and artist talk are scheduled.

design the winter show antiques preview

New York's art, design, and philanthropic leaders gathered at the Park Avenue Armory for the Winter Show's Opening Night Preview, marking the fair's 72nd edition and honoring Caroline Kennedy. The event featured 75 international exhibitors, with co-hosts including Executive Director Helen Allen, East Side House Settlement Executive Director Daniel Diaz, Honorary Co-Chair Wendy Goodman, and designers Noz Nozawa, Ben Pentreath, Jane Keltner de Valle, Giancarlo Valle, Michael Bargo, and CULTURED Editor-in-Chief Sarah Harrelson. Attendees included fashion designer Cynthia Rowley, interior designers Reed and Delphine Krakoff, and architect Peter Marino, among others.

Between Ruins: Zazou Roddam by Ben Broome

London-based artist Zazou Roddam explores the intersection of pop culture nostalgia and historical trauma through the manipulation of found objects and archival media. Her practice, rooted in a long-standing fascination with the 'detritus of history' found in London’s Portobello Road Market, gained significant attention following her debut solo exhibition at Brunette Coleman. Central to her recent work is the video piece 'Pop Inflection (The City)', which meticulously edits footage from 'Sex and the City' to track the architectural and psychological shifts in New York City before and after the 9/11 attacks.

Diego Perrone “There’s a certain Slant of light” at Umberto Di Marino Gallery, Naples

Diego Perrone presents his first solo exhibition at Umberto Di Marino Gallery in Naples, titled "There’s a certain Slant of light." Taking its name from an Emily Dickinson poem, the show explores the concept of lateral, non-frontal light through a series of experimental works. The exhibition features Perrone’s signature technical mastery, including intricate glass sculptures and works on paper that manipulate transparency and shadow.

Jemima Wyman

Jemima Wyman's retrospective "Deep Surface" surveys three decades of her work exploring DIY aesthetics of concealment, protest iconography, and political solidarity. Born in Sydney and based in Los Angeles since 2004, Wyman is known for collages of masked protesters, activist signage, and street rally residues, as seen in works like *Aggregate Icon (RBW)* (2016) and *Mass Monument (Y & B)* (2018). The exhibition highlights her early inspiration from Fluxus, Minimalism, and Yayoi Kusama, as well as the influence of Brisbane's late-1990s art scenes and postcolonial Indigenous Australian art debates. Wyman, who has Indigenous (Palawa) heritage, uses camouflage and disguise to blur boundaries between visibility and concealment, figure and ground.

RELEASE: Christie's Spring Auction Series in New York Achieves a Combined Total of $1.79 billion - Christie's

Christie’s concluded its Spring auction series in New York with a historic total of $1.79 billion, bolstered by the landmark sale of the Peggy and David Rockefeller Collection. The two-week marathon featured high-profile evening and day sales that attracted over 85,000 visitors and bidders from 52 countries. Significant results included record-breaking prices for artists such as Kazimir Malevich, Constantin Brancusi, and Joan Mitchell, alongside major works by Francis Bacon and Vincent van Gogh.

Nara's Painting Challenges Korean Auction Record

Nara's Painting Challenges Korean Auction Record

Japanese pop art sensation Yoshitomo Nara is poised to shatter the record for the most expensive artwork ever sold at a South Korean auction. His 2016 painting 'Nothing about it,' featuring his signature wide-eyed girl, carries a pre-sale estimate of 14.7 billion to 22 billion Korean won ($11M–$16.5M USD). The work will headline Seoul Auction’s 'Contemporary Art Sale' on March 31, alongside major pieces by Yayoi Kusama and Roy Lichtenstein.