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Christie’s Situates ‘Sailor Moon’ and ‘Doraemon’ Alongside Hokusai in Its Debut Anime Sale

Christie’s has announced its first-ever auction dedicated to the intersection of anime, manga, and traditional Japanese art. Titled "Anime Starts Here: Japanese Subculture Imagines Tradition," the online sale will debut during Asia Week New York in March, featuring a curated selection that ranges from 19th-century Katsushika Hokusai woodblock prints to original production drawings from iconic series like Sailor Moon and Doraemon. Key highlights include a rare 1953 drawing by the "God of Manga" Tezuka Osamu and a print of Hokusai’s legendary "The Great Wave."

Los Angeles museums on the cusp of new golden age

Los Angeles is entering a transformative period of cultural expansion, marked by nearly $3 billion in new museum construction and institutional growth. Key projects include the imminent opening of Peter Zumthor’s $835 million expansion of the Los Angeles County Museum of Art (LACMA), the debut of Refik Anadol’s AI-focused Dataland, and the long-awaited opening of George Lucas’s $1 billion Lucas Museum of Narrative Art. These developments, alongside expansions at The Broad and The Huntington, are timed to solidify the city's infrastructure ahead of the 2028 Summer Olympics.

An Exhibition of Peter Schlesinger’s Ceramics Inaugurates a Playful New Gallery in Hollywood

Mariposa gallery has officially opened its permanent location in Hollywood’s historic Beachwood Canyon, housed in the 1923 storybook building originally built by the Hollywoodland Realty Co. Founded by Alec Smyth, a former David Zwirner staffer, and interior designer Noah Ruttenberg, the gallery moves away from the traditional 'white cube' aesthetic in favor of a cozy, domestic environment. The inaugural exhibition features a series of swan-shaped ceramic sculptures by the Los Angeles-born artist Peter Schlesinger.

David A. Ross resigns from New York's School of Visual Arts over friendship with Jeffrey Epstein

David A. Ross, chair of the Master of Fine Arts in art practice department at New York's School of Visual Arts (SVA), resigned from his position following the release of documents revealing his long-standing friendly correspondence with convicted sex offender Jeffrey Epstein. The emails, dating from 2009 to 2016, show Ross praising Epstein's ideas for controversial exhibitions and offering him personal sympathy, even after Epstein's 2008 criminal conviction.

peter zumthor's fluid concrete david geffen galleries to open at LACMA in april 2026

The Los Angeles County Museum of Art (LACMA) will open its new Peter Zumthor-designed David Geffen Galleries on April 19, 2026. The 274-meter-long concrete structure, elevated on piers over Wilshire Boulevard, will become the museum's primary home for its permanent collection, offering over 10,000 square meters of exhibition space. The project, which includes the Elaine Wynn Wing, culminates a two-decade campus transformation.

LACMA’s David Geffen Galleries Will Open on April 19, 2026

The Los Angeles County Museum of Art (LACMA) announced that its David Geffen Galleries, designed by architect Peter Zumthor, will open on April 19, 2026, with a ribbon-cutting ceremony. The opening will be followed by two weeks of priority member access and a free day for NexGenLA youth members on May 3. The 900-foot-long building spans Wilshire Boulevard and will house LACMA's permanent collection, featuring approximately 2,500 to 3,000 objects across 110,000 square feet of gallery space. The inaugural installation is organized around the Pacific, Indian, and Atlantic Oceans and the Mediterranean Sea, emphasizing cultural exchange and migration, and includes works by Georges de La Tour, Henri Matisse, Francis Bacon, Vincent van Gogh, and new commissions by artists such as Todd Gray and Lauren Halsey.

LACMA’s New Era Begins With David Geffen Galleries Opening

The Los Angeles County Museum of Art (LACMA) is preparing to open its new David Geffen Galleries in April, marking a major milestone in a two-decade transformation led by CEO and director Michael Govan. The opening coincides with the 20th anniversary of Govan's hiring and features Jeff Koons's outdoor sculpture 'Split-Rocker' as an anchor piece.

11 Must-Visit Museums Opening in 2026

The article highlights 11 major museum openings and expansions scheduled for 2026, including the Guggenheim Abu Dhabi (designed by Frank Gehry, focusing on modern and contemporary art from West Asia, North Africa, and South Asia), the New Museum in New York (reopening March 21 after a major expansion by OMA), the V&A East Museum in London (featuring a debut exhibition on Black British music history), and the Lucas Museum of Narrative Art in Los Angeles. Other notable projects include the Memphis Art Museum and the Drift Museum in Amsterdam, reflecting a global surge in cultural infrastructure.

Sotheby's, SAM, and Siong Leng: Singapore art events

Sotheby's is holding a major auction in Singapore on January 25, featuring works by Indonesian Romantic painter Raden Saleh, German painter Walter Spies, and British artist David Hockney, among others. The auction includes Raden Saleh's 'The Eruption Of Mount Merapi, By Day' (1865), expected to fetch between $700,000 and $1.3 million, and Walter Spies' 'Die Schlittschuhlaufer (The Ice Skaters)' (1922), estimated at $980,000 to $1.8 million. Concurrently, the Singapore Art Museum (SAM) is presenting 'Nafasan Bumi – An Endless Harvest' from January 16 to May 31, featuring Indonesian artists Elia Nurvista and Bagus Pandega, whose works use nickel and palm materials to explore the environmental and social impacts of Indonesia's palm oil and nickel industries.

1+1. Relational Art: at MAXXI a major exhibition reflects on the legacy of Nicolas Bourriaud's critical revolution

The MAXXI museum in Rome has opened a major exhibition titled "1+1. Relational Art," which examines the legacy of Nicolas Bourriaud's influential 1998 book "Relational Aesthetics." The show brings together works by artists from the 1990s generation—including Maurizio Cattelan, Douglas Gordon, Pierre Huyghe, Philippe Parreno, Liam Gillick, and Dominique González-Foerster—who pioneered art based on human interactions and social contexts rather than traditional autonomous objects. The exhibition reflects on how Bourriaud's theory, developed from studio visits with these young artists, redefined art criticism by proposing that artworks be judged by the interhuman relations they produce or evoke.

21 Savage and Slawn Took Over Atlanta's High Museum of Art

Rapper 21 Savage and British-Nigerian artist Olaolu Slawn (known as Slawn) took over Atlanta's High Museum of Art to celebrate the release of Savage's new album, *What Happened to the Streets?*. The exhibition featured 15 original artworks co-created by the duo, including the album's cover art inspired by Kerry James Marshall's 1980 painting “A Portrait of the Artist as a Shadow of His Former Self,” eight portraits of collaborators (Drake, Latto, G Herbo, Lil Baby, Jawan Harris, GloRilla, Metro Boomin, Young Nudy), and four additional paintings from the album's 4-CD cover art series. The event follows their Art Basel rollout, which included a 20-foot inflatable sculpture roaming Miami.

Remembering Frank Gehry, legendary architect of Guggenheim Museum Bilbao

Frank Gehry, the legendary architect who transformed the global architectural landscape with his deconstructivist style, has died in Santa Monica on 5 December. The article traces his career from his early days remodeling his own Santa Monica home—a controversial project that used corrugated metal, plywood, and chain-link fencing—to his rise as a Pritzker Prize winner and the creator of the iconic Guggenheim Museum Bilbao (1997). Gehry, born Ephraim Goldberg in Toronto in 1929, studied at the University of Southern California and Harvard before founding Frank O. Gehry & Associates in 1962, and spent over six decades championing buildings that embraced emotion and movement over cold minimalism.

Political statements at Art Basel Miami Beach are sparse but strident

At Art Basel Miami Beach, one year into Donald Trump’s second presidential administration, most galleries are avoiding overt political themes, though a few notable exceptions stand out. The most talked-about piece is Maurizio Cattelan’s marble sculpture *Bones (2025)*, a crashing eagle metaphor for the nation’s state, shown on Gagosian’s stand. Other politically charged works include Nicholas Galanin’s burned totem pole and drone-inspired rug, David Hammons’ *African American Flag (1990)*, and Tim Youd’s typewriter performance of Hunter S. Thompson’s book. Most exhibitors, however, focus on apolitical American iconography or market-driven choices.

Record $236.3m Klimt leads Sotheby’s first night of auctions in Breuer Building

Sotheby's first evening auctions in its new Manhattan headquarters, the former Whitney Museum building designed by Marcel Breuer, achieved a record total of $605.1 million ($706 million with fees) on November 18. The night was headlined by the sale of 24 works from the collection of the late billionaire Leonard Lauder, which alone brought in $456.2 million. The standout lot was Gustav Klimt's 'Bildnis Elisabeth Lederer (Portrait of Elisabeth Lederer, 1914-16)', which sold for $205 million ($236.3 million with fees) after a nearly 20-minute bidding war, becoming the second-most-expensive painting ever sold at auction. A subsequent contemporary art auction added $148.8 million ($178.5 million with fees) across 44 lots.

A gold toilet and the most expensive modern artwork ever sold at auction boost the New York market

Sotheby's New York held a landmark auction evening on November 18, 2025, featuring two headline-grabbing lots: Gustav Klimt's 'Portrait of Elisabeth Lederer' (1914-16), which sold for $236.4 million, becoming the most expensive modern artwork ever sold at auction, and Maurizio Cattelan's solid-gold toilet 'America', which sold for a disappointing $12.1 million after a single bid. The Klimt came from the collection of the late cosmetics heir Leonard Lauder, whose two-night auction total reached $527.5 million. The toilet, previously owned by investor Steve Cohen, had been commissioned when gold prices were far lower, ensuring the seller a profit regardless of the modest bidding.

Gustav Klimt's rare 'Elisabeth Lederer' painting fetches record $236.4 million - Most expensive work of mo

Gustav Klimt's rare portrait 'Elisabeth Lederer' sold for $236.4 million at Sotheby's, setting a new record as the most expensive work of modern art ever sold at auction. The painting, created in the final years of Klimt's life, narrowly survived World War II after being separated from other works destroyed in a fire at Immendorf Castle. It came from the collection of Estée Lauder heir Leonard A. Lauder, who died earlier this year. The sale also featured Maurizio Cattelan's 18-karat gold toilet 'America', which drew only a single bid and sold for $12.1 million.

Kicking off New York November sales, Christie's nets healthy $690m from double-header 20th-century auction

Christie's kicked off New York's November auction season with a double-header 20th-century evening sale on November 17, generating $574.7 million before fees and $690 million with fees. The sale featured 80 lots, including 18 from the collection of supermarket magnate Robert Weis and his wife Patricia Ross Weis, with highlights such as Pablo Picasso's *La Lecture (Marie-Thérèse)* selling for $45.4 million and Mark Rothko's *No. 31 (Yellow Stripe)* achieving $62.1 million. Two artist records were set, including for Leonor Fini, and the sale achieved a 94% sell-through rate, with 59 lots backed by third-party or house guarantees.

Christie’s $700M Night, Trump’s $7.25M Rockwell & Bonhams’ Big Names

The article reports on major auction results from Christie's, Bonhams, and other houses, including a $700 million evening sale at Christie's and a Norman Rockwell painting sold for $7.25 million linked to former President Donald Trump. It also highlights notable consignments and bidding activity from high-profile collectors and estates.

This month’s New York auctions could bring up to $2.3bn

New York's leading auction houses, including Sotheby's and Christie's, expect to generate between $1.7bn and $2.3bn during their November sales, driven by major consignments such as 55 works from the estate of Leonard Lauder and 37 works from the collection of Jay and Cindy Pritzker. Sotheby's, which has moved its headquarters into the former Whitney Museum's Breuer Building, leads the season with estimated sales of $863m to $1.175bn, featuring Gustav Klimt's Portrait of Elisabeth Lederer (estimated at $150m) and Frida Kahlo's El Sueño (La Cama) (estimated at $40m-$60m).

Greenville County Museum of Art showcases ‘At This Moment’ exhibition

The Greenville County Museum of Art (GCMA) will open “At This Moment: Portraits of South Carolina Artists” on November 12, featuring 78 photographs taken over ten months by photographer Jerry Seigel. Seigel was commissioned by GCMA’s Mark Sloan and Tom Styron to travel across the state and capture portraits of notable artists including Sigmund Abeles, Shepard Fairey, Pearl Fryar, Jonathan Green, Mary Jackson, Jasper Johns, Grainger McKoy, George Read, Brian Rutenberg, Leo Twiggs, and Mary Whyte. The exhibition runs through January 11, 2026, and will be accompanied by a book of the same title containing Seigel’s photos and biographical information on each artist.

Maurizio Cattelan’s Gold Toilet Returns to Market at Sotheby’s This November

Sotheby's has announced that an edition of Maurizio Cattelan's gold toilet sculpture "America" (2016) will be auctioned in its The Now & Contemporary Evening Auction on November 18, 2025, with a starting bid of approximately $10 million based on its 101.2-kilogram weight in gold. The work first gained fame at the Solomon R. Guggenheim Museum in New York in 2009, where over 100,000 visitors used it, and later made headlines when it was stolen from Blenheim Palace in a raid that caused structural damage and flooding. The stolen piece was never recovered and is presumed melted down, making this edition the only one in existence.

A brush with… Peter Doig—podcast

The article is a podcast interview with renowned painter Peter Doig, who discusses his upcoming exhibition "House of Music" at Serpentine South in London, running from October 10, 2025, to February 8, 2026. Doig reflects on his career, his evolving body of work informed by memory, personal photographs, art history, and music, as well as his time living in Trinidad and Canada. He delves into specific paintings in the show, his influences including Edward Burra, Henri Matisse, and Caravaggio, his collaboration with poet Derek Walcott, and the repertory cinema he founded in Port of Spain.

A Bike Path Now Runs Through the Portland Art Museum

The Portland Art Museum (PAM) is opening a new 24,000-square-foot glass structure called the Mark Rothko Pavilion on November 20, 2025. The $111 million expansion, funded almost entirely by private donations, connects the museum's two existing buildings—the original travertine building designed by Pietro Belluschi and a former Masonic temple—above ground for the first time. The pavilion is named after the artist Mark Rothko, who had his first museum exhibition at PAM in 1932 under his birth name Marcus Rothkowitz. The project was designed by Chicago firm Vinci Hamp Architects and Portland's Hennebery Eddy.

Sound and vision: artists take to the decks for Peter Doig’s Serpentine show

Peter Doig's exhibition 'House of Music' at Serpentine South in London centers on the relationship between visual art and sound, featuring paintings like 'Maracas' (2002-08) and 'Music of the Future' (2002-07) alongside a restored Western Electric/Bell Labs sound system from the late 1920s. The show includes a series of live Sunday events called 'Sound Service,' where Doig, Ed Ruscha, Arthur Jafa, and others play records, transforming the gallery into an immersive audio-visual experience.

'I want to show the real deal': property developer Rajan Bijlani on his Modernist design collection

Property developer Rajan Bijlani, based in north London, has turned his home Fonthill Pottery—formerly the residence and studio of ceramicist Emmanuel Cooper—into a showcase for his collection of 20th-century design, sculpture, and paintings. His focus is Modernist furniture, particularly works by Pierre Jeanneret, one of the architects of Chandigarh, India. Bijlani owns over 500 pieces, including Jeanneret's 1960 Dining Table and Easy Chairs (1956), as well as works by Le Corbusier and George Nakashima. He staged his first home exhibition last year featuring South Asian diaspora artists, and this year presents 'Electric Kiln,' pairing Jeanneret and Le Corbusier pieces with works by Cooper, Lucie Rie, and Frank Auerbach. Some works are for sale to fund future shows, including a Japan-themed exhibition and one timed to London Gallery Weekend.

Mary Boone Stages a Triumphant Return With the Art Titans of 1980s New York

Mary Boone has co-curated "Downtown/Uptown: New York in the Eighties" at Lévy Gorvy Dayan in New York, a sprawling exhibition of over 60 works by artists who defined the 1980s art scene, including Andy Warhol, Jean-Michel Basquiat, Keith Haring, Cindy Sherman, and Julian Schnabel. The show, running until December 13, 2025, features Warhol's portraits of Boone's former stable of artists and highlights the cross-pollination of Neo-Expressionism, street art, and political critique that made New York the epicenter of the art world.

Kerry James Marshall, National Gallery expansion, Picasso’s Three Dancers—podcast

This podcast episode from The Art Newspaper covers three major art stories. Ben Luke tours Kerry James Marshall's retrospective 'The Histories' at the Royal Academy of Arts in London—the largest European survey of the US artist's work—with curator Mark Godfrey, and visits a related exhibition of Marshall's graphic novel 'Rythm Mastr' at The Tabernacle in Notting Hill. The National Gallery in London announces a £400m expansion called Project Domani, the largest transformation in its 200-year history, with £375m already raised, and a shift in its collecting boundary beyond 1900. Finally, Tate Modern's centenary exhibition 'Theatre Picasso' centers on Pablo Picasso's 'The Three Dancers' (1925), discussed with co-curator Natalia Sidlina and designer Enrique Fuenteblanca.

Agnes Gund, collector and philanthropist who helped transform MoMA, has died, aged 87

Agnes Gund, the influential American arts philanthropist and collector, has died at age 87. Gund was a transformative figure at the Museum of Modern Art (MoMA) in New York, serving on its board from 1976, as president from 1991 to 2002, and later as president emerita. She helped raise funds for MoMA's $858m expansion, donated around 100 works to the museum, and pushed for acquisitions of women and artists of color. Beyond MoMA, she founded Studio in a School in 1977 to bring art education to New York City public schools and co-chaired a Sotheby's auction to support Miss Porter's School. Her death was first reported by The New York Times; she is survived by four children.

How the Studio Museum in Harlem Reshaped the Art World

The Studio Museum in Harlem, founded in 1968 in a rented loft above a liquor store, will open its first purpose-built 82,000-square-foot building on West 125th Street this fall, following a landmark $300 million capital campaign led by director and chief curator Thelma Golden. Designed by Adjaye Associates with Cooper Robertson, the new facility doubles the exhibition and studio space and includes dedicated areas for performance, education, and public programs. The museum, which has operated without a permanent space since 2018, has been a pioneering platform for artists of African descent, launching the careers of figures like David Hammons, Kerry James Marshall, Glenn Ligon, and Simone Leigh through its groundbreaking exhibitions and artist-in-residence program.

Portland Art Museum announces major gift to endow Museum’s top position from Portland’s “First Family of the Arts”

The Portland Art Museum announced a $13.5 million gift from the late Arlene Schnitzer and the Schnitzer family, the largest individual donation in the museum's 132-year history. The endowment names the museum's director position, currently held by Brian Ferriso, as the Arlene & Harold Schnitzer Director. The Schnitzers, known as Portland's 'First Family of the Arts,' have supported the museum for nearly half a century through acquisitions, exhibitions, capital campaigns, and the creation of the Arlene and Harold Schnitzer Center for Northwest Art and the Schnitzer Sculpture Court. The gift is part of the museum's Connection Campaign, which will culminate in a transformed campus opening November 20.