frieze launches new seoul space

Frieze has announced the launch of Frieze House Seoul, a year-round exhibition and project space in the Yaksu-dong neighborhood, set to open alongside the fourth edition of Frieze Seoul from September 3 to 6, 2025. Housed in a four-story building dating from 1988, the venue will host short-term gallery residencies, special projects, and curated exhibitions beyond the fair dates, and features a permanent site-specific installation by SANAA founders Kazuyo Sejima and Ryue Nishizawa. The news comes as Frieze works to extend its five-year partnership with Kiaf, the fair run by the Galleries Association of Korea, which began in 2022 and is set to expire in 2026.

martine poppe taps a classic nordic fairytale for her magical landscapes

Norwegian artist Martine Poppe has opened a new solo exhibition titled "East of the Sun West of the Moon" at Kristin Hjellegjerde Gallery in London. The show draws on a classic Nordic fairytale as a conceptual starting point, blending memory, nature, and landscape painting. Poppe uses photographs taken over the past decade as source material, transforming them into atmospheric compositions that blur the line between reality and fiction. The exhibition explores themes of freedom, distance, and the mystical wildness of the natural world, inspired by both her childhood experiences and influences from Japanese woodblock prints and 19th- and 20th-century Western artists.

suki seokyeong kang dead

Suki Seokyeong Kang, a South Korean artist known for blending traditional Korean heritage with contemporary abstract forms, died on Sunday at age 47 (48 in Korean reckoning) after a battle with cancer. Her New York representative, Tina Kim Gallery, confirmed the cause. Kang's work spanned painting, textiles, sculpture, and installation, often incorporating postminimalist structures, craft techniques, and industrial materials. Notable series include her precarious "Grandmother Tower" sculptures and "Mountain" pieces made from curved steel and thread. She was born in Seoul in 1977, studied at Ewha Womans University and the Royal College of Art in London, and later became a professor of painting.

suki seokyeong kang sculptor dead

Suki Seokyeong Kang, a Korean sculptor known for reimagining traditional Korean artistic forms in contemporary sculpture, died on Sunday at age 48 after a years-long battle with cancer. Her passing was announced by Seoul’s Kukje Gallery and her New York representative, Tina Kim Gallery. Kang’s work drew from centuries-old practices such as Joseon Dynasty painting and 600-year-old musical notation, translating them into highly conceptual, visually seductive sculptures that appeared in biennials worldwide, including Gwangju and Venice, and in museum surveys such as a 2023 show at Seoul’s Leeum Museum of Art. At the time of her death, her largest-ever US exhibition was on view at the Museum of Contemporary Art Denver, featuring her "Mountain" series inspired by the traditional Korean style si-seo-hwa.

design stella ishii new york interiors

Designer Stella Ishii, co-owner of fashion showroom the NEWS and founder of label 6397, discusses her SoHo loft and the neighborhood's artistic legacy in an interview with curator Clarissa Dalrymple. Ishii, who moved from Japan to New York in the 1990s after working with Comme des Garçons founder Rei Kawakubo, bought a 3,000-square-foot cast-iron loft with her artist husband Jerry Kamitaki in 1997, preserving a rare artist-priced property in a rapidly gentrifying area. The conversation touches on SoHo's transformation from an artist haven—home to figures like Gordon Matta-Clark, Donald Judd, Joan Jonas, and gallerist Paula Cooper—to a commercial district, as well as Ishii's collecting habits and the loft's role as a creative space for performances and guests.

The Louvre changes: the project chosen to steer the museum into its new Renaissance

Il Louvre cambia: scelto il progetto che traghetterà il museo nel suo nuovo Rinascimento

The Louvre has announced the winners of its "Nouvelle Renaissance" competition, selecting a team led by STUDIOS Architecture Paris, with Selldorf Architects for museography and BASE Landscape Architecture for landscaping. The jury, chaired by Marc Guillaume and composed of 21 experts, chose this proposal from five finalists for its respectful and contemporary approach, which elegantly connects the city, the palace, and the museum while improving visitor flow and security. The project addresses urgent needs including new underground entrances, a dedicated space for Leonardo da Vinci's Mona Lisa, enhanced circulation, and green spaces, following a period of difficulty for the museum including a high-profile theft in October.

Mario Schifano in mostra a Roma, non solo a Palazzo delle Esposizioni. Alla Galleria Lombardi il pittore che sapeva osservare

A major retrospective of Mario Schifano (1934–1998) continues at Palazzo delle Esposizioni in Rome through May 27, showcasing over 100 works from his entire career—from early informal and material pieces to the first monochromes of the 1960s, TV Landscapes, oversized 1980s paintings, and 1990s works. Concurrently, a smaller exhibition titled "Mario Schifano | Io guardo" is on view until May 16, 2026, at Galleria Lombardi in Rome. Curated by Lorenzo and Enrico Lombardi, it features about twenty works spanning thirty years of the artist's activity, including monochromes, advertising signs, anemical landscapes, the Futurism revisited cycle, equestrian paintings, and chromatic materials of the 1990s. The show is accompanied by a catalog with a critical text by Silvia Pegoraro.

Ayan Farah and Asmaa Jama on Representing Somalia at the 61st Venice Biennale

Ayan Farah and Asmaa Jama, two of the three artists representing Somalia at the 61st Venice Biennale (2026), discuss their plans for the national pavilion in an interview with ArtReview. Farah will present an installation of large-scale embroidered landscape paintings using clay pigment sourced from Somalia and shell-derived pigment from Scotland, alongside silk paintings exploring time and nature. Jama will focus on the Somali poetry form saddexleey, creating a sensorial experience through moving image, installation, and visual artworks that draw on magical realism and cinematic surrealism. The pavilion is located in the Palazzo Caboto, and the third representative is poet Warsan Shire.

The Hole Gallery Sued Over Unpaid Back Rent

The Hole, a prominent contemporary art gallery founded by Kathy Grayson, has shuttered its West Hollywood location amid a wave of legal and financial troubles. Court filings reveal that the gallery faces multiple lawsuits for unpaid rent and real estate taxes across its Los Angeles and Manhattan outposts, with debts totaling over $180,000. Beyond real estate disputes, the gallery has been dogged by allegations of financial instability and delinquent payments to artists, including a 2019 lawsuit from artist Dan Lam regarding unpaid sales and damaged works.

A New Landmark Survey Aims to Bring Transparency to Museum Collecting Practices

The Penn Cultural Heritage Center (PennCHC) at the University of Pennsylvania's Penn Museum will launch the National Survey of Museum Collecting Practices on May 20, running through August 20. This first-of-its-kind survey, part of the Museums: Missions and Acquisitions Project (M2A Project), will collect data on acquisitions, deaccessions, loans, provenance research, and policies from U.S. nonprofit museums and libraries. Results will be published in 2027, with only generalized insights to maintain anonymity.

victoria albert museum first youtube video ever

The Victoria & Albert Museum has acquired the first-ever YouTube video, "Me at the zoo," along with the platform's original 2006 front-end code and early advertisements. The 19-second clip, featuring co-founder Jawed Karim at the San Diego Zoo, has been integrated into a reconstructed version of the site’s early "watch page" through a collaboration between museum curators and YouTube’s design team. The installation is now on view at V&A South Kensington and the V&A East Storehouse.

gallery climate coalition carbon five year report

The Gallery Climate Coalition (GCC), a London-based organization with 2,000 members across 60 countries, released a report titled "Five-Year Review of Climate Action in the Visual Arts" during London Art+Climate Week, timed with the UN climate summit Cop30 in Brazil. The report reveals that 80 percent of members who began tracking their carbon footprint in 2019 have reduced their impact by 25 percent, and are on track to cut emissions by 50 percent by 2030. Key sources of emissions include shipping, air travel, and energy use, accounting for 80 to 95 percent of members' carbon output. Christie's London, which hosted a launch event, reported a 69 percent reduction in emissions from 2019 to 2024 through renewable energy and reduced catalog publishing.

men guilty forging selling fake royal furniture versailles

An antiques expert and a cabinet maker have been found guilty of forging and selling nine imitation 18th-century armchairs that they falsely claimed belonged to French royalty, including Marie Antoinette. Georges "Bill" Pallot, a leading furniture expert, and Bruno Desnoues, a former Versailles restorer, sold the fakes through Paris galleries and Sotheby's to the Château of Versailles and private collectors, including Qatari Prince Tamim ibn Hamad Al Thani and an Hermès family heir. Pallot was sentenced to four years in prison (44 months suspended), fined €200,000, and banned from working as an expert for five years; Desnoues received three years (32 months suspended) and a €100,000 fine. Both must pay €1.6 million in indemnities. The gallery Laurent Kraemer was acquitted, with the court ruling it was also a victim.

Iris van Herpen’s New Retrospective Transcends Time, Space, and the Senses

The article covers the opening of "Iris van Herpen: Sculpting the Senses," a midcareer retrospective at the Brooklyn Museum featuring over 140 haute couture creations by Dutch designer Iris van Herpen. The exhibition, curated by Matthew Yokobosky and Imani Williford, places van Herpen's work alongside scientific and natural inspirations, including a 180 million-year-old fossil, and includes a reconstructed version of her atelier with interactive elements. The show originated at the Musée des Arts Décoratifs in Paris in 2023 and has traveled globally.

Art Basel Hong Kong 2026: Where The World Comes To See

Art Basel Hong Kong 2026 returned to the Hong Kong Convention and Exhibition Centre from March 25–27, featuring 240 galleries from 42 countries and territories. The 13th edition introduced new sectors including Echoes, dedicated to works made within the past five years, and Zero 10, a digital art initiative making its Asia debut. The fair also transformed its Encounters sector with a collective curatorial framework based on the Five Elements, led by Mami Kataoka and three other Asia-based curators. Robb Report India covered the event through the perspectives of Indian artists Siddharth Kerkar and Jayesh Sachdev.

Playinghouse Presented the Téte-a-Téte Exhibition at MDW 2026

Playinghouse, an emergent New York art and design platform, presented the group exhibition "téte-a-téte" at two locations during Milan Design Week 2026: Villa Pestarini and Certosa District. Curated by Margherita Dosi Delfini, assistant curator at the Design Museum, the show featured site-responsive works by independent talents including Anna Dawson, Romain Basile Petrot, Caleb Engstrom, Liyang Zhang, Atelier Fomenta, Maha Alavi, and Francesco Rosati. The exhibition emphasized contextualized domestic settings over sterile white cubes, with pieces in eggshell, glass, rubber, and metals that responded to each venue's architectural history.

Kevin Troyano Cuturi On Building A Singapore Art Gallery With Global Reach

Kevin Troyano Cuturi, raised on museum visits across Europe and trained in physics and finance, founded Cuturi Gallery in Singapore after co-founding Mazel Gallery in 2017. The gallery now operates a Paris outpost in the former Didier Ludot boutique and runs a discoveries platform for emerging artists, a residency program hosting over 20 artists, and has nurtured Singaporean talents like Aisha Rosli and Faris Heizer.

And We Shall Go Through Their Hills Without Much Delay

This article documents three journeys into and out of Yunnan, China, spanning from 1874 to 2023. It begins with British interpreter Augustus Raymond Margary's failed colonial expedition to establish a trade route, which ended in his violent death and contributed to unequal treaties opening Southwest China. It then follows a Naxi student named Xueshan in 1937, whose railway journey introduced modern timekeeping to the region, and finally describes the construction of the Burma Road, a critical WWII supply route. The narrative concludes with the artist Cheng Xinhao retracing these routes on foot from Kunming toward Burma over a year and a half, reflecting on history, bodily experience, and the layers of infrastructure that have reshaped the landscape.

Exhibition | Kimiyo Mishima, 'FRAGILE' at Nonaka-Hill, Los Angeles, United States

This article profiles Japanese artist Kimiyo Mishima, whose ceramic sculptures meticulously replicate discarded newspapers, cans, and other trash. Mishima, who died recently, began her career with painting and collage before pioneering a technique in 1971 of silk-screening and painting thin clay sheets rolled with an udon noodle roller to create fragile, lifelike sculptures of garbage. Her work was shaped by her experience growing up in postwar Osaka and her revulsion at consumer culture's disposable nature, leading her to collect trash from the streets of New York and Paris during artist grants.

How MEGA Art Fair Became Milan Art Week’s Social Club

MEGA Art Fair held its third edition in Milan, transforming a former perfume factory into a social and exhibition hub during Milan Art Week and Design Week. The fair, which ran from midday to midnight over an extended period, positioned itself as an alternative to traditional art fairs by prioritizing relaxed social connection, community engagement, and public programming over a purely commercial atmosphere.

Perfectly unusual settings for art in Los Angeles

Los Angeles is experiencing a surge in non-traditional exhibition spaces that bypass the conventional 'white cube' gallery model. Artists and curators are repurposing domestic apartments, former Vietnamese restaurants, vacant lots, and garages to host experimental shows. Notable examples include Greg Jenkins’s Paramount-Artcraft in the Fairfax District, Ian James’s Leroy’s in Chinatown, and David Horvitz’s 7th Ave Garden, which utilizes salvaged concrete from the Los Angeles County Museum of Art to create an outdoor installation and reading space.

Proud Moment! Ken Nwadiogbu Wins the 2026 Young Generation Art Award in Berlin

Nigerian-born, London-based artist Ken Nwadiogbu has been named the winner of the 2026 Young Generation Art Award. Selected from a pool of nearly 400 applicants, Nwadiogbu received the honor at a ceremony in Berlin hosted by Degussa in partnership with Monopol magazine. The prestigious prize includes a €10,000 cash award, a solo exhibition at Frieze London 2026, and a year-long international traveling exhibition.

In 2025, new ‘independent and nimble’ art fairs began redrawing the market map

In 2025, several established art fairs were cancelled or postponed, including the Art Dealers Association of America's Art Show in Manhattan, Taipei Dangdai, Photofairs Hong Kong, and the India Art Fair's Mumbai expo. Amid these retrenchments, a wave of smaller, alternative art fairs emerged in cities like New York, Paris, and the Berkshires, organized by gallerists and curators seeking new formulas focused on coalition, affordability, and intimacy. Examples include Esther in Manhattan (co-founded by Margot Samel and Olga Temnikova), the Arrival Art Fair in North Adams (co-founded by Yng-Ru Chen, Crystalle Lacouture, and Sarah Galender Meyer), 7 rue Froissart in Paris (organized by Sara Maria Salamone and Brigitte Mulholland), and Post-Fair in Santa Monica (founded by Chris Sharp).

How Artist Uman Channeled a Turbulent Year Into Calm Abstraction

Artist Uman opened her first solo museum exhibition in the United States, titled “After all the things…,” at the Aldrich Contemporary Art Museum in Connecticut. In an interview, she discusses her initial reluctance to enter the institutional world, preferring to focus on commercial success, but found the right partnership with chief curator Amy Smith-Stewart. The show features large paintings, a video, and works that blend landscape with abstraction, reflecting her life in upstate New York and a turbulent year transformed into calm, internal peace.

Exhibition | Emily Kam Kngwarray, 'My Country' at Pace Gallery, London, United Kingdom

Pace Gallery in London is presenting 'My Country,' the first solo exhibition of works by renowned Australian artist Emily Kam Kngwarray in the UK, in collaboration with D’Lan Contemporary. Running from June 6 to August 8, the show traces Kngwarray's artistic evolution from early organic forms to vibrant dot-filled color fields and minimalist compositions, coinciding with a major survey at Tate Modern opening in July. The exhibition includes historical and contemporary batiks by artists inspired by her pioneering practice, alongside key paintings such as 'Harmony of Spring' (1990) and 'Desert Storm' (1992).

Art Around Town

This article is a roundup of current and upcoming art exhibitions and events in and around Athens, Georgia, published under the title 'Art Around Town.' It lists shows at numerous venues including ATHICA@CINÉ Gallery, the Georgia Museum of Art, Lyndon House Arts Center, and others, featuring artists such as Greg Benson, Jon Swindler, Beverly Buchanan, and Rachel B. Hayes. Exhibits range from landscape works and Civil War-era illustrations to installations exploring bathrooms, cosmic themes, and discarded objects, with many running through May, June, or later in 2025.

The Must-See Biennale Exhibitions in Venice

The 61st International Art Exhibition of La Biennale di Venezia, titled "In Minor Keys," opens May 9 as a tribute to its late curator Koyo Kouoh. Alongside the Biennale, Venice hosts numerous concurrent exhibitions: Marina Abramović's "Transforming Energy" at Gallerie dell'Accademia (the only living female artist with a major show there); the Matthew Wong Foundation's inaugural exhibition "Interiors" featuring unseen works by the late Chinese Canadian artist; retrospectives of Michael Armitage at Palazzo Grassi and Lorna Simpson at Punta della Dogana; Hernan Bas's new paintings at Ca' Pesaro; Lu Yang's "DOKU The Illusion" at Espaces Louis Vuitton Venezia; and "Minimal Legends" at the Vincenzo de Cotiis Foundation, staging a dialogue among Minimalist masters.

Welcome to Venice: the shows you won’t want to miss at the 61st Biennale

The 61st Venice Biennale, titled "In Minor Keys," opens with a keynote exhibition conceived by the late Koyo Kouoh and realized by her team after her sudden death in May 2025. The show spans the Central Pavilion in the Giardini and the Arsenale, featuring 110 artists and collectives. Highlights include Bracha L. Ettinger's installation at the Hotel Metropole, where she transforms a room where Sigmund Freud wrote part of *The Interpretation of Dreams* into a feminist 'borderspace,' and works by artists such as Arthur Jafa, Richard Prince, Issa Samb, Beverly Buchanan, and Daniel Lind-Ramos. The exhibition explores themes of history, colonialism, war, and environmental destruction, aiming for a 'sotto voce' tone that nonetheless delivers powerful, liberating statements.

This Liminal Moment

The article reviews the exhibition "MONUMENTS" at the Geffen Contemporary at MOCA and the Brick in Los Angeles, which addresses the legacy of Confederate monuments through contemporary art. It highlights Cauleen Smith's installation "The Warden" (2025), which features a live-feed of the decommissioned Confederate sculpture "Vindicatrix" (also known as "Miss Confederacy") by Edward V. Valentine, originally atop the Jefferson Davis Memorial in Richmond, Virginia. The exhibition is curated by Hamza Walker, Kara Walker, and Bennett Simpson.

At a Los Angeles exhibition, contemporary artists face off with decommissioned Confederate statues

The exhibition "Monuments" opens on 23 October in Los Angeles, co-curated by Hamza Walker, Bennett Simpson, and artist Kara Walker, and staged at both the Museum of Contemporary Art, Los Angeles (MOCA) and the Brick. It features nearly 20 decommissioned Confederate statues—including the melted-down Robert E. Lee monument from Charlottesville—displayed alongside contemporary works by artists such as Leonardo Drew, Martin Puryear, Nona Faustine, Kahlil Robert Irving, Bethany Collins, and Walter Price. The show was inspired by the 2017 Unite the Right rally and the subsequent removal of dozens of monuments across the US.