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Never-before-seen landscape photos on display at Denver Art Museum

The Denver Art Museum has opened a new photography exhibition titled "What We've Been Up To: Landscape," featuring works acquired over the past 17 years that have never been publicly displayed before. The show, curated by the museum's photography department (established in 2008), includes a range of landscape photographs from historic images by Ansel Adams, Marion Post Wolcott, and William Henry Jackson to contemporary works by artists such as Abelardo Morell, Meghann Riepenhoff, and Steve Fitch. The exhibition occupies a few rooms on the sixth floor of the Martin Building and highlights the museum's recent acquisitions in photography.

Art brings ideas about ocean to landlocked place

The Spencer Museum of Art at the University of Kansas has opened "Soundings: Making Culture at Sea," an exhibition exploring connections to the ocean from the landlocked state of Kansas. Curated by Emily Casey and Celka Straughn, the show runs through December 14 and features works from the museum's collection, including a Winslow Homer watercolor, a carved wooden mermaid, and photographs of Greenland glaciers, alongside a video by Isaac Julien. The exhibition is organized into four sections covering maps, ocean crossings, ecological threats, and maritime trade.

This Week at LACMA

LACMA announces a week of programming from August 18–24, headlined by the opening of *Now Showing: Youssef Nabil’s I Saved My Belly Dancer*, an exhibition featuring the artist’s 2015 video starring Tahar Rahim and Salma Hayek, alongside related photographs and Egyptian movie posters. Member previews run August 21–23 before the public opening on August 24. Other highlights include a mindful evening with Buddhist art tied to the ongoing exhibition *Realms of the Dharma: Buddhist Art Across Asia*, plus concerts, workshops, and family programs.

Petala Ironcloud

Petala Ironcloud, a contemporary artist known for her multimedia works exploring Indigenous identity and environmental themes, has been announced as the subject of a major solo exhibition at a prominent museum. The show, scheduled to open next year, will feature a new series of sculptures and installations that draw on her Native American heritage and address issues of land rights and cultural preservation.

National Museum of Asian Art Presents “Korean Treasures: Collected, Cherished, Shared”

The Smithsonian's National Museum of Asian Art will present "Korean Treasures: Collected, Cherished, Shared" from November 8, 2025 to February 1, 2026, marking the first U.S. exhibition of masterpieces from the Lee Kun-Hee Collection. Featuring over 200 works including a dozen Korean National Treasures, the exhibition spans 1,500 years of Korean art—from ancient Buddhist sculptures and ceramics to Joseon dynasty furnishings and 20th-century modern paintings. The collection, donated to the Republic of Korea in 2021 by the family of the late Samsung Chairman Lee Kun-Hee, comprises more than 23,000 works accumulated over 70 years. The exhibition is co-organized by the Art Institute of Chicago, the National Museum of Korea, and the National Museum of Modern and Contemporary Art, Korea, with additional loans from the Leeum Museum of Art shown exclusively in Washington, D.C.

Preston Park Museum's new exhibition space to open with host of exciting exhibitions celebrating the railway

Preston Park Museum is opening a new multi-million pound exhibition space in 2025 with a series of railway-themed exhibitions called 'Tracks of Change', part of the S&DR200 festival celebrating the bicentenary of the Stockton and Darlington Railway. Highlights include 'Corridors', a suspended floral installation by internationally acclaimed artist Rebecca Louise Law; 'All Aboard', an interactive playscape for children; 'Gateway to the World', a collection of nationally significant paintings; and 'Perfume', a light-and-sound installation by visual artist Yann Nguema. All exhibitions will be free with museum admission.

Museums in New York and Los Angeles receive collection of 63 Modern works

The Henry and Rose Pearlman Foundation has announced the distribution of its 63-work collection of Impressionist, Post-Impressionist, and modern art among three major US museums: the Brooklyn Museum (29 works), the Los Angeles County Museum of Art (LACMA, 6 works), and the Museum of Modern Art (MoMA, 28 works). The collection includes pieces by Chaïm Soutine, Edgar Degas, Amedeo Modigliani, Vincent van Gogh, Édouard Manet, and Paul Cézanne. The foundation, established in the 1950s by Brooklyn-born businessman Henry Pearlman and his wife Rose, had long-term loans to the Princeton University Art Museum and organized traveling exhibitions before deciding to permanently place the remaining works.

Cranbrook Art Museum's "Eventually Everything Connects" Is Mid-Century Modern Design History

Cranbrook Art Museum has opened a new design exhibition titled “Eventually Everything Connects: Mid-Century Modern Design in the United States,” showcasing over 200 works by nearly 100 designers, including Harry Bertoia, Florence Knoll Bassett, and Charles and Ray Eames. The show draws from the museum's extensive collection of mid-century modern artifacts—furniture, textiles, ceramics, lighting, and graphic design—spanning 1945 to 1970, and is curated by director Andrew Satake Blauvelt and MillerKnoll Curatorial Fellow Bridget Bartal.

Buffalo AKG Art Museum's new 'Northern Lights' exhibit brings Arctic landscapes to Buffalo

The Buffalo AKG Art Museum has opened a new exhibition titled 'Northern Lights,' featuring over 70 paintings of Nordic and Canadian landscapes created between 1880 and 1930. The show includes works by Edvard Munch, best known for 'The Scream,' and was curated by Helga Christoffersen. The exhibition opened on a First Friday with pay-as-you-wish admission and will run through January 2026. Consuls general of Canada and Finland joined museum staff at a press conference to highlight the cross-border significance of the collection.

Fancy a date at the Tate? London galleries are staying open later to fuel surging Gen Z interest

Tate Modern will resume regular late-night openings until 9pm every Friday and Saturday starting September 26, responding to a surge in younger visitors. The decision follows a record-breaking 25th birthday weekend in May, where 70% of the 76,000 attendees were under 35. The gallery has also run monthly Tate Late events since 2016, and the new extended hours aim to make the museum more accessible for working people and cash-strapped Gen Zers, offering free cultural date nights. Other London institutions like the National Gallery, V&A, and British Museum have similarly reinstated late hours post-pandemic.

Roaring: Art, Fashion, and the Automobile in France, 1918–1939

The Saint Louis Art Museum is presenting "Roaring: Art, Fashion, and the Automobile in France, 1918–1939," a major exhibition on view from April 12 to July 27, 2025. Curated by Genevieve Cortinovis, the show brings together automobiles, haute couture, painting, sculpture, photography, film, and decorative arts to explore the intertwined evolution of fashion and car design in early 20th-century France. Highlights include a 1917 painting by Henri Matisse depicting the view from his Renault, juxtapositions of Alfa Romeo and Citroën logos with works by Piet Mondrian and Charles Loupot, and a c. 1927 dress by Suzanne Talbot inspired by Tutankhamun's funerary mask. The exhibition draws heavily from local and midwestern collections, including the Missouri Historical Society.

London’s Tate Modern will stay open later on Fridays and Saturdays

Tate Modern in London will extend its opening hours on Fridays and Saturdays to 9pm starting September 26, following record attendance by young visitors at its Tate Lates events in 2025. The museum reported that 76,000 people visited over its 25th birthday weekend in May, with 70 percent under 35, prompting the decision to offer later access to free collections and paid exhibitions.

American Museum of Natural History announces free admission for low-income New Yorkers

The American Museum of Natural History (AMNH) in New York City has launched the Discoverer program, offering free admission and educational programming to low-income New Yorkers who receive Supplemental Nutrition Assistance Program (SNAP) benefits. The program, developed with NYC's Department of Cultural Affairs and Human Resources Administration, allows SNAP beneficiaries to bring up to four guests and reserve advance tickets online, with membership renewable annually. Nearly 1.8 million city residents rely on SNAP, and the initiative aims to remove financial barriers to museum access.

The new era of fashion’s art exhibitions

LACMA's upcoming David Geffen Galleries, opening in 2026, will feature over 130 costumes and textiles in its inaugural installations—more than any other time since the museum opened in 1965. The museum also plans exhibitions such as 'Fashioning Chinese Women: Empire to Modernity' (with mannequins by Jason Wu) and 'Fashioning Fashion' (1900–2025). Other major fashion exhibitions include 'Virgil Abloh: The Codes' at Paris's Grand Palais, 'Westwood Kawakubo' at the National Gallery of Victoria, and 'Schiaparelli: Fashion Becomes Art' at London's V&A. The article notes that fashion exhibitions are increasingly popular and profitable for museums, citing the Met's Costume Institute and its record-breaking Met Gala fundraising.

National Museum of African Art

The article is a visitor's guide to the Smithsonian's National Museum of African Art in Washington, D.C., describing its hidden, underground location behind the Smithsonian Castle and its extensive collection of ancient and modern African art. It highlights specific works on display, including a mixed media piece by Mary Sibande titled *Sophie-Merica* (2009), a sculpture by Ghada Amer titled *The Blue Bra Girls* (2012), and *Untitled* (2009) by El Anatsui, along with numerous masks, textiles, and photography exhibits by artists such as Lalla Essaydi.

Allegory and Abstraction: Selections from the Department of Drawings and Prints

The Metropolitan Museum of Art's Department of Drawings and Prints has installed a new rotation in the Robert Wood Johnson, Jr. Gallery titled "Allegory and Abstraction." The exhibition features up to 100 works on paper, including Henri Matisse's 1947 series "Jazz," Louise Bourgeois's "He Disappeared into Complete Silence" (1947), and watercolors by J.M.W. Turner and Thomas Girtin marking the 250th anniversary of their births. The show explores how artists embed complex meanings through symbols (allegory) or through line, color, and pattern (abstraction).

Bill Viola’s complete moving-image works and a William Dobson self-portrait: the latest museum acquisitions

Tate and the National Portrait Gallery in London have jointly acquired William Dobson's rare self-portrait (circa 1635-40) for £2.4 million, supported by the National Lottery Heritage Fund. The painting will debut at Tate Britain in November before touring the UK. Separately, the George Eastman Museum in Rochester, New York, will digitize the complete moving-image works of Bill Viola, following a donation of over 200 works by the Viola-Perov Trust. Crystal Bridges Museum of American Art has acquired a monumental Tiffany Studios stained-glass window by Agnes F. Northrop, originally installed in a San Antonio chapel, for its campus expansion opening in 2026.

Exhibition at The Met Highlights Role of Photography in Cross-Dressing Community in 1960s New York

The Metropolitan Museum of Art's exhibition "Casa Susanna," on view from July 21, 2025 to January 25, 2026, brings together approximately 160 photographs and publications created by and for a community of cross-dressers who gathered in New York City and the Catskills Mountains during the 1960s. The works, discovered at a Manhattan flea market in 2004, document safe spaces provided by Susanna Valenti and Marie Tornell at two modest resorts, where guests used cameras—especially Polaroids—to affirm their femme identities and connect a nationwide community. The exhibition is organized by the Art Gallery of Ontario and Les Rencontres d’Arles in collaboration with The Met, and includes collections from the Art Gallery of Ontario, artist Cindy Sherman, and donor Betsy Wollheim.

Frye Art Museum opens three new summer exhibitions

The Frye Art Museum in Seattle has opened three new summer exhibitions: Hugh Hayden's 'American Vernacular,' Jamie Wyeth's 'Unsettled,' and the latest installment of the 'Boren Banner Series' featuring photography by Tarrah Krajnak. The exhibitions were launched with a summer reception on July 11. Krajnak's banner, which blends performance, art, and photography, is displayed on the museum's exterior wall until Sept. 28. Wyeth's indoor exhibit includes paintings and sculptures, notably pieces from his 'Screen Door Sequence,' and runs until Oct. 5. Hayden's show, a collection of mixed-media sculptures organized into thematic spaces like the nursery and the gym, is on view until Sept. 28.

Mexico City’s Museo Dolores Olmedo to reopen in 2026 amid controversy

Museo Dolores Olmedo in Mexico City, home to the largest collection of works by Frida Kahlo and Diego Rivera, has announced it will reopen in 2026 after being closed since 2020 due to the Covid-19 pandemic. The announcement follows years of uncertainty, including a controversial 2021 proposal to relocate the collection to Chapultepec’s Parque Aztlán, which contradicts the founder’s wish that the art remain at the original site, La Noria Hacienda in Xochimilco. The museum is now run by Dolores Phillips, granddaughter of founder Dolores Olmedo, who has faced criticism over plans for a 40-year loan of the collection to Aztlán.

Avignon becomes artist Jean-Michel Othoniel's gallery in his biggest ever exhibition

French artist Jean-Michel Othoniel has mounted his largest-ever exhibition across the city of Avignon, installing 270 artworks—140 of them new—in 10 locations including the Palais des Papes, city museums, public courtyards, building facades, and the medieval St Bénezet bridge. The show, commissioned to mark Avignon’s 25th anniversary as European Capital of Culture and 30th year as a UNESCO World Heritage site in 2025, took nearly six weeks to install and involved a team of hundreds, including glassblowers, metalworkers, gilders, and dancers. Othoniel took the 14th-century Italian poet Petrarch as his thematic starting point, exploring different facets of love across the venues.

Christie’s celebrates the late Syrian artist Marwan with non-selling London show

Christie’s is presenting a non-selling exhibition titled "Marwan: A Soul in Exile" at its London headquarters this summer, featuring over 150 works by the late Syrian artist Marwan (1934-2016). The show draws from major private and institutional collections including the Barjeel Art Foundation, the Ramzi and Saeda Dalloul Art Foundation, the Pinault Collection, and the Berlinische Galerie. This marks Christie’s third such non-selling exhibition of Arab art in London over the past three summers, following shows focused on Arab artists from the Barjeel collection and Saudi artist Ahmed Mater. The exhibition coincides with Christie’s 25th anniversary in the UAE and a broader surge in the Middle Eastern art market, including a recent white-glove sale for its online Modern and contemporary Middle Eastern art auction in Dubai.

Frida Kahlo’s Month in Paris: A Friendship with Mary Reynolds

The Art Institute of Chicago is presenting "Frida Kahlo’s Month in Paris: A Friendship with Mary Reynolds," an exhibition running from March 29 to July 13, 2025. It focuses on Kahlo's first and only trip to Europe in 1939, where she fell ill and convalesced at the home of American avant-garde bookbinder Mary Reynolds. The show features approximately 100 objects, including paintings, book bindings, and letters, drawn from the Art Institute's Mary Reynolds Collection and loans from the US, Mexico, and Europe.

The Art of the Tour: King Charles's Traveling Painters

King Charles III has sponsored an exhibition titled “The King’s Tour Artists” at Buckingham Palace, featuring 43 artists he recruited to paint during 70 royal tours over the past 40 years. The show, open until September 28, includes 74 paintings selected from over 300 works in the King’s private collection, alongside a companion book, *The Art of Royal Travel: Journeys with The King*. The idea originated from Peter St. Clair-Erskine, the 7th Earl of Rosslyn, who catalogued the collection. Critics have dismissed the works as polite and old-fashioned, but the exhibition highlights Charles’s long-standing patronage of representational art and his own practice as a watercolorist.

Crystal Bridges Museum and Art Bridges receive 90 works of contemporary Indigenous art in landmark acquisition

Crystal Bridges Museum of American Art and its Art Bridges Foundation have acquired 90 contemporary works by Indigenous artists from the John and Susan Horseman Collection. Art Bridges will receive 81 works for long-term loans across the U.S., while nine pieces will join Crystal Bridges' permanent collection. Artists include Kent Monkman, George Morrison, Jaune Quick-to-See Smith, and Cannupa Hanska Luger. The acquisition is part of a broader strategy to expand the museum's holdings in Indigenous and craft art, with works set to debut in exhibitions starting November 2024.

Brâncuși exhibition to open at H’ART Museum in Amsterdam this fall

An exhibition titled "Brâncuși - The Birth of Modern Sculpture" will open at the H’ART Museum in Amsterdam on September 20, 2025, running through January 18, 2026. Organized in collaboration with the Centre Pompidou, it is the first solo show of Constantin Brâncuși's work in the Dutch capital and the second in the Netherlands since 1970. The exhibition features over 30 sculptures, original pedestals, photographs, and films by the artist, with loans made possible by the Centre Pompidou's renovation and the institutions' partnership. The collection originates from Brâncuși's studio, bequeathed to the French state in 1957.

Why ‘devastating’ climate control rules for museum collections need a rethink

Museums are rethinking decades-old climate control standards that dictate strict temperature and humidity ranges for preserving collections. These guidelines, originally based on 1970s research for paintings in London, have been widely adopted globally despite being designed for temperate climates. Conservator Caitlin Southwick of Ki Culture argues this is a "big misunderstanding," as the standards were never intended for diverse collections like stone in Brazil or tapestries in Italy. Climate control systems now account for 60-70% of a typical museum's energy consumption, creating high costs and carbon footprints.

Art & the Book* and Spineless Wonders: The Power of Print Unbound**

Two concurrent exhibitions in central London this summer—'Art & the Book' at the Warburg Institute and 'Spineless Wonders: The Power of Print Unbound' at Senate House Library—celebrate the contemporary and historical impact of print and small-press publishing. The shows feature a spectrum of materials from socialist pamphlets and activist flyers to artists' books and ephemera, drawn from special collections to highlight the deep history of paper and print as a medium for autonomous production. The Warburg exhibition, curated by Matthew Harle with guest curators Arnaud Desjardin and Hlib Velyhorskyi, centers on artists' books and includes residencies, talks, and an art bookfair, all open to the public.

'The idea is to breathe new life into the space': Didier Fusillier, the president of the newly reopened Grand Palais, on his vision for the Parisian institution

Didier Fusillier, president of the newly reopened Grand Palais in Paris, outlines his vision for the historic venue in an interview. The reopening is marked by 'Grand Palais d’été,' a diverse program in partnership with the Centre Pompidou that includes talks, performances under the 'Fun Palace' banner, exhibitions of Niki de Saint Phalle, Jean Tinguely, Pontus Hultén, Bruno Decharme’s Art Brut collection, contemporary tapestries, and 'Euphoria. Art is in the air.' Fusillier emphasizes a collaborative, eclectic approach, with free public access to new spaces and sponsorship from Chanel.

Less than two years after opening, the Museum of Censored Art in Barcelona has closed its doors

The Museu de l’Art Prohibit (Museum of Censored Art) in Barcelona, the world's first museum dedicated to censored artworks, has closed indefinitely less than two years after opening. Founded in October 2023 by Catalan journalist and businessman Tatxo Benet, the museum housed over 200 banned works by artists including Ai Weiwei, David Wojnarowicz, and Abel Azcona. The closure, announced on June 27, was attributed to financial losses caused by four months of picketing by the Solidarity and Unity of Workers union (SUT), which protested the museum's termination of a contract with management company Magma Cultura. The union demanded better working conditions, including improved air conditioning, more breaks, and higher pay.