A painting by Saudi artist Safeya Binzagr, 'Coffee Shop in Madina Road' (1968), sold for $2.1 million at a Sotheby's auction in Riyadh, setting a new auction record for the artist. The sale price exceeded that of a work by Pablo Picasso sold at the same event, making it the third-highest price ever achieved for an Arab artist at auction in Saudi Arabia.
Pop artist Kii Arens has opened a new downtown Los Angeles gallery called FAB LA inside the historic Fine Arts Building. His latest exhibition, "And the Winner Is," curated by Arens and featuring poster art of Grammy winners, opens Friday, two days before the 2026 Grammys. The show continues Arens' tradition of blending art with celebrity-studded party scenes, following earlier exhibitions at FAB LA such as "XO, LA: A Love Letter to Los Angeles" and "Mick Rock's Rocky Horror Art Show." Arens previously ran LA-LA Land gallery in Hollywood for two decades before its lease ended last year.
Artsy is hosting a live auction titled 'Rago and Wright: Post War & Contemporary Art,' which closed on January 28, 2026. The sale features 78 lots of works by artists including Donald Judd, Tom Wesselmann, Niki de Saint Phalle, Sol LeWitt, Louise Nevelson, Anna Weyant, and Willem de Kooning, among others. Bidders could place max bids in advance or participate live through the Artsy platform, with all lots shipping from Rago/Wright/LAMA facilities.
On February 4th, 2026, the Monte-Carlo Auction House will hold a sale of modern and contemporary art featuring over 30 lots. The highlight is Fernand Léger's 1932 oil on canvas "Contrasting Objects on a Blue Background," estimated at €600,000–800,000. Other notable lots include a bronze sculpture by Robert Indiana (€140,000–180,000), a Chu Teh-Chun oil on canvas (€200,000–300,000), and works by Edgar Degas, Victor Vasarely, Niki de Saint Phalle, and Picasso. The sale also includes decorative pieces by Roger Capron and Maison Pergay.
Sotheby’s is returning to Riyadh for the second edition of its Origins sale, titled Origins II, with a live auction scheduled for 31 January. The sale will feature over 70 lots spanning Modern and Contemporary Art, Ancient Sculpture, and 20th-Century Design, including works by Saudi pioneer Safeya Binzagr, Iraqi artist Mahmoud Sabri, and Pablo Picasso. The auction coincides with the Diriyah Contemporary Art Biennale and the debut of Art Basel Doha, and will be preceded by a public exhibition at Diriyah’s Bujairi Terrace from 24 to 31 January.
The John and Geraldine Lilley Museum of Art at the University of Nevada, Reno, has announced three new exhibitions for its spring 2026 program, running from January 27 to May 23. The shows include “Home Truth: Image Making in Absence, Photography by Steven Seidenberg,” co-curated by Stephanie Gibson and Carolyn L. White; “Ayana V. Jackson,” co-curated by Gibson and visual storyteller Iyana Esters; and “Homeland Security: Images from the Epicenter of the Cuban Missile Crisis,” featuring archival photographs from Prensa Latina. An opening reception will be held on February 19, with free parking and refreshments.
Furman University's Department of Art has announced its spring 2026 exhibition schedule at the Thompson Art Gallery, featuring three shows: Jessica Lambert's "Sportsball" (Jan. 12-Feb. 13), Alexa Wheeler's "ToastLab" (Feb. 19-March 27), and the 2026 Senior Thesis Exhibition. Wheeler will also serve as the spring 2026 True Inspiration Artist in Residence, working in an open studio and collaborating with university departments and the Greenville community. All events are free and open to the public.
The 34th Coors Western Art Exhibit & Sale held its Red Carpet Reception on Thursday night, drawing over 1,000 guests to its new venue on the second floor of The Legacy, the recently completed $100 million headquarters of the National Western Stock Show. The 2026 show features 93 participating artists and 354 works, including wildlife, landscape, sculpture, and plastics, with a sales goal exceeding $1 million to benefit the National Western Scholarship Trust. Featured artist Logan Maxwell Hagege of Ojai, California, presents works such as "Springtime in the Rockies" ($85,000) and "Indigo Stripes" ($18,500), while his piece "Hopeless Dreamer" was purchased for the Stock Show's Permanent Collection.
Brazilian police have arrested three suspects in connection with the December 7 theft of 13 works by Henri Matisse and Candido Portinari from the Biblioteca Mário de Andrade in São Paulo. The stolen artworks remain missing. One suspect remains at large: Gabriel Pereira Rodrigues de Mello, nicknamed “Gargamel” and “Capybara”, who had prior robbery convictions overturned earlier this year. The heist involved two armed men who subdued a guard and visitors before removing the works from a glass display case and escaping via a getaway van.
Artist and author Oliver Jeffers is holding his first exhibition in his hometown of Belfast in over 20 years. The show, titled "Disasters and Interventions," is on view at the Naughton Gallery at Queen's University and features a series of works where Jeffers inserts calamitous scenes—such as an oil tanker spill or an airship crash—into tranquil vintage landscapes, transforming calm into catastrophe. The project began when he found a discarded print in New York's Chinatown and began painting into it, eventually building a collection over 14 years that balances tragedy with a wry, thoughtful humor.
The historic 200-year-old Kashi Hallegua House in Kochi's Jewish quarter has been transformed into Ishara House, hosting the exhibition "Amphibian Aesthetics" during the Kochi-Muziris Biennale season. Running from December 13, 2025, to March 31, 2026, the show features 12 international artists including Shilpa Gupta, Michelangelo Pistoletto, and Dima Srouji, with works responding directly to the building's architecture and maritime histories. The exhibition is organized by Ishara Art Foundation and curated with an "amphibian" lens, exploring themes of transition, climate crisis, and cultural displacement.
The 17th Bienal de Cuenca, titled "The Game," opened on 24 October in Cuenca, Ecuador, marking its 40th anniversary. The biennial features 51 artists selected by 17 international curators, with works displayed across multiple venues including museums, gardens, and the airport. The event highlights artists and curators from the Global South, focusing on social and political concerns rather than market priorities. It opened just two days after political protests ended, with a ceremony featuring an Andean ritual led by artist Carmen Vicente, whose installation "Infinite Steps" won the acquisition prize.
Art Basel Paris in October introduced a new ultra-exclusive preview called Avant Première, catering to top-tier galleries with seven- and eight-figure works, while some emerging exhibitors felt sidelined. Meanwhile, the fair's organizers dropped the term "VIP," renaming its dedicated department to "collector and institutional relations," as CEO Noah Horowitz explained that the term could be off-putting to a new generation of buyers. Parallel events like Trauma, a curatorial platform founded by artist Adrian Ghenie, and the Basel Social Club offered more inclusive, youth-driven alternatives, though they still maintained guest lists.
The Greater Miami Convention & Visitors Bureau (GMCVB) has announced a full slate of programming for its Art of Black Miami (AOBM) initiative during 2025 Miami Art Week, marking the program's 11th year. The lineup includes exhibitions, performances, film screenings, culinary experiences, and artist talks, with highlights such as Asser Saint-Val's "Yellow Elder" sculpture in Coconut Grove and events at venues across neighborhoods including Historic Overtown, Little Haiti, and Little Havana. Featured events include the Peter London Global Dance Company, Woody De Othello's exhibition, the Point Comfort Art Fair, and the Museum of Contemporary Art North Miami's Art of Transformation program.
A new exhibition at the Stanley Spencer Gallery in Cookham, titled *Revealing Genius, Conserving Art: Stanley Spencer’s Final Masterpiece*, offers visitors a rare chance to watch conservator Olivia Leake work on Spencer’s unfinished painting *Christ Preaching at Cookham Regatta*. The large canvas, which Spencer labored over for over a decade but left incomplete at his death in 1959, has been lowered from its usual high hanging for live conservation. Using UV light and paint analysis, Leake has discovered surprising details: extremely thin paint layers, a green water area later overpainted in blue, and multiple changes to underdrawings—contradicting anecdotes that Spencer never altered his initial drawings.
Chilworth Art Group held its 20th consecutive annual exhibition at Romsey Town Hall, despite inclement weather and roadworks, calling it their 'best ever' show. The five-day event featured 87 works by 15 amateur artists, with about half sold to the public. The show opened on Tuesday, October 28, announced by town crier Terry Hamer, and included a 'Best in Show' competition judged by professional artist Daphne Ellman. The award went to David Peckham for his piece 'Farriers', which was later purchased by a man whose grandfather was an army farrier during the First World War. The group also raised £232 for Romsey Young Carers through attendee donations.
The official preview weekend of the Museum of West African Art (MOWAA) in Benin City, Nigeria, was disrupted on Sunday when a group of protestors broke into the main building. Over 250 invited guests, including donors and diplomats, had gathered for a cultural program featuring the exhibition "Nigeria Imaginary: Homecoming," which was an expanded presentation of the Nigerian Pavilion at the 2024 Venice Biennale. The protestors, wearing red hats, blocked access, shouted accusations about former governor Godwin Obaseki, and forced their way inside, leading to the indefinite cancellation of remaining events. MOWAA subsequently announced a postponement of public opening events, citing the protests and misconceptions about its role, while welcoming a presidential committee to resolve related matters.
Christie's will auction four contemporary artworks during its Fall Marquee Week on November 20, 2025, benefiting the Clooney Foundation for Justice (CFJ), founded by George and Amal Clooney. Three works were donated by female artists—Caroline Walker, Flora Yukhnovich, and Ulala Imai—with estimates ranging from $20,000 to $50,000; a fourth piece by Roni Horn will be offered through Christie's private sales division. The auction takes place during the Post-War and Contemporary Art Day Sale, with a public viewing at Christie's Rockefeller Center starting November 7.
The Barbican in London has opened two new exhibition spaces in a redesigned former restaurant, showcasing the work of Alberto Giacometti alongside contemporary artists Huma Bhabha and Mona Hatoum. Curated by Shanay Jhaveri and Émilie Bouvard, the shows pair Giacometti's sculptures with Bhabha's and Hatoum's works, drawing formal and thematic connections without forcing comparisons. The exhibitions highlight shared preoccupations with the human body, vulnerability, and resilience, while allowing each artist's distinct approach—Giacometti's figuration versus Hatoum's found-object manipulation—to remain clear.
Metro Art, the public art program of Los Angeles County's transit authority, is celebrating National Arts & Humanities Month in October 2024 with a series of exhibitions and events across the Metro system. Highlights include 'Love, Leimert' at Leimert Park Station, featuring moving-image works by ten artists; 'LA on the Move' at Union Station, an exhibition exploring how people and wildlife navigate the city; and guided tours of large-scale artworks at Grand Ave Arts/Bunker Hill Station. The program also features a wrapped Metro Art Bus showcasing rider portrait photography.
Celebrities and art world figures gathered at Regent’s Park in London for the VIP preview of Frieze London 2025. The event featured appearances by arts broadcaster Kate Bryan, artists Young In Hong, Kimsooja, David Shrigley, Thomas J Price, Elsa James, Larry Achiampong, Michael Landy, Gillian Wearing, and Ryan Gander, alongside curator Fatoş Üstek, curator Zoé Whitley, architect Kulapat Yantrasast, model Claudia Schiffer, and musician Neil Tennant. Photographs by David Owens captured the scene.
The sixth edition of the Aichi Triennale, titled "A Time Between Ashes and Roses," opened in Japan in September and runs until 30 November. Curated by Hoor Al Qasimi, the first non-Japanese artistic director of the triennial, the exhibition confronts themes of war, displacement, memory, and environmental collapse. Works include Kubo Hiroko's tapestry marking the 80th anniversary of the Hiroshima atomic bombing and a video installation by Palestinian duo Basel Abbas and Ruanne Abou-Rahme. Al Qasimi explicitly linked the triennial to the situation in Gaza, stating, "Free Palestine," during a press conference. Controversy erupted over the Aichi-Israel Matching Program, a separate prefectural initiative pairing Israeli startups with local companies, leading to protests and the resignation of vice chairman Hideyuki Tomita from the organizing committee.
180 Studios in London will debut 'Paradigm Shift: New Dimensions in Moving Image' on October 14, 2025, during Frieze Week. Curated by Jefferson Hack and Mark Wadhwa, the exhibition features over a dozen artists including Andy Warhol, Nan Goldin, Arthur Jafa, Pipilotti Rist, and Telfar TV, tracing the evolution of moving image culture from Super 8 film to AI-powered glasses. The show is hosted in partnership with Ray-Ban Meta, and a private view on October 13 offers exclusive early access via a ticket lottery run by Dazed and AnOther.
This article from The Straits Times, dated October 3, highlights a series of cultural events in Singapore during the first week of October. It details a literary conference hosted by Nanyang Technological University's English department from October 3 to 5, featuring public talks by notable writers including Singaporean author Amanda Lee Koe, Malaysian novelist Tan Twan Eng, graphic novelist Sonny Liew, and American poet Alice Lyons. The article also covers a new dining theatre experience called 'Rasa' at Dempsey, which combines 12th-century Sanskrit poetry, bharatanatyam dance, live Carnatic music, and a curated vegetarian menu. Additionally, it announces an exhibition at the Museum of Contemporary Art at Tanjong Pagar Distripark, organized by Lianhe Zaobao and Qiu Zhai Art Studio, celebrating the 35th anniversary of diplomatic relations between Singapore and China, featuring 368 works by Singaporean and Chinese artists.
The Naples, Marco Island, Everglades Convention and Visitors Bureau (CVB) has launched ¡ARTE VIVA!, a yearlong celebration honoring the Hispanic cultures that make up nearly 30% of the region's population. The 2025-2026 season includes Día de los Muertos events at venues like the Marco Island Center for the Arts, Naples Botanical Garden, and Artis—Naples, featuring Calaveras sculptures by Ricardo Soltero, photography by Lizette Morales, and performances by Ballet Folklorica Jaliscience. Visual arts highlights include a Joan Miró exhibition at Naples Art Institute, a permanent collection show at The Baker Museum, and a public art installation by Michelle Tricca at Lipman Farms. Musical programming features Gulfshore Opera's Carmen, Latin Grammy nominee Leslie Cartaya, and Opera Naples Festival under Ramón Tebar.
Philadelphia’s bankrupt University of the Arts (UArts) sold off rare books and manuscripts from its library at a Freeman’s | Hindman auction on September 10, 2024. The 38 lots from UArts’ collection fetched $163,328, nearly 20% of the sale’s $806,519 total. Top lots included a deluxe first edition of Andre Level’s 1928 monograph on Pablo Picasso, signed by the artist, which sold for $35,200; a complete portfolio of Josef Albers’s 1965 *Die Oberflache*, which brought $21,760; and a limited edition of James Joyce’s *Ulysses* illustrated by Robert Motherwell, which sold for $16,640. UArts closed abruptly in June 2024, citing financial fragility and declining enrollments, and later filed for Chapter 7 bankruptcy, selling its real estate holdings for nearly $75 million.
Studio Sessions, a group exhibition featuring works from Vanderbilt Studio Arts and the Engine for Art, Democracy & Justice (EADJ) faculty and staff, concludes its run on September 30, 2025, in Space 204. A closing reception will be held on October 1, 2025, from 3pm to 5pm, offering a final chance to view the works, alongside a live performance by musician and composer Reza Filsoofi, a master of traditional Iranian music and instruments. The exhibition brought together 15 studio art faculty and several staff members, who typically work in their own studios and exhibit elsewhere.
The Mary M. Torggler Fine Arts Center in Virginia will present two new exhibitions this fall: "Gateways: African American Art from the Key Collection" and "Transcendence" featuring works by Norfolk artist Luisa Adelfio. "Gateways" showcases ninety works from the collection of Eric Key, a Smithfield native who began collecting African American art in the 1990s as a means of exploring his identity and supporting Black artists, including pieces by Henry Ossawa Tanner, Jacob Lawrence, and Elizabeth Catlett. "Transcendence" presents Adelfio's paintings, drawings, and sculptures from the last five years, blending Classical architecture, Renaissance panel painting, and Surrealism, with a series titled "Corona Chronicles" that juxtaposes domestic objects with pandemic-era headlines.
The Trinidad Express Newspapers published an article titled 'Art for the animals’ sake,' which appears to cover an art-related event or initiative benefiting animals. The specific details of the event, such as the artists involved, location, or date, are not provided in the given text, but the title suggests a charitable or awareness-raising focus combining visual art with animal welfare.
A man was killed on September 17 on the National Mall in Washington, DC, while unloading a 1979 BMW M1 Art Car custom-painted by Andy Warhol. The vehicle was being prepared for the pop-up exhibition 'Cars at the Capital,' scheduled to run from September 17-23 in temporary pavilions near the Smithsonian National Museum of American History. A winch holding the car on a flatbed truck came loose, pinning the victim, who was pronounced dead at the scene; his identity has not been released. Exhibition organizer Hagerty Drivers Foundation canceled the event out of respect for the deceased.