Reginald Sylvester II: Until Then
The article is about Reginald Sylvester II's exhibition titled "Until Then." The text is heavily corrupted and unreadable, but the title and source indicate it covers a show by this artist.
The article is about Reginald Sylvester II's exhibition titled "Until Then." The text is heavily corrupted and unreadable, but the title and source indicate it covers a show by this artist.
Two exhibitions have opened at the Judith and Norman Alix Art Gallery in Sarnia, Ontario. Mark Stebbins's solo show 'The Lingering Instant' features 27 meticulously hand-crafted paintings, each requiring at least 100 hours of labor using syringe-extruded paint, dip pens, and tiny brushes on burlap and wood panels. The companion exhibition 'Together Apart | Under One Roof' presents works by Winnipeg studio neighbours Aganetha Dyck, Diana Thorneycroft, and Reva Stone, exploring feminist art practice, collaboration, and human-nature connections. Both exhibitions opened April 17 and run until August 30, with Stebbins also hosting a free artist talk on June 6 and a paid workshop on June 7.
Old School Studios, a new meanwhile arts space, opens this May as part of Artists Open Houses 2026 in Brighton. Developed by Artcore Brighton, the project transforms the former Brighton Waldorf school into working studios and an exhibition site, featuring over 50 artists working across sculpture, painting, photography, printmaking, textiles, ceramics, jewellery, and moving image. Co-founded with Mutoid Waste Company and Glastonbury Art Director Alex Wright (aka Wreckage), the space includes pop-up performances, workshops, and food from Lost Pier and La Cantina.
Artist Marilyn Murray and the Bundaberg Regional Heritage Group have launched 'History in Your Hands,' a specialized exhibition of miniature paintings at the Bundaberg School of Arts Gallery. Part of the Australian Heritage Festival, the show features small-scale artworks that depict the architectural details, textures, and historical landmarks of the Bundaberg region.
Heartware Store & Gallery in Singapore's Joo Chiat district has launched "555 MART," a solo exhibition by Bangkok-based illustrator and graphic designer Nene (Nanthawan Jamsai). The gallery has been transformed into a neon-lit, immersive convenience store where everyday grocery items like cup noodles and canned sardines are reimagined through ballpoint pen sketches and vibrant Risograph printing. The show features a mock checkout belt and art displayed alongside groceries, blending a retail environment with a traditional gallery space.
Two laundromats in Toronto, Dirty Laundry and She Said Gallery, have been operating as dual-purpose art galleries for the past six years. They offer emerging artists affordable, accessible exhibition space with minimal fees and no sales commission, featuring monthly and weekly shows that are booked years in advance.
Emerging artists in Toronto are turning to unconventional venues like Dirty Laundry and She Said Gallery to bypass the city's high-barrier commercial art scene. These functioning laundromats operate as professional gallery spaces with exhibition schedules and opening receptions, allowing artists to host solo shows for minimal fees and zero commission on sales.
The Art Gallery of Hamilton (AGH) in Ontario, Canada, announced on January 20 that it has received nearly C$1 million ($684,000) in federal funding from the Canadian Heritage Cultural Spaces Fund for a major expansion. The project will add a 745-square-meter gallery, increasing exhibition space by 70%, and is expected to attract up to 300,000 visitors annually. AGH President and CEO Shelley Falconer stated the funding will launch the first phase, including hiring an architectural firm and creating schematic drawings for a new Main Street entrance and a gallery dedicated to Hamilton's industrial history. The gallery is also exploring adding affordable housing for creative workers in partnership with City Housing Hamilton.
Fevicryl, a brand under Pidilite Industries, launched 'The Art Chapter – Celebrating the Local Artist' at Ahmedabad Ni Gufa, an iconic underground gallery designed by Balkrishna Doshi in collaboration with M.F. Husain. The six-day exhibition featured over 50 local artists working in acrylics, mixed media, sculpture, folk motifs, and contemporary mythological reinterpretations. Highlights included a painting titled 'Melody of Knowledge' and an Indian Art Workshop offering hands-on traditional techniques. The event drew nearly 5,000 visitors, with on-site sales and commission inquiries reported, and was inaugurated by Dr. Bhanwar Rathore, Founder and President of BRDS.
Artists from Market Street Artists will hold their winter exhibition at Mary Griffin Arts in Lichfield from 14th to 22nd November. The show features paintings and drawings in oils, acrylics, watercolours, pastels, and ink, created by students of artist Mary Griffin RBSA. The exhibition runs daily from 10:30am to 4pm, transforming the studio into a colorful space with affordable original art for sale.
St. Albert’s youth artists are showcasing their work at Amplify’s third-annual Artist Alley Winter Market: Dreaming Edition, held November 8–12 at St. Albert Place. The event features a five-day exhibition of 33 works by students from local schools, a one-day craft market with 26 artisans, and three workshops, two of which are already sold out. The theme “dreaming” inspired a wide range of pieces, from digital art and photography to acrylics and a clay sculpture titled "Stewed Tomatoes" by Grade 10 student Elle Pigeon. Live music and beginner-friendly workshops, including a Paint Party led by instructor Kaylee Rose, round out the program.
Mokhtar Alkhanshali, a pioneer of specialty Yemeni coffee in San Francisco, and author Dave Eggers are partnering to open a cafe and gallery at Pier 29's Art + Water, a new 70,000-square-foot arts nonprofit set to launch in late summer or fall 2026. Alkhanshali will operate a large cafe space featuring a new luxury coffee brand, while Art + Water will offer free studio space for artists and 10,000 square feet of gallery space, hosting rotating artists and workshops in collaboration with the Community Arts Stabilization Trust.
An art exhibition titled "Shopliftable" has opened at the 502 Gallery in Sarasota, Florida, featuring small-scale artworks that are intentionally easy to steal. The show, organized by co-owner and director Tim Jaeger, includes works by artists such as Nancy Hielscher, who presents a triptych from her "Yardwork" series depicting bromeliads, and Virginia Hoffman, who displays alternative-print photographs in antique negative holders. All pieces are for sale and span a variety of mediums, with many presented in sets.
Third City Studio, an art gallery, studio, classroom, and event space, will open in October 2025 at 5538 W. North Avenue in Austin, Chicago, as the first phase of the North Austin Arts District. Next door, Third City Cafe is set to open in early 2026. The projects are spearheaded by Jon Womack of Third City Properties, in partnership with community leaders including Vanessa Stokes of Outwest Gallery & Cafe. The studio will highlight West Side artists, offer artists-in-residency programs, and partner with after-school programs. Executive director Sid Zalani is organizing the inaugural exhibition, accepting submissions through September 15.
Blue Fern Artists Collective Gallery will hold its grand opening and ribbon-cutting on Friday, Sept. 5, from 6 to 8 p.m. at 40B Main St. in Peterborough, N.H., in a space formerly occupied by Grey Horse Candles. The gallery, founded by Deborah Caplan and a group of local artists, had a soft opening during the Aug. 8 Night Market. It features 18 artists working in diverse media including paintings, drawings, collage, multimedia, ceramics, felting, jewelry, leather work, and photography. The collective is collaboratively owned and run, with each artist paying a nonrefundable buy-in and monthly dues, and working two shifts per month. Artists receive 82% of sales profits, far above the typical 40-50% gallery commission. The gallery is also partnering with MAXT Makerspace to showcase makers’ work and plans to host classes, art history lectures, poetry readings, and evening events in the adjacent alley.
Studio Sangath, led by Khushnu Panthaki Hoof and Sönke Hoof, has completed the Urmila Kailash Black Box at the Kanoria Centre for Arts in Ahmedabad, India. The project is a versatile performance and exhibition space designed to fill a gap in the campus's offerings, which previously lacked a dedicated venue for performing arts. The design integrates with the existing buildings by architect Balkrishna Doshi, using a sloping concrete roof and strategically placed windows to modulate light and connect interior and exterior spaces.
The Community Arts Stabilization Trust (CAST) has partnered with the San Francisco Port Commission to transform Pier 29, a long-vacant warehouse on the city's waterfront, into a major cultural hub. The 47,000-square-foot indoor space and 23,000-square-foot outdoor area will house exhibitions, residencies, performances, and a new residency program called Art + Water, led by author Dave Eggers and San Francisco Arts Commission member JD Beltran, providing affordable studio space for emerging and underserved local artists. CAST is investing $300,000 and the Port $500,000, with a two-year lease and an option to extend, aiming to open in January 2026.
Alt Space Chicago (alt_ Chicago), an artist-led nonprofit, celebrated the grand opening of its new arts hub in the historic Austin Bank building at 5645 W. Corcoran Pl. on Chicago's West Side. Over 500 people attended the event, which featured an open house, art exhibition, sustainability panel, artist market, and Sunday worship. The space will house mixed-use areas for events, exhibitions, retail, teaching, workshops, and a cafe. The building was purchased with grant money and nonprofit funds. The House Collective, a group of five nonprofits and 10 artists-in-residence, will share resources to offer classes, workshops, and exhibitions, with 10% of its income going back into the community to support elders and single-parent households.
A West Side co-op building originally built for artists and later converted into offices is being transformed into a luxury condominium called Parc Beaufort. The building, located in a historic New York arts district, once housed a vibrant community of creatives before commercial use took over.
The article follows a search for a lamp that visually mimics the distinctive style of the Memphis Group, the influential 1980s Italian design collective known for its bold, postmodern aesthetic. The hunt focuses on finding an affordable, Memphis-style light fixture rather than an authentic vintage piece from the group itself.
The US Supreme Court declined to hear an appeal from computer scientist Stephen Thaler, who sought to copyright an artwork generated by his AI system, the Creativity Machine. This decision upholds a lower court ruling that affirmed the US Copyright Office's rejection, which was based on the requirement that a human being must be the author of a creative work for it to be eligible for copyright protection.
Continental, the premium tire manufacturer, has commissioned WOA Studio, a creative studio founded by Davide Carioni and Giuliana Pajola, to create an immersive sound installation titled "The Sound of Premium" for the Fuorisalone design festival in Milan. Presented at BASE Milano, the installation transforms urban noise pollution into a three-part sonic journey—chaos, harmony, and quiet—using seventeen audio-luminous elements that abstract the city soundscape. The experience is designed to show how noise can be mitigated rather than eliminated, with sound data derived from real urban recordings, particularly tire rolling noise.
A Milano si organizza un pranzo collettivo per discutere dei problemi del settore culturale. Ecco come partecipare
The nomadic assembly "OMTU – Organized Meals for Times of Uprising" is heading to Milan on April 19, 2026, coinciding with the miart art fair. Organized by a coalition of independent spaces including terzospazio, Osservatorio Futura, Parsec, and Arts of the Working Class, the event features a collective lunch followed by a public discussion at the Baséll space. The gathering aims to address the systemic precariousness of the cultural sector, focusing specifically on the scarcity of affordable social and cultural spaces in Milan.
The Plas Art Show, a Seoul-based art fair specializing in sculpture and three-dimensional works, returns for its 11th edition from June 4 at Coex in Gangnam District. Featuring 102 galleries (91 domestic and 11 from Taiwan, Germany, Japan, and Georgia), the fair presents roughly 750 artists and 3,500 works under the theme “New Chance.” Fair president Shin Jun-won acknowledged criticism that the event had drifted from its sculptural focus and announced stricter curation, including on-site inspections and penalties for galleries that fail to include at least one three-dimensional artist and one stereoscopic work. Standard booth prices range from 5.7 to 6.7 million won, which Shin says attracts Gangnam-area galleries priced out of larger venues.
Artist Avi Amesbury has opened her new exhibition, 'Shifting Perspectives: The Self Reconciliation Project', at Bundaberg Regional Art Gallery in Australia. The show combines ceramics, mixed media, and sound to explore her personal family history as a descendant of white settler colonists in Western Australia. Over three years, Amesbury traveled across the country for residencies at Fremantle Arts Centre and Central Craft in Alice Springs, collecting wild clays and collaborating with composer MJ from Those Who Ride With Giants to incorporate poems, writings, and landscape sounds into the installation.
Hong Kong's Affordable Art Fair (AAF) returns in May with the theme “See Art. Love Art. Own Art.”, featuring 106 local and international exhibitors—up from 98 last year—and artworks priced from HK$1,000 (US$128). The fair, held at the Hong Kong Convention and Exhibition Centre, aims to make art accessible to new and seasoned collectors alike, with a focus on transactions under US$50,000. Founder Will Ramsay highlights growing confidence in this market tier, citing a report by Affordable Art Fair × ArtTactic that shows 69% of galleries expect sales growth and that art fairs generate 44% of gallery revenues.
Wael Hamadeh, a 56-year-old Lebanese artist and creative director living in Sharjah since 2013, opens his Dh65,000-a-year apartment in Emirates Tower to The National, describing it as an 'open gallery' filled with his paintings, sculptures, and art pieces. He shares the three-bedroom home with his wife and two children, using one bedroom as a workshop and store for his art, while displaying works throughout the salon and walls.
The winners of the Leicester Open exhibition have been announced, with Simon Farrow winning the prestigious Attenborough Award for his drawing "Clock Tower: Heaven or Hell," which depicts Leicester's Clock Tower with a street preacher and passers-by. Farrow, an amateur artist from Leicester, was selected from over 1,000 entries across paintings, sculptures, prints, and photographs. Other winners include Peter J Lester, Lisa Davies, Alexis Hutson, and several young artists in categories for ages 5-18. All winning works are on display at Leicester Museum & Art Gallery until January 30, 2026, with adult artworks available for purchase starting at £50.
A new art gallery, Mark Jude Gallery, has opened in the historic Sears building in Boyle Heights, Los Angeles. The 5,000-square-foot space, plus a repurposed satellite gallery, occupies part of the 1.8-million-square-foot former Sears mail-order plant, which closed in 1992 and shut its store in 2021. The gallery features works by artists Megan Mueller, Antonio Kim, and Caterina Piccardo, and plans to host immersive exhibitions including performance art, experimental film, and interactive storytelling. Owner Mark Jude, a former executive chef at the Smithsonian Institution, moved the gallery from the Arts District to take advantage of lower rent and more space.
Lidija Khachatourian, founder of AKKA Project, discusses her gallery's evolution from Dubai to Venice, where it remains the only gallery dedicated to African and diasporic artists. In an interview with ART AFRICA, she explains her shift from a market-driven model toward a research-led, custodial approach that prioritizes long-term relationships and slowness over high-volume programming. The gallery, established in Venice in 2019, operates with a deliberate resistance to market pressures, focusing on care, continuity, and direct material support for its artists.