condo moves from hauser wirth to spruth magers and skarstedt was j m w turner neurodivergent trump squeezes arts talent pool morning link for november 10 2025 1234760829

Artist George Condo has left Hauser & Wirth and will now be jointly represented by Sprüth Magers and Skarstedt, marking a return to galleries with which he had long-standing relationships. Condo first showed with Monika Sprüth in 1984 and was represented by Skarstedt from 2004 to 2019 before joining Hauser & Wirth in late 2019. Separately, a new BBC documentary titled *Turner: The Secret Sketchbooks* explores whether J. M. W. Turner's creative genius was shaped by childhood trauma and neurodivergence, featuring commentary from artists, actors, and a psychotherapist. The article also reports that Dana Awartani will represent Saudi Arabia at the 2026 Venice Biennale, and that the Trump administration has tightened H-1B visa rules, making it harder for arts institutions to hire foreign specialists.

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A 19-year-old tourist, Joshua Vaurin, allegedly vandalized artworks at the Metropolitan Museum of Art in New York on November 3. He threw water at Jean Auguste Dominique Ingres's 19th-century painting *The Princess de Broglie* and a 16th-century altarpiece by Girolamo dai Libri, then ripped two tapestries. Vaurin was taken into custody, arraigned on criminal mischief charges, and appeared to be under the influence of an unknown substance. The Met reported minor damage with repairs estimated at $1,000.

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Five additional suspects have been arrested in connection with the October 19 Louvre heist, in which thieves stole jewels worth €88 million ($102 million) from the museum in broad daylight. The arrests occurred in the Paris region, with one main suspect among them; three of the four-man team are now in custody, while one remains at large. Separately, Boston's Museum of Fine Arts (MFA) has agreed to return two ceramic works by enslaved potter David Drake to his descendants, marking the first time the museum has restituted art taken under slavery in the 19th century United States. One vessel will remain on loan to the MFA, while the other, Drake's Poem Jar, has been repurchased by the museum with a "certificate of ethical ownership."

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The British Museum held its inaugural fundraising ball, modeled after the Met Gala, raising over £2.5 million ($3.3 million) through ticket sales and a silent auction. The event, attended by celebrities including Mick Jagger, Janet Jackson, Tracey Emin, James Norton, and Naomi Campbell, also secured a £10.3 million pledge from the Garfield Weston Foundation for the museum's Visitor Welcome Program. However, the evening was marred by controversy: a protester from Energy Embargo for Palestine gained access and demonstrated against the museum's £50 million sponsorship from BP, and Greece's culture minister Lina Mendoni criticized the museum for hosting the event near the Elgin Marbles, accusing it of disrespecting the ancient sculptures.

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Taylor Swift's music video for her song 'The Fate of Ophelia' has been found to closely reference Friedrich Heyser's painting 'Ophelia' (ca. 1900), held at the Wiesbaden State Museum in Hamburg. Swifties have flocked to the museum by the hundreds to see the Art Nouveau work, surprising and delighting museum director Andreas Henning. Separately, a street mural reading 'Black Artists Matter' and a rainbow crosswalk in Austin, Texas, face removal under President Trump's directive against DEI initiatives, as ordered by Texas Governor Greg Abbott. In other news, Art Basel has renamed its VIP section to 'collector and institutional relations,' five stolen 18th-century snuffboxes have been recovered from the Cognacq-Jay Museum in Paris, and Chiara Camoni will represent Italy at the upcoming Venice Biennale.

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Taylor Swift's new album and music video for "The Fate of Ophelia" has sparked a surge of visitors to the Wiesbaden State Museum in Hamburg, where Friedrich Heyser's painting "Ophelia" (ca. 1900) is held. Swifties identified the painting as the inspiration for the video's opening scene, leading hundreds of fans to view the Art Nouveau work. Separately, a street mural reading "Black Artists Matter" and a rainbow crosswalk in Austin, Texas, face potential removal under President Trump's directive against DEI initiatives, though the city's mayor has proposed relocating them to city-owned property. Art Basel has renamed its VIP section to "collector and institutional relations," and five of seven stolen 18th-century snuffboxes from the Cognacq-Jay Museum in Paris have been recovered. Chiara Camoni will represent Italy at the Venice Biennale, and a trend of Chinese collectors failing to pay for auction purchases is raising concerns.

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Two activists from the climate group Futuro Vegetal were arrested on October 12 after throwing biodegradable red paint on José Garnelo's 1892 painting *First Tribute to Christopher Columbus* at the Naval Museum in Madrid. The act occurred on Spain's National Day, which commemorates Columbus's arrival in the Americas. The activists unfurled a banner reading 'October 12, nothing to celebrate. Ecosocial justice' and were charged with crimes against cultural heritage. Separately, 20 activists from Marea Palestina staged a sit-in around Picasso's *Guernica* at the Reina Sofía Museum, demanding an end to 'the genocide against the Palestinian people.'

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The Louvre in Paris is staging a major retrospective of Jacques-Louis David, featuring 100 works by the French Neoclassical painter, to mark the bicentenary of his death in 1825. The exhibition opens October 15 and runs through January, drawing on the Louvre's own collection and prestigious loans from institutions including the Royal Museums of Fine Arts of Belgium, the Metropolitan Museum of Art, and the Cleveland Museum of Art. Curator Sébastien Allard emphasizes that the show is not a conventional blockbuster but aims to explore under-examined aspects of David's practice, particularly his political engagement across the Ancien Régime, the French Revolution, and the Napoleonic Empire.

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The Louvre in Paris is presenting a major retrospective of Jacques-Louis David, featuring 100 works by the celebrated French artist, to mark the bicentenary of his death in 1825. Curated by Sébastien Allard, the exhibition opens October 15 and runs through January, drawing on the Louvre's own collection and prestigious loans from institutions including the Royal Museums of Fine Arts of Belgium, the Metropolitan Museum of Art, and the Cleveland Museum of Art. The show includes works not seen in the previous David retrospective in 1989, such as *Cupid and Psyche* (1817), and is accompanied by a comprehensive catalog in French.

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Hauser & Wirth's UK subsidiary reported an 87% decline in pretax profit for 2024, falling to $1.6 million from $12.5 million the previous year, as revenue dropped by more than half to $91.4 million. The gallery attributed the downturn to a sharp fall in secondary-market sales, which can fluctuate significantly based on a few high-value transactions. The UK entity represents only a small portion of the gallery's global business, which the founders said remained aligned with the prior year's successful performance. Separately, the gallery's hospitality arm, Artfarm Group, posted a wider pretax loss of $24 million despite a 16% rise in turnover.

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The British Museum in London has announced a new fundraising event called the British Museum Ball, scheduled for October 18, with a pink theme inspired by the colors and light of India, tied to its exhibition 'Ancient India: Living Traditions.' The gala will be co-chaired by Isha Ambani, a patron of the Nita Mukesh Ambani Cultural Centre in Mumbai, and will feature a silent auction, music by Anoushka Shankar and Jules Buckley, and a guest list including Zadie Smith, Naomi Campbell, Idris Elba, Miuccia Prada, and others. Proceeds will support the museum's international partnerships and its goal of making its collection more accessible worldwide.

bana kattan selected as curator for uae venice biennale pavilion 1234754341

The National Pavilion UAE has selected Bana Kattan, curator and associate head of exhibitions at the Guggenheim Abu Dhabi, to curate the United Arab Emirates' presentation at the 61st International Venice Biennale in 2026. Born in Abu Dhabi and raised in the UAE, Kattan previously served as a curator at the Museum of Contemporary Art Chicago, where she organized shows for artists including Wafaa Bilal, Maryam Taghavi, and Mona Hatoum. A dedicated publication will accompany her pavilion presentation.

Edvard Munch’s Paintings for a Chocolate Factory Get a Rare Museum Outing

A series of 12 monumental paintings by Edvard Munch, created for the workers' canteen of the Freia chocolate factory in Oslo, have been temporarily removed from their original location for the first time. The works, known as the Freia Frieze, are now on display at the nearby Munch Museum in an exhibition titled "Edvard Munch and the Chocolate Factory," which also includes preparatory sketches and examines the artist's output in the 1920s.

Giacometti Meets the Gods in the Met’s Temple of Dendur Show

The Metropolitan Museum of Art has announced a landmark exhibition titled "Giacometti in the Temple of Dendur," which will place the Swiss sculptor’s slender, modernist figures within the museum’s iconic 1st-century B.C.E. Egyptian temple. Opening in June, the show features fourteen loans from the Fondation Giacometti alongside works from the Met’s permanent collection, including the placement of "Walking Woman (I)" inside the temple’s offering hall to mimic ancient cult statuary.

Stolen Van Gogh Back on View at Dutch Museum After Dramatic Restoration

A Vincent van Gogh painting, 'The Parsonage Garden at Nuenen in Spring,' stolen from the Singer Laren museum in 2020, has been restored and returned to public display at the Groninger Museum. The painting was recovered in 2023 by Dutch police and art sleuth Arthur Brand, and underwent a meticulous, months-long restoration by conservator Marjan de Visser to repair damage and remove historical overpainting.

Marina Abramović Is the Unlikely Star of the New Balloon Museum

Marina Abramović Is the Unlikely Star of the New Balloon Museum

Performance artist Marina Abramović has created a large-scale inflatable installation for the new permanent New York outpost of the Balloon Museum. Titled *Snowy/Windy/Spring On The Planet Z*, the immersive work transforms the Tin Building into an imagined extraterrestrial meadow filled with balloon sculptures, light, and air currents, opening in July 2026.

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The 2014 Whitney Biennial has debuted with a controversial three-curator structure, tasking Michelle Grabner, Stuart Comer, and Anthony Elms with organizing separate floors of the museum. This meta-review aggregates the initial critical reception from major publications, noting that the fragmented format has forced critics to evaluate the exhibition as three distinct shows rather than a unified vision.

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The Los Angeles art scene faced a moment of introspection during Frieze Week as logistical hurdles and rumors of New York gallery departures sparked debates about the city's long-term viability. Despite whispers of downsizing from major transplants and the 'quiet quitting' of spaces like Tanya Bonakdar and Sean Kelly, the week was defined by high-energy alternative events. Highlights included a massive group show curated by Barry McGee and Jeffrey Deitch in a defunct 99 Cent Only Store and the 'Away From Desk' micro-fair, which showcased the city's resilient underground and Chinatown-adjacent gallery circuit.

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Advanced imaging and material analysis have officially reattributed the 1633 painting "Vision of Zacharias in the Temple" to Rembrandt van Rijn. The work, which had been dismissed by scholars in the 1960s as the product of a collaborator, underwent a rigorous two-year study by the Rijksmuseum’s conservation department. Using macro-XRF scanning and dendrochronological analysis, researchers identified characteristic pentimenti and period-accurate materials that confirm it as a masterpiece from the artist's early Amsterdam period.

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Jeffrey Epstein commissioned a large-scale reproduction of Cornelis Cornelisz van Haarlem's 1591 painting 'The Massacre of the Innocents' for the entrance of his New Mexico ranch. The $1,999 copy, depicting Roman soldiers killing infants, was ordered in 2010 from the reproduction company Ocean's Bridge Group and was requested to be shipped by his assistant in 2011.

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Newly released documents from the Jeffrey Epstein investigation reveal that billionaire art collectors and Museum of Modern Art trustees Leon Black and Ronald Lauder have co-owned several major artworks for decades. The files, made public by the U.S. Department of Justice, confirm long-standing rumors of their joint acquisitions, including a Max Beckmann self-portrait and two Ernst Ludwig Kirchner works, purchased for a total of $31.6 million and later appraised at $93.5 million.

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The Metropolitan Opera is considering selling its two iconic Marc Chagall murals, 'The Sources of Music' and 'The Triumph of Music,' which have been appraised at $55 million. The institution's general manager, Peter Gelb, has proposed a sale with the condition that the buyer agrees to leave the works in place at Lincoln Center, with a donation plaque.

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Annie Armstrong bids farewell to Artnet Pro's Wet Paint column after 198 editions, reflecting on her four-and-a-half-year tenure as the art world's gossip columnist. She recounts her first assignment at the 2021 Felix Art Fair in Los Angeles, where she nervously approached a group of art-world insiders, and describes the highs and lows of covering galas, parties, and scandals from Frieze Seoul to the Henry Street gallery scene.

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Maria Balshaw, the director of Tate, will step down in the new year after nine years at the helm, the museum announced Friday. Appointed in 2017, Balshaw was the first woman to lead the institutional network, which includes Tate Modern and Tate Britain. Her tenure was marked by a substantial diversification of Tate’s collection and programming to spotlight new art forms, indigenous artists, and artists from the Global South. She also oversaw the launch of a landmark £150 million endowment fund for Tate Modern to address financial woes. Memorable exhibitions included surveys of pre-internet digital artists, modern art in Nigeria, and retrospectives for Leigh Bowery, Isaac Julien, Yoko Ono, and Emily Kam Kngwarray.

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Journalist Bianca Bosker went undercover as a studio assistant for painter Julie Curtiss and other artists, revealing the gritty, athletic reality behind art-making—a world of blood, sweat, and sleepless nights. The article explores how mounting financial pressures, especially for sculptors and installation artists like Ivana Bašić, Erwin Wurm, and Lindsey Mendick, force tough decisions about studio space and production. Bašić, despite critical acclaim, lost a subsidized Dumbo studio and now outsources production to keep costs down, while a growing number of established artists pass on wisdom through residencies and assistant teams.

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A water pipe burst at the Musée du Louvre in Paris on November 26, damaging 300 to 400 archival documents related to Egyptian history in the Mollien Pavilion. The leak, which also posed a fire risk due to a nearby electrical cabinet, was followed by a smaller leak days later. Employees, represented by a coalition of unions including CGT, CFDT, and Sud, have voted unanimously to begin a rolling strike next Monday, demanding urgent renovations and the hiring of 200 new staff to restore the workforce to 2014 levels. The Louvre's director Laurence des Cars had previously warned that the museum's buildings were in "poor condition" and "no longer water tight," and a major renovation was announced, but pipe repairs were not scheduled until September 2026.

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Jack Hanley, a beloved and idiosyncratic New York gallerist, announced he would close his gallery after 37 years in business. In a conversation with Artnet News co-host Kate Brown, Hanley reflects on his career as a disruptor who followed instinct over market logic, giving early shows to now-iconic artists like Günther Förg, Christopher Wool, Sophie Calle, and Christian Marclay, and even hosting Beeple's first gallery show. Hanley, a former Grateful Dead roadie and avid orchid grower, also founded an art fair and ran galleries in multiple cities.

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New York's Metropolitan Museum of Art has announced plans to convert its centrally located gift shop off the Great Hall into a new gallery space dedicated to its Costume Institute, with a $50 million fundraising goal and an expected opening in 2026. The 11,500-square-foot space will replace the current Anna Wintour Costume Center, offering a more prominent location for the institute's annual blockbuster exhibitions, such as this year's "Karl Lagerfeld: A Line of Beauty." Anna Wintour, Condé Nast global editorial director and Vogue editor, will lead fundraising for the project, which also includes reconfiguring ground-floor dining and retail spaces and opening a new public entrance at East 83rd Street and Fifth Avenue.

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Artnet News's Wet Paint column reports that Lomex gallery founder Alexander Shulan and art advisor Ralph DeLuca are partnering to open a new gallery, Lomex Las Vegas, in an old atomic ranch home three miles from the Strip. The space, located in a historic neighborhood where parts of Martin Scorsese's 'Casino' were filmed, will feature seasonal exhibitions, performances, and events curated by Shulan, with a new roster of artists distinct from Lomex's existing lineup. Separately, the column introduces Marvin, an AI-generated Instagram influencer who mimics a techno-optimistic art speculator and leaves ChatGPT-style comments on art world accounts.

From the World Cup and the Olympics to two new museums: upcoming cultural attractions in Los Angeles

Los Angeles is preparing for a major influx of cultural and sporting events, including hosting matches for the 2026 FIFA World Cup at SoFi Stadium and the 2028 Summer Olympics. The city is also enhancing its cultural infrastructure with new Metro stations featuring site-specific art commissions and the imminent openings of the Lucas Museum of Narrative Art and the David Geffen Galleries at LACMA.