A new financial consultancy called Artist Money Matters has launched in London, specifically designed to serve artists. Founded by artist and former finance executive Victoria Helena, the firm offers services including pricing advice, contract review, tax preparation, cash-flow planning, and guidance on grants and studio sustainability. It aims to provide artists with the business tools often missing from their education.
Tristan Unrau, a 36-year-old Los Angeles-based painter originally from Canada, creates works that deliberately avoid a singular style, instead copying or channeling a vast range of art historical sources—from Old Masters and Modernists to cartoons and photorealism. His pluralistic approach has earned him a dedicated following, and David Kordansky Gallery announced representation of the artist this fall, planning a major solo exhibition in Los Angeles in March 2026. Unrau, who earned his MFA at UCLA, is currently preparing for that show in his East Hollywood studio, producing paintings that reference artists such as Bruegel, Jean-Luc Godard, František Kupka, Emil Nolde, and Willem de Kooning.
Abu Dhabi Art returns in 2025 with 142 galleries from 34 countries, introducing two new Focus sectors: Focus: Nigeria Spotlight and Focus: Modern Türkiye. The Nigeria section, curated by Tola Akerele, results from a collaboration between Nigeria’s Federal Ministry of Art, Culture, Tourism, and the Creative Economy and the Department of Culture and Tourism, Abu Dhabi, featuring seven galleries such as kò, SOTO Gallery, and the 1897 Gallery. Focus: Modern Türkiye, curated by Doris Benhalegua Karako, showcases rare works by modern masters like Fahrelnissa Zeid, Burhan Doğançay, and Gülsün Karamustafa, presented by Istanbul-based galleries including DG Art Gallery and Projects and BüroSarıgedik.
Abu Dhabi Art returns in 2025 with 142 galleries from 34 countries, introducing two new Focus sectors: Focus: Nigeria Spotlight and Focus: Modern Türkiye. The Nigeria section, curated by Tola Akerele, features seven galleries including kò, SOTO Gallery, and O’DA Gallery, showcasing artists like Samuel Nnorom, Bara Sketchbook, and Rufus Ogundele. Focus: Modern Türkiye, curated by Doris Benhalegua Karako, presents modern masters such as Fahrelnissa Zeid, Burhan Doğançay, and Gülsün Karamustafa through Istanbul-based galleries including DG Art Gallery and Projects, Art on Istanbul Gallery, and BüroSarıgedik.
Nonagenarian painter Joan Semmel is preparing for a major career moment with a retrospective at the Jewish Museum and a dual-city exhibition, 'Continuities', at Alexander Gray Associates in New York and Brussels. At 93, Semmel continues to produce large-scale, vibrant works from her SoHo studio that focus on the aging female nude, using her own body as a primary reference. The new works, including 'Here I Am' (2025), maintain her lifelong commitment to depicting the female form through a non-idealized, authentic lens that rejects the traditional male gaze.
Art Basel is launching a new initiative called "Basel Exclusive" for its June 2026 Switzerland fair, asking exhibitors to withhold at least one key work from pre-fair digital PDF previews to encourage in-person viewing. Around 170 of 232 exhibitors, including major galleries like Gagosian, Hauser & Wirth, Pace, and David Zwirner, have already adopted the program. Separately, Tate Britain announced the 2026 Turner Prize shortlist featuring artists Simeon Barclay, Tanoa Sasraku, Kira Freije, and Marguerite Humeau, with the exhibition opening at Middlesbrough Institute of Modern Art (MIMA) in September. The Museum of Sonoma County will also commemorate the 50th anniversary of Christo and Jeanne-Claude's land art installation "Running Fence" with a major exhibition opening June 27.
Giuseppe Penone is preparing for his exhibition 'The Reflection of Bronze' at Gagosian's New York flagship, running from April 22 through July 2. The show, curated by former Whitney Museum director Adam D. Weinberg, features eighteen artworks from 1995 to the present, including the new sculpture 'Marsia (Marsyas)', and is designed to create a forest-like sensory immersion using materials like cork.
Renowned British sculptor Antony Gormley is preparing for a major creative season, marked by two upcoming exhibitions at the Royal Museum of Fine Arts in Antwerp and Galleria Continua in San Gimignano, alongside the release of a new book dedicated to his drawings. Speaking from his David Chipperfield-designed studio in London, the artist reflects on his rigorous daily practice and his background in art history, contrasting his own ascetic, industrial aesthetic with the fleshy opulence of Flemish masters like Rubens.
Melissa Chiu has been appointed as the new director of the Solomon R. Guggenheim Museum in New York, departing her long-standing role at the Hirshhorn Museum and Sculpture Garden in Washington, D.C. This major leadership transition comes alongside several other significant museum developments, including the Getty Center's planned $600m–$800m renovation closure and the National Gallery's staff reduction scheme to address a multi-million pound deficit.
April 2026 marks a significant month for global art exhibitions, featuring major retrospectives and site-specific installations across Rome, Seoul, London, and Paris. Highlights include Gagosian Rome’s exploration of Francesca Woodman’s surrealist photography, a homecoming retrospective for video-art pioneer Nam June Paik in Seoul, and Senga Nengudi’s performance-based sculptures at London’s Whitechapel Gallery. Additionally, Isaac Julien will debut a new moving-image work at The Cosmic House, while the Fondation Louis Vuitton prepares a large-scale exhibition dedicated to Alexander Calder’s kinetic sculptures.
Harry Weller, Tracey Emin’s long-time creative director, provides an intimate look into the artist’s studio practice ahead of her major exhibition at Tate Modern. Weller describes a high-intensity environment where Emin works without preparatory sketches, often entering a trance-like state of "primal instinct" to produce her visceral paintings and text-based works. His role involves acting as a creative antagonist, challenging Emin during the painting process to push the boundaries of her work while documenting the spontaneous poetic fragments she produces.
Pittsburgh’s art scene is preparing for a busy spring season with a diverse array of exhibitions opening across the city’s galleries and public spaces. Highlights include Hugh Watkins’ multi-disciplinary retrospective at Christine Fréchard Gallery, Dale Lewis’s massive "Scraposaurs" sculptures made from recycled metal at the Pittsburgh Botanic Garden, and a unique exhibition of hand-painted baseballs by the late umpire George Sosnak. These shows serve as a creative prelude to major upcoming regional events like the 59th Carnegie International and the Three Rivers Arts Festival.
New historical evidence suggests that Vincent van Gogh’s iconic 'Yellow House' in Arles underwent a dramatic color change before its destruction. While Van Gogh famously painted and cherished the building for its yellow facade in 1888, two recently highlighted paintings from the late 1930s by artists Willy Guggenheim (Varlin) and George Tomaziu depict the structure with a blue exterior. This discovery, brought to light by Ukrainian artist Yuri Pikul, indicates the building had been repainted while serving as a café-bar called the Civette Arlésienne.
The Los Angeles County Museum of Art (LACMA) is preparing to open its new David Geffen Galleries in April, marking a major milestone in a two-decade transformation led by CEO and director Michael Govan. The opening coincides with the 20th anniversary of Govan's hiring and features Jeff Koons's outdoor sculpture 'Split-Rocker' as an anchor piece.
Fairfield University Art Museum will open a major loan exhibition titled "For Which It Stands…" on January 23, 2026, running through July 25, 2026, as part of the university's commemoration of the 250th anniversary of the United States. The exhibition features over 70 works by diverse artists from the early 20th century to the present day, all centered on depictions of the American flag, including pieces by Jasper Johns, Faith Ringgold, Robert Rauschenberg, Shepard Fairey, Julie Mehretu, Childe Hassam, and a new textile sculpture by Maria de Los Angeles commissioned for the show. Works are lent by private collectors, artists, galleries, and institutions such as the Delaware Art Museum, Yale University Art Gallery, and the Gordon Parks Foundation.
The Sonnabend Collection, a major trove of 20th-century art assembled by pioneering dealer Ileana Sonnabend, opens to the public on 29 November in Mantua, Italy. Housed in the renovated 13th-century Palazzo della Ragione, the new museum—Sonnabend Collection Mantova—will display nearly 100 works by artists such as Robert Rauschenberg, Jasper Johns, Andy Warhol, and Jeff Koons across 11 contemporary galleries. The venue also includes a temporary exhibition space, a bookshop, and an educational department, with the inaugural show featuring Warhol films.
Gustav Klimt's rare portrait 'Elisabeth Lederer' sold for $236.4 million at Sotheby's, setting a new record as the most expensive work of modern art ever sold at auction. The painting, created in the final years of Klimt's life, narrowly survived World War II after being separated from other works destroyed in a fire at Immendorf Castle. It came from the collection of Estée Lauder heir Leonard A. Lauder, who died earlier this year. The sale also featured Maurizio Cattelan's 18-karat gold toilet 'America', which drew only a single bid and sold for $12.1 million.
Gustav Klimt's portrait 'Elisabeth Lederer' sold for $236.4 million at Sotheby's on Tuesday, setting a new record as the most expensive work of modern art ever sold at auction. The painting, created in the final years of Klimt's life, narrowly survived World War II after being separated from other works destroyed in a fire at Immendorf Castle. It came from the collection of Estée Lauder heir Leonard A. Lauder, who died earlier this year. The sale also featured Maurizio Cattelan's 18-karat gold toilet 'America', which drew only a single bid and sold for $12.1 million.
Harvard Art Museums has opened a fall exhibition titled “Sketch, Shade, Smudge: Drawing from Gray to Black,” featuring around 120 works from the 19th to 21st centuries by artists including Pablo Picasso, John Singer Sargent, Edgar Degas, Piet Mondrian, and Georges Seurat. The show focuses on drawings in chalk, charcoal, graphite, and crayon, curated by conservator Penley Knipe and curator Miriam Stewart, who spent over a year selecting rarely seen pieces from the museum’s collection. Highlights include a fragile Degas charcoal drawing, “After the Bath, Woman Drying Herself,” which underwent conservation treatment, and a display of materials such as a box of vine charcoal owned by Sargent. The exhibition also features videos of the curators experimenting with historical techniques, like erasing with bread, and includes a hands-on drawing area styled after a 19th-century academic studio.
Peter Doig's exhibition 'House of Music' at Serpentine South in London features his paintings alongside a restored Western Electric/Bell Labs sound system from the late 1920s, salvaged from UK cinemas. The show includes works like 'Maracas' (2002-08), inspired by a memory of a sound system in Trinidad, and 'Music of the Future' (2002-07). A series of live Sunday events called 'Sound Service' activates the sound system, with Doig, Ed Ruscha, Arthur Jafa, and Linton Kwesi Johnson among those playing records.
Peter Doig's exhibition 'House of Music' at Serpentine South in London centers on the relationship between visual art and sound, featuring paintings like 'Maracas' (2002-08) and 'Music of the Future' (2002-07) alongside a restored Western Electric/Bell Labs sound system from the late 1920s. The show includes a series of live Sunday events called 'Sound Service,' where Doig, Ed Ruscha, Arthur Jafa, and others play records, transforming the gallery into an immersive audio-visual experience.
Photography takes center stage at Frieze London and across the city, with major exhibitions of Lee Miller at Tate Britain, Wolfgang Tillmans at Maureen Paley, Arthur Jafa at Sadie Coles, and Peter Hujar at Pace Gallery. Commercial galleries like Gagosian and David Zwirner are investing heavily in photography, appointing specialists and staging solo shows, while prices for vintage prints range from $25,000 to $90,000. The surge reflects a post-pandemic market shift where photography's compatibility with online viewing rooms has boosted its fine-art status.
The article reports on the growing censorship of politically charged art in the US, focusing on the case of artist Amy Sherald. In August, the White House under President Donald Trump issued a statement criticizing the Smithsonian Institution for including Sherald's painting *Trans Forming Liberty* (2024), which depicts a transgender person as the Statue of Liberty, in a planned solo exhibition at the National Portrait Gallery. After the Smithsonian considered removing the work, Sherald canceled the entire show, citing a loss of institutional integrity. The Smithsonian subsequently announced a review of its holdings to align with Trump's vision of "American exceptionalism." Separately, the article highlights a monumental street mural by Dutch artist Judith de Leeuw in Roubaix, France, showing the Statue of Liberty covering its eyes in shame, as a direct response to global migrant injustice.
New York Comic Con returns to the Javits Center from October 9–12, 2025, bringing a pop culture celebration of comics, toys, video games, and cosplay. This year's edition features a special panel by the Lucas Museum of Narrative Art, moderated by Martin Scorsese with artists JR, Boris Vallejo, and Julie Bell. Meanwhile, the late fantasy artist Frank Frazetta set a new record for comic art with a $13.5 million sale at Heritage Auctions. Beyond the convention, several exhibitions across the city highlight comic art, including "¡Wepa! Puerto Ricans in the World of Comics" at the New York Public Library and "Super Duper" at the Metropolitan Opera House, which features works by Art Spiegelman, George Condo, and Dana Schutz.
The UK government has announced a £10 million funding boost for London’s Southbank Centre as part of a broader £128 million investment package for 130 cultural venues nationwide. Administered by Arts Council England, the grant is earmarked for urgent infrastructure repairs, including fixing leaking roofs and modernizing rigging systems, coinciding with the center's 75th anniversary. Other major beneficiaries of the Creative Foundations Fund include the Baltic Centre for Contemporary Art and Firstsite gallery.
Chile's new president, José Antonio Kast, has implemented a 3% budget cut across all government ministries, including the Ministry of Cultures, Arts and Heritage. This reverses the trend of his predecessor, Gabriel Boric, who significantly increased cultural funding. The new Minister of Cultures, Francisco Undurraga, has stated there is "excessive spending on culture," and the government is seeking an additional $1bn in cuts, requiring ministries to identify alleged abuses in public fund usage.
President Donald Trump announced the planned closure of the John F. Kennedy Center for the Performing Arts for up to two years, starting July 4, as part of a major renovation project. The closure, pending board approval, aims to transform what Trump called a "tired, broken, and dilapidated" facility into the "finest Performing Arts Facility of its kind."
ARTnews has announced the winners of its second annual ARTnews Awards, honoring excellence in exhibitions at US arts institutions across six categories. Ralph Lemon received the Lifetime Achievement Award, Claudia Alarcón and Silät won Emerging Artist of the Year, Wafaa Bilal was named Established Artist of the Year, and Jack Whitten took Historical Artist of the Year. Parker Gallery, Los Angeles won Best Gallery Group Show, and “Legacies: Asian American Art Movements in New York City” at 80WSE, New York won Best Thematic Museum Show. Separately, President Donald Trump hosted the 48th Kennedy Center Honors, becoming the first sitting president to do so, amid his ongoing takeover of the institution. Celebrated photographer Martin Parr died at age 73.
Santa Barbara's fall 2025 art season offers a diverse array of exhibitions across museums and galleries, from contemporary printmaking at the Santa Barbara Museum of Natural History to Impressionist masterworks at the Santa Barbara Museum of Art. Highlights include John Comer's seascapes at Santa Barbara Fine Art, David Florimbi's retrospective at the new Separate Reality gallery, and a joint show by Joan Rosenberg-Dent and Sarita Reynolds at Art & Soul Gallery. The California Nature Art Museum also celebrates its 25th anniversary with a solo exhibition by founder Patti Jacquemain.
A feature article examines Salvador Dalí's controversial religious painting "Christ of Saint John of the Cross" (1951), which was physically attacked by vandals on two separate occasions—once with a rock in 1961 and later with an air rifle. The painting, part of Dalí's "Nuclear Mysticism" phase, depicts a floating, unblemished Christ from an aerial perspective, based on a drawing by the mystic St. John of the Cross and modeled by a Hollywood stunt double.