Nigerian artist Damola Adepoju has opened his third solo exhibition, titled 'Light', at Mydrim Gallery in Lagos. The show, curated by Idowu Bankole to commemorate Adepoju's 50th birthday, features 30 paintings and mixed-media works created between 2015 and the present, focusing on Lagos cityscapes and employing his signature technique of newspaper prints, acrylic, and soft gold on a grey palette.
A new solo exhibition titled 'Make Light of It' by artist Anna Simmons opens at The Little Gallery in Marlborough. The show features oil paintings depicting bus stops and escalators, focusing on the interplay of light and darkness in everyday urban settings.
Wittenberg University’s Art Department recently debuted "Prologue to Somewhere," a senior thesis exhibition held in the Ann Miller and Thompson Galleries. The showcase features diverse works from nine graduating seniors, ranging from traditional oil painting and stoneware ceramics to digital media, photography, and interactive video game design. Notable projects include Francesca Heidinger’s Pink Floyd-inspired abstract paintings, Kris Such’s queer horror comic concept art, and Molly Kirkpatrick’s mental health-focused digital experience.
The Hal Marcus Gallery is celebrating its 30th anniversary, marking three decades as a vital cultural hub for the El Paso-Juarez border region. Founded in 1996 by local artist Hal Marcus alongside his daughter Leilainia Marcus and wife Patricia Medici, the gallery has remained a steadfast physical space for regional talent, ranging from early El Paso masters to contemporary folk artists. The milestone comes at a poignant time for the founder, who is currently navigating a terminal cancer diagnosis while continuing to produce new creative work.
The Pence Gallery has been named the "Best Art Gallery" in the Readers’ Choice 2026 awards, celebrating its 50-year legacy as a regional arts leader in Davis, California. The gallery hosts between 15 and 20 contemporary exhibitions annually across various media, attracting over 20,000 visitors with its commitment to free admission and community-focused programming.
Art House Productions is set to debut "EXPANDED METAMORPHOSIS: CONTEMPORARY APPROACHES TO PROCESS," a group exhibition curated by Andrea McKenna at the Art House Gallery in Jersey City. Running from April 4 to April 26, 2026, the show features ten artists—including Jan Huling, Valerie Huhn, and Dan Payton—who utilize industrial, organic, and repurposed materials to explore themes of transformation and experimentation.
Art Leven, formerly known as Cooee Art, has officially opened its new multi-level, purpose-built gallery space in Woolloomooloo, Sydney. The relocation marks a significant new chapter for one of Australia’s oldest fine art galleries dedicated to First Nations artists. The inaugural program features a major solo exhibition of paintings by Pintupi artist Mitjili Napanangka Gibson titled "The Places That Know Us," alongside "Gatherings," a group exhibition of bronze and aluminium sculptures produced in collaboration with Urban Art Projects.
The Malibu Arts Commission is launching "Heading Home," a solo exhibition of original paintings by local artist Gay Summer Rick at the Malibu City Gallery. The show, which opens with a public reception on March 22, features Rick’s signature atmospheric landscapes that blend impressionism with expressive abstraction. Her work focuses on capturing the luminous light and coastal beauty of the California shoreline using palette knife techniques.
Los Angeles-based artist Greg Ito has presented a striking installation titled "A Cautionary Tale" with Superposition Gallery at Frieze Los Angeles. The booth features stacks of neon orange suitcases and mirrored trunks alongside paintings of symbolic imagery like burning candles and ships in a bottle. The work draws directly from Ito’s family history, specifically the forced relocation of his grandparents to Japanese American internment camps during World War II, where they were restricted to bringing only what they could carry in a suitcase.
Magischer Realismus gegen die Härte der Vorstadt
French-Chilean artist Tohé Commaret presents an exhibition at MMK Zollamt in Frankfurt featuring quiet, still images that highlight invisible care work and feminist solidarity. The show focuses on women who silently enable events like weddings and galas without being seen, exploring female alliances and the attempt to reclaim new narratives from the suburbs.
Wenn die Nacht auf den Tag abfärbt
Berlin-based graffiti artist Paradox Paradise, known for his distinctive red-and-blue "Paraglyphs" painted on high facades, discusses his evolution from classic graffiti to a radically reduced visual language. In an interview with Monopol, he explains how he stripped away decorative elements to focus on precise, vertical outlines and messages like "Mieten runter Wände bunter" (lower rents, more colorful walls). He describes his nocturnal actions as states of heightened presence requiring weeks of planning, where every movement has immediate consequences.
Einmal um die Welt
The article previews the national pavilions at the Venice Biennale, where 99 countries present exhibitions across the Giardini, Arsenale, and venues throughout the city. It highlights Iceland's pavilion, featuring Ásta Fanney Sigurðardóttir's project "Pocket Universe" at the Docks Cantieri Cucchini, a multimedia work combining performance, sound, moving image, and installation centered on a film about a creature.
Warum KI uns nicht die Fantasie raubt – mit Jenifer Becker
Author and cultural scholar Jenifer Becker discusses the impact of artificial intelligence on creativity in the Monopol podcast "Fantasiemuskel." She argues that while AI-generated text is often generic, it can liberate us from the romantic myth of the solitary genius by demonstrating that most ideas already exist. Becker leads the "AI Lab Kit" at the Hildesheim Literature Institute, using experimental projects to push language models beyond their algorithmic comfort zones.
"Wir mussten schwierige Entscheidungen treffen"
Investor Andrew E. Wolff has stepped down as CEO of Artnet after orchestrating a merger of the company's US operations with Artsy, another major art market platform he recently acquired. Jeffrey Yin, previously the interim head of Artsy, has been appointed as the permanent CEO of the combined entity. The restructuring involves significant layoffs, the closure of Artnet's Berlin office, and a consolidation of management teams, though both brands will continue to operate with distinct editorial voices.
"Das Wichtigste ist, dass die Kunst zugänglich bleibt"
Gilles Neiens has been appointed as the first-ever artistic director of Art Düsseldorf, marking a strategic shift for the eight-year-old regional art fair. In his new role, Neiens aims to elevate the fair's profile by focusing on high-quality curation, thematic depth, and fostering closer collaborative relationships with participating galleries. This structural change signals a move away from purely organizational management toward a more distinct, content-driven identity.
Le musée de La Poste redevient le « musée postal »
The Musée de La Poste in Paris has rebranded itself as the "Musée Postal," reclaiming its original 1946 name as it approaches its 80th anniversary. Alongside a new visual identity featuring a blue and white "M" logo, the institution is shifting its focus from a strictly corporate museum to a "museum of society" with a more universal outlook. Under the leadership of director Guillaume Goy, the museum aims to modernize its permanent collection and recover its pre-pandemic attendance figures, targeting 150,000 annual visitors.
Oviedo accueillera le premier musée de philosophie au monde
The Gustavo Bueno Foundation has announced plans to open the world's first museum of philosophy in Oviedo, Spain, scheduled for January 2027. Housed in the historic Miñor sanatorium, the institution will serve as a physical extension of the Oviedo School of Philosophy, focusing on the "philosophical materialism" developed by the late thinker Gustavo Bueno. The museum aims to move beyond academic circles to engage the general public in critical thinking and the rigorous analysis of social structures.
Le Journal des Antiquaires et Galeries n°10 vient de paraître
The tenth issue of Le Journal des Antiquaires et Galeries has been released, focusing on the resilience of the art market amidst geopolitical and economic headwinds. The publication highlights major spring events including Art Paris, Art Brussels, and the Paris Gallery Weekend, while introducing the newly formed Federation of Art Market Actors (FAM’Art).
UK government ministers are exploring the possibility of charging international tourists for entry to the permanent collections of national museums. This proposal is part of a broader search for long-term funding solutions for the arts sector, outlined in the government's response to the Arts Council England review led by Margaret Hodge. The review also prompted commitments to simplify funding applications and protect the Arts Council from political interference.
Daniel Hopp's exhibition "Fictional Healing" at Kunsthaus Hamburg explores how transit spaces like train stations and public squares reveal social divisions, focusing on sites such as Berlin's Leopoldplatz and Hamburg's Drob Inn, a drug consumption counseling center. The show examines the collision of addiction, homelessness, and survival strategies in these urban environments.
Alex Thake presents a solo exhibition titled "I Know This Much is True" at Triangolo gallery in Cremona. The show features new works by the artist, continuing his exploration of material and conceptual themes.
The article previews an upcoming exhibition titled "Sorcières !" at the Château des ducs de Bretagne – Musée d'histoire de Nantes, running from February 7 to June 28, 2026. It traces the historical debate around witchcraft in 16th-century Europe, focusing on key figures such as Heinrich Kramer, author of the *Malleus maleficarum* (1486), who argued that witchcraft was a female-specific evil requiring extermination, and Jean Bodin, who supported this view. In contrast, Johann Weyer and Michel de Montaigne challenged the persecution, suggesting accused women were mentally ill or elderly and deserved humane treatment rather than execution.
Salomé. Henner et Moreau face au mythe
The Musée National Jean-Jacques Henner in Paris is hosting a focused exhibition exploring the iconographic myth of Salomé through the lenses of Jean-Jacques Henner and Gustave Moreau. The show examines how these two 19th-century masters interpreted the biblical figure who demanded the head of John the Baptist, contrasting their stylistic approaches to her seductive and fatal power. While the Gospels provide no physical description of Salomé, the exhibition highlights how these artists moved away from traditional fleshy depictions to create more ethereal, haunting versions of the femme fatale.
Photographer Alfredo Cunha presents 'Rostos da Imigração' at the UCCLA gallery in Lisbon, a photographic exhibition featuring portraits of individuals from lusophone communities. The series resists anonymity and aestheticization, instead focusing on the lived experiences of migrants in contemporary Portugal. The exhibition is on view until 20 May 2026.
Guinea has presented its first-ever national pavilion at the 61st Venice Biennale. Titled 'Le Son de l’Art,' the exhibition is installed on the island of San Servolo and is curated by Koyo Kouoh, featuring a multidisciplinary group of artists exploring memory, materiality, and postcolonial identity.
The National Pavilion UAE has announced its upcoming exhibition for the 61st Venice Biennale in 2026, titled ‘Washwasha’ (Whispers Across Water). Curated by Bana Kattan with assistant curator Tala Nassar, the presentation features six artists: Mays Albaik, Jawad Al Malhi, Farah Al Qasimi, Alaa Edris, Lamya Gargash, and Taus Makhacheva. The exhibition moves away from traditional visual spectacle to focus on sound, oral traditions, and 'sonic cartographies' that explore memory, migration, and the fluid identity of the UAE through an architectural environment designed by Büro Koray Duman Architects.
Deborah Roberts’s solo exhibition, 'Consequences of Being,' at The FLAG Art Foundation showcases a significant evolution in her practice, featuring new large-scale paintings, works on paper, and her debut in ceramic sculpture. Her signature collage-based figures are presented as fragmented, composite bodies that challenge fixed notions of Black identity and subjecthood. By blending archival imagery with vernacular signage, Roberts explores how colonial legacies and historical narratives continue to influence the perception of Black bodies across the globe.
Photographer and writer Johny Pitts presents 'Black Bricolage' at MEP Studio, a visual essay spanning two decades of work documenting Black life across European cities like Paris, Lisbon, and Berlin. The exhibition utilizes a mix of photography, personal notes, and lived encounters to map the 'Afropean' experience, focusing on the quiet textures of daily life rather than grand spectacles.
The Museu de Arte do Rio has launched 'Sortilégios de desvio,' the first solo institutional exhibition by Brazilian artist No Martins. Produced in collaboration with Galeria Almeida & Dale and curated by a five-person team led by Marcelo Campos, the show features a significant selection of Martins’ recent works that explore the intersections of urban experience and Afro-Brazilian cultural imaginaries. Through a variety of media, the exhibition highlights the artist's focus on gesture, memory, and the reconfiguration of traditional visual narratives.
The article reports on "Remain(s)," a dual exhibition at Momart Gallery in Matera, Italy, featuring young artists Luca Granato and Michela Rondinone. Curated by Antonella Marino, the show explores the aesthetics of fragments and memory through installations, sculptures, and video works. Granato's pieces address loss, migration, and climate change, while Rondinone's works focus on childhood, play, and relational practices. The exhibition runs until May 26, 2026.