The article examines Ambrogio Lorenzetti's frescoes "Good and Bad Government" (1338-1339) in Siena's Sala dei Nove, arguing that the painter embedded a subtle critique of the ruling oligarchy. Jules Lubbock, a professor emeritus at the University of Essex, reinterprets the murals as a warning against repressive one-party rule, challenging the traditional view of Siena under the Nine as a golden age of good governance.
The Art Institute of Chicago will present "Korean National Treasures: 2,000 Years of Art" from March 7 to July 5, 2026, featuring 140 artworks spanning from 6th-century Buddhist sculpture to contemporary paintings. The exhibition includes 22 objects officially recognized as National Treasures or Treasures by the Korean government, all drawn from a landmark 2021 donation of over 23,000 works by the family of late Samsung Group chairman Lee Kun-Hee. Highlights include Joseon dynasty ceramics, Buddhist paintings, and works by modern artists such as Kim Whanki and Park Rehyun.
In February 2025, Beirut-born, Paris-based architect Lina Ghotmeh won the competition to oversee the remodelling of the Western Range of the British Museum, a series of galleries comprising one-third of the historic London institution. Her project team includes conservation specialists Purcell and engineers Arup. Ghotmeh, known for her human-centred, sustainable approach and her 'archaeology of the future' methodology, has previously designed the Stone Garden tower in Beirut and the 2023 Serpentine Pavilion in London. She also holds commissions for a contemporary art museum in AlUla, Saudi Arabia, a Venice Biennale pavilion for Qatar, and the Bahrain Pavilion for Expo 2025 Osaka.
DPR Gallery, a new contemporary art space, opened in downtown Lake Charles, Louisiana, with an inaugural exhibition titled "Rebirth" featuring works by internationally renowned artist Peregrine Honig. The gallery is owned by Paul Picheloup, alongside friends Derrick Guidry and Ryan Jett, and is named after their shared initials. Honig's exhibition explores femininity, identity, and cultural memory through classic fairy tales and folklore.
The SLU Contemporary Art Gallery opened its exhibition “To Make and Be Received: Analyzing the Artistic Process” on October 2, curated by Thomas Walton. The show features works by seven artists—Diana Appaix-Castro, Jessica Lynne Brown, Brooke Cassady, Danielle Fauth, Ben Hamburger, Keir Johnston, and Eric Whitaker—and runs through November 5. Unlike traditional exhibitions, visitors are asked to view the artwork without any prior context, then respond to reflective questions before listening to recorded artist interviews. An artist talk is scheduled for October 30, and the gallery’s next exhibition, “Fall 2025 Senior Exhibition,” opens November 20.
Artist Eric-Paul Riege presents 'ojo|-|ólǫ́,' a new exhibition at Brown University's David Winton Bell Gallery that combines fiber sculpture and performance art to explore Diné (Navajo) mythology and culture. The show, curated by Nina Bozicnik and Thea Quiray Tagle, runs through December 7 and features pieces borrowed from Brown's Haffenreffer Museum of Anthropology, which Riege felt were 'buried alive' and needed to be activated. Riege encourages visitors to touch the works and incorporates dance performances, including a recent opening where he carried a humanlike figure named Hólǫ́ through the gallery.
The Heckscher Museum of Art in Huntington, New York, has opened "Carving Out History," the first-ever exhibition dedicated solely to 19th-century sculptor Emma Stebbins, creator of Central Park's iconic Bethesda Fountain. Curator Karli Wurzelbacher spent over five years assembling 14 marble sculptures from around the world, including pieces from Oregon, Rome, and Belfast, after a descendant of the artist contacted the museum in 2021. The exhibition is accompanied by a 256-page book and aims to establish Stebbins among the canon of great Neo-Classical sculptors.
A two-person exhibition titled “MAJOR” opened on September 12 at Wabash College’s Eric Dean Gallery, featuring paintings by alumni Mark Brosmer and Ryan Lane, both among the first art majors to graduate from Wabash in 1985. The show explores everyday complexity, the unseen, and the sublime through Brosmer’s surrealist realism and Lane’s painterly and furniture-making practice. Concurrently, the gallery opened “20th Century Indiana Art: A Private Collection of Midwestern Regional Paintings,” showcasing works from the collection of alumnus Dan Kraft, highlighting the Hoosier Group and Brown County Art Colony.
Diné (Navajo) artist Eric-Paul Riege has opened a new exhibition, “ojo|-|ólǫ́,” at Brown University’s David Winton Bell Gallery, on view through December 7. The show features large soft sculptures and weavings that engage with Diné mythology, Euro-American trading posts, and the concept of authenticity in Indigenous art. Riege also selected five objects from Brown’s Haffenreffer Museum of Anthropology, including a loom with an unfinished textile, which he recontextualized by separating the loom from the textile and adding handwritten notes. The exhibition is co-curated by Thea Quiray Tagle and Nina Bozicnik, and will travel to the Henry Art Gallery in 2026.
On September 23, Bruun Rasmussen will auction ten works by Ovartaci, the Danish Art Brut master born Louis Marcussen. Ovartaci, who lived at the psychiatric hospital in Risskov for 56 years, created surreal figures, abstract female forms, and distinctive 'smoking phantoms'—handcrafted cigarette holders turned into magical beings. His breakthrough came in 1979 with the Louisiana Museum of Modern Art's 'Outsider' exhibition, and he has since been shown at the Venice Biennale and the CoBrA Museum of Modern Art. The online auction is already open for bidding, with a preview in Aarhus.
Nearly 200 Old Master treasures from the Schroder Collection, amassed by the late banker Bruno Schroder and his family over more than a century, will go on long-term display at the Holburne Museum in Bath, UK, starting 10 September. The collection includes silver, maiolica, and paintings by artists such as Lucas Cranach the Elder and Hans Holbein the Elder, many shown publicly for the first time. The loan was facilitated by Bruno’s daughter Leonie, who requested the works remain in the UK and be placed in a regional museum rather than London.
Andrew J. Walker is stepping down as executive director of the Amon Carter Museum of American Art in Fort Worth after 14 years. His tenure included launching a community artists initiative, overseeing a major renovation, and acquiring works by over ten Indigenous photographers. The museum also faced controversy last fall when it temporarily closed the exhibition "Cowboy" without explanation, later reopening it with a "mature content" label—a decision artist Rafa Esparza called censorship. Scott Wilcox, the museum's chief operating officer, will serve as interim leader while a search for a new director begins.
An exhibition titled “ATLAS: Historical Works and Recent Journeys of Alberto Rey” is on view at the Marion Art Gallery through November 21. The show features 133 paintings, drawings, and ceramics by Alberto Rey, a SUNY Distinguished Professor Emeritus who taught at Fredonia from 1989 to 2022. The works were created during and after a five-month expedition to 14 countries and 22 UNESCO World Heritage Sites in 2024, alongside pivotal pieces from past series such as “Binary Forms,” “Extinct Birds,” and “Critically Endangered Palms of Cuba.” The exhibition also includes journal entries, sketchbooks, and art supplies from the voyage.
A new exhibition at the University of Hawaiʻi at Mānoa’s Walter Dods, Jr. RISE Center honors the Metcalf Château, a pioneering collective of Asian-American artists who gathered in a house on Metcalf Street in the 1950s to redefine modern art in Hawaiʻi. Curated by Allison Wong and initiated by longtime university supporter Walter Dods, the show features works by founding members Bumpei Akaji, Satoru Abe, Tadashi Sato, Edmund Chung, Tetsuo “Bob” Ochikubo, Jerry T. Okimoto, and James K.K. Park, with a ceremonial blessing by Kahu Kordell Kekoa.
Shanghai’s Rockbund Art Museum (RAM) became one of the only private museums in China to offer free admission in May 2025, marking its 15th anniversary. The move initially required pre-booked timed entry via WeChat, but after city-wide guidance encouraged removing barriers, the museum eliminated the booking system, leading to long wait times and visitor complaints on social media. One visitor reported receiving an inappropriate response from the museum’s official account, prompting apologies from both the museum and its executive director and chief curator, X Zhu-Nowell. A hybrid system of day-ahead reservations and same-day walk-ins was later implemented.
Loyola University Museum of Art (LUMA) opened "Freedom in Form: Richard Hunt" on July 11, 2025, running through November 15, 2025. Originally planned as a celebration of the renowned Chicago sculptor's career while he was still alive, the exhibition became a posthumous tribute after Hunt died on December 16, 2023, at age 88. The show originated at the Abraham Lincoln Presidential Library and Museum (ALPLM) in Springfield, suggested by Illinois First Lady MK Pritzker, and was later brought to LUMA in Hunt's hometown. It features sculptures, maquettes, tools, his personal workbench, and over 250 books from his library of 5,000 volumes, highlighting his seven-decade career and his role as an adjunct faculty member at Loyola University Chicago.
The Detroit Institute of Arts (DIA) is opening its first major Native American art exhibition in over three decades, featuring 90 works from more than 60 Anishinaabe artists from Michigan and the Great Lakes region. The exhibition, on view from September 28, 2025 to April 8, 2026, includes pieces such as Jessica Leigh Gokey's "She Loves" and Norval Morrisseau's "Punk Rockers," and was developed with guidance from an Anishinaabe advisory board.
Tate museums have experienced a significant drop in attendance, with Tate Modern seeing 25% fewer visitors in 2024 compared to 2019, Tate Britain down 32%, and Tate St Ives down 37%. While domestic visitor numbers have recovered to 95% of pre-Covid levels, international visitors are at only 61%, particularly among European 16-to-24-year-olds, whose numbers fell from 609,000 in 2019-20 to 357,000 in 2023-24. The Art Newspaper's research, combining government data and Tate's internal studies, shows that external socioeconomic factors—including a one-tenth drop in EU visitors to the UK overall—are the primary driver, not curatorial programming as some critics have claimed.
The 53rd annual Prix de West Invitational Art Exhibition & Sale is on view through August 3, 2025, at the National Cowboy & Western Heritage Museum in Oklahoma City. The show features more than 270 original paintings and sculptures by over 90 leading Western artists, including works by Thomas Blackshear II, John Coleman, Dan Friday, Teresa Elliott, Dan Ostermiller, Joshua Tobey, and Paul Moore. Highlights include John Coleman's monumental bronze sculpture "Victory! Plenty Coups" and Sandy Scott's bronze "Yonder is Jackson Hole."
The Loyola University Museum of Art (LUMA) has opened "Freedom in Form: Richard Hunt," an exhibition showcasing the work of the late Chicago sculptor who created over 160 public monuments across the U.S. The show, which runs through Nov. 15, 2025, features sculptures, maquettes, tools, and selections from Hunt's personal library, offering an intimate view of his career. It premiered in 2024 at the Abraham Lincoln Presidential Library in Springfield, where it was organized after First Lady of Illinois M.K. Pritzker recommended Hunt. The exhibition includes early works like "Hero's Head" (1956), inspired by Emmett Till, and later pieces such as "Hero Ascending," planned for installation at the Emmett Till/Mamie Till-Mobley historic landmark home.
A new exhibition titled “Freedom in Form: Richard Hunt” opens at the Loyola University Museum of Art in Chicago, exploring the 70-year career of the late sculptor Richard Hunt, who died in 2023 at age 88. The show includes his tools, workbench, personal books and photos, alongside key works such as “Hero’s Head” (1956), a welded bust created in response to the murder of Emmett Till, who was Hunt’s neighbor. The exhibition originated at the Abraham Lincoln Presidential Library Museum in Springfield and was conceived in 2019, with curator Ross Stanton Jordan and director Lance Tawzer aiming to present Hunt as a young artist deeply engaged with Civil Rights history.
A new exhibition at the Art Gallery of New South Wales (AGNSW) in Sydney, titled 'Yolŋu power: the art of Yirrkala', showcases the work of 90 Yolŋu artists from the remote community of Yirrkala in Australia's Northern Territory. The exhibition highlights how the community's art centre, Buku-Larrŋgay Mulka, has produced sacred clan designs known as miny'tji for eight decades, and how these patterns were used as legal and political documents to assert land and sea rights. Key moments include the 1963 Yirrkala Bark Petition, the Saltwater Project (1996) initiated by artist Djambawa Marawili, and the subsequent 2008 High Court ruling recognizing Indigenous ownership of the intertidal zone under the Land Rights Act.
The Frist Art Museum's summer exhibition, "Venice and the Ottoman Empire," presents over 150 artifacts from Venice's civic museums, Fondazione Musei Civici di Venezia, and the University of Zadar's museum. Co-curated by Stefano Carboni and Trinita Kennedy, the show explores the complex relationship between the Ottoman Empire and the Republic of Venice, highlighting not only their centuries of brutal warfare but also their extensive trade networks and cultural exchange. Luxury textiles, including silk and velvet with Ottoman designs, feature prominently, alongside books, a qibla indicator, and military artifacts like a 17th-century Ottoman banner. The exhibition focuses on commerce and the elite who commissioned portraits, though it notably omits discussion of the slave trades and minimizes production processes.
The Walters Art Museum has unveiled new Latin American galleries, opening with a work by Peruvian-born artist Kukuli Velarde titled "Wak'a del Agua" (2022-2023). The ceramic piece, inspired by the Inca tradition of stacking stones to mark sacred spaces, features five stacked forms painted in diverse styles that reflect different periods of Peruvian history, from ancient textile patterns to neon-colored figures.
The Newport Art Museum will present 'Howard Gardiner Cushing: A Harmony of Line and Color' from July 12 to December 31, 2025, the first major retrospective in decades of the Gilded Age artist. Curated by Ricardo Mercado, the exhibition features over 55 paintings, many unseen publicly for over 60 years, and will be held in the museum's Cushing Gallery, named after the artist and funded by his patron Gertrude Vanderbilt Whitney.
Loyola University Museum of Art (LUMA) in Chicago will host "Freedom in Form: Richard Hunt" from July 11 to November 15, 2025, a major exhibition celebrating the late sculptor Richard Hunt (1935–2023). The show features sculptures, maquettes, tools, books, photographs, prints, and video interviews, tracing Hunt’s 70-year career from his early days at the School of the Art Institute of Chicago to international renown. For the first time, it pairs two pivotal works: "Hero’s Head" (1956), created after the funeral of Emmett Till, and "Hero Ascending," a monument designed for Till’s childhood home. The exhibition includes a catalogue with contributions from Christina Shutt, Rev. Michael J. Garanzini, curator Ross Stanton Jordan, biographer Jon Ott, and historian Timothy J. Gilfoyle.
The Denver Art Museum has published a feature titled "What We’ve Been Up To: Landscape," showcasing a selection of recent photographic acquisitions focused on the American landscape. The featured works span from the late 19th century to the present, including images by Steve Fitch, Henry Wessel, Jr., Yamamoto Masao, Marion Post Wolcott, William Henry Jackson, John Ganis, Terri Weifenbach, Christina Fernandez, Linda Connor, and Patrick Nagatani. The photographs document diverse terrains—from New Mexico and Colorado to New Jersey and Hawai'i—and employ a range of processes, from albumen and gelatin silver prints to inkjet and pigment prints.
The Frist Art Museum has debuted 'Venice and the Ottoman Empire,' an interactive exhibition exploring the cultural, artistic, and commercial exchanges between Venetians and Ottomans from 1400 to 1800. Featuring over 150 works from seven Venetian museums, the show includes ceramics, glass, metalwork, paintings, prints, and textiles by artists such as Gentile Bellini and Vittore Carpaccio, alongside anonymous craftspeople. Immersive elements like soundscapes, scent stations, and a video installation with Nashville chefs Paulette Licitra and Ilyas Bakla enhance the experience, with rooms dedicated to doges, sultans, shipwreck artifacts, and the spice trade.
The Utah Museum of Contemporary Art (UMOCA) is presenting two early summer exhibitions: "Out Loud 2025" and the "2025 Gala Art Auction: The Factory." Out Loud 2025 features work by 17 young artists from Utah high schools who completed a 12-week workshop series, exploring themes of queer identity, childhood nostalgia, and coming-of-age through diverse media including painting, ceramics, collage, and video. The 2025 Gala Art Auction showcases works by 57 Utah artists available for purchase.
The Marco Island Center for the Arts and the Miami Museum of Contemporary Art of the Americas (MoCAA) are exchanging exhibitions focused on Latinx art and artists. The Marco Island Center is currently hosting works by 15 contemporary artists from Latin America and the Caribbean, including Ivonne Ferrer, Ruben Torres Llorca, and Luis Cruz Azaceta, on view through July 1. In exchange, MoCAA will present "Marco to Miami" from June 20 to July 20, featuring 14 artists from Collier County.