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René Magritte's surrealist masterpiece *La Magie Noire*, unseen on the market for nearly a century, will be auctioned at Sotheby's Paris later this month with an estimate over $8 million. The painting was originally purchased by the family of WWII resistance heroine Suzanne Spaak, who supported Magritte during a financially difficult period. Separately, three major museums designed by star architect David Adjaye—the Princeton University Art Museum, the Museum of West African Art in Benin City, and the Studio Museum in Harlem—are set to open this fall, but institutions are downplaying Adjaye's involvement following sexual misconduct allegations he denied in 2023. Other news includes Pace Gallery closing its Hong Kong space, Colnaghi opening in Riyadh, and the death of ARTnews owner Milton Esterow.

The Egyptian Modernist Inji Efflatoun gains international exposure with new biographical collection

The article profiles Egyptian Modernist artist and activist Inji Efflatoun, detailing her life from her birth in 1924 in Cairo to her political activism, arrest in 1959, and four-and-a-half-year imprisonment. It highlights a new biographical collection, *The Life and Work of Inji Efflatoun*, which includes her translated memoirs and critical essays, offering a comprehensive view of her art and revolutionary life.

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Kathleen Goncharov, a curator known for her work at Just Above Midtown gallery and the Boca Raton Museum of Art, died at her home in Boca Raton, Florida, on December 31 at age 73. Over her career, she served as senior curator at the Boca Raton Museum of Art from 2012 to 2025, curated exhibitions internationally from Rio de Janeiro to Rome, and was commissioner of the US Pavilion for the Venice Biennale in 2003, presenting Fred Wilson's exhibition "Speak of Me as I Am." She also held positions at Creative Time, the New School, MIT, the Nasher Museum of Art, and the Brodsky Center for Innovative Editions, and was a working artist for 40 years.

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Dublin-born Egyptian artist Rafik Greiss discusses his practice and recent work in an interview conducted at a Paris café. Greiss, who recently presented a solo show titled “The Longest Sleep” at Galerie Balice Hertling in Paris, creates photographs and films that explore themes of loneliness, urban space, and religious experience. His 12-minute film *The Longest Sleep* (2024), shot in Cairo, depicts Sufi rituals and deserted fairgrounds, informed by neurotheology. Greiss prints his black-and-white photographs on thick Japanese paper, emphasizing the tactile signature of his lens-based work. He is currently considering exhibition invitations from institutions around the Mediterranean and plans to travel to Egypt to make new work.

Art Basel 2025: Masterpieces, new galleries, and swimming the Rhine

Art Basel 2025 will feature a large-scale public artwork by Katharina Grosse transforming Basel's Messeplatz, along with a new sector called Premiere for mid-career galleries, the inaugural Art Basel Awards, and 20 first-time exhibitors. Director Maike Cruse highlights major works on offer, including a late-career Pablo Picasso painting at Pace, a Joan Mitchell abstract at Pace, Helen Frankenthaler's 'Swan Lake I' at Yares Art, Leonora Carrington's rare triptych at Di Donna Galleries, and a Heidi Bucher latex imprint at Lehmann Maupin. The Unlimited sector will present 67 monumental works, including Martin Kippenberger's 'Transportable Subway Entrance' and daily performances by Cairo-based dance collective nasa4nasa.

Arnaldo Pomodoro | Arnaldo Pomodoro - Untitled for Art and Research (Ca… (2003) | For Sale

Arnaldo Pomodoro's 2003 etching "Untitled for Art and Research (Ca…" is being offered for sale. The work is an artist's proof on wove paper, signed and annotated p.a., one of only 15 proofs aside from the regular edition of 150. It was created to support the "Art and Research" event in Milan, sponsored by the Mario Negri Pharmacological Research Institute, and published by Art 3, Alberto Serighelli. The piece is framed under UV Plexiglass and measures 12.75 x 12.5 x 1.5 inches framed.

Artist Henry Ossawa Tanner

This article profiles Henry Ossawa Tanner (1859–1937), the pioneering African American artist who achieved international fame in the 19th and early 20th centuries. Born in Pittsburgh to a bishop father and a mother who escaped slavery, Tanner studied under Thomas Eakins at the Pennsylvania Academy of Fine Arts before moving to Paris to escape racial discrimination. He studied at the Académie Julian, became a mentor to Black artists including Aaron Douglas and Hale Woodruff, and gained renown for his biblical paintings such as "Daniel in the Lions' Den" (1896). Tanner traveled widely—to Egypt, Morocco, and Palestine—and was named a chevalier of the French Legion of Honor in 1927. The article lists numerous works by Tanner held in major collections, including the first painting by an African American artist acquired for the White House Collection.

Forever is Now has transformed Cairo's Giza Plateau into an open-air gallery

The fifth edition of 'Forever is Now' has transformed the Giza Plateau in Cairo into an open-air gallery, featuring 10 large-scale contemporary art installations by international artists. Running until December 6, the exhibition is organized by the cultural platform Art D’Egypte and invites artists to explore the theme of immortality, sparking a dialogue between ancient Egyptian heritage and contemporary art. Notable participants include 92-year-old Nobel Peace Prize nominee Michelangelo Pistoletto, Portuguese artist Vhils (Alexandre Farto), US-based Alex Proba, the Russian Recycle Group, Lebanese artist Nadim Karam, Franco-Beninese ceramicist King Houdekpinkou, and Turkish sculptor Mert Ege Köse, among others.

​Walid Nayif’s painting exhibition at Yassin gallery is not to be missed

Walid Nayif is holding a painting exhibition at Yassin gallery, which the article describes as not to be missed. The article also lists numerous other art events in Cairo, including photographic projects, immersive digital exhibitions, and ceramic showcases, featuring artists such as Judi Yassin, Tia Khalil, Mostafa El-Razzaz, Khaled Taher, Mahmoud Hamdi, and Pierre Jeanneret, as well as the 'Beyond Van Gogh' immersive experience directed by Mathieu Saint-Arnaud.

“Lighting” exhibition by Mohamed Abdalla Otaybi at Swailam gallery is not to be missed

This article is a roundup of art exhibitions and cultural events in Cairo, Egypt, spanning multiple venues and dates. It highlights a photographic project titled "New Cairo, Do You Love Me?" by Judi Yassin and Tia Khalil at the American University in Cairo, which documents the disconnect between the promised luxury of New Cairo and its dehumanizing reality using 35mm black-and-white film. Other featured events include painting exhibitions by Osama Nashed and Alaa Hegazi at Dai, Mahmoud Hamdi's "Journey to the Core" at Difaf, the immersive "Beyond Van Gogh" experience at District 5, the permanent collection at Al-Fustat Centre for Ceramic, and the Empower Her Art Forum at the Grand Egyptian Museum.

​Lina Osama’s “Eyes Full of Dreams” exhibition at Picasso Zamalek is a must see

The article is a comprehensive listing of current and upcoming art exhibitions in Cairo, Egypt. It details numerous shows across various venues, including the "Disruption" senior exhibition at the Sharjah Art Gallery, the "Beyond Van Gogh" immersive experience in New Cairo, and group and solo shows at galleries like Mashrabia Gallery of Contemporary Art and Picasso Zamalek.

Must-see exhibitions in 2026: APAC

The article highlights a curated selection of must-see art exhibitions across the Asia Pacific region in 2026. Key shows include Zao Wou-Ki's printmaking retrospective at M+ in Hong Kong, a major Cartier jewelry exhibition at the National Gallery of Victoria in Melbourne, and a survey of Western landscape art from the Centre Pompidou collection. Other notable exhibitions feature ancient Egyptian treasures at the Hong Kong Palace Museum, as well as shows dedicated to Klimt, Van Gogh, and Vermeer in Taipei and Japan.

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A 4,000-year-old limestone relief depicting the three seasons of the ancient Egyptian calendar has been stolen from the Saqqara necropolis near Cairo. The relief, measuring 16 by 24 inches, was cut from the wall of a Fifth Dynasty tomb belonging to high-ranking official Khenti Ka using an electric saw. Egypt's Ministry of Tourism and Antiquities reported the theft on Sunday, and an archaeological committee has been formed to inventory the tomb's contents while the matter is under investigation by the Public Prosecution.

5 Standout Shows to See at Small Galleries This March

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Researchers at the Fitzwilliam Museum have discovered that ancient Egyptian scribes used a primitive form of correction fluid to amend errors on papyrus scrolls. While preparing a 3,300-year-old copy of the Book of the Dead for the tomb of the scribe Ramose, conservators noticed white lines of huntite and calcite mixed with yellow orpiment used to slim down a painted jackal. This 'ancient Wite-Out' was specifically blended to match the cream-colored tone of fresh papyrus, concealing revisions made during the artistic process.

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The tomb of Pharaoh Amenhotep III, one of the largest in Egypt's Valley of the Kings, has reopened to the public after a 20-year renovation led by a team from Waseda University in Tokyo. Discovered in 1799 by French engineers and looted in antiquity, the tomb features newly restored wall paintings depicting the pharaoh with ancient Egyptian gods, the structural frame of his sarcophagus, and burial chambers for his two wives. The reopening took place on October 4, 2025.

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A 3,000-year-old gold bracelet belonging to King Amenemope was stolen from a conservation lab in Egypt, sold for 194,000 Egyptian pounds (about $4,000), and melted down by a gold smelter. The theft was carried out by a restoration specialist who took the artifact from a safe, and four suspects have since been arrested with proceeds recovered. The bracelet was being prepared for an upcoming exhibition titled “Treasures of the Pharaohs” at the Scuderie del Quirinale in Rome.

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Cultural authorities in Cairo have launched a nationwide search for a 3,000-year-old solid gold bracelet that disappeared from the Egyptian Museum in Tahrir Square. The artifact, once owned by King Amenemope of the 21st Dynasty, features blue lapis lazuli beads and was last seen in the museum's restoration laboratory. It was being prepared for the upcoming "Treasures of the Pharaohs" exhibition in Rome. Authorities have distributed images of the bracelet to all Egyptian airports, seaports, and land border crossings to prevent smuggling, and a specialist committee will inventory all artifacts in the laboratory.

Ancient Egyptian Papyrus Reveals 3,300-Year-Old White-Out Fluid

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Researchers at the Fitzwilliam Museum have discovered evidence of 3,300-year-old "white-out" used to correct an artistic error on an ancient Egyptian papyrus. While preparing for an upcoming exhibition, curators identified a modification on a copy of the Book of the Dead belonging to the royal scribe Ramose, where a mixture of calcite and huntite was applied to slim down the figure of a jackal deity.

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The Grand Egyptian Museum (GEM) in Cairo has delayed its official opening again, now expected in the fourth quarter of 2025, due to regional conflicts including the Israel-Iran war. Originally proposed in 1992 and under construction since 2002, the $1 billion museum has faced repeated setbacks from the Arab Spring, the pandemic, and wars in Gaza and Sudan. When it opens, it will showcase over 100,000 artifacts, making it the largest archaeological museum in the world, with the Tutankhamun galleries as its centerpiece featuring over 5,398 objects from the pharaoh's tomb.

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The Grand Egyptian Museum (GEM) in Giza has received another 163 artifacts from the tomb of King Tutankhamun, transferred from the Egyptian Museum in Cairo's Tahrir Square. This delivery includes the pharaoh's ceremonial chair, gilded footstool, canopic shrine, and jewelry, bringing the museum closer to staging the first-ever complete display of the boy king's treasures. The artifacts were transported with care and underwent condition reports at GEM's conservation labs. The final piece to arrive will be Tutankhamun's funerary mask, ahead of the museum's long-awaited grand opening on July 3.

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Egypt’s Ministry of Tourism and Antiquities unveiled the newly restored Colossi of Memnon, two monumental quartzite statues of Pharaoh Amenhotep III, at the entrance of his 86-acre Luxor tomb site. The restoration, led by German-Armenian archaeologist Hourig Sourouzian and involving Waseda University, the German Archaeological Institute in Cairo, Johannes Gutenberg University Mainz, and the World Monuments Fund, began in 2006 after decades of damage from earthquakes, floods, and looting. The team cleaned, 3D-scanned, and reassembled the statues using original fragments and new additions, also uncovering nearly 300 other sculptures and fragments. The Colossi now stand 45 feet tall, with the pharaoh depicted in royal regalia alongside smaller figures of his wives.

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Italian artist and Arte Povera pioneer Michelangelo Pistoletto, aged 91, has been announced as a headliner for the 2025 edition of "Forever Is Now," an annual outdoor exhibition at the Great Pyramids of Giza. Pistoletto will create a monumental installation described as merging ancient civilization with modern ideas, with full details yet to be revealed. The project involves his Cittadellarte foundation, which is offering a fully-funded three-year bachelor course at its Unidee Academy in Biella, Italy, to Egyptian artists, supported by the Italian Institute of Culture in Cairo.

Hamed Abdalla | Untitled (1972) | For Sale

Hamed Abdalla's 1972 painting "Untitled" is being offered for sale through Mark Hachem Gallery, listed on Artsy. The work is an acrylic on canvas measuring 92 × 65 cm, hand-signed by the artist, and includes a certificate of authenticity. Abdalla (1917–1985) was a pioneering Egyptian modernist who developed the concept of the "Creative Word," blending abstraction with human forms. His career included exhibitions at Cairo's Museum of Modern Art, the Louvre in Paris, and the Metropolitan Museum of Art in New York, and his works are held in major institutions such as the Tate Modern, the Barjeel Art Collection, and Mathaf: Arab Museum of Modern Art.

Hamed Abdalla | Al Beous, Misery (1961) | For Sale

Hamed Abdalla's 1961 work "Al Beous, Misery" is being offered for sale through Mark Hachem Gallery, listed on Artsy. The piece is an ink on paper from glue relief, measuring 33 × 46 cm, hand-signed, and includes a certificate of authenticity. Abdalla (1917–1985) was a pioneering Egyptian and Arab modernist, known for his "Creative Word" concept blending abstraction and human forms. His career included exhibitions at Cairo's Museum of Modern Art, the Louvre, the Metropolitan Museum of Art, and the Tate Modern, among others.

Exhibition | Tommaso Spazzini Villa, 'The Time That’s Left' at TOTAH, New York, United States

TOTAH gallery in New York presents 'The Time That’s Left', a solo exhibition of works by Italian artist Tommaso Spazzini Villa, opening May 14, 2026. The show expands on his recent large-scale mural on West 45th Street in Hell’s Kitchen, moving from public space to an intimate gallery setting. It features graphite drawings traced across antique book pages—sacred texts, epic poetry, theatre scores—depicting root-like forms that challenge linear language, alongside metal box sculptures with wire, light, and dried leaves that create fleeting shadow dioramas.

Nazir Tanbouli celebrates 35 years of exhibiting his work at Yassin art gallery

The Egyptian art scene is hosting a diverse array of exhibitions this April, headlined by the Egyptian debut of the global blockbuster "Beyond Van Gogh: The Immersive Experience" at District 5 in New Cairo. This digital spectacle, directed by Mathieu Saint-Arnaud, utilizes 360-degree projections to bring over 300 of Vincent van Gogh's masterpieces to life. Simultaneously, local institutions like the Sharjah Art Gallery at AUC and the Italian Cultural Institute are showcasing contemporary talent, including the graduating class of AUC and a solo exhibition by Italian-Egyptian artist Sarah Zaki.

Studio Museum reopens, the long-awaited Grand Egyptian Museum, Stanley Spencer in Suffolk—podcast

The Studio Museum in Harlem has opened its first-ever purpose-built space, designed by Adjaye Associates, with director Thelma Golden leading the institution into a new era. In Egypt, the long-awaited Grand Egyptian Museum (GEM) has finally opened in Cairo. Meanwhile, the exhibition "Love & Landscape: Stanley Spencer in Suffolk" is on view at Gainsborough's House in Sudbury, featuring the painting "Tree and Chicken Coops, Wangford" (1925) by Stanley Spencer, with co-curator Amy Lim discussing the work.

Guest Artists Space Foundation announces ambitious 2025–26 programme exploring African art archives

Guest Artists Space (G.A.S.) Foundation and Yinka Shonibare Foundation have announced the 2025–26 edition of 'Re:assemblages', a programme focused on African and Afro-diasporic archives as sites for artistic inquiry and decolonial practice. Curated by Naima Hassan with contributions from Maryam Kazeem, Ann Marie Peña, and Jonn Gale, the initiative includes international convenings, symposia, fellowships, and micro-publications, anchored by a two-day symposium in Lagos during Lagos Art Week (4–5 November 2025). The programme draws on the Picton Archive at G.A.S.'s Lagos campus and is supported by the Terra Foundation for American Art, featuring four curatorial themes: Ecotones, The Short Century, Annotations, and The Living Archive. It also launches the African Arts Libraries Lab (AAL Lab), a pan-African network of libraries and publishers across Lagos, Dakar, Marrakesh, Cairo, Nairobi, Cape Town, and Limbe.

Chicago Is The Only City To Host 'The First Homosexuals,' An Extensive Collection Of Queer Art

The article reports that 'The First Homosexuals: The Birth of a New Identity, 1869-1939,' a major international exhibition of queer art, is currently on view at Wrightwood 659 in Chicago's Lincoln Park neighborhood. Curated by art historian Jonathan D. Katz, the show features around 350 works from over 100 lenders, including private collectors and major museums, and runs through July 26. Katz notes that no other institution in the world has agreed to host the exhibition, citing widespread refusals from venues in the United States, Europe, South America, and Asia.