South Seas, a resort on Florida's Captiva Island, has purchased Robert Rauschenberg's 22-acre property, including his studio and beachfront, for $45 million. The Robert Rauschenberg Foundation sold the estate, citing unsustainable maintenance costs and the need to focus on its core mission, despite the property having survived Hurricane Ian.
The Robert Rauschenberg Foundation has sold the artist’s 22-acre Captiva Island estate to South Seas, a neighboring resort developer, for $45 million. The sale includes Rauschenberg’s former home, studio, and several cottages where he lived and worked for decades. The Foundation defended the move by citing the prohibitive costs of protecting the site against rising sea levels and hurricane damage, confirming that the prestigious Rauschenberg Residency program will now come to an end.
The International Fine Prints and Drawings Association (IFPDA) Print Fair at the Park Avenue Armory is honoring the legacy of master printer Kenneth E. Tyler. A central highlight of the event is the presentation by the National Gallery of Australia (NGA) of a new three-volume catalogue raisonné documenting Tyler Graphics from 1986 to 2001. The 94-year-old Tyler, a foundational figure in American printmaking, collaborated with titans of Modern art including Robert Rauschenberg, Helen Frankenthaler, and Roy Lichtenstein across his storied career at Gemini GEL and Tyler Graphics.
The International Fine Prints and Drawings Association (IFPDA) Print Fair at the Park Avenue Armory is honoring the legacy of master printer Kenneth E. Tyler. A central highlight of the event is the presentation by the National Gallery of Australia (NGA) of a new three-volume catalogue raisonné documenting Tyler Graphics from 1986 to 2001. The 94-year-old Tyler, a foundational figure in American printmaking, is being celebrated for his technical innovations and his historic collaborations with titans of Modern art.
The Robert Rauschenberg Foundation has sold the late artist’s twenty-two-acre estate on Captiva Island, Florida, to the neighboring South Seas resort for $45 million. The sale includes ten buildings, most notably Rauschenberg’s custom-built 8,000-square-foot studio and his historic "Beach House." While the resort plans to integrate the property into its operations and host art-related programming, the foundation cited escalating maintenance costs and environmental risks from climate change as the primary reasons for the divestment.
April in Los Angeles features a diverse array of art exhibitions, from major institutional retrospectives to politically charged group shows. Highlights include a 60-year retrospective of the influential printmaking studio Gemini G.E.L. at its own space, a survey of the Grunwald Center at the Hammer Museum, and shows celebrating LA performance art icons Bob & Bob and Rachel Rosenthal. The month also sees a newly discovered collection of matchbook miniatures by Joe Brainard and Dave Muller's work on social connection at ArtCenter.
Para Site, a Hong Kong contemporary arts center, has launched a year-long 30th anniversary programme featuring exhibitions, performances, and residencies. The programme is structured around acts of response, pairing artists and fostering new collaborations, drawing inspiration from the organization's earliest experimental exhibitions.
The Robert Rauschenberg Foundation has announced the recipients of its one-time Rauschenberg Centennial Award, a $100,000 unrestricted prize honoring the artist's 100th birthday. Winners include artist Senga Nengudi, performer David Thomson, photographers Chandra McCormick and Keith Calhoun, and poet Patricia Spears Jones, all of whom were selected from past participants of the foundation's Captiva Residency program.
Calvin Tomkins, the longtime New Yorker staff writer renowned for his profiles of major 20th-century artists, has died at the age of 100. His career spanned more than six decades at the magazine, where he produced intimate and influential portraits of figures like Marcel Duchamp and Robert Rauschenberg, and authored several books including "Living Well Is the Best Revenge."
Wohin am Wochenende?
Major international exhibitions and events are launching this week, headlined by a massive Marcel Duchamp retrospective at the Museum of Modern Art in New York, the first of its scale in the U.S. since the 1970s. In Milan, Cao Fei debuts a research-heavy project at Fondazione Prada exploring the intersection of high-tech agriculture and tradition, while Berlin’s Georg Kolbe Museum recovers the legacy of British constructivist Marlow Moss. Additionally, the inaugural Art Cologne Palma Mallorca art festival opens in Spain, attempting to stimulate the market during a challenging economic period.
Antonio Homem, the longtime associate and eventual director of the Sonnabend Gallery, has died at 86. Homem began working with legendary gallerist Ileana Sonnabend in Paris in 1968, helped her open the New York gallery in 1971, and became the primary steward of the Sonnabend collection after her death in 2007, overseeing its transition into a foundation and a new public museum in Mantova, Italy.
The Trisha Brown Dance Company is reviving Robert Rauschenberg's first choreographed dance, 'Pelican,' for the first time in 60 years. The single-night performance will take place at the vintage Xanadu roller rink in Brooklyn as part of a 'Pelican Gala,' which also features two long-unseen dances by Trisha Brown. The event coincides with the centennial of Rauschenberg's birth.
The Nasher Sculpture Center in Dallas has launched "Rauschenberg Sculpture," a major exhibition marking the first museum presentation dedicated exclusively to Robert Rauschenberg’s three-dimensional works in three decades. Organized by senior curator Dr. Catherine Craft in collaboration with the Robert Rauschenberg Foundation, the show features over two dozen works spanning the 1950s to the 1990s, including his iconic "Combines," rotating Plexiglas "Revolvers," and experimental clay and metal assemblages.
The Parrish Art Museum is hosting a special panel discussion on April 18 to coincide with Earth Day and the centennial of Robert Rauschenberg. The event features Helen Hsu from the Robert Rauschenberg Foundation and various contemporary artists featured in the museum's current exhibition, "Regeneration: Long Island’s History of Ecological Art and Care." The conversation will explore Rauschenberg’s environmental legacy—including his design of the first Earth Day poster in 1970—alongside modern artistic approaches to ecological activism.
The Whitney Museum of American Art in New York is hosting a major retrospective titled "Robert Rauschenberg: Spreading Viaducts," which places a significant focus on the artist's formative years in his hometown of Port Arthur, Texas. The exhibition explores how the industrial landscape and unique coastal environment of the Gulf Coast influenced Rauschenberg’s revolutionary approach to materials and his development of the "Combine" paintings.
Adrian Cheng, a key figure in Hong Kong's art world, identifies major trends shaping the city's art scene ahead of Art Basel Hong Kong. He highlights the convergence of major art fairs, auction house sales, and new gallery openings during the 'Art March' period, drawing a global audience with high-profile exhibitions by international artists like Mary Weatherford, Nicole Eisenman, and El Anatsui.
The article examines the largely overlooked curatorial work of poet Frank O'Hara during his tenure at the Museum of Modern Art in New York. It details his role in organizing significant exhibitions, championing emerging artists like Robert Rauschenberg and Jasper Johns, and his influential collaborations with artists such as Larry Rivers.
Erste Details zum deutschen Pavillon
The German Pavilion at the upcoming Venice Biennale will present an exhibition titled "Ruin," featuring works by the late Henrike Naumann and artist Sung Tieu. Curated by Kathleen Reinhardt, the exhibition explores historical ruptures and the lingering effects of political and social voids following German reunification. Tragically, Naumann passed away shortly after completing her contributions, and her studio team is now working to realize her final artistic vision for the prestigious international stage.
"Eines der größten fotografischen Dokumente des 20. Jahrhunderts"
A New York court has concluded an eleven-year legal battle by awarding Amedeo Modigliani’s 'Seated Man with a Cane' to the heirs of Jewish art dealer Oscar Stettiner. The ruling rejected the claims of the powerful Nahmad family, with the judge determining that Stettiner never voluntarily relinquished the work during the Nazi era. Additionally, a significant photographic archive belonging to darkroom technician Roland Haupt has surfaced, containing previously unseen World War II images by Lee Miller and Cecil Beaton.
M+ museum in Hong Kong has announced a major exhibition titled "Robert Rauschenberg and Asia," scheduled to run from November 2022, 2025, through April 26, 2026. Curated by Russell Storer, the show explores the American master's deep engagement with the region, featuring his own works alongside pieces by Asian contemporary artists like Huang Yong Ping and Sui Jianguo.
Christie's London will auction a major collection of Indian paintings and calligraphy from the Seattle-based collectors Mary and Cheney Cowles on April 28, with an estimated total exceeding £1.5 million. The sale is dominated by Mughal-era works from the 16th to 19th centuries, including a highlight piece from the Fraser Album estimated at £180,000, and features rare examples of "Mughal Occidentalism" where court artists incorporated European motifs.
Ehrlich Steinberg gallery in Los Angeles is presenting the group exhibition "Nature Morte, 1982–1988," featuring works by a significant roster of artists including Alan Belcher, Gretchen Bender, Sherrie Levine, Louise Lawler, and Laurie Simmons, among others. The show runs from February 24 to April 18, 2026, and focuses on artworks created within that specific six-year period.
The Holocaust Museum Houston is currently hosting "Boris Lurie: Nothing To Do But To Try," an exhibition focusing on the early works of the Holocaust survivor and NO!art movement founder. Organized by the Museum of Jewish Heritage, the show highlights Lurie’s "War Series," featuring paintings, drawings, and never-before-seen ephemera created as a means of processing the trauma of his imprisonment in camps like Buchenwald. The works, ranging from the immediate post-war period to decades later, serve as a visceral record of memory and loss, including tributes to his family members murdered in the Rumbula Forest massacre.
The Michener Art Museum is hosting "Pieces of a Life," a retrospective exhibition dedicated to the 60-year photography career of Bruce Katsiff. Running from April 11 to August 12, the show features 60 works including his 1970s "River Town Portraits," the "Nature Morte" series exploring mortality through animal remains, and his recent digital "Face Maps." The exhibition is guest-curated by art historian Dorothy Fisher and highlights Katsiff's technical mastery ranging from platinum prints to modern digital composites.
Manifesta 16, the nomadic European biennial, has revealed the full list of 106 artists from 30 countries who will participate in its 2026 edition. The event will open on 21 June and take place across 12 decommissioned modernist churches in four cities in Germany's Ruhr region: Bochum, Essen, Duisburg, and Gelsenkirchen. The program includes 64 new commissions.
Four new art spaces have opened in Hong Kong in March 2026, expanding the city's gallery landscape. Antenna Space, a Shanghai gallery, debuts in Wong Chuk Hang with the group show "Horizons: South." GOLD, a cultural lab by Serakai Studio, opens nearby with "CERTAINLY." In Mid-Levels, the Cheng-Lan Foundation launches Cheng-Lan's Corner with a solo show by Filipino artist Cian Dayrit. In Central, curator Jims Lam inaugurates the curatorial platform Knotting Space at H Queen's with its first cycle, "KNOT I."
Entertainment executive Hassan Smith has curated a deeply personal art collection in his North Atlanta home that bridges historical mastery with contemporary Black identity. His holdings range from a 17th-century Rembrandt drawing in the kitchen to iconic photography by Gordon Parks and contemporary works by artists like Ferrari Sheppard and Derek Fordjour. The collection is characterized by its integration into daily family life, featuring a Basquiat-inspired aesthetic that begins at the front door.
Cardamom, the in-house restaurant at the Walker Art Center in Minneapolis, is laying off sixteen front-of-house staff members as it transitions to a QR-code-based ordering system. The restaurant’s operator, DDP Restaurant Group, cited fluctuating museum traffic and rising operational costs as the primary drivers for the shift to a counter-service model. While kitchen staff and bartenders will remain, the move effectively replaces traditional table service with digital automation.
Protezione e costrizione sono due facce della stessa medaglia. Una mostra a Roma lo dimostra
The gallery Monti8 in Rome is hosting a group exhibition titled "The Bell Jar," co-curated by Massimiliano Maglione. Inspired by Sylvia Plath’s 1963 novel, the show features seven international artists—Camilla Alberti, Ruby Chen, Mounir Eddib, Stephen Buscemi, Naomi Hawksley, Steffen Kern, and Amber Wynne-Jones. The exhibition explores the dual nature of the glass bell jar as both a protective shield for precious objects and a suffocating barrier that isolates the subject from the world.
Annette Messager entre avec tout son bestiaire au musée de la Chasse et de la Nature
The Musée de la Chasse et de la Nature in Paris is hosting a major exhibition dedicated to the animal-themed works of Annette Messager. Titled "Une hirondelle ne fait pas le printemps," the show integrates Messager’s diverse practice—including drawings, sculptures, and her signature use of plush toys—into the museum’s permanent collection of taxidermy and hunting artifacts. Curated by Colin Lemoine, the exhibition spans three floors and features works ranging from a ceramic cat from the artist's own kitchen to provocative installations like a taxidermied dachshund wearing a surgical mask.