Khaled Sabsabi on Representing Australia at the 61st Venice Biennale

Khaled Sabsabi, the artist representing Australia at the 61st Venice Biennale (2026), will exhibit works both in the Australia Pavilion in the Giardini and in the main Biennale exhibition titled "In Minor Keys." His pieces explore spirituality, migration, and shared humanity through Tasawwuf (Sufi) sensibilities, emphasizing flux and collective experience. Sabsabi is the first Australian artist to have work in both the national pavilion and the main exhibition in the same year, and he honors the curatorial vision of the late Koyo Kouoh.

« Le jardin anglais incarne une vision de la société » : une expo à Versailles explore cette passion de l’Europe des Lumières

The article explores an exhibition at the Grand Trianon in Versailles dedicated to the English garden, a style that emerged in 18th-century Europe as a deliberate contrast to the rigid symmetry of the formal French garden. Curator Élisabeth Maisonnier and museum director Laurent Salomé explain how these gardens, with their winding paths, irregular flowerbeds, and surprise features like grottoes and pagodas, were carefully constructed to imitate and amplify nature's complexity, drawing on influences from antiquity, the Middle Ages, and China.

The Art of Appearing

De l’art de paraître

The Musée Cognacq-Jay in Paris is hosting an exhibition titled "Révéler le féminin," which explores the intersection of 18th-century fashion and portraiture. Curated in collaboration with the Palais Galliera and the Musée d’arts de Nantes, the show features works by prominent portraitists like Élisabeth Louise Vigée Le Brun and Maurice Quentin de La Tour alongside rare period textiles. The exhibition examines how the rising bourgeoisie used clothing as a visual language of prestige and social standing during the Enlightenment.

Richmond Acquires an 18th-Century Terracotta

Richmond s'enrichit d'une terre cuite du XVIIIe siècle

The Virginia Museum of Fine Arts in Richmond has acquired a rare 18th-century terracotta sculpture by the French artist Jean-Baptiste Boudard. A winner of the Grand Prix de Sculpture in 1732, Boudard spent much of his career in Italy serving the court of Philip of Bourbon in Parma, which contributed to his relative obscurity in his native France despite his significant contributions to Roman and Parmese landmarks.

Biennale de Venise 2026 : les saturnales éblouissantes d’Yto Barrada pour le pavillon français

Yto Barrada has been selected to represent France at the 61st Venice Biennale in 2026 with her exhibition "Comme Saturne" (Like Saturn) in the French Pavilion. The installation features rebellious stage curtains hiding wasp nests and a copper daguerreotype plate of a planet, a large rock, a Wheel of Fortune, and a nostalgic vanitas arrangement around a missing mirror frame. Curated by Myriam Ben Salah, the show explores textile and natural dyeing, with three cabinets addressing the transmission of know-how, migration of plants and people, postcolonial history, and Enlightenment imperialism. A central room displays 70 pieces forming a symmetrical frieze of red natural dyes, while a black monochrome patchwork highlights the difficulty of achieving black in dyeing. Barrada is the fifth woman to represent France at the Biennale.

Deux nouveaux tableaux français du XVIIIème siècle pour le Musée Fabre

The Musée Fabre in Montpellier has acquired two 18th-century French paintings at auctions held by Artcurial in September 2025. The first is an "Allégorie de la Poésie" (1774) by Élisabeth Louise Vigée Le Brun, purchased for €250,000 with support from the museum's corporate foundation and a special grant from the Fonds du patrimoine. The painting, which depicts the early struggles of the future portraitist, was previously owned by Henry and Catherine Robert and had been exhibited in a major retrospective at the Grand Palais a decade ago.

The Dutch Pavilion at the Venice Biennale is a political protest (also against the Biennale itself)

Il padiglione dei Paesi Bassi alla Biennale di Venezia è una contestazione politica (anche della Biennale stessa)

The Dutch Pavilion at the 2026 Venice Biennale, titled "The Fortress" by artist Dries Verhoeven and curator Rieke Vos, transforms the modernist Rietveld Pavilion into a fortress-like enclosure. Inside, a rotating group of thirteen international performers will stage a series of performances throughout the Biennale, focusing on themes of geopolitical uncertainty, social disorder, and the search for stability in an unbalanced world. This marks the first time the Netherlands has used the Rietveld Pavilion for a performance-based project.

National Artist Call for Juried Art Exhibition at Minneapolis Institute of Art, Allegories of a Better World

Artists nationwide are invited to submit original works to a juried exhibition titled "Allegories of a Better World," which will be held at the Minneapolis Institute of Art on June 28, 2026. The submission deadline is May 15, 2026. The exhibition is organized in conjunction with the premiere of the documentary film "The Making of America," directed by Monique Linder and produced by OMG Studios in partnership with the Minnesota Humanities Center. Submissions should explore themes such as virtue, moral courage, truth, justice, liberation, reconstruction, memory, history, and cultural healing. Selected works may also be featured in the film.