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« Le jardin anglais incarne une vision de la société » : une expo à Versailles explore cette passion de l’Europe des Lumières

The article explores an exhibition at the Grand Trianon in Versailles dedicated to the English garden, a style that emerged in 18th-century Europe as a deliberate contrast to the rigid symmetry of the formal French garden. Curator Élisabeth Maisonnier and museum director Laurent Salomé explain how these gardens, with their winding paths, irregular flowerbeds, and surprise features like grottoes and pagodas, were carefully constructed to imitate and amplify nature's complexity, drawing on influences from antiquity, the Middle Ages, and China.

Biennale de Venise 2026 : les saturnales éblouissantes d’Yto Barrada pour le pavillon français

Yto Barrada has been selected to represent France at the 61st Venice Biennale in 2026 with her exhibition "Comme Saturne" (Like Saturn) in the French Pavilion. The installation features rebellious stage curtains hiding wasp nests and a copper daguerreotype plate of a planet, a large rock, a Wheel of Fortune, and a nostalgic vanitas arrangement around a missing mirror frame. Curated by Myriam Ben Salah, the show explores textile and natural dyeing, with three cabinets addressing the transmission of know-how, migration of plants and people, postcolonial history, and Enlightenment imperialism. A central room displays 70 pieces forming a symmetrical frieze of red natural dyes, while a black monochrome patchwork highlights the difficulty of achieving black in dyeing. Barrada is the fifth woman to represent France at the Biennale.