New Louvre Chief Christophe Leribault Reveals His Vision for the Museum Post-Heist

Christophe Leribault, the new director of the Louvre, has outlined his vision for the museum following a $100 million heist in October 2025. The Apollo Gallery, where the theft occurred, will reopen in July with a redesigned display that removes mineral cases to highlight its Romantic wall paintings, inspired by Versailles’s Hall of Mirrors. Empress Eugénie’s diamond-and-emerald crown, crushed by the thieves, is being restored and will become a new highlight. Security upgrades include window bars, 100 new cameras by 2026, a mobile police station, and a new security coordinator. The heist led to the resignation of former director Laurence des Cars in February.

A Venice Biennale in Protest

Hundreds of protesters, led by the Art Not Genocide Alliance, blocked the entrance to the Israeli pavilion at the Venice Biennale on May 6, waving Palestinian flags and accusing Israel of operating a "genocide pavilion." Activists from Pussy Riot and FEMEN also staged a pink smoke-filled protest against Russia's participation. Meanwhile, the Biennale jury suddenly resigned, and Israeli pavilion artist Belu-Simion Fainaru made legal threats against the Biennale alleging antisemitism and discrimination. The article also covers exhibitions in Upstate New York, a tribute to Beat Generation icon Jack Kerouac, and obituaries for performance art champion Steven Durland, artist Georg Baselitz, cartoonist Nicole Hollander, and arts patron Doris Fisher.

10 Exhibitions to See in Upstate New York This May

Hyperallergic's guide highlights 10 exhibitions opening in Upstate New York this May, including the Hessel Museum of Art's annual showcase of thesis exhibitions by graduates of the Center for Curatorial Studies at Bard College, featuring works by Alice Aycock, Arthur Jafa, Mike Kelley, and Ana Mendieta. Other notable shows include Daniele Frazier's camera-less photography at September Gallery, Onnis Luque's investigation into resource exploitation at Art Omi, and Japanese woodblock prints at the Frances Lehman Loeb Art Center. The guide also covers Lukaza Branfman-Verissimo's mixed-media works and Maria Auxiliadora da Silva's paintings.

‘A fresh look at contemporary culture’: Gus Casely-Hayford, director of V&A East, takes us inside the new London museum

The Victoria and Albert Museum is expanding its footprint with the opening of V&A East Museum in London’s Queen Elizabeth Olympic Park on April 18. Led by Director Gus Casely-Hayford, the new five-story institution joins the recently opened V&A East Storehouse as part of the East Bank cultural quarter. The museum will debut with the "Why We Make" galleries, featuring over 500 objects and new commissions by artists such as Tania Bruguera, Carrie Mae Weems, and Thomas J. Price, whose 18-foot bronze sculpture anchors the museum's entrance.

A Thomas J Price Bronze Opens Door to London’s V&A East

British artist Thomas J Price has unveiled a monumental bronze sculpture at the entrance of the Victoria and Albert Museum’s new outpost, V&A East, in Stratford, East London. The large-scale work depicts an anonymous Black figure, continuing Price's practice of utilizing the traditional language of monumental sculpture to celebrate everyday individuals who are often marginalized in public spaces.

Artist Henry Ossawa Tanner

This article profiles Henry Ossawa Tanner (1859–1937), the pioneering African American artist who achieved international fame in the 19th and early 20th centuries. Born in Pittsburgh to a bishop father and a mother who escaped slavery, Tanner studied under Thomas Eakins at the Pennsylvania Academy of Fine Arts before moving to Paris to escape racial discrimination. He studied at the Académie Julian, became a mentor to Black artists including Aaron Douglas and Hale Woodruff, and gained renown for his biblical paintings such as "Daniel in the Lions' Den" (1896). Tanner traveled widely—to Egypt, Morocco, and Palestine—and was named a chevalier of the French Legion of Honor in 1927. The article lists numerous works by Tanner held in major collections, including the first painting by an African American artist acquired for the White House Collection.

Mary Frank Creates Her Own Pantheon

Mary Frank, an artist in her early 90s known for mythologically rooted sculpture and works on paper, is the subject of a focused exhibition at Steven Harvey Fine Art Projects in New York. Curated by Steven Harvey, the show presents 11 sculptures in wood, bronze, and ceramic from 1958 to 1985, alongside five works on paper, including a monotype and an oil-on-paper piece. Frank’s work, influenced by her study with Martha Graham, centers on self-sustaining female figures that embody agency, tenderness, and survival, often rendered in ceramic slabs or carved wood.

Venice Biennale’s fierce pussy Group Says City Censored Posters About Queer and Trans People

The lesbian artist collective fierce pussy, comprising Nancy Brooks Brody, Joy Episalla, Zoe Leonard, and Carrie Yamaoka, claims that the city of Venice censored their posters for the Venice Biennale. The posters, which feature phrases like "Welcome queers and trans people" and "we are queers and trans people" alongside a list of occupations, were intended to be pasted across the city. After the city blocked the full-scale posting, the group created stickers and placed them on walls, windows, and advertising spaces. As a concession, La Biennale installed the original posters inside the Arsenale entrance.

Venice Biennale Swamped in Protests Ahead of Planned Strike

The Art Not Genocide Alliance (ANGA) has announced a 24-hour strike for Friday, May 8, coinciding with previews of the 2026 Venice Biennale, alongside a protest rally organized by local group Biennalocene and Italian trade unions. Earlier this week, sixty artists staged a sonic protest at the Giardini entrance to draw attention to the plight of those affected by genocide and war in Palestine and elsewhere. The Latvian pavilion has also encouraged attendees to wear a design by artist Krišs Salmanis reading “Death in Venice – Russia go home!” Meanwhile, dissident artists Pussy Riot stormed the Russian pavilion waving Ukrainian flags, and the entire 2026 Biennale jury resigned after the decision to exclude countries whose leaders are charged with crimes against humanity by the International Criminal Court from competing for top prizes.

New Jersey Museum makes TIME's World’s Greatest Places of 2026 list

TIME magazine has named the Princeton University Art Museum to its 2026 list of World's Greatest Places, specifically in the 'Places to Visit' category. The museum, which opened in October 2025 on the Princeton University campus, features a new 146,000-square-foot building with 32 galleries designed by Adjaye Associates. Its collection spans over 5,000 years of global art, including works by Rodin, Manet, Monet, Degas, Kandinsky, and Andy Warhol, alongside contemporary commissions by artists such as Diana Al-Hadid and a monumental Nick Cave mosaic at the entrance.

Explore HKMoA's large-scale exhibition "Blooming: The Art of Gardens in East and West" Starting April 24

The Hong Kong Museum of Art (HKMoA) opens its large-scale exhibition "Blooming: The Art of Gardens in East and West" on April 24, featuring over 100 sets of paintings and artefacts from the Palace Museum in Beijing, the Art Institute of Chicago, the Palace of Versailles, and HKMoA's own collection. Works include paintings, prints, lacquerware, sculpture, ceramics, and glassware, with highlights such as Claude Monet's "Water Lilies" and "Water Lily Pond," Zhang Daqian's "Entrance of Bade Garden," and a Ming dynasty bowl with garden scenes. The exhibition also includes a scenographic recreation of the Orchid Pavilion Gathering enhanced with technology for an immersive experience.

The Los Angeles County Museum of Art's new central building is a 'machine of discovery'

The Los Angeles County Museum of Art (LACMA) has opened its new central building, the David Geffen Galleries, to the public. Designed by Swiss architect Peter Zumthor at a cost of $724 million, the 347,600-square-foot structure reorients the museum with a single, flowing second-story floor plan, eschewing a traditional main entrance or atrium to encourage wandering and serendipitous encounters with art. The galleries are named for major oceans and are designed to blend cultures and artworks from different eras.

V&A East Museum: Inside London’s New Venue In Stratford

The V&A East Museum is set to open in Stratford’s Queen Elizabeth Olympic Park as a major new cultural hub for East London. Housed in a striking five-story building designed by O’Donnell + Tuomey—inspired by the couture tailoring of Cristóbal Balenciaga—the museum features two permanent galleries titled "Why We Make" and a dedicated space for major temporary exhibitions. The site emphasizes accessibility with a barrier-free entrance and a collection of over 500 objects spanning art, design, and performance, curated to highlight themes like social justice and environmental action.

The Ukrainian Pavilion’s Deer Seen Around the World

Zhanna Kadyrova's concrete sculpture "The Origami Deer" (2019) is prominently displayed at the entrance to the Giardini during the 61st Venice Biennale, part of her project "Security Guarantees" in the Ukrainian Pavilion. Originally installed in Pokrovsk, eastern Ukraine, the work was removed in 2024 as Russian forces advanced, then traveled through Vienna, Warsaw, Prague, Berlin, and Paris before reaching Venice—a journey mirroring the displacement of millions of Ukrainians. The sculpture, shaped like a deer and evoking folded paper, references the 1994 Budapest Memorandum, in which Russia, the UK, and US guaranteed Ukraine's security in exchange for its nuclear disarmament—guarantees that proved worthless after Russia's invasions.

Hundreds Protest Israel’s “Genocide Pavilion” at Venice Biennale

On May 6, 2026, the first day of previews at the Venice Biennale, hundreds of pro-Palestine activists led by the Art Not Genocide Alliance (ANGA) blocked the entrance to the Israeli pavilion, demanding its immediate closure. Protesters waved Palestine flags and banners reading "No Artwashing Genocide" and "No Genocide Pavilion at Biennale," chanting accusations of genocide against Israel. The demonstration temporarily shut down access to Belu-Simion Fainaru's exhibition "Rose of Nothingness" for about half an hour. The protest followed a letter signed by over 200 artists urging the Biennale to exclude Israel, which instead moved the pavilion to an alternative location in the Arsenale due to renovations. Separately, Pussy Riot and FEMEN rallied outside the Russian pavilion, which will only open during preview days due to sanctions. Venice cultural workers plan a 24-hour strike on May 8 in solidarity with Palestinians, potentially disrupting the Biennale's schedule.

À Bordeaux, la métamorphose du MADD

The Musée des arts décoratifs et du design (MADD) in Bordeaux has reopened its design-focused wing after three years of renovation, featuring a new entrance pavilion designed by Antoine Dufour Architectes that connects the historic Hôtel de Lalande and the former municipal prison. The overhaul includes a monumental shelving display of eighty vases by designers such as Andrea Branzi and Gaetano Pesce, a new "gallery of know-how" dedicated to rotating thematic presentations (starting with ceramics), a graphic arts cabinet showcasing the Jacques Sargos collection of over 130 drawings, and improved climate control for conservation.

Dozens of Venice Biennale Artists Stage ‘Drone’ Perfomance in Protest of Israel’s Participation

On the opening day of the Venice Biennale, around 60 artists and dozens of other participants staged a protest titled “Solidarity Drone Chorus” at the Giardini entrance, humming a viral song by Gazan composer Ahmed “Muin” Abu Amsha to sonically occupy the space. The action, organized by artists in the main exhibition over several months, protested Israel’s participation in the Biennale and expressed support for Palestine, with participants wearing T-shirts bearing the names and artworks of Gazan and Palestinian artists, many of whom have been killed. The protest follows an open letter from the Art Not Genocide Alliance demanding Israel’s exclusion.

LACMA to inaugurate David Geffen Galleries with gala

The Los Angeles County Museum of Art (LACMA) is set to inaugurate its long-awaited David Geffen Galleries with a gala and ribbon-cutting ceremony. Designed by Pritzker Prize-winning architect Peter Zumthor, the 900-foot-long horizontal structure spans Wilshire Boulevard and features a single-level exhibition space elevated 30 feet above the ground. The inaugural installation, curated by a team of 45, moves away from traditional chronological and geographical silos in favor of thematic, interconnected narratives that reflect the diversity of modern Los Angeles.

A Fashion Revolution at the Met

The New York Times reports that the Metropolitan Museum of Art's Costume Institute is undergoing a major transformation, moving from its basement location to become the museum's main entrance gallery. This shift, framed as "Costume Art," elevates fashion exhibitions to a central, welcoming role within the institution, signaling a new era for the department.

À Deauville, un vitrail monumental de Clara Rivault fête les cinq ans des Franciscaines

Les Franciscaines de Deauville, a former convent turned cultural center, celebrates its fifth anniversary by unveiling its first permanent commission: a monumental contemporary stained glass window by Clara Rivault. Titled "Ceux qui traversent," the double-sided work spans the entrance of the Grande Galerie, blending traditional glass techniques with photographic transfers, lead, and light. Rivault, born in 1991 and trained at Montpellier's École supérieure des beaux-arts, La Cambre in Brussels, and the Centre international d'Art verrier de Meisenthal, has previously created works for the Institut français in Paris and the church of Saint-Paterne in Saint-Pair-sur-Mer.

What is the international exhibition of the Venice Biennale like? Review of "In minor keys" by Koyo Kouoh

Com’è la mostra internazionale della Biennale di Venezia? Recensione di “In minor keys” di Koyo Kouoh

The 2026 Venice Biennale, titled "In minor keys" and curated by the late Koyo Kouoh, opens to the public on May 9 amid controversies including the absence of the president's name in the colophon at the Arsenale entrance. The exhibition, organized by Kouoh's team (Rory Tsapayi, Siddharta Mitter, Marie Helene Pereira, Gabe Beckhurst Feijoo, and Rasha Salty), unfolds across the Giardini and the Arsenale's Corderie, featuring works that balance strength and beauty with a harmonious mix of voices and themes. The Giardini section is particularly compelling, with a non-linear, polycentric layout that feels like a living organism, while the Arsenale offers further depth.

The New Entrance of the Louvre

La nouvelle entrée du Louvre

The article, titled "La nouvelle entrée du Louvre," reports on the upcoming redesign of the main entrance to the Louvre Museum in Paris. It also covers several other art-world stories: the return of American Rousseau works to Paris, the growing trend of outsourcing museum reception services, the New Museum's expansion, the troubled Musée des Tissus project, and Art Brussels adapting to contemporary trends.

kazakhstan pavilion turns silence into a sensory landscape at venice biennale

Kazakhstan presents its third national pavilion at the Venice Biennale, titled 'Qoñyr Äulie: Immersion into Quiet Depths' by artist Ardak Mukanova. The exhibition, called 'Qoñyr: the Archive of Silence,' is housed at the Museo Storico Navale near the Arsenale entrance and transforms silence into a sensory landscape.

Long threatened, the Palais de la découverte will finally reopen in 2027 after a seven-year closure

Longtemps menacé, le Palais de la découverte va finalement rouvrir en 2027 après sept ans de fermeture

The Palais de la découverte in Paris will officially reopen in March 2027 following a seven-year closure for extensive renovations. Located in the Palais d’Antin wing of the Grand Palais, the institution faced the threat of permanent closure or relocation to the Cité des sciences due to economic constraints. However, a joint decision by the French Ministries of Research and Culture has secured its future at its historic site, where it will feature a shared entrance with the Grand Palais to foster a unique dialogue between art and science.

Nature is healing? Seagull lays eggs in the Giardini during Venice Biennale preview

During the VIP preview of the Venice Biennale, a seagull laid three eggs near the entrance of the Polish Pavilion in the Giardini. Pavilion staff built a protective barrier around the nest and warned visitors to avoid the protective bird, which one Italian collector called "the main attraction."

Lack of accountability after crush of crowds at Haiti’s Citadelle Laferrière kills 25

A crowd crush at Haiti's historic Citadelle Laferrière fortress on April 11 resulted in at least 25 deaths, including a pregnant woman and children. The tragedy occurred during an unauthorized event promoted by TikTok influencers, which drew over 3,000 people to the site. Heavy rain and a stampede at the narrow entrance exacerbated the overcrowding.

Archaeologists Discover 6,000-Year-Old ‘Megastructure’ in Romania

Archaeologists in northeastern Romania have unearthed a 6,000-year-old 'megastructure' at the Stăuceni-"Holm" site, attributed to the Cucuteni-Trypillia culture. Measuring approximately 350 square meters, the building is significantly larger than typical dwellings of the period and was strategically positioned near the settlement's entrance. The absence of domestic tools or ritual statuettes suggests the space served as a communal assembly hall or administrative center rather than a private residence.

AN INSIDE JOB: Clymer Museum of Art reopens after renovations with show by CWU student

The Clymer Museum of Art in Ellensburg reopened on Friday after renovations, featuring a new exhibition titled "Plastic Souls" by Margot Massey, a junior at Central Washington University pursuing a Bachelor of Fine Arts. The show explores themes of artificiality and performance in social media, with paintings depicting actors, cowboys, showgirls, and rodeo clowns, and will later include two life-size figurative sculptures. The museum closed in January for renovations, which expanded wall space by roughly 30% and created a new gallery near the entrance for rotating student exhibitions.

A Different Germany

Ein anderes Deutschland

The German Pavilion at the Venice Biennale, historically burdened by its Nazi-era origins, presents a new exhibition titled "Ruin." For the first time, the pavilion explicitly adopts an East German perspective, confronting its fraught past from a fresh angle. The show features massive pillars and a prominent "Germania" inscription above the entrance, directly engaging with the building's controversial history.