Hickey Machine, a Portland-based creative collective, has launched its first-ever art exhibition celebrating Club Kid culture. The show features works by multiple artists that capture the vibrant, rebellious spirit of the underground club scene, known for its flamboyant fashion and DIY ethos.
Gallery Weekend Berlin 2026 features over 50 galleries across the city, with a strong emphasis on painting. The event, founded in 2005 by a cooperative of local gallerists as an alternative to traditional art fairs, this year confirms the lasting power of painting despite its original anti-painting ethos.
Curator Naz Cuguoğlu argues in an opinion essay that museums should embrace the ethos of rave culture to become more welcoming and inclusive spaces, suggesting they can foster new forms of belonging. The article also covers several other art stories, including the discovery of pre-Hispanic rock art in Mexico that led to the rerouting of a train line, an exhibition of Genesis P-Orridge's mail art in Toronto, and artist Jean Shin's memorial project at Green-Wood Cemetery.
The group exhibition 'To Paint Is To Love Again' at Crèvecoeur gallery in Paris explores the theme of artistic freedom, play, and a childlike approach to creation. The article examines this through the lens of Henry Miller's writings on painting, the influence of Jean Dubuffet's Art Brut, and the practices of contemporary artists Whitney Clafin, Sadie Benning, and Françoise Lapeyre, who incorporate found objects, toys, and a 'Sunday painter' ethos into their work.
Artist and professor Aisha Tandiwe Bell opened her solo exhibition "Ethos" at the Welancora Gallery in Brooklyn. The show features a video piece with spoken word poetry, mixed-media mounted works, and standalone sculptures that explore themes of displacement, cultural identity, and systemic injustice.