The Guardian's weekly photo feature presents a global visual summary of the past seven days, compiled by leading photojournalists. The selection includes powerful and sometimes distressing images covering major international events, from the ongoing crisis in the Middle East and a Russian drone attack in Kharkiv to a Saharan dust storm in Crete and the launch of NASA's Artemis II mission.
Author Graci Harkema will visit the Grand Rapids Art Museum (GRAM) for a free public conversation about her life journey, coinciding with the museum's photography exhibition "As We Rise: Photography from the Black Atlantic." The event, titled "RISING: A Conversation with Graci Harkema," allows attendees to view the exhibition before the talk.
The Radvila Palace Museum of Art in Vilnius, Lithuania, has opened a major exhibition titled 'Ukrainian Dreamers: The Kharkiv School of Photography.' The show, created in collaboration with the Museum of Kharkiv School of Photography, presents the work of 33 artists and groups across four generations, featuring hundreds of photographs, videos, and archival objects. It traces the school's evolution from its rebellious origins in the 1970s under Soviet censorship through Ukraine's independence and up to the present day of ongoing Russian military aggression.
The Beauty Shop collective, a group of five female artists based in the Puget Sound region, has launched a new group exhibition titled "The Party Mix" at Gallery 110 in Seattle's Pioneer Square. Featuring works by Arni Adler, Lynette Charters, Saundra Fleming, Kate Harkins, and Ingrid Sojit, the show presents a diverse array of media unified by a "psychedelic" sense of play, intuitive creative processes, and a focus on the female figure. The exhibition, which runs through March 28, was born out of a collaborative support network that began during the COVID-19 pandemic.
Takashi Murakami’s latest exhibition at Perrotin Los Angeles, titled “Hark Back to Ukiyo-e: Tracing Superflat to Japonisme’s Genesis,” marks a significant return to his academic roots in Nihonga (traditional Japanese painting). The show features 24 compositions, including four monumental canvases that took over three years to complete, blending Edo-period woodblock aesthetics with 19th-century Impressionism and contemporary Pokémon imagery. The artist describes this body of work as a reflection on the non-linear nature of time and the physical manifestation of memory.