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Rachel Harrison's recent exhibition "The Friedmann Equations" at Greene Naftali in New York was a highlight of 2025, featuring her signature brainy, oblique, and funny sculptures and drawings. The show included works alluding to Marcel Duchamp and his alter-ego Rrose Sélavy, as well as drawings riffing on Hans Holbein's portraits of Henry VIII and his court. During a visit to the gallery, Harrison's dealer Carol Greene handed the author a copy of Harrison's new children's book, "Hold Still, Henry!", which reproduces those Holbein-inspired drawings in a board-book format for young readers. The book is published by Rookie Books, a small press founded in 2022 by artist Camillo Paravicini of Basel, Switzerland, who has previously worked with artists like Monster Chetwynd, Martin Parr, and Nathalie Du Pasquier.

Rare Portraits Reveal How Elizabeth I Turned Image Into Power

Philip Mould & Company in London is hosting a new exhibition titled "Elizabeth I: Queen and Court," featuring four rare portraits of the Tudor monarch alongside depictions of her closest advisors and political rivals. The show traces Elizabeth's visual evolution from a pious young princess to a formidable, iconographic ruler, highlighting how she utilized fashion and symbolism to solidify her authority and manage public perception during a period of immense political and religious transition.

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Sotheby's Paris is selling "The Manny Davidson Collection: A Life in Treasures and Benevolence," a multi-owner sale of nearly 500 lots spanning Old Masters, 19th-century British paintings, 18th-century gold enamel, and decorative objects. Highlights include a rediscovered Michael Sweerts portrait estimated at €800,000–€1.2 million, a Thomas de Keyser portrait of a silversmith, and a Joshua Reynolds self-portrait study. The sale, which includes an evening auction on November 5 and an online component, was previewed by Sotheby's global head of private sales, Old Masters, Chloe Stead.

The US struggles with history, Stephen Friedman Gallery closes, Tudor Heart pendant acquired by the British Museum—podcast

The United States is experiencing significant cultural and political disputes as it approaches the 250th anniversary of the Declaration of Independence in July 2026. A recent flashpoint involved the Trump administration removing the rainbow Pride flag from the Stonewall Monument in New York, highlighting deep societal divisions over history and representation. Concurrently, various cultural initiatives are being planned to mark the semiquincentennial.

AI Helps UK Researchers Identify Unknown Subject in Hans Holbein Drawing as Anne Boleyn

Researchers Karen L. Davies and Hassan Ugail used artificial intelligence facial recognition to analyze two Hans Holbein drawings from the Royal Collection Trust. Their study, published in npj Heritage Science, suggests that a portrait previously labeled as Anne Boleyn actually depicts her mother, Elizabeth Howard, while a drawing cataloged as an unidentified woman is the true likeness of Anne Boleyn. The findings challenge long-held identifications based on 18th-century inscriptions and align more closely with contemporary descriptions of Boleyn as slender with dark hair.

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The British Museum has launched a high-profile fundraising campaign to acquire the Tudor Heart, a gold pendant from the early reign of Henry VIII, discovered by amateur metal detectorist Charlie Clarke in Warwickshire in 2019. The museum needs to raise £3.5 million ($4.6 million) by early next year to secure the piece, which features symbols of Henry VIII and Katherine of Aragon and is described as the only surviving Tudor jewelry of its kind. Actor Damian Lewis and historian Mary Beard are supporting the appeal, and the museum will host its first British Museum Ball on October 18 to further fundraising efforts.

A.I. Identifies Holbein Drawing as Possible Portrait of Anne Boleyn

Researchers at the University of Bradford have used artificial intelligence to analyze preparatory drawings by Hans Holbein the Younger in the Royal Collection at Windsor Castle. The AI model, which previously identified a forgotten Raphael painting, suggests that a drawing long believed to depict Anne Boleyn actually shows her mother, Elizabeth Howard, while another drawing labeled "Unidentified Woman" likely portrays Anne Boleyn herself. The findings, published in Heritage Science, are based on biometric analysis of facial features, bone architecture, and proportional relationships, offering quantifiable evidence to resolve long-standing scholarly uncertainty about the sitters' identities.

Mystery sitter in Holbein portrait could be Anne Boleyn, AI analysis finds

Researchers using AI have analyzed two Renaissance sketches by Hans Holbein from the Royal Collection, known as the Windsor sketch and the Unidentified Woman. The AI model, developed by Professor Hassan Ugail at the University of Bradford, compared the entire Holbein corpus and found that the Unidentified Woman may actually be Anne Boleyn, while the Windsor sketch—long thought to depict Boleyn—may instead show her mother, Elizabeth Howard. The study suggests the works were incorrectly inscribed in the 1700s, leading to centuries of misidentification.

artist turns celebrity fad diets into old master style still lifes 30201

Photographer Dan Bannino has created a series titled "Still Diet," in which he photographs bizarre celebrity fad diets in the style of Old Master still life paintings. The series features diets associated with figures such as Gwyneth Paltrow, Charles Saatchi, Beyoncé Knowles, Henry VIII, and others, using carefully arranged food items and props to mimic classical compositions.

Metropolitan Museum of Art: Spring Exhibitions in New York

The Metropolitan Museum of Art in New York is unveiling renewed galleries and special exhibitions for spring 2026, including a reinstallation of its American Wing and exhibitions focused on Renaissance portraiture and contemporary responses to classical themes. The museum, which houses over 1.6 million artworks spanning five thousand years, is highlighted as a key destination for US travelers planning summer visits, with May weather ideal for exploring both the museum and nearby Central Park.

Anne Boleyn Exhibition at Hever Castle

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Hever Castle has launched "Capturing a Queen: The Image of Anne Boleyn," a landmark exhibition exploring the visual legacy of King Henry VIII’s second wife at her childhood home. The show brings together an unprecedented collection of portraits, woodcuts, and costumes to challenge the long-held myth that all contemporary likenesses of Anne were destroyed after her execution. Key highlights include infrared analysis of the 1583 "Rose" Portrait and research suggesting that some famous posthumous depictions actually blended her features with those of her daughter, Elizabeth I, to solidify Tudor legitimacy.

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The British Museum has successfully raised £3.5 million ($4.8 million) to acquire a rare 16th-century gold 'Tudor Heart' pendant, discovered by a metal detectorist in 2019. The pendant, linked to King Henry VIII and Catherine of Aragon, will enter the museum's permanent collection and is expected to tour the UK.

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New research by Tudor historian Owen Emmerson suggests that the most famous portrait of Anne Boleyn, displayed at London’s National Portrait Gallery, actually depicts her daughter Queen Elizabeth I. Emmerson argues the late-16th-century painting was deliberately made to resemble Elizabeth I, reinforcing a legitimate Tudor succession. The theory is supported by comparisons with another portrait of Elizabeth at Compton Verney and by Lawrence Hendra of Philip Mould gallery. An upcoming exhibition at Hever Castle, "Capturing a Queen: The Image of Anne Boleyn," will present this and other evidence, alongside newly identified contemporaneous images of Boleyn, including a miniature from the British Museum and a drawing by Hans Holbein the Younger.

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A new biography by art historian Elizabeth Goldring, titled "Holbein: Renaissance Master," traces the journey of German painter Hans Holbein the Younger from his humble beginnings in Augsburg to becoming the official painter of King Henry VIII in Tudor England. The book, already released in the U.K. and hitting U.S. bookshops on January 6, examines how Holbein's portraits—including the iconic image of Henry VIII and rival courtiers Thomas More and Thomas Cromwell—defined the visual legacy of the Tudor dynasty. Goldring highlights Holbein's ability to confer power through paint, with his works still shaping global perceptions of the Tudors centuries later.

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Norwich Castle in Norfolk, England, has reopened after a five-year, $37 million restoration led by architectural firm Feilden + Mawson. For the first time, visitors can explore all five floors of the 900-year-old fortress, including reconstructed Medieval chambers and over 900 artifacts. The restoration reestablished the original Medieval layout with era-appropriate furnishings in the kitchen, chapel, king's chamber, and Great Hall. A new exhibition, "Gallery of Medieval Life," co-organized with the British Museum, features objects from daily life and nobility spanning the Norman Conquest through the reign of Henry VIII. The project was funded by a £13 million grant from the National Lottery Players and £12 million from Norfolk County Council.

Twisting tale of ‘Henry VIII’s lost dagger’ to be told in London exhibition

An exhibition opening at Strawberry Hill House in London on November 1 will explore the history of a jewel-encrusted Ottoman dagger long believed to have belonged to Henry VIII. Curator Silvia Davoli has uncovered that the dagger was actually made in late 16th-century Istanbul, decades after Henry's death, and was mistakenly attributed to the king by 18th-century engraver George Vertue. The dagger was owned by Horace Walpole, then passed through several hands before being stolen in a 1946 heist at Hever Castle, where it was kept by the Astor family. Though the original dagger remains missing, the exhibition will display two similar Ottoman daggers from Welbeck Abbey and Vienna's Kunsthistorisches Museum.

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A portrait of Anne Boleyn at Hever Castle in England has been revealed through infrared reflectography to have been altered to show her hands, countering rumors that she was a witch with six fingers. Tree-ring analysis dates the painting to around 1583, during the reign of her daughter Elizabeth I, making it the earliest known likeness of Boleyn. The underdrawing lacked hands, suggesting the unknown artist deliberately added them to rebut claims by Catholic activist Nicholas Sanders that Boleyn had six fingers.

Shakespeare’s London Home Finally Located After Centuries of Mystery

Scholar Lucy Munro of King’s College London has identified the precise location of William Shakespeare’s only owned London home in the Blackfriars neighborhood. By analyzing a 1668 property map created after the Great Fire of London, Munro pinpointed the site—now occupied by Ireland Yard and St. Andrew’s Hill—which was previously known only through vague historical references to the Blackfriars Gatehouse.

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Technical analysis of a 16th-century portrait of Anne Boleyn at Hever Castle has revealed that the artist deliberately reworked the queen's hands to clearly display five fingers. Using infrared reflectography and tree-ring dating, researchers determined the painting dates to 1583, during the reign of her daughter, Elizabeth I. This specific composition, known as the 'Rose' portrait, is now identified as the earliest scientifically dated panel portrait of the doomed queen.

Holbein biography interrogates the artist's life and work from a different angle

Elizabeth Goldring’s new biography of Hans Holbein the Younger takes a documentary-focused approach, prioritizing archival evidence over visual analysis. The book examines Holbein’s life (1497/8–1543) through chronological chapters, using inventories, correspondence, and other records to correct long-held assumptions and propose new theories about his work. Goldring’s detective work includes identifying the green curtain in Holbein’s portrait of Sir Thomas More as a reference to the sitter’s role as chancellor of the Duchy of Lancaster, and suggesting that a lost painting of the More family was given to Erasmus as a gift.