7 New Art Books to Step Into Spring

Artnet News has curated a selection of seven significant new art book releases for the spring season, highlighting diverse subjects from historical archives to contemporary memoirs. Featured titles include a deep dive into Frida Kahlo’s private sanctuary, 'Casa Roja,' authored by her descendants; a curatorial history of Hong Kong’s avant-garde art scene by Oscar Ho Hing-kay; and a vibrant exploration of color in contemporary art featuring works by Yayoi Kusama and Tomás Saraceno.

Agosto Machado, Artist and Activist Whose Shrine Sculptures Kept Queer History Alive, Has Died

Agosto Machado, an artist and activist central to New York's Downtown scene and a participant in the 1969 Stonewall uprising, has died following a brief illness. His gallery, Gordon Robichaux, announced his passing but, respecting his wishes, did not disclose his age. Machado was known for creating intricate shrine sculptures from collected ephemera to honor figures from his community, and one of these altars is currently featured in the 2024 Whitney Biennial.

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Rana Begum’s solo exhibition, "Reflection," is currently on view at the Gallery at Windsor in Vero Beach, Florida, following its debut at the SCAD Museum of Art. The exhibition showcases Begum’s signature style, which utilizes industrial materials like metal bars and reflectors to create elegant abstractions influenced by American Minimalism and Islamic architecture. The show traces her journey from a young immigrant in the UK to a Royal Academician, highlighting her ability to manipulate light and color through geometric forms.

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Devon Turnbull, also known as OJAS, has a dedicated listening room featuring his custom-built high-fidelity sound system as part of the "Art of Noise" exhibition at the Cooper Hewitt Smithsonian Design Museum in New York. The installation, titled HiFi Pursuit Listening Room Dream No. 3, occupies Andrew Carnegie's former personal library and features scheduled listening sessions with the artist or guests, including notable figures like filmmaker Josh Safdie, musician Laraaji, and artist Tom Sachs.

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Dom Pérignon has partnered with artist Takashi Murakami to design limited-edition labels and packaging for its Vintage 2015 and Rosé Vintage 2010 releases. Murakami’s signature smiling floral motifs appear on black backgrounds, and the collaboration is framed as an exploration of time, transformation, and the intersection of historical craftsmanship with contemporary art. Murakami worked with Dom Pérignon’s Chef de Cave Vincent Chaperon, and the project is part of a broader series titled “Creation is an eternal journey,” which also involves actors, musicians, and chefs.

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ARTnews sent correspondents Daniel Cassady and George Nelson to cover the social scene at Art Basel, documenting their experiences across three nights of parties, dinners, and cocktail hours. Cassady's journey was marred by travel delays, but he eventually attended a dinner hosted by Thaddaeus Ropac at Safran Zunft, a garden party by Sean Kelly Gallery, and a late-night gathering organized by multiple galleries. Nelson arrived smoothly and joined Cassady for drinks, noting the challenges of street noise and cabbage smells near their Airbnb.

The story behind Iran’s only Van Gogh: ‘At Eternity’s Gate'

A rare, inscribed lithograph by Vincent van Gogh, 'At Eternity's Gate,' resides in the collection of the Tehran Museum of Contemporary Art. The work, one of only seven surviving examples, was acquired in 1975 by Farah Pahlavi, the wife of the Shah of Iran, for the museum. It passed through notable hands, including those of US Vice President Nelson Rockefeller, before arriving in Tehran just before the 1979 Iranian Revolution.

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Barbara Chase-Riboud, now 86, reflects on her transformative 1958 trip to Egypt, which she undertook on a dare as a 19-year-old student at the American Academy in Rome. The journey, during which she explored the pyramids and temples of Luxor and Karnak alone, profoundly influenced her artistic practice, leading her to create abstract bronze sculptures that evoke ancient Egyptian forms. The article traces her remarkable career as a sculptor and writer, highlighting her many firsts: the first Black female artist acquired by MoMA (at age 16), the first Black woman to earn an MFA from Yale, the first living female artist to have a solo show at the Metropolitan Museum of Art, and the only visual artist to appear on the cover of Ebony.

From Lee Cronin’s The Mummy to Zayn: your complete entertainment guide to the week ahead

From Lee Cronin’s The Mummy to Zayn: your complete entertainment guide to the week ahead

British artist Michaela Yearwood-Dan is launching her first UK institutional solo exhibition at The Whitworth in Manchester. The immersive installation blends painting, ceramics, sound, and poetry to explore complex themes of colonial history, religious institutions, and the journey toward personal and collective liberation.

How a Louise Bourgeois Print Inspired Eden Xu-Martinez’s Intimate Collection

Eden Xu-Martinez, a collector and art administration professional, has built a personal collection centered on the accessibility and intimacy of prints. Her journey into collecting was catalyzed by a lithography course at Columbia University and a profound encounter with a Louise Bourgeois print, which shifted her perspective on the medium from mere reproduction to a deeply personal form of artistic expression.

The Incredible Story of Edmonia Lewis, America’s First Black and Indigenous International Art Star

The Peabody Essex Museum has launched "Edmonia Lewis: Said in Stone," the first-ever retrospective dedicated to the 19th-century sculptor who was the first Black and Indigenous American artist to achieve international fame. Curated by Shawnya L. Harris and Jeffrey Richmond-Moll, the exhibition is the culmination of seven years of research and detective work to locate surviving marble sculptures and archival fragments. The show tracks her journey from her early life as "Wildfire" to her education at Oberlin College and her eventual professional success in Boston and Rome.

The $53 M. Wingate Collection Comes to Sotheby’s, Led by a $25 M. Giacometti

The collection of modern and contemporary art assembled by David and Shoshanna Wingate over seven decades will be sold at Sotheby's in New York and London on May 19 and 20. The sale, comprising over 50 works by artists like Alberto Giacometti, Mark Rothko, and Wassily Kandinsky, is estimated to fetch between $37 million and $53 million, led by Giacometti's sculpture "La Clairière (Composition avec neuf figures)" with an estimate of $18 million to $25 million.

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The Brooklyn Museum's exhibition "Monet and Venice" explores how Claude Monet's 1908 trip to Venice revitalized his creative practice, leading to 37 remarkable paintings that directly influenced his later "Water Lilies" series. The show assembles more than half of these Venice works alongside pieces by Canaletto, J.M.W. Turner, and others, tracing how the sojourn allowed Monet to see his canvases with fresh eyes after a period of creative impasse. Curated by Lisa Small and Melissa Buron, the 100-work survey opens October 11 and is the largest Monet exhibition in New York in over 25 years.

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A major survey of Donald Locke's work, titled "Resistant Forms," has opened at Spike Island in Bristol, England, in collaboration with Ikon Gallery in Birmingham and Camden Art Centre in London. Featuring over 80 works spanning five decades, the exhibition includes early biomorphic ceramics, monochromatic black paintings from the 1970s, collage paintings, mixed-media sculptures, and personal writings and photographs. Highlights include the black paintings series addressing colonial subjugation, such as "The Cage" (1976–79), and later whimsical works like "Reconstructed Bottle with Pearls #11 (Pearls for Mahalia)" (2008). The show traces Locke's journey from his birth in Guyana, his time in the UK as part of the Windrush Generation, and his eventual move to the US, where he lived until his death in 2010.

A Brush With... Hurvin Anderson—podcast

British painter Hurvin Anderson discusses his artistic journey and the cultural influences that shape his work in a new interview. Born in Birmingham to Jamaican parents, Anderson creates atmospheric paintings that explore the textures of memory and the diasporic experience, often blending imagery of Britain and the Caribbean to reflect the feeling of being in one place while thinking of another.

As Cuban crisis deepens, diaspora artists have a message of compassion

Artists Antonia Wright and Ruben Millares are showcasing a salvaged, bullet-ridden Cuban migrant vessel at Miami’s Piero Atchugarry Gallery. The exhibition, titled 'Exile', serves as a visceral focal point for the escalating humanitarian crisis in Cuba, where citizens face systemic collapse, starvation, and political imprisonment. Through the concept of 'embodiment' rather than mere empathy, the artists confront the harrowing 93-mile journey across the Straits of Florida undertaken by those desperate to escape the island's dictatorship.

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Actor Josh Brolin recently appeared on the Felix Podcast to discuss his extensive journey as an art collector, revealing the challenges even Hollywood stars face when navigating the gallery system. Brolin shared anecdotes about being placed at the back of waiting lists for high-demand artists like Danielle Mckinney and the humbling experience of having to prove his sincere passion for works to dealers like Jeffrey Deitch. The conversation highlighted his collection, which includes works by George Condo, Shara Hughes, and Jammie Holmes.

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An artist known as Sunday Nobody has created a new work consisting of a bag of Flamin' Hot Cheetos encased in resin and suspended inside a 3,000-pound concrete sarcophagus, which he has buried outside Seattle with instructions for it to be opened in 10,000 years. The 28-year-old motion graphics designer, who maintains anonymity, funds his complex, labor-intensive projects through his day job and documents their creation in viral social media videos.

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In September 1945, exiled Surrealist painter Leonora Carrington completed her masterpiece *Les Distractions de Dagobert* (also known as *The Pleasures of Dagobert*), a densely layered canvas teeming with mythical figures, ritual fires, and medieval references. The painting, loosely inspired by the 7th-century Merovingian king Dagobert, depicts the monarch in a red robe on a cow-headed cart surrounded by enigmatic scenes. After a fierce 10-minute bidding war at Sotheby’s New York in May 2024, the work sold for $28.5 million to Argentine collector Eduardo F. Costantini, shattering Carrington’s previous auction record of $3.3 million. The painting is now on view at the Philadelphia Museum of Art as part of the exhibition “Dreamworld: Surrealism at 100,” the show’s only North American stop.

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Kenny Schachter recounts his fraught journey from Newark to London for his curated Paul Thek exhibition at Thomas Dane Gallery and the 56th edition of Art Basel in Switzerland, describing a near-crash landing and widespread anxiety among U.S. attendees about returning home amid FAA cutbacks and immigration fears. He highlights Mary Lovelace O’Neal’s presence at Jenkins Johnson as his Basel highlight, dismisses panic over a single unsold Giacometti as overblown, and critiques art journalists for lacking real market experience, while sharing conversations with collectors Mera Rubell and Dakis Joannou.

Never-Before-Seen Paintings Reveal Anthony Van Dyck’s Formative Italian Period

A major new exhibition at Genoa's Palazzo Ducale, "Van Dyck: The European. The Journey of a Genius from Antwerp to Genoa and London," presents a comprehensive survey of Anthony van Dyck's formative years in Italy. Featuring around 60 works, including loans from the Louvre, Prado, and National Gallery, the show reveals how his six-year Italian sojourn was a period of intense experimentation and emancipation from his master Rubens, leading to his signature theatrical portrait style.

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Sotheby's is launching its inaugural Old Masters Week at its new Breuer building location in New York with a special exhibition of works heading to auction. The centerpiece is the 'cimasa' (top panel) of Pietro Perugino's 'Decemviri Altarpiece' (1495), on an exceptional loan from Italy's National Gallery of Umbria and traveling outside Italy for the first time. After its display at Sotheby's, the panel will be exhibited at the Morgan Library and Museum alongside Giovanni Bellini's newly restored 'Pietà' (c. 1470), which is also making its U.S. debut.

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Xiaowen Zhu, director of Esea Contemporary in Manchester, discusses her journey and the evolving representation of Asian artists in the global art world. Born in Shanghai, Zhu reflects on her formative encounter with Ai Weiwei's *Fairytale* at Documenta 12 in 2007, which shaped her understanding of diaspora and belonging. She now leads the UK's only non-profit art center dedicated to East and Southeast Asian (ESEA) artists, and serves on the British Council’s Arts and Creative Economy Advisory Group.

At the Guggenheim Bilbao, the Infinite Poetry of Ruth Asawa’s Aerial Sculptures

Au Guggenheim Bilbao, l’infinie poésie des sculptures aériennes de Ruth Asawa

The Guggenheim Museum Bilbao is hosting the first major European retrospective of American artist Ruth Asawa, showcasing her signature hand-woven wire sculptures. These delicate, organic forms, which challenge gravity and play with transparency, are presented in dialogue with the museum's monumental architecture. The exhibition traces her journey from a childhood spent in Japanese-American internment camps during WWII to her formative years at the legendary Black Mountain College under the mentorship of Josef Albers.

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Christie’s has secured a monumental Yves Klein painting, *California (IKB 71)*, for its October 23 sale in Paris. Measuring 14 feet wide, it is the largest format the artist ever made in his signature International Klein Blue (IKB) and carries an estimate of €16–25 million ($18–29 million). The work was created in 1961 and has a newly uncovered provenance: after being shown in Los Angeles at Virginia Dwan’s gallery, it stopped in New York for an exhibition with dealer Leo Castelli before returning to Paris. It has been in a New York collection since 2005 and was on long-term loan to the Metropolitan Museum of Art from 2005 to 2008.

Why I Wanted to Meet Thaddeus Mosley

The author recounts their personal journey to meet the self-taught sculptor Thaddeus Mosley, driven by a profound impression left by his 2004 New York debut exhibition. After a late-night phone call revealed Mosley's vibrant spirit, the author reflects on the artist's decades-long practice of carving salvaged wood into towering, abstract sculptures in Pittsburgh, inspired by jazz, African visual culture, and modernist art, yet operating largely outside the mainstream art world.

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A new documentary titled "Maintenance Artist," directed by Toby Perl Freilich, premiered at the Tribeca Film Festival this month. The film follows Mierle Laderman Ukeles, the longtime unpaid artist-in-residence with New York City's Department of Sanitation, as she reflects on her career. It traces her journey from graduate student at Pratt Institute to pioneering maintenance art, including her Queens Museum retrospective and international projects elevating everyday workers. The documentary features interviews with art historians, curators, and city officials, and highlights Ukeles's iconic performances, such as shaking hands with every sanitation worker over 11 months.

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Raúl de Nieves has transformed the industrial architecture of Pioneer Works in Red Hook into a luminous sanctuary through his solo exhibition, "In Light of Innocence." The installation features 50 handcrafted faux stained-glass panels made from acetate and aluminum tape, replacing traditional religious iconography with symbols from tarot, Mexican folklore, and personal text. The centerpiece is a large light box featuring a skeleton that symbolizes transformation and renewal rather than death.

A Painter Faces His Biggest Show, and the Truth About Success

Hurvin Anderson is preparing for a major retrospective of his work at Tate Britain, a significant milestone in his career. Despite this achievement, the artist expresses a complex and uncertain relationship with his own success, reflecting on his journey and the meaning of recognition.

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Sue Williamson's first-ever retrospective, "There's something I must tell you," is on view at the Iziko National Gallery in Cape Town through September 24, 2025. The exhibition spans five decades of her practice, which combines photography, drawing, and installation to explore themes of memory, remembrance, and the enduring impacts of apartheid and colonialism in South Africa. Key works include the video "There's something I must tell you" (2013), featuring conversations between anti-apartheid activists and their granddaughters; "A Few South Africans" (1982–87), a series of photo etchings celebrating influential women; and the installation "Messages from the Moat" (1997), which memorializes enslaved people brought to Cape Town. A new installation, "Don't Let the Sun Catch You Crying" (2024), is also featured.