christian marclay one hit wonder clocks doors brooklyn museum

Christian Marclay's latest supercut film, "Doors," is now on view at the Brooklyn Museum after stops in Boston and Europe. The 50-minute looped video compiles scenes of famous actors opening and closing doors from various movies, following the success of Marclay's 2011 hit "The Clock," a 24-hour video-clock that synchronizes on-screen timepieces with the viewer's actual time. The article critiques "Doors" as a less profound, more self-obsessed work that lacks the emotional resonance of its predecessor.

Art Basel Curbs Pre-Fair Sales—and More Art Industry News

Art Basel has launched a "Basel Exclusive" initiative to curb pre-fair PDF sales, encouraging galleries to withhold works from previews to drive in-person discovery at its flagship Swiss event (June 16–21). Around 170 of 232 exhibitors have opted in. Meanwhile, Volta returns to Basel with a new "5,000 Edit" section for works under CHF 5,000 to attract younger collectors, and the alternative fair Esther will hold its third edition in New York during Frieze Week. In other news, Sotheby's set a U.S. record for design auctions with the Jean and Terry de Gunzburg collection totaling $96 million, and billionaire collector Mitchell P. Rales pledged $116 million to the National Gallery of Art to fund loans to smaller museums. The Smithsonian American Art Museum named Lynda Roscoe Hartigan as its new director, and Gladstone Gallery plans a new Seoul space for 2026.

scotty ramon kid cudi ruttowski68

Musician Scotty Ramon, better known as Kid Cudi, has launched his debut solo painting exhibition titled "Echoes of the Past" at Ruttkowski;68 gallery in Paris. The show features a series of striking, flat-palette canvases centered around an avatar named Max, who navigates scenes of psychological struggle and liberation. To accompany the visual works, Ramon composed a 10-minute percussive score that plays on a loop in the gallery, intended to transport viewers into his creative psyche.

arrival hotel art fair change the game

A new art fair called Arrival made its debut at the Tourists hotel in North Adams, Massachusetts, featuring 36 exhibitors and attracting curators, collectors, and artists from across the country. The fair, which closed June 15, offered an intimate format with world-class art, deep conversation, and a relaxed atmosphere that included swimming between sales, set against the backdrop of cultural attractions like Mass MOCA, the Clark Art Institute, and the Williams College Museum of Art.

dara birnbaum video artist dead wonder woman

Dara Birnbaum, a pioneering video artist known for subverting mainstream media through her re-edited television clips, has died at age 78. Her longtime representative, Marian Goodman Gallery, confirmed her death but did not disclose a cause. Birnbaum rose to prominence in the late 1970s and 1980s by pirating TV programs and resequencing their images to disrupt passive viewing. Her most famous work, *Technology/Transformation: Wonder Woman* (1978–79), loops clips of Lynda Carter as the superhero, exposing hidden politics and questioning the show's brand of feminism. The piece is now regarded as a landmark in both feminist art and video art.

anonymous was a woman symposium report

A symposium organized by Anonymous Was A Woman, an arts nonprofit, was held at New York University to discuss findings from a new survey on the status of women artists. The survey, commissioned by the nonprofit and compiled by Julia Halperin and Charlotte Burns with SMU Data Arts, revealed that women artists face significant challenges including financial precarity, lack of studio space, and limited time to create art. Over 300 attendees heard panel discussions featuring artists like Coco Fusco, Steffani Jemison, and Judith Bernstein, followed by roundtables where 40 women professionals in the arts anonymously shared insights on community and resource gaps.

tania willard wins sobey art award

Tania Willard, a mixed Secwépemc and settler artist from Neskonlith, British Columbia, has won the 2025 Sobey Art Award, receiving CAD$100,000 ($71,000). The announcement was made at the National Gallery of Canada in Ottawa. The award, established in 2002 by the Sobey Art Foundation, supports contemporary Canadian artists. The five other shortlisted artists—Tarralik Duffy, Chukwudubem Ukaigwe, Sandra Brewster, Swapnaa Tamhane, and Hangama Amiri—each receive CAD$25,000. Willard's land-based, community-focused practice centers Indigenous resurgence, and her site-specific installation *Declaration of the Understory* is on view at Bentway Staging Grounds in Toronto through spring 2026.

Five shows to see during Singapore Art Week

Singapore Art Week features five notable exhibitions, including a retrospective of Basoeki Abdullah at the National Gallery Singapore, which explores his role as a high-society painter and cultural diplomat during his time in Singapore from 1958 to 1960. Other highlights include STPI's The Print Show, a new platform for printmaking featuring 27 artists and international publishers, and a collaborative project between Rockbund Art Museum and Art SG titled Wan Hai Hotel: Singapore Strait, which presents maritime-themed works by artists across Asia.

With Ruth Asawa, MoMA is set to open its biggest show ever by a woman artist

MoMA is opening "Ruth Asawa: Retrospective" on October 19, 2025, running through February 7, 2026, featuring 275 works by the artist, including over 60 looped-wire sculptures, bronze casts, paper folds, and drawings. The exhibition, which previously appeared at SFMoMA, occupies 16,000 square feet on MoMA's sixth floor and is the largest show ever devoted to a woman artist at either institution by checklist count, though neither museum has emphasized this superlative.

This Fall’s Must-See Gallery Shows in New York

The article highlights a curated selection of must-see gallery shows opening in New York City this fall, coinciding with The Armory Show and the overlapping Frieze Seoul fair. Featured exhibitions include Ambera Wellmann's "Darkling" at Hauser & Wirth, Caleb Hahne Quintana's "A Boy That Don't Bleed" at Anat Ebgi, and shows by Sasha Gordon, Dew Kim & Filippo Cegani, Elizabeth Glaessner, Yuan Fang, Bernardo Pacquing, Celeste Rapone, and Omara Mara Oláh, among others. The piece also notes the group exhibition "Downtown/Uptown: New York in the Eighties."

9 Contemporary Artists Conjuring Ghosts

Maxwell Rabb profiles nine contemporary artists who explore ghostly and spectral themes in their work, coinciding with two major museum exhibitions: Kunstmuseum Basel's "Ghosts: Visualizing the Supernatural" (through March 2026) and Tacoma Art Museum's "Haunted." The article traces the historical evolution of ghost imagery in art from Renaissance depictions to 19th-century psychological forms by Goya and Fuseli, through 20th-century surrealist and post-war treatments, and highlights living artists such as Xie Lei and Mariann Metsis who use haunting as a metaphor for memory, loss, and the unseen.

V&A Rising Voices review – can decades of stunning global art really be squished into three rooms?

The V&A Museum in London has mounted an exhibition titled "Rising Voices" that attempts to summarize three decades of the Asia Pacific Triennial, a vast survey of contemporary art from Asia, Australia, and the Pacific organized by Queensland Art Gallery. The show crams works from multiple continents, island nations, and Indigenous cultures into just three rooms, featuring bark cloth paintings from Papua New Guinea, Indigenous Australian abstracts, shark sculptures from the Torres Strait, and Tahitian textiles. Many works address colonialism, political oppression, and tyranny, with artists like Elisabet Kauage, Pala Pothupitiye, and Svay Ken using art as resistance. The exhibition includes pieces by Maryam Ayeen, Abbas Shahsavar, Lila Warrimou, Pennyrose Sosa, Aline Amaru, Brenda V Fajardo, and Heri Dono.

Brandywine Conservancy and Museum picks architects for $100m expansion project

The Brandywine Conservancy & Museum of Art in Chadds Ford, Pennsylvania, has selected Kengo Kuma & Associates, along with landscape architects Field Operations and Schwartz Silver Architects, to lead a $100 million expansion project. The plan includes a new 40,000-square-foot museum building, renovation of the existing 19th-century grist mill museum, and a ten-mile loop of walking trails connecting the two buildings to the historic studios of artists N.C. Wyeth and Andrew Wyeth. Construction is expected to begin in spring 2025, with completion in autumn 2029. Nearly half the funding has been raised, including contributions from the Wyeth Foundation for American Art and Wyeth family members.

orientalist painting philadelphia penn museum auction

The Penn Museum at the University of Pennsylvania is courting controversy by consigning a major 1891 painting by Ottoman artist Osman Hamdi Bey, titled "At the Mosque Door," to Bonhams London with an estimate of $2.7–$4 million. Although the museum purchased the work directly from the artist in 1895, it was never formally accessioned into the collection, allowing the institution to bypass strict industry regulations that typically prohibit using art sale proceeds for anything other than new acquisitions or collection care. The museum intends to use the funds to establish a permanent endowment for the long-term maintenance of its vast archaeological holdings.

komal shah making their mark foundation forum launch

Komal Shah, a prominent art collector, announced the renaming of her Shah Garg Foundation to the Making Their Mark Foundation, coinciding with a three-day forum in Washington, D.C., scheduled for March 2025. The foundation takes its name from the traveling exhibition "Making Their Mark: Works from the Shah Garg Collection," curated by Cecilia Alemani, which highlights women artists from Shah and her husband Gaurav Garg's collection. The forum, held at the Martin Luther King Jr. Memorial Library, will feature panels, keynotes, and performances organized around themes like Visionary Voices and Changemakers, with Alemani as curatorial director and Loring Randolph as director.

ken jacobs film artist dead

Ken Jacobs, a pioneering experimental filmmaker who blurred the boundaries between cinema and visual art, died at 92 in New York from kidney failure, according to his son, filmmaker Azazel Jacobs. A key figure in the postwar New York underground alongside Jack Smith and Jonas Mekas, Jacobs challenged conventional filmmaking through works like "Blonde Cobra" (1963) and "Tom, Tom, the Piper's Son" (1969), using techniques such as live radio accompaniment, slow motion, and looping to deconstruct the medium. He studied painting under Abstract Expressionist Hans Hofmann and described his own work as "Abstract Expressionist cinema," often drawing direct comparisons between film and painting.

In Giverny, Monet does not benefit everyone

À Giverny, Monet ne profite pas à tout le monde

The article examines the economic paradox of Giverny, the French village where Claude Monet lived and painted. While Monet's gardens attract nearly one million visitors annually—with ticket sales estimated at €9-10 million—the village itself, with a population of just 430 and an annual budget of €600,000, sees almost none of that revenue. Visitors flood in for half-day trips, queue for hours to see the gardens, and leave by evening, spending little in local shops. The gardens, run by the Académie des beaux-arts, are tax-exempt and operate as a closed economic loop, with their boutique and restaurant generating income that stays within the institution.

art wolfgang tillmans exhibition los angeles

Wolfgang Tillmans presents "Keep Movin'," an exhibition of new photographs, sculptures, and video works at Regen Projects in Los Angeles. The show, installed in January 2026, features large prints, unframed photocopier works, ready-made sculptures, and his ongoing "Truth Study Center" displays of ephemera. Tillmans explores themes of social and political cycles, image construction, and the ambiguity of beauty, using materials ranging from nautical ropes to close-ups of offal.

jill magid solo show esther kim varet congress

Conceptual artist Jill Magid has turned her dealer Esther Kim Varet's campaign for U.S. Congress into the subject of her latest solo exhibition, "Heart of a Citizen," at Various Small Fires in Los Angeles. The show features a replica of the White House Briefing Room platform, which Magid offered for Varet's political use, leading to complex negotiations around campaign finance law. The campaign plans to host a political debate on the platform in July, and a collector purchased the sculpture to donate to Varet's campaign, intertwining art, law, and politics.

Ruth Asawa: Retrospective

A major retrospective of the Japanese-American artist Ruth Asawa is touring internationally, organized through a partnership between SFMOMA and MoMA. The exhibition spans six decades of her career, featuring her iconic suspended looped-wire sculptures alongside tied-wire pieces, bronze casts, drawings, and archival materials. The show traces her journey from her formative years at Black Mountain College to her influential role as an arts advocate and educator in San Francisco.

MENA Artists Are Having a Market Moment That’s Built to Last

Auction sales for artists from the Middle East and North Africa (MENA) region rose 9.4% to $33.2 million in 2025, driven by increased activity from international auction houses and the emergence of new hubs like Riyadh. The Sotheby's 'Origins' sale in Saudi Arabia achieved $17.3 million, setting artist records, while works from Lebanon, Egypt, and Iraq saw particularly strong gains, indicating a market rebalancing.

Must-see New York City museum openings and exhibitions in 2026

The article previews major New York City museum exhibitions opening in 2026, including a Carol Bove survey at the Solomon R. Guggenheim Museum (March 5–August 2), the first U.S. Marcel Duchamp retrospective since 1973 at the Museum of Modern Art, the New Museum's inaugural show in its OMA-designed expansion titled "New Humans: Memories of the Future," and a Goya exhibition at the Hispanic Society Museum & Library tied to the 250th anniversary of the United States. Each show highlights significant artistic milestones, from Bove's scrap-metal sculptures to Duchamp's readymades and Goya's war commentaries.

Despite external chaos, Frieze Seoul soldiers on

The fourth edition of Frieze Seoul (3-6 September) took place alongside the Korea International Art Fair (Kiaf) at the Coex convention centre in Gangnam, amid economic concerns and a slower art market. Despite a modest 0.8% expected growth in South Korea's economy and fewer Western exhibitors, the fair saw strong institutional attendance, including curators from M+, the Museum of Modern Art, and the San Francisco Asian Art Museum, as well as celebrity visitors like BTS members and Blackpink's Lisa. Galleries reported cautious but steady sales, with a notable presence of Asian collectors, particularly from Japan, and a Stand Prize awarded to Kohesi Initiatives for a politically charged booth by Timoteus Anggawan Kusno.

In Vancouver, artists imagine life after climate change

The Vancouver Art Gallery (VAG) has opened 'Future Geographies: Art in the Century of Climate Change,' an exhibition curated by Eva Respini that brings together artists from British Columbia, Canada, and beyond to imagine futures shaped by the climate crisis. The show features dozens of works created within the last 25 years, including large sculptures from repurposed waste like Liz Larner's 'Meerschaum Drift' and Brian Jungen's whale skeleton 'Cetology' made from plastic patio chairs, as well as John Akomfrah's three-channel film 'Vertigo Sea.' The exhibition runs at the VAG until January 10 before traveling to the Art Gallery of Ontario in March.

New media art fair launches second edition in Busan, questions the genre's direction

The Loop Plus media art fair has launched its second edition in Busan, South Korea. The fair, dedicated exclusively to new media art, is confronting fundamental market challenges, specifically the public and collector uncertainty about whether such technologically dependent works can be owned and collected. It aims to build the market and ecosystem for the genre.

The Bahamas returns to the Venice Biennale with a joy-filled posthumous collaboration

The Bahamas will return to the Venice Biennale in 2026 after a 13-year absence with a posthumous exhibition for artist John Beadle, who died in 2024 at age 60. Beadle was originally selected to represent the country in 2015 but the government withdrew funding. The exhibition, titled "In Another Man’s Yard," will feature Beadle’s work alongside that of his mentee, Lavar Munroe, using materials from Beadle’s studio including sails from Haitian migrant sloops. The pavilion is organized by commissioner Amanda Coulson and curator Krista Thompson, who raised private funds after the government declined to support the project.

video game leo castaneda 2026 whitney biennial

The Whitney Museum of American Art has announced that Leo Castañeda’s video game, Camoflux Recall Grotto, will be featured in the 2026 Whitney Biennial. Ahead of the exhibition's opening, the work is already accessible to the public online, allowing users to engage with a hand-painted digital environment inspired by the Amazon and the Everglades. The game emphasizes "mutualism" and environmental care, tasking players with cultivating "cyberflora" through a meditative, non-violent gameplay loop.

Yu Ji’s Democratic Play

Yu Ji's solo exhibition at PPOW, New York, titled "Origin of the Tiger," presents sculptures and collages created after a residency she organized in Phnom Penh that offered art education to children. The show features works like reed mats with snail shells, a Sony Trinitron looping video, collaged drawings incorporating Cambodian children's art, and composite sculptures such as chairs with concrete knee casts and a figure inspired by a misattributed sixth-century Krishna statue. The exhibition draws on a Khmer folktale about transformation and includes audio of children reciting the story, though the children appear more as muses than collaborators.

Where the WashU community goes to see art in St. Louis

Washington University in St. Louis community members—including students, faculty, and alumni—share their favorite places to view visual art around the St. Louis region during the summer. Recommendations include the St. Louis Virtuoso Collective, a co-op gallery of over 50 local artists on Cherokee Street; the Contemporary Art Museum St. Louis, which is showing exhibitions like “Like Water” and “Make the River Present”; the Saint Louis Art Museum, featuring works by Van Gogh, Sorolla, and Cézanne; and neighborhood public art projects in areas such as Holly Hills, The Grove, and the Delmar Loop.

And We Shall Go Through Their Hills Without Much Delay

This article documents three journeys into and out of Yunnan, China, spanning from 1874 to 2023. It begins with British interpreter Augustus Raymond Margary's failed colonial expedition to establish a trade route, which ended in his violent death and contributed to unequal treaties opening Southwest China. It then follows a Naxi student named Xueshan in 1937, whose railway journey introduced modern timekeeping to the region, and finally describes the construction of the Burma Road, a critical WWII supply route. The narrative concludes with the artist Cheng Xinhao retracing these routes on foot from Kunming toward Burma over a year and a half, reflecting on history, bodily experience, and the layers of infrastructure that have reshaped the landscape.