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The article reports on the inaugural Bukhara Biennial in Uzbekistan, titled "Recipes for Broken Hearts," which opened in the historic 16th-century Khoja Gavkushon complex. Curated by Diana Campbell, the biennial features over 70 projects spanning 500 meters of public space, including works by artists Subodh Gupta, Laila Gohar, and Carsten Höller. The exhibition embraces the local environment—sun, wind, and dust—as collaborators, rejecting the sterile white cube model. Food is a central theme, with communal plov parties, performative cooking sessions, and installations like Gohar's edible rock sugar pavilion. The biennial runs through November 20.

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Qatar has announced the launch of a new quadrennial art event called Rubaiya Qatar, set to debut in November 2026. The inaugural edition will feature a curated exhibition titled “Unruly Waters,” organized by Tom Eccles, Ruba Katrib, Mark Rappolt, and Shabbir Husain Mustafa. The event will take place across Qatar, centered at the Al Riwaq pavilion near the Museum of Islamic Art. A preview performance by artist Rirkrit Tiravanija, titled "untitled 2025 (no bread no ashes)," was unveiled in Doha, involving communal bread baking with diverse bakers. The quadrennial aims to reflect Qatar's cultural diversity and its historical connections to maritime trade routes.

5 Artists We Discovered at Felix Art Fair 2026

The eighth edition of the Felix Art Fair returned to the Hollywood Roosevelt Hotel in February 2026, featuring 57 galleries with a significant emphasis on Los Angeles-based talent. The fair maintained its signature intimate atmosphere, utilizing hotel rooms, cabanas, and the iconic David Hockney-designed pool area to showcase a diverse range of contemporary works. This year's iteration saw a high influx of new participants, with over 20 galleries making their debut at the event.

6 Objects That Capture Everything Brilliant and Strange About the Shakers

The Institute of Contemporary Art in Philadelphia has opened a new exhibition titled "A World in the Making: The Shakers," which places the work of seven contemporary artists alongside over 100 historical Shaker objects. The show, a collaboration with the Vitra Design Museum and the Milwaukee Art Museum, draws heavily from the collection of the Shaker Museum in New York to explore the community's legacy of radical simplicity, order, and purpose.

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The 24th edition of the Biennale de Arte Paiz, titled "El Arból del Mundo" ("The Tree of Life"), has opened in Guatemala City and Antigua Guatemala. Under Italian curator Eugenio Viola, the biennial has expanded from 30 to 46 artists and doubled its venues from 5 to 10, including the Museo Nacional de Arte de Guatemala (MUNAG) and La Nueva Fabrica. The dates have shifted to December to attract visitors from Miami Art Week and Zona Maco in Mexico City. The show features textile works, research-based art, and ecological themes, with highlights including a street installation by Erick Boror.

Artists, clowns, runaways: a stay at the Chelsea Hotel – in pictures

Photographer Albert Scopin has released a new book through Kerber Verlag documenting his residency at New York’s iconic Chelsea Hotel between 1969 and 1971. The collection features rare, intimate portraits of the hotel's legendary inhabitants, including a young Patti Smith and Robert Mapplethorpe before their rise to global fame, alongside long-time manager Stanley Bard and avant-garde figures like Vali Myers and Holly Woodlawn. Scopin’s lens captures the 'creative chaos' of the era, from the art-filled lobby to the eccentric private quarters of residents like composer George Kleinsinger.

The Must-See Exhibitions in Milan During Art Week 2026

Le mostre da non perdere a Milano durante i giorni dell’Art Week 2026

Milan Art Week 2026 features a series of major solo exhibitions across the city's premier contemporary art institutions. Fondazione Prada is hosting site-specific installations by Mona Hatoum exploring global instability alongside Cao Fei’s multimedia investigation into the technological revolution of agriculture. Meanwhile, Pirelli HangarBicocca presents Benni Bosetto’s architectural exploration of the female body and Rirkrit Tiravanija’s interactive examination of authorship and communal space.

OSCAR MURILLO: PAINTING AS A WELL OF ACCUMULATION

ÓSCAR MURILLO: LA PINTURA COMO POZO DE ACUMULACIÓN

The article profiles Colombian-born artist Oscar Murillo and his expansive, socially-engaged practice. It details his rise to international prominence in the early 2010s with large-scale paintings that incorporate text, textiles, and studio detritus, and highlights his ongoing, collaborative project 'Frequencies,' which involves students from over thirty countries creating works on canvases attached to school desks. The piece also references his major solo exhibitions, including 'El pozo de agua' at kurimanzutto in Mexico City (2026), 'Masas' at WIELS in Brussels (2024), and 'The flooded garden' at Tate Modern (2024).

The opening of the Princeton University Art Museum, explained

The Princeton University Art Museum (PUAM) is set to reopen with a new building featuring nine main pavilions, including a European Art Pavilion and an Ancient Mediterranean Art Pavilion, along with study spaces, lecture halls, and a restaurant called Mosaic Restaurant. In an advance tour, Director for Collections and Exhibitions Chris Newth and spokesperson Stephen Kim answered community questions about dining options, study areas, and the museum's rotating exhibitions, which will display only about four percent of the collection at a time. Notable returning works include Antioch mosaics, a Guanyin sculpture, Andy Warhol's "Blue Marilyn," and Charles Willson Peale's "Washington at Princeton." The museum will host a 24-hour opening event for students.

Maurizio Cattelan invites you to a dawn barter-breakfast in Milan's Piazza Duomo: bring an object and exchange it with others

Maurizio Cattelan ti invita a una colazione-baratto all’alba in Piazza Duomo a Milano: porti un oggetto e lo scambi con quello degli altri

Maurizio Cattelan and Nicolas Ballario will host a massive "barter breakfast" in Milan’s Piazza Duomo to kick off the 2026 Milan Design Week. Scheduled for the early morning of April 20, the event invites the public to bring a personal object—ranging from the iconic to the eccentric—to exchange with other participants. The gathering will feature live music from various performers and coffee provided by Lavazza, creating a communal performance piece centered on the symbolic and emotional value of objects.

Because the Ego Suddenly Dissolves

"Weil das Ego sich plötzlich auflöst"

The art world is facing significant structural and political shifts, highlighted by the merger of Artnet and Artsy which has resulted in mass layoffs, particularly within the Artnet News editorial team and its Berlin operations. Simultaneously, tensions are rising in German cultural policy as gallery owner Rupert Pfab raises concerns over government interference in the Stiftung Kunstfonds jury selection, reflecting a broader climate of unease that includes recent controversies at the Berlinale.

Imitations of a Mediocre Teenager on Tranquilizers

"Nachahmungen eines mittelmäßigen Teenagers auf Tranquilizern"

The Victoria & Albert Museum has reportedly censored exhibition catalogs following pressure from Chinese printing firms, removing images and maps related to sensitive topics like Tibet and Tiananmen Square. This editorial roundup also highlights artist Molly Crabapple’s sharp critique of generative AI as a massive intellectual property theft and a profile of Rirkrit Tiravanija’s communal home in Thailand, which functions as a social sculpture.

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Actor Frances McDormand and performance artist Suzanne Bocanegra have debuted a new iteration of their multi-sensory installation, 'CRADLED', at Hauser & Wirth’s downtown Los Angeles location. Developed in collaboration with the Shaker Museum, the exhibition features adult-sized cradles and Shaker furniture designed for care and infirmity. The performance-based installation explores themes of mortality, loneliness, and communal care through the lens of Shaker craft and spiritual tradition.

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At Art Basel Miami Beach, digital artist Beeple (Mike Winkelmann) debuted a new installation titled "Regular Animals" in the fair's Zero10 digital art section. The work features a pen of robot dogs fitted with lifelike heads of Elon Musk, Mark Zuckerberg, Pablo Picasso, Andy Warhol, Jeff Bezos, and Beeple himself. The robots wander, twitch, and periodically tip backward to eject printed images from their backsides, satirizing the algorithmic nature of digital platforms. The installation drew large crowds, with visitors like Courtney Karnez describing it as a "guilty pleasure" and a communal spectacle. By the end of the first VIP day, all editions of the robots had sold for $100,000 each.

Islamophobia, motherhood, war and immigration: Indy artists get political

Four Indianapolis-based artists—Salma Taman, Alejandra Carrillo, Bailey Jörk, and Iryna Bondar—are creating work that directly responds to contemporary political and social crises, including the war in Gaza, immigration, and political division. Their art, ranging from Taman's Arabic calligraphy painting promoting forgiveness to Carrillo's digital drawing protesting a migrant detention center, serves as a form of personal and communal expression in a fraught global climate.

Artist Lindsay Adams explores Black experience and artistry in her latest exhibition

The Frary Gallery at the Johns Hopkins University Bloomberg Center in Washington, D.C., will host its first solo exhibition, titled "Ceremony," by award-winning painter Lindsay Adams, opening October 29. The show features paintings and drawings that explore Black histories, movement, and world-building, including a large diptych titled "Kind of Blue (1959)" inspired by Miles Davis' iconic album. Archival materials by Billie Holiday, Josephine Baker, and other Black artists from the Johns Hopkins Sheridan Libraries will also be on view to provide historical context.

Rising Artist Veronica Fernandez’s Uneasy Monument to Childhood Imagination

Artist Veronica Fernandez opened a solo exhibition titled "Prey" at the Anat Ebgi gallery. The show features a notable shift in her practice, moving from typically monumental canvases to smaller-scale paintings that explore themes of claustrophobia, survival, and the uneasy tension between comfort and foreboding in domestic and communal spaces.

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Brazilian artist Laura Lima is currently the subject of two major concurrent solo exhibitions in London. At Goodman Gallery, her show "Communal Nests for Windows, Balconies, Verandas, Gardens, and Forests" features woven, nest-like sculptures made from organic materials like jute and sisal, which she encourages collectors to install outdoors to be used by wildlife. Simultaneously, the Institute of Contemporary Arts (ICA) is hosting "The Drawing Drawing," a career-spanning survey centered on a site-specific performance piece involving life models and artists on mechanized orbiting platforms.

Stockholm's Market Art Fair wants to prove the 'periphery is now essential'

The 20th edition of Stockholm's Market Art Fair for Modern and contemporary art opens in a new waterfront venue at Magasin 9 in the Frihamnen docks area, running until 26 April. This year, 54 dealers—mostly from the Nordics—are joined by international galleries from the US and UK, including Anthony Wilkinson gallery (London) and albertz benda (New York). The fair expanded its reach last year by opening applications to galleries without existing Nordic ties. Notable presentations include new works by Ólafur Elíasson (i8 gallery, Iceland), dystopian paintings by Munan Øvrelid (Galleri Haaken, Oslo), and textile works by Petra Lindholm (Magnus Karlsson gallery). Prices range from SEK 28,000 to €195,000, with strong early sales reported.

The Bronx Museum of the Arts hosts Seventh AIM Biennial open house

The Bronx Museum of the Arts hosted its Seventh AIM Biennial Open House on April 18, a free family day that combined hands-on art-making activities with the ongoing biennial exhibition. Visitors participated in button-making, print-making, screen printing, and memory box creation, led by AIM artists including Skip Brea, Hedwig Brouckaert, Ricki Dwyer, Leekyung Kang, Juyon Lee, lauren mcavoy, Piero Penizzotto, Motohiro Takeda, and V Yeh. The day also featured a critique session with artist V Yeh and a panel discussion titled “Tender Monuments,” moderated by co-curator Nell Klugman, exploring themes of personal, communal, and environmental grief.

‘As an artist I have a duty to reflect the times’: photographer Misan Harriman explores protests and solidarity in new London show

Photographer and filmmaker Misan Harriman has opened a permanent installation titled 'The Purpose of Light' at London's Hope 93 gallery. The exhibition features over 100 black-and-white photographs taken over seven years at protests in the UK, US, and South Africa, including demonstrations related to Black Lives Matter, Gaza, and other social justice movements. The project debuted as a solo show last summer and, due to significant public response, has now been established as a long-term fixture with support from private collectors.

‘Tide of Returns’: Ocean Space in Venice

The Repatriates Collective has launched 'Tide of Returns' at Ocean Space in Venice, an exhibition that redefines repatriation as a continuous process of spiritual and communal repair rather than a singular legal transaction. Set within the historic Church of San Lorenzo, the installation features immersive works such as 'From My Mother’s Country,' which utilizes thousands of handmade dolls from Namibia, and Verena Melgarejo Weinandt’s textile and video works exploring the symbolic power of water and braiding.

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A group of artists led by Elise Engler, Joyce Kozloff, and Martha Rosler has circulated a letter urging the Jewish Museum in New York to intervene and save New Deal-era murals and sculptural reliefs from the Wilbur J. Cohen Federal Building in Washington, D.C. The artworks, created by Jewish artists including Ben Shahn, Philip Guston, and Seymour Fogel, are threatened with demolition after the U.S. government listed the building for accelerated disposal in November 2025 and began soliciting demolition bids in December. The letter, addressed to Jewish Museum board chair Shari Aronson, has been signed by hundreds of artists and art-world figures, including Joan Semmel, Rochelle Feinstein, Joan Snyder, Lucy Lippard, and Kay WalkingStick.

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A memorial for the late theater visionary Robert Wilson was held at the Brooklyn Academy of Music (BAM) Harvey Theater, featuring a 30-minute period of silence as requested by Wilson before his death at age 83. The gathering, the first of four planned public memorials, drew luminaries including Philip Glass, Laurie Anderson, and Joan Jonas, who observed the silence as the theater's lighting shifted and a recorded telephone rang. Speakers included William Campbell, chairman of Wilson's Watermill Center, and Joseph Melillo, former BAM executive producer, who reflected on Wilson's legacy and his long relationship with the institution.

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U.S. Figure Skating commissioned athlete and artist Sonja Hilmer to create custom, elegant line-drawing portraits of each member of the 2026 Winter Olympic team. The black and gold ink portraits, inspired by Italian fashion drawings, were hung above the skaters' beds in the Olympic Village as a personal touch from home.

What makes love political, Wynnie Mynerva?

Was macht Liebe politisch, Wynnie Mynerva?

Peruvian artist Wynnie Mynerva discusses her exhibition "Volveré y seré millones" at the Société gallery in Berlin, timed to coincide with Gallery Weekend. The artist explores Andean cosmologies, specifically the concept of 'Ayni' or collective reciprocity, as a counter-narrative to Western, capitalist structures of romantic love and individualism. Her work draws from her personal experience as a migrant in Europe and her observations of Berlin’s queer scene, questioning how care and survival function within modern political frameworks.

Weekender: Student Art in Library; UC Arts Exhibition in Bay Area; Music; Square Dance

The UC Davis Library has unveiled new student-acquired artwork in its study rooms, aiming to transform traditionally drab academic spaces into vibrant environments through a student art competition. Additionally, the TANA community art center in Woodland is hosting the opening reception for the Sacramento Poderosas Mural Project, featuring a mural by Ruby Chacon and Isabel Martinez that honors the legacy of the Royal Chicano Air Force (RCAF) and Xicana/o/x activism.

‘It doesn’t put walls around everything’: behind the plans for Manila’s new contemporary art centre

The Ayala Foundation has announced the development of the Kontempo Center for Contemporary Art in Manila, appointing Reuben Keehan as its inaugural artistic director. Designed by architect Kulapat Yantrasast of WHY Architecture in collaboration with Lor Calma & Partners, the center will be located on the site of a former racetrack in Circuit Makati. The facility will prioritize exhibitions, commissions, and public programming over a permanent collection, featuring three large galleries and extensive green space for public art installations.

Conceptual artist Theresa Hak Kyung Cha’s gets expansive tribute in California show

The Berkeley Art Museum and Pacific Film Archive (BAMPFA) is presenting *Theresa Hak Kyung Cha: Multiple Offerings*, the first survey of the late conceptual artist’s work in over two decades. Running from January 24 to April 19, the exhibition draws on BAMPFA’s substantial holdings of Cha’s art and archives, showcasing her multidisciplinary practice—including concrete poetry, mail art, textiles, ceramics, performance, and film. Curator Victoria Sung, alongside curatorial associate Tausif Noor, aims to de-emphasize Cha’s best-known work, *Dictée*, and instead highlight the fluidity of her process, revisiting themes across different media from the early 1970s to the early 1980s. The show features a recreation of her 1980 film *Exilée*, documentation of performances such as *Réveillé dans la Brume* (1977), and early ceramics and textiles never before shown publicly.

Suspended Labyrinth of Woven Pathways Invites Visitors To Wander in Midair

The Museum of Fine Arts, Houston (MFAH) has reinstalled Ernesto Neto’s monumental site-specific commission, "SunForceOceanLife," in its Cullinan Hall. The immersive installation consists of a massive, hand-woven crochet labyrinth suspended 12 feet in the air, featuring a vibrant color palette that symbolizes the cyclical relationship between the sun, sea, and earth. Visitors are invited to walk through the spiral pathways, which are filled with soft plastic balls designed to challenge their balance and induce a meditative state.