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Process Is the Point at IFPDA Print Fair

The International Fine Prints and Drawings Association (IFPDA) Print Fair returned to New York’s Park Avenue Armory, featuring 80 global galleries, publishers, and print studios. The event showcased a diverse range of works, from 19th-century Japanese ukiyo-e masterworks by Hokusai to contemporary pieces by artists such as Kiki Smith, Julie Mehretu, and David Hockney. Notable highlights included Kiki Smith’s massive 12-foot watercolor "Wooden Moon" and Paula Rego’s influential abortion etchings, which were recently acquired by the Metropolitan Museum of Art.

robert longo pace gallery review 1234752550

Artist Robert Longo presents a new exhibition at Pace Gallery, featuring his signature large-scale, hyperrealistic drawings that address themes of brutality, conflict, and protest. The show is a revised version of a 2023 exhibition at the Milwaukee Art Museum, with works based on media images of events such as the war in Ukraine, Black Lives Matter protests, and migrant crises. The article critically examines several pieces, including "Untitled (Ferguson Police, August 13, 2014)" and "Untitled (Refugees at Mediterranean Sea, Sub-Saharan Migrants, July 25, 2017)," arguing that Longo's manipulations of source photographs result in melodramatic and dishonest representations.

trump lonnie bunch meeting smithsonian 1234750481

President Donald Trump had lunch with Lonnie G. Bunch III, secretary of the Smithsonian Institution, on Thursday, according to the New York Times. This meeting comes amid ongoing tensions between the Trump administration and the Smithsonian, including a White House list denouncing specific artworks—such as a painting of refugees at the US-Mexico border and Amy Sherald’s portrait of a Black trans woman as the Statue of Liberty—and an executive order claiming the institution has been influenced by “divisive, race-centered ideology.” Trump has also called for a legal review of Smithsonian displays, though his authority over the institution is unclear. The lunch was described as “productive and cordial” by a White House spokesperson, but no details of the discussion were released.

white house smithsonian artworks list refugees fauci 1234749773

The White House published an article on its website denouncing a range of artworks, exhibitions, and objects at the Smithsonian Institution, continuing President Donald Trump's protest against the museum network. The list included previously criticized shows, such as one about sculptures as signifiers of power at the Smithsonian American Art Museum, and the National Museum of African American History and Culture's displays on 'white dominant culture.' It also named new targets: a painting of a Black trans woman as the Statue of Liberty by Amy Sherald (which was pulled from a National Portrait Gallery show due to alleged censorship), Rigoberto A. González's 2022 painting 'Refugees Crossing the Border Wall into South Texas,' a stop-motion portrait of Anthony Fauci commissioned by the National Portrait Gallery, and a papier-mâché Statue of Liberty from a workers' rights protest. The administration also objected to wall texts at the National Museum of the American Latino and the National Museum of American History's LGBTQ+ History display.

12 new art shows in India we’re excited about this November

Vogue India highlights 12 new art shows opening across India in November 2025, including the expanded Art Mumbai fair featuring 82 galleries at Mahalaxmi Racecourse, and exhibitions at venues like NGMA Delhi, MAP Bengaluru, Tao Art Gallery Mumbai, and Experimenter Kolkata. Notable shows include a centenary tribute to Krishen Khanna, a display of 200 Taj Mahal images, and curations exploring celestial escorts and feminist works.

15 Must-See Events Enriching the Venice Biennale 2026 Experience.

The article presents a curated guide to 15 must-see events accompanying the 61st Venice Biennale, titled "In Minor Keys" and curated by the late Koyo Kouoh, running from May to November 2026. It highlights key exhibitions beyond the main pavilions, including "Screen Melancholy: Li Yi-Fan" at Palazzo delle Prigioni, "Darkness Visible: The Long Shadow of Dictatorship" at Spazio Punch, "Elegy" by Gabrielle Goliath at Chiesa di Sant'Antonin, and "As Above, So Below" at Ex Church Santi Cosma e Damiano, among others. These events span museums, foundations, and historic palazzi, featuring performances, talks, and curatorial interventions that extend the Biennale's reach across Venice.

Remembering Gathie Falk, Canadian artist whose singular practice sparked comparisons to Surrealism and Pop art

Gathie Falk, the acclaimed Canadian artist known for her six-decade practice spanning Surrealist paintings, hand-fashioned ceramics, sculptural installations, and performance, died at her home in Vancouver on 22 December at age 97. Her work transformed everyday objects—glazed ceramic apples, cabbages, shoes, and watermelons—into jewel-like sculptures and installations, with notable series including "Picnics" (1976-77), "Cement With Poppies" (1982), and "55 Oranges" (1969-70). Born in rural Manitoba in 1928 to Mennonite refugees, Falk initially pursued music before turning to art at age 37, studying ceramics with Glenn Lewis and developing a practice rooted in what she called a "veneration of the ordinary."

Remembering Thomas Neurath, who brought single-minded energy and intellectual bravura to leading the publishers Thames & Hudson

Thomas Neurath, who led the independent publishing house Thames & Hudson for nearly sixty years, has died. The son of founder Walter Neurath, Thomas took over the company in 1967 after his father's early death and built it into one of the most respected imprints for illustrated art books. Known for his single-minded energy and intellectual bravura, he forged close relationships with artists including David Hockney and Barbara Hepworth, and maintained the firm's independence as a family business. His personal collection included works by Oskar Kokoschka and Egon Schiele, and he was an avid book collector who combined business travel with museum visits.

Raghu Rai, pioneering Indian photographer, 1942–2026

Raghu Rai, the pioneering Indian photographer and photojournalist, has died at age 84. Over his career, he produced more than 30 books covering subjects such as Tibetan exile, Mother Teresa, Indira Gandhi, and Sikhs in India. His most famous work documented the 1984 Bhopal chemical disaster, first for India Today and later for Greenpeace, resulting in the book *Exposure: A Corporate Crime* and exhibitions that toured Europe, the US, and Bangladesh. Rai began his career at The Statesman in 1966, joined India Today in 1982, and became a member of Magnum Photos in 1977 under the patronage of Henri Cartier-Bresson. He was awarded the Padma Shri in 1972 for his coverage of the 1971 India-Pakistan War and the plight of Bangladeshi refugees.

canadian art schools nscad enrollment application growth 1234738069

NSCAD University (Nova Scotia College of Art and Design) in Halifax has reported a dramatic surge in applications and acceptances from US-based students for fall 2025, driven by tightening US immigration policies under the Trump administration. Undergraduate applications from the US spiked 220%, acceptances rose 186%, and student responses increased 66%, with interest coming from 23 different states. NSCAD president Jana Macalik noted that student feedback cited concerns over trans rights, disability, same-sex marriage, and women's freedoms as motivating factors. Similar trends are being seen at other Canadian institutions like the University of Toronto, University of British Columbia, and Alberta University of the Arts.

Vancouver exhibition explores global climate futures through art

The Vancouver Art Gallery, in partnership with Canada's National Observer, will open "Future Geographies: Art in the Century of Climate Change" on May 10, 2026. The exhibition, co-created by publisher Linda Solomon Wood and curator Eva Respini, features over 35 international artists including Ed Burtynsky, Huma Bhabha, Jean Shin, Clarissa Tossin, and Josh Kline. Works explore climate change through photography, sculpture, installation, and film, avoiding a doom-and-gloom tone in favor of poetic and thought-provoking approaches.

Artists and scholars respond to White House’s list of Smithsonian grievances

Over the weekend, artists, scholars, and concerned citizens responded to the White House's list of objectionable Smithsonian Institution exhibits and texts, released under the heading 'President Trump Is Right About the Smithsonian.' The list includes bullet points targeting exhibits on white culture, LGBTQ+ history, Afrofuturism, and works by artists such as Ibram X. Kendi, Ayana V. Jackson, Hugo Crosthwaite, Rigoberto A. Gonzalez, and Amy Sherald. Those singled out defended their work, with some comparing the administration's actions to Jim Crow-era censorship or Nazi Germany's 'degenerate art' campaigns, while others expressed pride in being included and vowed to continue making political art.

White House Bashes Smithsonian Museums, Exhibitions, as “Woke”

On August 21, the Trump administration published an unsigned article on the White House website attacking several Smithsonian museums and their exhibitions for promoting what it described as "woke" content. The article specifically called out the National Museum of African American History and Culture, the National Museum of American History, the National Portrait Gallery, the Smithsonian American Art Museum, and two planned institutions—the National Museum of the American Latino and the American Women’s History Museum. It cited exhibitions and artworks addressing race, transgender identity, and immigration, including Amy Sherald’s painting *Trans Forming Liberty* (2024), which led the artist to cancel her solo show at the National Portrait Gallery after the museum sought to remove the work to avoid provoking Trump.

The tale of a French psychiatric asylum that harboured Second World War resistance fighters—and where patients became artists

An exhibition catalogue from the American Folk Art Museum's 2024 show traces the story of Saint-Alban-sur-Limagnole, a French psychiatric asylum that sheltered Spanish Republican refugees and resistance fighters during World War II. Under Catalan psychiatrist Francesc Tosquelles, patients were encouraged to create art from found objects, producing works that later influenced Jean Dubuffet's concept of Art Brut. The asylum became a haven where hierarchies between doctors and patients were leveled, and patients bartered their creations for food during wartime austerity.

Gabrielle Goliath Sounds a Call to Action in Venice

Gabrielle Goliath’s exhibition "Elegy" is presented as South Africa’s unofficial pavilion at the 61st Venice Biennale, after the country’s Culture Minister Gayton McKenzie overrode an independent committee’s selection of Goliath, citing her proposed inclusion of a memorial for Palestinians killed in Gaza. The installation features three video works in which singers sound a single note in tribute to victims of violence: a South African femicide victim, two women killed in Germany’s colonial genocide in Namibia, and Palestinian poet Heba Abunada. The show occupies the Chiesa di Sant'Antonin in Venice, curated with Ingrid Masondo, after a legal challenge against McKenzie was dismissed.

PinchukArtCentre opens new exhibition at the Venice Biennale

The PinchukArtCentre has opened a new exhibition titled "Still Joy — From Ukraine Into the World" as part of the official parallel program of the 61st Venice Biennale. The show, which opened on May 7 at Palazzo Contarini Polignac and runs through August 1, features works by over 20 international and Ukrainian artists exploring joy as an act of resilience and humanity. Central to the exhibition are testimonies from Hlib Stryzhko, a marine veteran who returned from Russian captivity, which are transformed into sculptural elements. Notable works include a protest performance by Yurii Hruzinov at the Russian pavilion, a video installation of Kyiv rave parties by Malashchuk and Khimei, and installations by Future Generation Art Prize laureates Ashfika Rahman and Zhanna Kadyrova.

The Mueller Gallery at Caldwell University Presents Silent Witness, a Solo Exhibition Featuring the Work of Krista Svalbonas

The Mueller Gallery at Caldwell University has opened a solo exhibition titled 'Silent Witness' by artist Krista Svalbonas. The exhibition, curated by Savannah Hood, features a multi-disciplinary installation exploring themes of displacement, memory, and resistance, inspired by Svalbonas's family history as refugees from the Soviet-occupied Baltic states. It includes four thematic sections and incorporates photography, archival research, and audio recordings.

Michael Fullerton: The Politics of Portraiture

Glasgow-based painter Michael Fullerton is presenting a two-part exhibition that critically examines the politics of portraiture. The first section features 11 oil portraits of male asylum seekers he lived alongside while working as live-in staff at the Hilltop Hotel in Carlisle. These works, painted in a traditional style, depict the men with care against ambiguous landscapes, deliberately restricting personal information to names and origins, highlighting their status within systems of power.

Art exhibitions explore Appalachian identity and newcomer experiences

The Virginia Tech Carilion School of Medicine is launching a dual exhibition featuring "From These Hills" and "Making it in America," opening April 14 in Roanoke. "From These Hills," on loan from the William King Museum of Art and curated by Kathy Foley, showcases contemporary Appalachian art across various media that explore regional identity and memory. Complementing this, photojournalist Heather Rousseau’s "Making it in America" documents the lived experiences of immigrants and refugees in Southwest Virginia, capturing the resilience of Afghan, Ukrainian, and Latino newcomers through five years of visual storytelling.

Participants withdraw from Chicago Architecture Biennial over sponsor’s investment in weapons manufacturer

Nine participants in the Chicago Architecture Biennial (CAB), which opened on September 19, have withdrawn in protest over exhibition sponsor Crown Family Philanthropies' investment in General Dynamics, a military contractor supplying weapons to the Israeli military. A letter signed by 22 individuals, collectives, and firms—nearly half of whom also withdrew—argues that the sponsorship contradicts the biennial's mission of addressing architecture's role in shaping a collective future. The biennial's sixth edition, titled SHIFT: Architecture in Times of Radical Change, is led by artistic director Florencia Rodriguez. Participants had raised concerns last month, and organizers clarified that Crown Family funds support education programming, not the exhibition itself, which the letter calls "even more painful" given the destruction of schools in Gaza.

in venice, ukrainian artists reclaim joy with tender force

The article reports on 'Still Joy — From Ukraine Into the World,' a collateral exhibition at the 61st Venice Biennale presented by the Victor Pinchuk Foundation and PinchukArtCentre. The show features works by Ukrainian artists including Malashchuk & Khimei, Simone Post, and Zhanna Kadyrova, exploring themes of joy, survival, and resilience amid war. Highlights include a two-channel video juxtaposing a Kyiv rave before and after Russia's full-scale invasion, letters from Ukrainian soldiers printed on foam panels, and installations that transform everyday objects into meditations on sweetness and endurance.

Sound Minds: The Artists Decoding the Noise That Dominates Our Contemporary World

The exhibition "état bruit" at Konschthal Esch explores the concept of noise as a form of interference, cultural signal, and political tool. Featuring works by seven contemporary artists, including Nik Nowak’s Indonesian-inspired sound truck and Open Group’s haunting video installation of refugees mimicking artillery, the show investigates how sound reflects both community identity and the trauma of conflict.

Two exhibits trace the origins of the Sarasota Artist Colony

Two exhibitions in Sarasota trace the origins of the Sarasota Artist Colony, which flourished between 1945 and 1965. One is at Ringling College of Art and Design, titled “Origins: Sarasota Artist Colony, 1945-1965,” co-curated by Tim Jaeger and Bill Hartman. The other is at the downtown offices of Michael Saunders & Co. The Ringling College show features 36 works by colony artists, including Jon Corbino, Ben Stahl, Syd Solomon, and Craig Rubadoux, and places them in the context of post-World War II America, when the GI Bill and cheap rents attracted hundreds of artists to the small beach community.

New Kensington Art Gallery to open Eddie Adams photography exhibit May 8

Penn State New Kensington Art Gallery will open "Eddie Adams: Vietnam" on May 8, featuring over 50 photographs by the late Pulitzer Prize-winning photojournalist. The exhibit includes his iconic "Saigon Execution" (1968) and "Boat of No Smiles" (1979), with a reception on May 28 featuring Adams' widow Alyssa Adams and former Associated Press photo editor Hal Buell. The free show runs through August 27.

Fowler Museum at UCLA presents ‘Construction, Occupation,’ exploring art, activism and housing justice

The Fowler Museum at UCLA has opened 'Construction, Occupation,' an exhibition exploring the intersection of art, activism, and housing justice. The show revisits the 2016–17 occupation of the abandoned Cambridge Hotel in São Paulo, Brazil, by low-wage workers, refugees, and artists—a project known as the Cambridge Artistic Residency (CARe)—which led to the building's transformation into government-funded social housing and a cultural hub. Curated by Alex Ungprateeb Flynn, Juliana Caffé, and Yudi Rafael, the exhibition features 24 artists and collectives, primarily from Brazil, with photography, video, installations from the original residency, and newly commissioned works. It runs through January 11, 2026.

No Lost Generation Hosts Beautiful, Poignant Exhibition of Afghan Refugee Artists’ Work

Georgetown University’s student organization No Lost Generation (NLG) partnered with the Afghan artist collective ArtLords to host a five-day exhibition at the Intercultural Center galleria. Curated by Omaid Sharifi, the showcase featured works by three Afghan refugee artists—Abdul Hakim Maqsoodi, Mohammad Younus Qani, and Fatima Wojohat—centered around the theme of "nawroz" (new day). The collection spanned traditional Afghan miniatures, scenes of displacement, and portraits exploring the resilience of female refugees.

Free exhibition showcases diversity

A free exhibition titled 'Diversity' has opened at Stamford Arts Centre gallery in St Mary’s Street, running until August 30. Organized by Stamford Diversity Group, the show features a wide range of work including art by HMP Stocken inmates, photographs by Ukrainian artist Oleksii Klitovchenko, paintings by Marina Stognieva, sketches by Ella, dresses by a local Afghan family, a neurodivergency awareness journal, and zines supporting the trans community, alongside poetry and photographic portraits from the group's previous projects.

Warwickshire celebrates Refugee Week 2025: ‘Community as a Superpower

Warwickshire County Council and local partners are marking Refugee Week 2025 (16–22 June) with a series of community events centered on the national theme 'Community as a Superpower'. Highlights include a comic-style art exhibition by illustrator Marth Moreton-Smith showcasing refugee-support organizations, a children's art competition on kindness and inclusion, a photography workshop with artist Sam Ivin at Rugby Art Gallery and Museum, and a World Refugee Day celebration at the Old Shire Hall featuring Ukrainian music and storytelling. The programme also includes school activities, community meals, and an evening of music and stories at Christ Church Brownsover.