Eden Xu-Martinez, a collector and art administration professional, has built a personal collection centered on the accessibility and intimacy of prints. Her journey into collecting was catalyzed by a lithography course at Columbia University and a profound encounter with a Louise Bourgeois print, which shifted her perspective on the medium from mere reproduction to a deeply personal form of artistic expression.
Tate Modern has announced its 2027 exhibition program, headlined by "Monet: Painting Time," the museum's first-ever solo exhibition dedicated to Claude Monet since it opened 26 years ago. The show, opening February 27, 2027, will feature rarely seen works from global lenders and new research, following an initial presentation at the Musée de l'Orangerie in Paris opening this September to mark the centenary of Monet's death.
A major exhibition, 'Frida: Making of an Icon,' at the Museum of Fine Arts, Houston, re-examines the legacy of Frida Kahlo. It moves beyond her iconic status by presenting her early works, influences, and, most significantly, over a hundred works by artists she inspired, demonstrating her impact across generations and cultures.
A new installation by artist Cannupa Hanska Luger at the 2026 Biennale of Sydney features seven ceramic dingo skulls with whistles that create a howling sound. The work, titled "Volume III White Bay Power Station," was created before the artist learned of the death of a Canadian backpacker, Piper James, on K'gari (Fraser Island), a ruling for which found she drowned after a dingo attack.
Dr. Ionit Behar has been appointed as the Marilyn and Larry Fields Curator at the Museum of Contemporary Art (MCA) Chicago, effective February 9, 2026. Born in Israel and raised in Uruguay, Behar brings a global perspective shaped by her upbringing in an academic environment and her experience as an immigrant in the United States. Her curatorial philosophy emphasizes the museum as a space for intellectual discovery and emotional resonance rather than a mere repository of information.
A new wave of gallery exhibitions is championing analog physicality and personal intimacy as a direct counter-response to the rise of AI-generated imagery. Artists like Ben Wolf Noam and Joseph Geagan are utilizing traditional mediums such as charcoal, lithography, and oil paint to capture spontaneous, sentimental moments of human connection, from family dinners to portraits of friends. These works emphasize the "hospitable mess" of real life, prioritizing the recognizable faces and tangible textures that AI often flattens.
The Detroit Institute of Arts (DIA) has launched a long-term exhibition titled 'Guests of Honor,' featuring significant loans of Jewish ceremonial objects from the Jewish Museum in New York. Running through January 2027, the display includes intricate items such as Torah crowns, pointers, menorahs, and spice boxes sourced from Europe, the Middle East, and North Africa. The objects are integrated into various galleries, including the Arts of the Islamic World section, to highlight shared aesthetic motifs and historical connections between different cultures.
Glasgow International has revealed the complete programme for its 11th edition, scheduled for 5-21 June 2026. The biennial, now under the direction of Helen Nisbet, will feature new works by artists including Kate Cooper, Tanoa Sasraku, and Luke Fowler, and will explore themes of memory, kinship, and cultural resonance. The festival also includes the 'Gatherings' event series and a new 'Special Projects' initiative highlighting community-embedded organizations in Glasgow.
Three artists have installed site-specific works at The Peninsula Hong Kong hotel as part of its annual Art in Resonance program, coinciding with Hong Kong Art Week. Angel Hui's 'Swimming in Light' features embroidered goldfish imagery on plastic bags and the hotel's glass frontage, Albert Yonathan Setyawan's 'Metamorphic Modulation' fills a circular structure with 700 ceramic elements, and William Lim's 'Walking on a Bright Future' is a textile and spatial intervention in the hotel's café.
South Korean artist Lee Chae will present a solo exhibition titled "Imbued, Between Flower and Wind" at Whitestone Gallery Taipei from April 11 to May 16, 2026. The show features new series including "Afterimage of Wind" and "Wind-Infused," which utilize metaphors of flora and wind to explore the relationship between external stimuli and the human inner soul. Lee’s technique involves layering translucent pigments and then wiping them away to create poetic afterimages that visualize the transformation of emotions over time.
The Minto Arts Gallery in Harriston, Ontario, is set to host a solo exhibition by Kitchener-Waterloo artist Moumita Roychowdhury from April 9 to April 30. The self-taught artist and instructor will showcase a collection of works in watercolor, acrylic, and pastel that explore the emotional resonance of nature and human expression. An opening reception is scheduled for April 9 to launch the three-week engagement.
The Times Art Museum has launched a major retrospective of Henri Matisse’s printmaking, featuring 100 works that span his career from early line drawings to his iconic late-period cut-outs. Titled "Bathe in Color — A Journey of Lines, Body and Dreams," the exhibition includes significant collaborations with Paris-based workshops Mourlot Studios and Atelier Auval, highlighted by the vibrant composition La Gerbe.
I produttori di vino Pasqua puntano sull’arte. L’artista Sara Ricciardi racconta il progetto per Verona
Artist Sara Ricciardi has unveiled 'Resonance,' a site-specific immersive installation at the newly restored Monastero space within Palazzo Maffei, Verona. Commissioned by Pasqua Vini, the work celebrates the creative partnership between winery CEO Riccardo Pasqua and American winemaker Charles Smith. The installation utilizes light, sound, and large-scale geode-inspired structures to translate the 'alchemy' of winemaking and the meeting of two distinct identities into a sensory ritual for visitors.
Resonancias Desde El Abismo Artistas Uruguayos
The exhibition 'Resonancias desde el abismo. Prácticas artísticas entre presiones y frecuencias extrañas' (Resonances from the Abyss. Artistic Practices Between Pressures and Strange Frequencies), curated by Fabiana Puentes, opened at the Centro Cultural de España in Montevideo. It features works by eight Uruguayan artists—including Guadalupe Ayala, Karina Flores, and Sofía Córdoba—working across sculpture, video, sound, and installation. The show uses the extreme, dark, and high-pressure ecosystem of the ocean abyss as a conceptual framework to explore artistic practices that resist immediate interpretation and conventional systems of reference.
Vanderbilt University has announced its inaugural participation in the Venice Biennale, marking a major milestone for the institution's arts program. Faculty artists Maria Magdalena Campos-Pons and Kamaal Malak have been selected to present works in the 61st International Art Exhibition, curated by the late Koyo Kouoh. To complement the exhibition, the university will launch "Resonance: Vanderbilt University in Venice," a two-month public program series featuring sonic inquiries, performances, and scholarly convenings.
Christie's auction house achieved a record-breaking $94.5 million sale of the Jim Irsay Collection, a trove of pop culture memorabilia. The four-sale series set 28 world records, with every lot selling for a cumulative total nearly four times its low estimate. Top lots included David Gilmour's "Black Strat" guitar ($14.55M), Jack Kerouac's 'On the Road' typescript scroll ($12.1M), and Jerry Garcia's "Tiger" guitar ($11.56M).
Photographer Elizabeth Sanjuan has released a new book titled 'Silent Snow,' featuring 40 monochrome images captured over four winters in Hokkaido, Japan. The work focuses on the island's snow-covered landscape, which remains white for half the year, and explores the visual and emotional qualities of this extreme environment.
Japanese artist Shinsuke Inoue creates small, emotionally resonant wood sculptures of human figures. His practice began about ten years ago when he carved a likeness of his child, sparking a dedicated focus on figurative woodcarving that captures universal human essence rather than specific portraits.