Berlin-based Singaporean artist Ming Wong premiered a new film, *Dance of the Sun on the Water | Saltatio Solis in Aqua*, at London's National Gallery. The work, created during a residency, reimagines Saint Sebastian as a queer, shape-shifting figure, with Asian performers of multiple genders enacting the martyrdom amidst the museum's collection of historical paintings of the saint.
This Masterpiece by Rembrandt’s Star Pupil Has a New Owner
Willem Drost's 1654 painting *Man With a Plumed Red Beret* has been acquired by the Leiden Collection, a private museum focused on Dutch Golden Age art. The sale was conducted privately through Agnews Gallery at the TEFAF Maastricht fair for an undisclosed sum, with the collection's founder calling it a "capstone acquisition."
Billionaire Reed Hastings, the former CEO of Netflix, has transformed Utah’s Powder Mountain ski resort into a unique 'skiable outdoor art museum.' Collaborating with landscape architect Reed Hilderbrand, the resort now features major installations by artists such as Nancy Holt, James Turrell, and EJ Hill. This development positions the resort as a contemporary companion to the region's historic land art landmarks, including Robert Smithson’s Spiral Jetty and Holt’s Sun Tunnels.
The Brooklyn Museum has named photographer and multimedia artist Keisha Scarville the winner of its sixth annual UOVO Prize. She will receive a $25,000 unrestricted grant, a public exhibition titled "Where Salt Meets Black Water" at the museum's Iris Cantor Plaza opening May 8, and a commission for a large-scale work on the façade of UOVO's Bushwick storage facility.
Everlyn Nicodemus presents 'Without History' at Goodman Gallery in Cape Town, marking her first solo exhibition with the gallery and a rare return to the African continent since the 1980s. The show, organized in partnership with Richard Saltoun Gallery, features major bodies of work including the 'Woman in the World' cycle and the 'Wedding' series. These works, created while Nicodemus lived across Europe, explore themes of trauma, gender, and spiritual survival through a practice that blends painting with deep archival research and social anthropology.
Artist and cultural practitioner Dean Biŋkin Tyson presents "CREATE EXCHANGE: Painted Up," a dual-venue exhibition at Redland Art Gallery that showcases his multidisciplinary approach to Quandamooka and Gurang traditions. Moving beyond stereotypical "dot art," Tyson utilizes canvas, animal skins, and carved artifacts to translate his background as a dancer and songman into visual form. The exhibition features large-scale murals, traditional tools like boomerangs, and "shadow boxes"—a unique craft form developed in Aboriginal missions during the 1970s.
Un important bassin en majolique d'Urbino pour le Clark
The Clark Art Institute in Williamstown has acquired a significant 16th-century Urbino maiolica basin from the gallery Camille Leprince following its display at TEFAF. Attributed to the workshop of Orazio or Flaminio Fontana, the trilobed basin features intricate historiated scenes from the life of Joseph and elaborate grotesque decorations. The piece was a highlight of the fair and is accompanied by extensive research regarding its complex provenance.
Icelandic-Danish artist Olafur Eliasson presented 'A symphony of disappearing sounds for the Great Salt Lake,' a large-scale multimedia installation in Salt Lake City’s Memory Grove Park. The work featured a three-story luminous sphere projecting visuals of wind currents and geothermal light, accompanied by a soundscape of migratory birds, brine flies, and frogs. Commissioned by the Salt Lake City Arts Council and Bloomberg Philanthropies, the ten-day public event served as a creative wake for the rapidly receding lake.
The Art Museum at the University of Toronto has opened a new exhibition titled "Land. Sea. Sugar. Salt.: Terrestrial and Aquatic Contemplations of the Caribbean." The show features works by contemporary artists from the Caribbean and its diaspora, exploring the region's complex geography, layered histories, and cultural intersections through themes of land, water, and the legacies of colonial industries like sugar production.
The Highland Center for the Arts in Greensboro is hosting "Salt, Stone & Stars," a multidisciplinary event celebrating the Vermont pastoral tradition through literature and visual art. The program highlights the connection between two books centered on shepherding, Helen Whybrow’s "The Salt Stones" and Jody Gladding’s translation of "The Serpent of Stars," alongside the opening of the exhibition "Seasons & Cycles."
Artist and Holocaust survivor Yehudis Barmatz-Harris has installed a series of paintings within the barracks of Auschwitz-Birkenau, marking a profound personal and artistic return to the site of her family's trauma. The works, which utilize materials like salt and organic textures, are placed directly on the wooden bunks where prisoners once slept, creating a visceral dialogue between contemporary Jewish life and the void left by the Shoah.
The group exhibition "Virgin Islands Contemporary" is set to open at Salt of the Earth Tattoo in St. Thomas, featuring the work of ten local artists. Curated by Lucien Downes, the show highlights a diverse range of visual mediums that move beyond traditional Caribbean iconography like seascapes and historical narratives. The participating artists, including Brenda L. Cotto and Jon Euwema, explore themes of cultural evolution and identity through experimental materials and modern techniques.
Photographer Jon McCormack captured a striking image of the Remarkable Rocks on Kangaroo Island, Australia, framing the Southern Ocean through a naturally eroded granite hollow. The photograph, taken at sunset, emphasizes the graphic simplicity and sculptural quality of the ancient rock formations, which have been shaped by wind and salt over 10,000 years of isolation.
Mirosław Bałka has opened a major solo exhibition at the Pirelli HangarBicocca in Milan, featuring a new, large-scale installation titled 'CROSSOVER/S' (2026). The work, a monumental steel structure filled with salt, continues the Polish artist's decades-long exploration of memory, trauma, and the body, using industrial materials to evoke profound personal and historical narratives.
Mirosław Bałka has opened a major solo exhibition at the Pirelli HangarBicocca in Milan, featuring a new large-scale installation titled 'CROSSOVER/S' (2026) alongside a selection of his works from the past two decades. The exhibition, curated by Vicente Todolí, explores themes of memory, absence, and the body through materials like salt, felt, and steel, creating an immersive, meditative environment.
The Church History Museum in Salt Lake City has opened a new exhibition titled “From Above: Aboriginal Australian Art From the Bird Family.” The show features works by Indigenous Australian artists from the Anmatyerr culture who are also members of The Church of Jesus Christ of Latter-day Saints. The artists, including Gary Bird Mpetyane, Maggie Bird Mpetyane, and Rose Coleena Wallace Nungari, traveled from Australia to attend the opening of the exhibit, which runs through August 1, 2026.
Artist Michael Joo has unveiled a major survey exhibition, "Sweat Models 1991–2026," at Space ZeroOne, a new institutional initiative by the Hanwha Foundation of Culture in Tribeca. The show features career-spanning works including "Concatenations," a massive architectural installation composed of century-old aluminum baking trays and personal ephemera, and salt-block sculptures that reference his background in biology and his family's history in cattle ranching.
West Hartford is launching "Artbeat 2026," an annual townwide exhibition showcasing the creative achievements of students from kindergarten through 12th grade. Hosted at the West Hartford Art League’s Saltbox and Clubhouse galleries, the show features a diverse range of student work and kicks off with a public opening reception on March 18.
Artist Meg Webster has collaborated with the Dia Art Foundation and Japanese fashion house Comme des Garçons to release her first signature perfume. The fragrance, inspired by Webster’s sensory earthworks made of soil and salt, features woodsy and petrichor notes housed in a silver tetrahedral box that mirrors her sculptural vocabulary. To celebrate the launch, a 2017 sculpture by Webster will be installed at the Comme des Garçons boutique in Chelsea, Manhattan.
The 2014 Whitney Biennial has debuted with a controversial three-curator structure, tasking Michelle Grabner, Stuart Comer, and Anthony Elms with organizing separate floors of the museum. This meta-review aggregates the initial critical reception from major publications, noting that the fragmented format has forced critics to evaluate the exhibition as three distinct shows rather than a unified vision.
Brooklyn-based photographer Keisha Scarville has been named the 2026 winner of the Brooklyn Museum’s Uovo Prize. The award includes a $25,000 cash prize, a solo exhibition at the museum, and a public art commission featured on the facade of Uovo’s Bushwick facility. Her upcoming presentation, titled "Where Salt Meets Black Water," will debut in May 2026 and features vinyl reproductions from her "Mama’s Clothes" series, which explores Guyanese heritage and maternal legacy through textiles.
Artist Tomás Saraceno has begun construction on "El Santuario del Agua" (The Water Sanctuary), a monumental art complex in the Salinas Grandes salt flats of northern Argentina. Developed in collaboration with 11 Indigenous communities and the Red Atacama coalition, the project consists of five semicircular salt structures inspired by Andean cosmology. Scheduled to open in October, the site will function as a community-owned space where visitors can engage with the landscape through elevated viewing platforms while supporting a sustainable tourism model.
The activist collective Halt Action Group (HAG) organized a second 'Dear Ivanka' protest in New York City as Ivanka Trump prepared to move to Washington, D.C. Protesters marched from Grand Army Plaza to Trump’s Park Avenue residence, carrying symbolic moving boxes labeled with social and political concerns such as women's rights, affordable healthcare, and freedom of the press. The event featured prominent art world figures and utilized visual metaphors, including a disavowed Richard Prince artwork, to urge Trump to act as a moderate influence on her father’s administration.
The AVA Gallery in Chattanooga is launching three distinct exhibitions for its March First Friday event. The main gallery features 'Jewelry & Adornment,' an annual members-only showcase of handcrafted wearable art, while the Landis Gallery hosts a juried exhibition of works by high school students from the Center for Creative Arts. Additionally, the gallery’s front window features 'Material Intimacies / Sacred Bodies,' a site-specific installation by Kris Bespalec utilizing rust- and salt-dyed fabrics to explore themes of industrial decay and ritual.
The Venice Biennale has released the artist list for its 61st edition, titled "In Minor Keys," featuring 111 participants. This edition is historically unique as its curator, Koyo Kouoh, passed away in May 2025 during the exhibition's development, leaving a team of advisors including Gabe Beckhurst Feijoo, Marie Helene Pereira, and Rasha Salti to realize her vision. The exhibition focuses on understated, poetic sensibilities and living artists, a departure from the larger, historically-focused surveys of recent years.
The Venice Biennale has officially announced the 111 artists, duos, and collectives selected for the 61st International Art Exhibition, titled "In Minor Keys." The exhibition follows the vision of the late Cameroonian curator Koyo Kouoh, who passed away in May 2024 after conceptualizing the show and selecting the majority of its participants. The roster features a diverse global lineup including Wangechi Mutu, Kader Attia, Khaled Sabsabi, and Laurie Anderson, with a curatorial focus on quiet resistance, poetic improvisation, and the "lower frequencies" of social and psychic life.
The 61st Venice Biennale, titled 'In Minor Keys,' will proceed as a posthumous tribute to its late Artistic Director, Koyo Kouoh, who passed away in May 2025. Before her death, Kouoh had already finalized the curatorial framework, artist selection, and exhibition architecture during a pivotal meeting at her RAW Material Company in Dakar. The exhibition is scheduled to run from May 9 to November 22, 2026, across the Giardini, Arsenale, and various Venetian venues.
A severe nor’easter in New York City has disrupted travel plans for numerous East Coast dealers and gallery staff heading to Los Angeles for Frieze Week. With nearly two feet of snow grounding direct flights, art professionals have been forced into grueling multi-stop itineraries through cities like Pittsburgh, Salt Lake City, and Fort Lauderdale to reach the West Coast in time for fair openings.
A large-scale sculpture by Korean American artist Michael Joo collapsed during the opening reception of his solo exhibition at Space ZeroOne in Tribeca, New York. The artwork, titled 'Saltiness of Greatness' (1992) and composed of compressed salt blocks, reportedly fell after being disturbed by a visitor, resulting in minor injuries to four attendees including a curator, a gallerist, and a foundation board member. The gallery, operated by the Hanwha Foundation of Culture, has temporarily closed to review safety procedures following the incident.
Refik Anadol’s controversial AI installation 'Unsupervised' at the Museum of Modern Art has sparked a heated debate on the nature of art and technology, recently highlighted in a '60 Minutes' segment. While Anadol defends his work as a poetic use of 'data as pigment' that captures viewer attention for an average of 38 minutes, critics and fellow artists raise concerns about the substance and ethics of the medium. The piece, which uses MoMA’s metadata to create morphing abstractions, became a viral sensation that challenged traditional museum engagement.