raymond saunders carnegie museum retrospective review 1234744492

Raymond Saunders's first retrospective, a small but potent exhibition at the Carnegie Museum of Art in Pittsburgh, surveys 35 of his bewitching paintings. The works, described as elusive and Rauschenbergian, feature messy scrawls, collected trinkets, and media clippings, with pieces like *Passages: East, West 1* (1987) layering chess boards, paint strokes, and appropriated still lifes. Saunders, who joined Andrew Kreps and David Zwirner last year, has never before received a retrospective, despite his influential 1967 essay "Black Is a Color" and steady institutional acquisitions.

alma allen american pavilion 2026 venice biennale 1234759545

Alma Allen, a Utah-born, Mexico-based sculptor, has been selected to represent the United States at the 2026 Venice Biennale, according to ARTnews sources. The pavilion's commissioning curator is Jeffrey Uslip, who previously curated the Malta Pavilion in 2022. The official announcement is pending the end of the government shutdown. Allen, known for large-scale stone, wood, and bronze sculptures, is in talks with Perrotin gallery for representation after his previous gallery, Kasmin, closed and rebranded as Olney Gleason.

Who is Alma Allen, US Pavilion Artist for the 2026 Venice Biennale?

who is alma allen us pavilion artist 2026 venice biennale 1234763746

The US Department of State has confirmed that sculptor Alma Allen will represent the United States at the 2026 Venice Biennale. Allen, a Utah-born, Mexico-based artist known for abstract biomorphic sculptures, was selected after a fraught selection cycle that included updated guidelines requiring proposals to promote American values. He was approached directly by curator Jeffrey Uslip, who will organize the US pavilion, and accepted the offer despite reportedly being advised against it by his former galleries Mendes Wood DM and Olney Gleason, which subsequently cut ties with him.

Alma Allen Speaks Out on Backlash Over U.S. Pavilion Commission: ‘A Little Stressful’

Sculptor Alma Allen has spoken out for the first time about the backlash he faced after accepting the commission to represent the United States at the Venice Biennale. In a rare interview on the podcast *Time Sensitive*, recorded at his home in Tepotzlán, Mexico, Allen described the response as “a little stressful” but said he never hesitated when curator Jeffrey Uslip invited him last fall. His selection sparked controversy because the State Department’s requirement that proposals “reflect and promote American values” while not promoting DEI initiatives led higher-profile artists like William Eggleston and Barbara Chase-Riboud to refuse. Allen’s former galleries, Mendes Wood and Olney Gleason, dropped him after he accepted, though he has since joined Perrotin. He also hinted that his exhibition, “Call Me the Breeze,” will include work about conflict and surveillance.

who is alma allen venice biennale 2709876

Alma Allen, a self-taught Utah-born sculptor based in Mexico, has been confirmed as the U.S. representative for the 61st Venice Biennale, opening in May. His pavilion exhibition, titled “Alma Allen: Call Me the Breeze,” will be curated by Jeffrey Uslip and commissioned by Jenni Parido of the American Arts Conservancy. Allen’s selection is notably unconventional: he has no major museum solo exhibitions and was dropped by his galleries, Mendes Wood and Olney Gleason, after accepting the commission. The U.S. State Department’s brief release frames the presentation as highlighting “alchemical transformation of matter” and “elevation,” aligning with the Trump Administration’s focus on “American excellence.”

Berlin Modern Museum Delayed Again as Moisture Damage Pushes Opening to 2030

Berlin's long-awaited Berlin Modern museum has been delayed again, with its opening now pushed to 2030 due to moisture damage in the building's shell and microbial contamination in other parts of the structure. The Prussian Cultural Heritage Foundation announced the delay after the Berlin-Brandenburg Broadcasting Corporation broke the story. The Herzog & de Meuron-designed building, originally scheduled to open this year as the Museum of the 20th Century, has faced multiple setbacks since groundbreaking in December 2019, with completion dates slipping from 2026 to 2028, then 2029, and now 2030. The project's cost has ballooned from €200 million to €507 million.

alma allen perrotin 2752361

Sculptor Alma Allen has officially joined Perrotin, a move that follows his high-profile departure from former galleries Mendes Wood DM and Olney Gleason. The transition comes as Allen prepares to represent the United States at the 2026 Venice Biennale with the exhibition "Alma Allen: Call Me the Breeze," curated by Jeffrey Uslip. The artist reportedly split with his previous representation after they opposed his acceptance of the Biennale commission under the current political climate.

state department confirms alma allen 2026 us pavilion 1234763177

The US Department of State confirmed that Mexico-based artist Alma Allen will represent the United States at the 2026 Venice Biennale, opening next May. Jeffrey Uslip will serve as curator, and the commissioning institution is the American Arts Conservancy (AAC), with its executive director Jenni Parido as official commissioner. Allen, who has had only two museum solo shows in three decades, was approached directly by Uslip in October after the State Department had already approved him. The selection process broke from tradition: the National Endowment for the Arts was not involved due to time constraints and staffing transitions, and a prior proposal by artist Robert Lazzarini and curator John Ravenal fell through after negotiations with the University of South Florida’s Contemporary Art Museum collapsed. Allen’s pavilion, titled "Call Me the Breeze," will feature about 30 works exploring elevation and transformation, framed by the State Department as furthering the Trump Administration’s focus on American excellence.

jeff koons stella mccartney capsule 2026 2744142

Jeff Koons and Stella McCartney have launched a limited-edition capsule collection for Spring 2026. The collection features ready-to-wear items like hoodies, t-shirts, tote bags, and keychains, adorned with prints of Koons's artworks such as "Untitled (Girl with Dolphin and Monkey)" (2006) and sculptures from his "Made in Heaven" series, paired with McCartney's playful slogans like "Slippery When Wet" and "Doggy Style." The release also includes a reimagined pendant based on Koons's iconic "Rabbit" (1986) sculpture.

At the ‘art world Olympics,’ Team USA is chaotic

The US Pavilion at the 2026 Venice Biennale, often called the 'art world Olympics,' is mired in controversy and delays under the Trump administration. Curator Jeffrey Uslip insists the process has been smooth and artistically autonomous, but the selection of sculptor Alma Allen and commissioner Jenni Parido—a former pet supply shop owner with a new nonprofit—has raised eyebrows. The usual vetting process by the National Endowment for the Arts was disrupted, new language banning diversity, equity, and inclusion efforts was added to applications, and a government shutdown left only six months to fundraise and plan the exhibition, which coincides with the US's 250th anniversary.

The Pet Food Store Owner Behind the Venice Biennale’s US Pavilion, 400-Year-Old Pendant in English Painting Resurfaces, and More: Morning Links for April 20, 2026

The New York Times profiled Jenni Parido, the 37-year-old commissioner of the upcoming US Pavilion at the Venice Biennale, who has no professional arts background and previously ran a luxury pet food store in Florida. She selected Jeffrey Uslip as curator, and artist Alma Allen will represent the US after other artists reportedly declined.

ariana papademetropoulos thaddaeus ropac paris exhibition 1234779812

Ariana Papademetropoulos has debuted a new solo exhibition titled "Glass Slipper" at Thaddaeus Ropac’s gallery in Paris. The show features a diverse range of works, including hyper-realistic paintings of dry-cleaned dresses, surrealist landscapes featuring floating chairs, and a central immersive installation. This centerpiece consists of a mattress and a fish tank filled with 150 kissing fish, accompanied by a commissioned ambient soundtrack by Nicolas Godin of the band Air, designed to evoke a meditative, ritualistic experience.

american arts conservancy venice biennale 2719076

The Trump administration has selected Mexico-based sculptor Alma Allen to represent the United States at the 61st Venice Biennale, with the pavilion organized by curator Jeffrey Uslip and sponsored by the newly formed American Arts Conservancy (AAC). The AAC, founded in July 2024 and based in Tampa, is run by executive director Jenni Parido, a pet foods entrepreneur with no prior art-world experience, and its board includes figures from construction, conservative media, and high-end event planning, raising questions about its qualifications for this high-profile role.

Sculptor Alma Allen officially selected to represent US at 2026 Venice Biennale

The US State Department has officially confirmed that sculptor Alma Allen will represent the United States at the 2026 Venice Biennale, following earlier delays caused by a 43-day government shutdown. Allen's exhibition, titled "Alma Allen: Call the Breeze," will run from May 9 to November 22, 2026, at the US Pavilion, organized by commissioner Jenni Parido of the American Arts Conservancy and independent curator Jeffrey Uslip. The show will feature around 30 sculptures, including new site-specific works, and the state department announcement explicitly aligns the presentation with President Donald Trump's "America first" ideology, framing the artworks as symbols of collective optimism and American excellence.

christies 2025 sales results analysis 1234767047

Christie's closed 2025 with $6.2 billion in projected global sales, a nearly seven percent increase from $5.8 billion in 2024 and in line with its 2023 total. Auction sales reached $4.7 billion, up eight percent year-over-year, while private sales held steady at $1.5 billion. The year's top lot was Mark Rothko's *No. 31 (Yellow Stripe)*, which sold for $62.1 million in New York. Other highlights include a record Picasso sale in Hong Kong ($25.4 million) and the Fabergé Winter Egg in London (£22.9 million). The house also saw strong performance from its automobiles business, Gooding Christie's, which delivered $234 million in sales. Geographically, the Americas grew 15 percent to $2.58 billion, while Asia-Pacific slipped 5 percent.

yale errata exhibition 2751007

Yale University’s Beinecke Rare Book and Manuscript Library is hosting a new exhibition titled "'Beauties of My Style,'" which explores 500 years of printed errors and errata sheets. Curated by Rachel Churner and Geoff Kaplan, the show features approximately 30 artifacts ranging from James Joyce’s error-riddled first edition of Ulysses to the infamous 1631 "Wicked Bible," which accidentally commanded readers to commit adultery. The exhibition highlights how these slips of paper serve as more than just corrections, acting as sites of humor, legal maneuvering, and poetic reinterpretation.

citizen kane rosebud sled auction 2657602

Heritage Auctions sold one of the last surviving Rosebud sleds from the 1941 film *Citizen Kane* for $14.75 million on July 16. The prop, made of pine hardwood with a red seat stenciled with “ROSEBUD,” came from the collection of director Joe Dante, who received it in 1984 from a crew member clearing out an old RKO Pictures lot. The sled was radiocarbon-dated to verify its authenticity. The sale makes it the most expensive Rosebud sled ever sold at auction and the second most valuable piece of movie memorabilia, after the ruby slippers from *The Wizard of Oz*.

With more than 40 galleries represented, Germany is a major player at Art Basel this year

Germany is the second-most represented country at Art Basel in Switzerland this year, with over 40 galleries participating, trailing only the United States. The fair is led by German-born director Maike Cruse, and features prominent German artists including Katharina Grosse, Martin Kippenberger, Tim Eitel, and Jana Schröder. Despite lacking mega-galleries, Germany boasts respected spaces like Galerie Max Hetzler and renowned collectors such as Reinhard Ernst, Julia Stoschek, and the Plattner family. Dealer Gerd Harry Lybke notes Germany's art market is 'very stable' compared to other locations.

Picturing Absence – 3 Photographs in the DAM's Collection

The Denver Art Museum (DAM) highlights three photographs from its collection that explore themes of absence and presence. Yoko Ikeda's 2008 image of a Japanese home threshold captures the unseen inhabitants through details like slippers. Keisha Scarville's "Untitled #17" (2017) uses her mother's clothing to evoke grief and memory after her death. David Maisel's "Library of Dust (267)" (2005) documents corroded copper urns containing cremated remains of unclaimed patients from Oregon State Hospital, revealing unique mineral blooms that symbolize individuality.

Nick Cave’s “Mammoth” Collection of Objects Is a Public Deep Dive Into Personal History

Nick Cave's immersive solo exhibition "Mammoth" is on view at the Smithsonian American Art Museum through January 3, 2027. The show features a vast, illuminated table covered with hundreds of everyday objects—faux fruits, bejeweled vegetables, wooden canes, glass fish, toy trucks, and leather slippers—arranged with deliberate purpose. Alongside these collected items, Cave has constructed mammoth hides and bones, and a video projection brings the ancient creatures to life. The exhibition draws deeply on Cave's personal history growing up in Missouri, with memories of his grandparents' farm and his family's traditions of making, quilting, and craftsmanship informing the assemblage.

Pioneering US collector Albert Barnes turned down both of Van Gogh’s 'Starry Nights'

Albert Barnes, the pioneering US collector who built the Barnes Foundation in Philadelphia, twice declined the opportunity to acquire Vincent van Gogh's iconic 'Starry Night' paintings. Unpublished correspondence in the Barnes Foundation archives reveals that in 1923, agent Frank Washburn Freund offered Barnes *Starry Night over the Rhône* (1888), but Barnes did not pursue it; the painting later went to the Musée d'Orsay. In 1936, the Van Wisselingh gallery offered Barnes *Starry Night* (1889), but he again passed; it was eventually acquired by the Museum of Modern Art in New York. Despite these missed chances, Barnes was the first American to buy a Van Gogh, ultimately owning seven works by the artist, including *The Postman* and *Still Life*.

The Spiritual Ear: On Daniel Heller-Roazen’s Far Calls

The article is a critical review of Daniel Heller-Roazen's new book, 'Far Calls: On Omens, Slips, & Epiphanies.' It examines the book's central thesis, which explores the historical and philosophical concept of a 'spiritual ear'—the interval between speaking and hearing where language escapes its intended meaning, giving rise to omens, slips of the tongue, and epiphanies. The review traces Heller-Roazen's genealogical investigation from ancient divinatory practices to modern psychoanalysis, highlighting his argument that linguistic accidents hold prophetic potential.

The Biomorphic Sculptures of Alma Allen in the U.S. Pavilion at the 2026 Venice Art Biennale (Amid Controversy)

Le sculture biomorfiche di Alma Allen nel Padiglione USA alla Biennale d’Arte di Venezia 2026 (tra le polemiche)

Alma Allen, a self-taught American sculptor, has been selected to represent the United States at the 61st Venice Biennale in 2026 with the exhibition "Call Me the Breeze." The pavilion, curated by Jeffrey Uslip, will feature site-specific biomorphic sculptures that explore the concept of "elevation" through a hybrid creative process combining pre-industrial carving and hand-modeling with advanced robotic sculpting. Works will incorporate local American materials such as walnut burl, Cantera green volcanic rock, and Yule marble from Colorado, and the pavilion is tied to America250, the celebration of the 250th anniversary of the U.S. Declaration of Independence.

New Ferndale Gallery Opens Its Doors as a Hub for LGBTQ+ Creativity

The Tacon-Heaslip Gallery, a new 4,100-square-foot space at 22100 Woodward Avenue in Ferndale, Michigan, opened its doors on November 15 with a crowded grand opening. Founded by queer artist Jarrad Tacon-Heaslip, the gallery previously operated from a small studio on Hilton. Tacon-Heaslip intends the larger venue to serve as a visible, supportive hub for the LGBTQ+ community, with plans for Pride Month programming, artist collaborations, and community-centered initiatives. The gallery currently features Tacon-Heaslip's bold abstract expressionist works, which involve meticulous taping and layering processes, and aims to uplift a broader roster of artists.

Tomas Joshua Leth at Croy Nielsen

Tomas Joshua Leth opened a solo exhibition titled 'Bismillah, slip skønheden fri' at the Croy Nielsen gallery in Vienna. The show ran from February 11 to April 4, 2026, and was documented with 32 installation images.

Shockoe Pop Up Gallery Opening Reception

RVA Galleries is launching a temporary pop-up exhibition at The Watkins at Shockoe, a newly reimagined mixed-use space in Richmond's historic Shockoe Slip. The exhibition, running from March 13–21, features a diverse range of media including fine photography, pottery, and original paintings from over 20 local artists. An opening reception is scheduled for March 13 to kick off the week-long event.

Smells like teen spirit: inside the world’s first scent-lending library

Artist Donna Lipowitz has launched the Scent Lending Library, a multisensory project that allows visitors to check out fragrances like books. Debuting at Olfactory Art Keller in New York before moving to Fogue Gallery in Seattle, the collection features over 200 items ranging from luxury perfumes like Chanel No. 5 to conceptual odors such as "The Smell of Space" and "Green Cicada." Borrowers receive small amber bottles containing scented blotter paper along with traditional library check-out slips.

Beijing exhibition exploring Xinjiang heritage accused of ‘slipping into cultural appropriation and misrepresentation’

A group of artists, curators, and gallerists from Xinjiang, operating anonymously as the collective Yixak, have publicly criticized the Beijing exhibition "Greetings" held at the Maca Art Center from March to June 2025. The show, featuring works by Han Chinese artist Dan Er, focused on her travels through Xinjiang and its heritage arts. Yixak accuses the exhibition of cultural appropriation, misrepresentation, and reinforcing ethnic stereotypes, including conflating distinct ethnic cultures, stripping traditional Adras textile patterns of context, and mislabeling Xinjiang traditions. The collective also claims the show failed to credit local collaborators and excluded Xinjiang communities. Both Dan Er and Maca declined to comment, citing "irresistible factors."

SRU hosts Saga University for joint art exhibition

Slippery Rock University (SRU) hosted a joint art exhibition with Saga University from Japan, featuring student and faculty artwork. The exhibition, titled "Drawing: Endlessly Fascinating, Not an End Result," opened with a reception on September 15, 2025, at the Martha Gault Art Gallery on SRU's campus.

Painterly Figures Entwine in Soojin Choi’s Ceramic Sculptures

Ceramic artist Soojin Choi creates intricate sculptures of entangled pairs, using stoneware slabs and nylon strands to achieve a precarious balance that minimizes contact with the ground. Her painterly background is evident in the gestural marks, visible brushstrokes, and drips on the white-slipped surfaces, with the artist describing her process as a "constant negotiation with gravity."