The National Gallery of Canada in Ottawa has received a donation of 24 contemporary artworks from Vancouver-based collector and real estate tycoon Bob Rennie and his family. The gift includes works by American artists Kerry James Marshall and Christopher Williams, and Canadian artists Brian Jungen and Jin-me Yoon, bringing the total number of works donated by the Rennie family to the NGC since 2012 to 284.
Vancouver-based collector Bob Rennie and his family have donated 24 significant contemporary artworks to the National Gallery of Canada in Ottawa. The gift features a major installation by Kerry James Marshall titled 'Wake' (2003–25), alongside works by Brian Jungen, Jin-me Yoon, and 17 pieces by Christopher Williams, marking the latter's debut in the museum's permanent collection.
Quali souvenir si portavano a casa dal Grand Tour? A Milano una mostra per scoprirlo
The Museo Poldi Pezzoli in Milan has announced a major exhibition for 2026 dedicated to the Grand Tour, the historic educational journey undertaken by European aristocrats through Italy. Moving beyond traditional landscape paintings, the show explores the material culture of 18th and 19th-century travel, featuring maps, notebooks, luxury jewelry, and fans that served as high-end souvenirs. A centerpiece of the exhibition is Giovanni Paolo Panini’s masterpiece 'Roma Antica,' which will be presented alongside a cinematic reinterpretation by director Ferzan Özpetek.
The United States military has been dropping propaganda leaflets in psychological operations (psyops) for over a century, from World War I through the Gulf War and the wars in Iraq and Afghanistan. A new interactive exhibit at Pioneer Works in Brooklyn, organized by the digital archive group Khajistan, displays hundreds of these leaflets, including those dropped on Japan during World War II and in more recent conflicts. However, declassified internal documents, such as a 1971 US Air Force report, reveal that leaflets were often used as toilet paper, cigarette rolling paper, or souvenirs by enemy soldiers, undermining the official narrative of their effectiveness.
The Greek Pavilion at the 2026 Venice Biennale, titled "Grecia" and conceived as a drag artist, presents an S&M-inspired installation by artist and architect Andreas Angelidakis. The immersive space features a red neon-lit floor, soft sculptures resembling beanbags, fragmented marble columns wrapped in chains, and souvenirs bearing images of queer artists and the late activist Zak Kostopoulos (Zackie Oh). The pavilion aims to deconstruct the idea of a fixed national identity, exploring themes of queerness, fascism, and historical trauma.
Tara Long's new installation *La Esquinita (little corner)* has taken over all three spaces at Locust Projects in Miami, transforming the gallery into a shop for sweets and souvenirs with over 500 miniature sculptures for sale. The immersive environment, her first major solo show, unfolds in three acts—seduction, exposure, and collapse—centered on a crumbling room-sized frosted cake. The exhibition draws parallels between Florida's early 20th-century Big Sugar land grab and today's Big Tech boom, reflecting on cycles of extraction and survival in Long's hometown. A pop-up speakeasy will run on Friday and Saturday nights (5 and 6 December).