Spain’s Culture Minister Rejects Guernica Transfer, but Basque Leaders Refuse to Take No for an Answer

Spain’s Culture Minister, Ernest Urtasun, has officially rejected a request from the Basque regional government to temporarily transfer Pablo Picasso’s iconic painting, Guernica, to the Guggenheim Museum Bilbao. Citing conservation reports from the Museo Reina Sofía, Urtasun argued that the 1937 masterpiece is too fragile to travel and that his primary duty is to preserve the work for future generations. Basque leaders, led by Lehendakari Imanol Pradales and Senator Igotz López, have challenged this decision, calling for an independent feasibility study and appealing directly to Prime Minister Pedro Sánchez.

Spanish politicians clash over request to move Picasso’s Guernica

A political dispute has erupted between the Madrid and Basque regional governments over a request to temporarily relocate Pablo Picasso’s masterpiece, Guernica. The Basque government is seeking to borrow the painting for the Guggenheim Museum in Bilbao to commemorate the 90th anniversary of the 1937 bombing of the town of Guernica. Madrid’s president, Isabel Díaz Ayuso, has dismissed the request as "provincial," while Basque leaders have challenged the Spanish central government's courage to move the work.

30 Iconic Feminist Works By Women Artists

ARTnews has expanded its list of iconic feminist works by women artists, adding 15 new entries to a previous selection. The article highlights specific pieces, such as Edmonia Lewis's *The Death of Cleopatra* (1876), Mary Cassatt's *The Reader* (1877), and Alice Pike Barney's *Medusa* (1892) and *Lucifer* (1902), providing historical context for each artist and their contribution to feminist discourse through art.

Czech Culture Minister Dismisses Director of Prague’s National Gallery, Generating Scrutiny

Czech Culture Minister Oto Klempíř has dismissed Alicja Knast from her position as director of Prague's National Gallery. The move has generated significant scrutiny, with critics questioning the lack of a formal explanation and the abrupt manner of her removal, which was announced without a joint press conference.

Joan Semmel Is Doing Her Best Work at 93

Nonagenarian painter Joan Semmel is experiencing a significant career renaissance, marked by a major survey exhibition at the Jewish Museum and a concurrent solo show at Alexander Gray Associates. At 93, Semmel continues to work from her Soho studio, where she has lived for over fifty years, producing unflinching figurative paintings that explore the female body, aging, and the gaze. The article traces her trajectory from her early education at Cooper Union and a formative period in Madrid to her pivotal role in feminist art history.

‘I wanted my work to be shameless’: 93-year-old artist Joan Semmel on her trailblazing nudes

Nonagenarian painter Joan Semmel is preparing for a major career moment with a retrospective at the Jewish Museum and a dual-city exhibition, 'Continuities', at Alexander Gray Associates in New York and Brussels. At 93, Semmel continues to produce large-scale, vibrant works from her SoHo studio that focus on the aging female nude, using her own body as a primary reference. The new works, including 'Here I Am' (2025), maintain her lifelong commitment to depicting the female form through a non-idealized, authentic lens that rejects the traditional male gaze.

A View From the Easel With Celia Paul

British painter Celia Paul provides an intimate look at her long-term studio and residence in London's Bloomsbury neighborhood, where she has lived and worked for 44 years. The artist describes a disciplined routine starting at 5am, emphasizing a need for silence and a pared-down environment to foster the introspection found in her seascapes and self-portraits.

"We are among those in the crowd who are overjoyed"

"Wir gehören zu denjenigen in der Menge, die überglücklich sind"

The Hungarian art scene is celebrating a major political shift following Péter Magyar’s electoral victory over Viktor Orbán, ending 16 years of restrictive cultural policies. Local figures, including gallerist Margit Valkó and artist János Sugár, express immense relief and hope for a future defined by institutional autonomy and international engagement after years of state-led hostility toward contemporary art.

Foreign Office Reprimands Goethe-Institut for Exhibition

Auswärtiges Amt rügt Goethe-Institut für Ausstellung

The German Foreign Office has formally reprimanded the Goethe-Institut for its involvement in an exhibition in Vilnius, Lithuania, featuring Palestinian-American artist Basma al-Sharif. The ministry stated that events organized by German cultural intermediaries must leave no doubt about the government's firm rejection of antisemitism and hatred of Israel, and demanded greater care in planning and conceptualizing such events with partners. The exhibition, "Bells and Cannons - Contemporary Art in Times of Militarization," was a collaboration between the Goethe-Institut Vilnius, the Contemporary Art Centre Vilnius, and the Berlin Academy of Arts.

Haroutiun Galentz: The Form of Colour

Haroutiun Galentz: The Form of Colour

A new English-language monograph, *Haroutiun Galentz: The Form of Colour*, repositions the Armenian-Lebanese painter as a major cosmopolitan modernist. The book assembles his work from international collections, arguing his career—spanning formative years in Beirut's pre-war art scene and a later period in the Soviet Union—must be understood beyond national art historical frameworks.

Unbound Narratives: Embodied Language at Atlanta Contemporary, Atlanta

The Atlanta Contemporary is presenting the group exhibition 'Unbound Narratives: Embodied Language,' curated by Karen Comer Lowe. It features works by artists February James, Bethany Collins, Gabi Madrid, and a’driane nieves across film, painting, and mixed media, focusing on how each translates personal and embodied experience into visual and linguistic forms. Key pieces include nieves's monumental painting on grief and rage, Collins's text-based interrogation of racial identity, James's debut stop-motion film exploring stillness, and Madrid's inscribed headboards addressing healing and cultural memory.

Ida Ekblad’s Experimental Space Where Artists Come to Play

Artist Ida Ekblad has converted a 1960s Brutalist villa in Oslo into a dynamic, non-commercial studio and project space named 'Villa Ekblad.' The space serves as her primary studio but is also designed to host spontaneous collaborations, workshops, and experimental projects with other artists, functioning as a creative laboratory removed from market pressures.

What makes love political, Wynnie Mynerva?

Was macht Liebe politisch, Wynnie Mynerva?

Peruvian artist Wynnie Mynerva discusses her exhibition "Volveré y seré millones" at the Société gallery in Berlin, timed to coincide with Gallery Weekend. The artist explores Andean cosmologies, specifically the concept of 'Ayni' or collective reciprocity, as a counter-narrative to Western, capitalist structures of romantic love and individualism. Her work draws from her personal experience as a migrant in Europe and her observations of Berlin’s queer scene, questioning how care and survival function within modern political frameworks.

What is Art Allowed to Do?

Was darf die Kunst?

German Minister of State for Culture Wolfram Weimer has sparked a heated debate over artistic freedom after excluding three bookstores from the German Bookstore Prize due to undisclosed intelligence reports. The controversy has escalated into a broader confrontation with cultural institutions, highlighted by the Berlin Volksbühne's public criticism and Weimer's subsequent refusal to participate in a scheduled panel discussion. This incident follows a string of high-profile disputes regarding political expression in the arts, particularly concerning the Berlinale and documenta fifteen.

European Commission Tells Venice Biennale to ‘Clear Its Name’ Regarding Russian Pavilion or Risk Losing $2.3 M. Grant for 2028

The European Commission has issued a 30-day ultimatum to the Venice Biennale, threatening to withdraw a €2 million ($2.3 million) grant for the 2028 edition unless the organization addresses concerns regarding the Russian Pavilion's inclusion in 2026. The Commission alleges that hosting a government-funded delegation violates EU sanctions and provides a cultural platform for Russian state interests amidst the ongoing war in Ukraine. The Biennale's president, Pietrangelo Buttafuoco, must respond by May 11, just two days after the exhibition's public opening.

‘The extremely happy part of the crowd’: Hungarian arts figures hope for change after 16 years of Orbán rule

The 16-year tenure of Viktor Orbán has come to an end following a landslide victory for Péter Magyar’s Tisza Party in the 2026 Hungarian parliamentary election. The shift in power has sparked widespread celebration among Hungary’s progressive art community, which has long felt stifled by Orbán’s nationalist and socially conservative agenda. Figures from major Budapest galleries and the contemporary art scene report a profound sense of relief, signaling a potential departure from the "illiberal democracy" that dominated the country for nearly two decades.

Cultural Institutions Warn Against AfD's Cultural Policy Plans

Kulturinstitutionen warnen vor AfD-Plänen zur Kulturpolitik

Nearly 30 cultural institutions in Saxony-Anhalt, including the Bauhaus Dessau Foundation and the Saxony-Anhalt Museum Association, have issued a joint warning against the AfD party's new government program. The political platform proposes a "patriotic cultural policy" that would prioritize funding for art contributing to "German identity" while criticizing the state's focus on modernism and the Bauhaus as a "sign of identity disorder." The institutions argue these plans threaten artistic freedom, pluralism, and the democratic culture of remembrance regarding Germany's Nazi past.

Monuments & Weapons: How Public Space Prepares Us for War Without Us Even Realizing It

Monumenti&armi. Così lo spazio pubblico ci prepara alla guerra senza che neppure ce ne rendiamo conto

Public squares and urban spaces are densely populated with war-related monuments that condition society to accept conflict as a historical inevitability. A study by Philadelphia’s Monument Lab reveals that nearly 60% of U.S. monuments focus on war themes, outnumbering themes of peace thirteen-fold, while Italy maintains over 12,000 memorials dedicated solely to World War I. These structures often prioritize military hierarchy and territorial conquest over themes of care, gender equality, or social diversity.

Brooklyn Artist Kelly Ahern Presents Solo Exhibition at Bushwick Gallery

Brooklyn-based painter Kelly Ahern is set to debut a one-night solo exhibition titled 'Surface Tension' at the Bushwick Gallery on April 14, 2026. The show is part of the gallery’s 'Solo Statement' program, specifically the series 'Doesn't Play Well with Others,' which grants artists total creative autonomy to curate and present their work. The exhibition will feature Ahern's latest abstract compositions and conceptual pieces, focusing on her unique approach to the medium of painting.

Houston’s Pioneering Artist-Owned Gallery — Archway Is Still a Creative Hub at 50

Archway Gallery, the longest-running artist-owned cooperative in Texas, is celebrating its 50th anniversary with a landmark exhibition titled “Fifty Forward.” Founded in 1976 by 12 local artists seeking to bypass traditional gatekeeping, the gallery has survived five decades of economic shifts and environmental challenges through a robust cooperative structure. The anniversary programming includes a "Homecoming" show at its original location, the Jung Center, alongside concerts, poetry readings, and a juried exhibition.

Are All Crises Equal? A Conversation with MOS’s Michael Meredith and Hilary Sample by ANY

Architects Michael Meredith and Hilary Sample of the firm MOS discuss the concept of "polycrisis"—the intersection of economic, political, and ecological failures—and its impact on architectural form. The conversation highlights a growing void between the formal aesthetic project of architecture and the urgent political realities of the modern world. Sample specifically addresses how the dominance of political and regulatory restrictions in collective housing has stifled formal innovation, often reducing architecture to a mere byproduct of governance rather than a tool for social or cultural expression.

AT A LOW FLAME. CLAY AND NATURAL FIBERS IN THE WORK OF IBERO-AMERICAN ARTISTS

A MEDIA LUMBRE. BARRO Y FIBRAS NATURALES EN LA OBRA DE ARTISTAS IBEROAMERICANOS

The exhibition 'A media lumbre' presents a collection of works by Ibero-American artists that engage with materials and knowledge historically considered minor arts, such as ceramics, clay, wool, textiles, embroidery, and natural fibers. The show integrates sound and oral tradition as tools for transmitting memory, drawing inspiration from communal gatherings like the 'filandones.' It unfolds across four autonomous exhibitions in Valencia, Mallorca, Aragon, and Catalonia, connecting urban museums like the IVAM with rural contexts.

Joyce Awards to Relaunch After Yearlong Pause with $100,000 Unrestricted Grants for Great Lakes Artists

The Chicago-based Joyce Foundation has announced the relaunch of its Joyce Awards after a year-long hiatus, introducing a significant shift in its funding model. Starting with the 2026 cycle, the program will move from project-based grants to providing four artists annually with $100,000 in unrestricted funds, alongside a $40,000 grant for a partner nonprofit. The awards will now operate on a biennial rotation between specific Great Lakes states and allow for self-nominations for the first time.

Artist shows agriculture droning forward

Chinese artist Cao Fei is set to debut her latest multimedia project, "Dash" (known as "Super Farms" in China), at the Fondazione Prada in Milan on April 9. The exhibition is the result of three years of field research across China and Southeast Asia, where Cao documented the rise of smart farming and the integration of AI, drones, and autonomous vehicles into traditional agricultural landscapes. Her work captures a unique cultural synthesis where modern technology is sometimes integrated into ancient rituals, such as the worship of drones as deities.

Li Yi-Fan: Poet of the Enshittosphere

Taiwanese artist Li Yi-Fan is preparing to present work at the Venice Biennale. His video works feature a digitally animated character, voiced and puppeteered by the artist himself, which delivers improvised, punkish lecture-performances critiquing technology, algorithmic control, and the loss of human agency.

Amandine Blier: 'Aura is the new name of Edeis Culture'

Amandine Blier : « Aura est le nouveau nom d’Edeis Culture »

Trévise Participations, the holding company of the Noisiez family, has consolidated its cultural activities by granting autonomy to its subsidiary Edeis Culture and rebranding it as Aura. Amandine Blier, a seasoned communications professional with experience at the City of Versailles and the opening of Citéco, has been confirmed as the head of the new entity, which manages eight cultural sites including venues in Nîmes and the recently won concession for the Villa Kérylos.

Incarcerated artists in Bonne Terre hone their skills with a St. Louis exhibit and art class

Incarcerated artists at the Eastern Reception, Diagnostic and Correctional Center in Bonne Terre are showcasing their work in a major exhibition titled "Expressions from Within" at the St. Louis University Museum of Art. The display features approximately 130 pieces, including drawings, paintings, and mixed-media works created through St. Louis University’s Prison Arts and Education Program. Led by artist-in-residence Stan Chisholm, the program provides an open studio environment where participants like Rey Hernandez and James Merritt can develop their technical skills and explore creative expression outside the rigors of prison life.

Gallery: New Tallinn art show explores illusions of safety and control

A new international group exhibition titled "Safe Traps" opened at Tütar Gallery in Tallinn, exploring the dual nature of control as both a source of safety and a restrictive cage. Curated by Maria Helen Känd, the show features works by French artist Anaïs Goupy, Latvian artist Līga Spunde, and Estonian artists Ruudu Ulas and Madlen Hirtentreu, examining how contemporary Western society's pursuit of control can become a trap that confines rather than liberates.

MAD, 제시카 리히텐스타인 개인전 'Jessica Lichtenstein: Rewilding'(5/30, 2026-4/18, 2027)

The Museum of Arts and Design (MAD) in New York will present "Jessica Lichtenstein: Rewilding," the artist's first solo museum exhibition, from May 30, 2026, to April 18, 2027. The immersive installation transforms the third-floor gallery into a lush, overgrown terrain featuring thousands of digitally rendered female nudes that form forests, ruins, and flowering canopies. The exhibition is divided into four sections—Secret Garden, After the Fall, Leave Your Thoughts Here, and Shadow Play—and includes site-specific works like the 2026 piece "Secret Garden" and a 70-foot-long modular sculpture titled "Leave Your Thoughts Here" (2025).

Venice Biennale jury to avoid artists from nations with ICC-charged leaders

The jury for the Venice Biennale International Art Exhibition announced on April 24, 2026, that they will not consider artists from countries whose leaders face charges at the International Criminal Court, an apparent reference to Israel and Russia. The five jury members, tasked with selecting Golden and Silver Lion winners among 110 participants, stated they felt compelled to commit to the defense of human rights. The ICC has issued arrest warrants for Russian President Vladimir Putin and Israeli Prime Minister Benjamin Netanyahu for alleged war crimes. The decision follows criticism of the Biennale for allowing Russia to reopen its pavilion after its 2022 invasion of Ukraine.