art industry news october 9 2019

Sotheby’s Hong Kong concluded its fall auction series with a robust $426 million total, headlined by a record-breaking $25 million sale for Yoshitomo Nara. Amidst this market momentum, Nara’s upcoming LACMA retrospective was announced to travel to Shanghai’s Yuz Museum. Meanwhile, the New York art scene is bracing for major institutional milestones, including the Metropolitan Museum of Art’s 150th-anniversary plans and the imminent public opening of MoMA’s $450 million expansion.

gunther uecker zero artist dead

Günther Uecker, the German postwar artist known for hammering nails into canvases to create abstract works, died at age 95. His death was announced by his New York gallery, Lévy Gorvy Dayan, after he had been hospitalized in Düsseldorf. Uecker was a core member of the avant-garde ZERO group, founded in 1957 by Otto Piene and Heinz Mack, and his nail-based abstractions—applied to surfaces from canvases to lightboxes and TV sets—defined his practice from the 1950s onward. He participated in major exhibitions including Documenta and MoMA's 1965 "The Responsive Eye," and continued working daily in his Düsseldorf studio into his 90s.

The Wild Nine-Month Journey that Led to Nathaniel Mary Quinn Designing the Rolling Stones’ New Album Cover

Nathaniel Mary Quinn was commissioned to create the cover art for the Rolling Stones' new album *Foreign Tongues*, due July 10, after a three-way call with Mick Jagger and producer Andrew Watt. Over nine months, Quinn developed a composite portrait merging the faces of Jagger, Keith Richards, and Ronnie Wood, and also redesigned the band's iconic tongue-and-lips logo. The process involved regular conversations with Jagger and Richards, a private rehearsal session, and a lunch at the Baccarat Hotel, culminating in the band choosing Quinn's original composite over a second option featuring a vintage sports car.

year in latinx art 2025 artists museums

The article reflects on the state of Latinx art in 2025, a year marked by devastating wildfires in Los Angeles and the start of the second Trump administration, which has intensified ICE raids and targeted communities of color. Amid this crisis, artists have created poignant responses, including AMBOS's ceramics project at Frieze Los Angeles benefiting migrants awaiting asylum hearings, and Consuelo Jimenez Underwood's solo exhibition at Artpace in San Antonio, which explored borders both literal and cosmic. The piece also highlights a two-person show by Beatriz Cortez and rafa esparza at the Americas Society, titled "Earth and Cosmos," featuring works that challenge time and space.

hong kong fire bamboo culture

A deadly fire in Hong Kong's Tai Po district, which killed at least 159 people and left 31 missing, has sparked an online battle over the role of bamboo scaffolding in the blaze. Photographer Elaine Li and other artists, architects, and cultural historians are defending the centuries-old craft against early news reports that implicated it, fearing it may be unfairly blamed and regulated out of existence. Officials have ordered all scaffolding mesh removed and arrested 21 people on suspicion of manslaughter, but the conversation has grown into a broader fight to protect a cultural symbol of Hong Kong's identity.

The Big Review | Venice Biennale 2026: In Minor Keys ★★★½

The Venice Biennale 2026, titled "In Minor Keys," was curated posthumously following the death of artistic director Koyo Kouoh in May 2025. A team of five curators and advisors—Gabe Beckhurst Feijoo, Marie Hélène Pereira, Rasha Salti, Siddhartha Mitter, and Rory Tsapayi—executed her vision across the Giardini and Arsenale venues. The exhibition features 110 artists, with a strong emphasis on new commissions, and is structured around themes of procession, resistance, and joy. Key works include Big Chief Demond Melancon's "Amistad Takeover" (2026), Nick Cave's "Amalgam (Origin)" (2025), and Otobong Nkanga's rewilded columns at the Central Pavilion.

Nicholas Pope, sculptor whose career came in two acts, 1949–2026

Nicholas Pope, a British sculptor known for his organic, post-minimalist works, has died at age 76. His career unfolded in two distinct acts: an early phase in the 1970s producing roughly-hewn wooden columns like *Oak Tree Column* (1973) and *Drooping Column* (1975), which earned him a spot in the British Pavilion at the 1980 Venice Biennale, followed by a decades-long hiatus after contracting viral encephalitis in Tanzania. He later returned to sculpture with brighter, brasher works in ceramic, glass, and felt, including *The Apostles Speaking in Tongues Lit By Their Own Lamps* (1993–96) and collaborations like *The Conundrum of the Chalices of the Seven Deadly Sins and Seven Virtues* (2015) with James Maskrey.

epstein files leon black indicted dealer douglas latchford

A newly released document from the Department of Justice’s Jeffrey Epstein files has linked billionaire collector Leon Black to a $27.7 million inventory of Southeast Asian antiquities, some of which may be looted. The records indicate that Black acquired high-value Cambodian, Thai, and Vietnamese artifacts, including a $7 million bronze Shiva sculpture that matches the description of a piece handled by the late, indicted antiquities dealer Douglas Latchford. While Black’s representatives state he never dealt with Latchford directly and acquired the works through a reputable dealer, correspondence suggests Latchford was involved in facilitating sales to Black through intermediaries.

In Venice, the Monumental Farewell of Georg Baselitz at the Cini Foundation

À Venise, l’adieu monumental de Georg Baselitz à la fondation Cini

The Fondazione Giorgio Cini on Venice's San Giorgio Maggiore island has opened "Georg Baselitz. Eroi d'Oro," an exhibition of the late German artist's final works, just one week after his death in 2026. The show, presented alongside the Venice Biennale, features monumental self-portraits and portraits of his wife Elke, painted over gold-leaf backgrounds. Created in the last two years of his life, these works represent Baselitz's ultimate creative gesture, synthesizing six decades of experimentation with his signature inverted figures and expressionist color, supported by Galerie Thaddaeus Ropac.

lady pink moma ps1 mural

Lady Pink, a pioneering graffiti artist, is creating the inaugural mural commission for MoMA PS1 in Queens, New York. The mural, set to be unveiled on June 26, 2025, features a surreal composition of a stone foot, a subway platform, and the Brooklyn skyline, paying homage to the lost 5Pointz graffiti site. Lady Pink, who began tagging subway cars in 1979 and was included in MoMA PS1's 1981 'New York/New Wave' exhibition, is working on-site with assistants, using both brushes and spray paint.

10 young female artists feminism

The article profiles ten young female artists who are using their work to explore and assert feminist perspectives in the face of contemporary misogyny, particularly referencing the US president-elect's rhetoric. Featured artists include Emma Sulkowicz, known for her durational performance 'Carry That Weight' protesting campus rape culture, and Sarah Maple, a British artist whose multimedia works tackle identity and gender with provocative humor. The piece highlights how these artists address themes such as sexual violence, gender fluidity, and the reclaiming of femininity through mediums ranging from performance and video to painting and photography.

National Portrait Gallery

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From YBAs to McQueen: Tate Britain’s New Exhibition Reframes the Creative Explosion of the 1990s

Tate Britain has announced a major new exhibition, *The 90s: Art and Fashion*, opening in autumn 2026, which will be the first to examine the intersection of contemporary art, photography, and fashion during the 1990s in Britain. Featuring over 100 works by nearly 70 artists, photographers, and designers—including Sarah Lucas, Alexander McQueen, Tracey Emin, and Steve McQueen—the show explores the decade's raw experimentation, anti-establishment energy, and the rise of the Young British Artists. Curated with input from Edward Enninful, the exhibition also highlights subcultures, nightlife, and the work of figures who challenged dominant narratives around race, identity, and class.

haiti winter olympics

Olympic officials blocked Haiti's plan to feature a painting of revolutionary leader Toussaint Louverture on its team uniforms for the 2026 Winter Olympics in Milan, citing a rule against political propaganda. Designer Stella Jean, with a team of artisans in Rome, hand-painted a redesigned version that removed Louverture and the snake but kept the horse and landscape, delivering the uniforms just two days before the opening ceremony.

gauguin self portrait kunstmuseum basel authenticity report

The Kunstmuseum Basel has confirmed that a Paul Gauguin self-portrait, titled *Portrait de l’artiste par lui-même* (1903), is an authentic work by the French painter, despite decades of scrutiny. The painting, held by the museum since 1945, was subjected to scientific analysis—including pigment testing, radiography, and infrared reflectography—at the Bern Academy of the Arts after amateur art sleuth Fabrice Fourmanoir claimed it was actually painted by Gauguin’s friend Ky-Dong Nguyen Van Cam. The tests showed the pigments date to Gauguin’s era, but also revealed overpainting on the face, possibly done between 1918 and 1926, though the museum found no evidence of intentional forgery.

artists resisted fascism comrades in art andy friend

A group of British artists, frustrated by the Great Depression and inspired by socialist ideologies, founded the Artists International Association (AIA) in the early 1930s. Initially a Communist-inflected agit-prop group, it rebranded in 1935 to broaden its anti-fascist coalition, a move that sparked internal debates about ideological purity. The article, reviewing Andy Friend's book *Comrades in Art: Artists Against Fascism, 1933–1943*, highlights key episodes such as the AIA's 1940 exhibition 'The Face of Britain,' which opened amid the Blitz after bombs damaged the gallery.

kids damage art

A child under the age of five recently scratched a Mark Rothko painting at a museum in the Netherlands, forcing its removal for restoration. The article compiles several notorious incidents of children accidentally damaging artworks, including a 12-year-old boy punching a hole through a $1.5 million Baroque painting by Paolo Porpora in Taipei, a 4-year-old shattering a 3,500-year-old vase at the Hecht Museum in Israel, a girl climbing a Donald Judd sculpture at Tate Modern, and kids breaking a glass artwork by Shelley Xue at the Shanghai Museum of Glass. In most cases, the damage was accidental, driven by curiosity or misinterpretation, and often involved lapses in adult supervision.

top 6 accidents in museums

This article from Artnet News compiles a list of notable accidents in museums, where visitors, children, or even curators have inadvertently damaged valuable artworks and artifacts. Incidents include a four-year-old boy shattering a $15,000 Lego sculpture of a Zootopia character, a 12-year-old boy punching a $1.5 million Baroque painting by Paolo Porpora at Huashan 1914 Creative Park in Taipei, a Cy Twombly sculpture knocked over at the Menil Collection in Houston, and a visitor breaking a 4,000-year-old Minoan vase at the Heraklion Archaeological Museum in Crete. The article is framed as a lighthearted yet cautionary look at the fragility of museum objects and the human errors that lead to their damage.

lawrence watson oasis paul weller photographer print sale

Lawrence Watson, a British music photographer who has captured icons like David Bowie, Morrissey, Oasis, and Run-D.M.C. over four decades, is releasing exclusive signed prints through the platform Print Matters. The collection includes previously unseen images of David Bowie, Pulp, the Clash, and Oasis, with prices starting at £575 ($762). Twenty percent of net sales will benefit the mental health charity Rethink Mental Illness. Watson's career began in 1988 when Paul Weller chose his black-and-white photos for the Style Council's album 'Confessions of a Pop Group,' leading to a long collaboration.

Museum as Networked Modality

The article examines the evolving and often problematic relationship between museums and digital art. It highlights the institutional struggle to define and categorize works that use contemporary technologies like AI, blockchain, and robotics, noting that canonical figures like Leo Villareal, Jenny Holzer, and Andreas Gursky are often excluded from the "digital art" label. The piece cites specific examples, from Harold Cohen's early algorithmic work to Sougwen Chung's robotic collaborations and Rhea Myers's responsive NFTs, to illustrate the diverse and transmedia nature of these practices.

Robert Rauschenberg Foundation Estate Sold to Florida Resort

The Robert Rauschenberg Foundation has sold the late artist’s twenty-two-acre estate on Captiva Island, Florida, to the neighboring South Seas resort for $45 million. The sale includes ten buildings, most notably Rauschenberg’s custom-built 8,000-square-foot studio and his historic "Beach House." While the resort plans to integrate the property into its operations and host art-related programming, the foundation cited escalating maintenance costs and environmental risks from climate change as the primary reasons for the divestment.

art alex katz inside studio new paintings

Alex Katz presents a new body of work titled "White Lotus" at Gray Chicago, on view through September 20. The exhibition features large-scale portraits and cool, cinematic scenes inspired by a beach in Maine and Antonioni's *L'Avventura*, with only a superficial connection to the TV series *The White Lotus*. Katz, now in his late 90s, continues his seven-decade practice of prioritizing style over narrative, focusing on surfaces, garments, and glances. Concurrently, his work is also on view at SCAI Piramide in Tokyo, San Diego's Museum of Contemporary Art, and Gladstone Gallery will host a fall exhibition of his orange abstractions. The article includes an interview where Katz discusses his studio habits, influences (Fra Angelico, Veronese, Goya), and his resilience in the face of early career criticism.

Fraenkel Gallery Partners with New York’s Metrograph for Artist-Curated Series

Fraenkel Gallery has partnered with New York's Metrograph theater to present a film series curated by six of its represented artists. The series, titled "Fraenkel Gallery Presents," runs from May 8–17, with each artist selecting a film and several introducing their screenings. The collaboration includes an opening event featuring artist Carrie Mae Weems and director Joel Coen.

Ruth Asawa: Retrospective

A major retrospective of the Japanese-American artist Ruth Asawa is touring internationally, organized through a partnership between SFMOMA and MoMA. The exhibition spans six decades of her career, featuring her iconic suspended looped-wire sculptures alongside tied-wire pieces, bronze casts, drawings, and archival materials. The show traces her journey from her formative years at Black Mountain College to her influential role as an arts advocate and educator in San Francisco.

How four Los Angeles artists are doing a year after the wildfires

Four Los Angeles-based artists—Kelly Akashi, Christina Quarles, Adam Ross, and Kathryn Andrews—are navigating the long-term recovery process one year after devastating wildfires destroyed their homes, studios, and archives. Despite significant losses, including Adam Ross’s archive of 5,000 drawings, the artists have demonstrated remarkable resilience by securing temporary workspaces and continuing to produce new work for major events like Frieze Los Angeles and the Whitney Biennial.

Exhibition spotlights civic engagement of artists

The Cantor Arts Center at Stanford University has opened a new iteration of its Archive Rooms series, featuring two concurrent exhibitions: "Archive Room: Ester Hernandez" and "Archive Room: Ruth Asawa." The Hernandez exhibition showcases seldom-exhibited artwork, ephemera, writing, and family photographs from the artist's archive, including her iconic print "Sun Mad" (1982) addressing pesticide contamination, alongside materials documenting her community-based practice and activism. The Asawa exhibition highlights her arts advocacy through teaching materials, photographs, and projects from the Alvarado School Arts Workshop, an artist-in-residence program she co-founded in 1968 that operated in 50 San Francisco public schools.

At Baltimore Museum of Art, a new exhibition asks us to consider the connections between race, colonialism and the climate crisis

The Baltimore Museum of Art has opened "Black Earth Rising," an exhibition organized by British curator and writer Ekow Eshun. The show brings together thirteen African diasporic, Latin American, and Indigenous artists—including Frank Bowling, Jaune Quick-to-See Smith, Yinka Shonibare, Wangechi Mutu, Alejandro Piñeiro Bello, Firelei Baez, and Tyler Mitchell—to explore the connections between race, colonialism, and the climate crisis. Eshun also authored an accompanying book that pivots environmental debates away from a Eurocentric viewpoint, emphasizing that the Global South bears the brunt of climate change despite being least responsible for it. The exhibition critiques the term "Anthropocene" and instead promotes the concept of the "Plantationocene," which traces environmental destruction back to 15th-century European colonization and the plantation system.

Director of Contemporary Istanbul urges Turkish art to remain ‘radical and clever’ in face of political tension

Contemporary Istanbul (CI) opened its 20th anniversary edition at the Tersane Istanbul complex, a restored Ottoman shipyard, bringing together 51 galleries from 16 countries. The fair coincided with the Istanbul Biennial, drawing a larger crowd of collectors and museum groups than the previous year. Works by leading Turkish artists such as Nil Yalter, Güneş Terkol, and Azade Köker were on view, with prices ranging from €1,000 for emerging artists to over €2m for a James Rosenquist painting. Despite high spirits, the fair unfolded against a backdrop of political tension following the arrest of Istanbul mayor Ekrem İmamoğlu, ongoing protests, and increasing censorship. Galleries displayed politically and socially engaged works, including Rasim Aksan's homoerotic triptych and Fatoş İrwen's prison-made fabric piece, while collectors sought discounts amid Turkey's high inflation and economic volatility.

Tefaf New York: determination in the face of Trump’s tariff chaos

Tefaf New York returns to the Park Avenue Armory with 91 exhibitors from four continents, presenting 7,000 years of art amid uncertainty caused by President Donald Trump's recently announced tariff regime. The fair's director, Leanne Jagtiani, sent a letter to exhibitors acknowledging the "significant impacts" on the industry, assuring them of close communication with shippers and legal advisers, and advocating for the exclusion of artworks from potential EU reciprocal tariffs. While artworks are understood to be exempt, antiques and contemporary works in unconventional materials may be subject to the new tariffs, creating confusion among dealers and collectors.

40 Years Later, Houston's FotoFest Keeps Its Edge

Houston’s FotoFest is celebrating its 40th anniversary with a massive retrospective titled "Global Visions: FotoFest at 40," featuring over 450 artists from 58 countries. Founded by Wendy Watriss and Frederick Baldwin after a transformative trip to the Rencontres d'Arles, the biennial was established to combat American parochialism by introducing international photography to the U.S. The current iteration spans multiple venues, including the Sawyer Yards Galleries and Project Row Houses, showcasing the festival's history of thematic curation ranging from Russian Pictorialism to contemporary Arab media.