Delegitimation, Denunciation and Insecurity

"Delegitimation, Denunziation und Verunsicherung"

German cultural critic Georg Seeßlen warns in his taz column of a right-wing 'war of conquest' targeting liberal cultural institutions through systematic delegitimation, denunciation, and intimidation. Meanwhile, a new Berlin artist study reveals that the average annual income from artistic work is just €6,000, highlighting a structural dysfunction in the art system. Additionally, Jonathan Meese's play 'Alaska Kid' has been canceled at the Volksbühne Berlin following the death of his mother Brigitte Meese, who was his organizer, muse, and confidante.

Henrike Naumann Stared Down a Divided Germany’s Past While Eyeing Our Troubled Present

Henrike Naumann, a German artist known for using secondhand furniture and design to explore political extremism and consumer capitalism, is profiled in ARTnews. The article recounts her first US exhibition, “Re-Education” at SculptureCenter in New York in 2022, where she created installations referencing the January 6 Capitol attack, juxtaposing Federal-style office furniture with a Flintstonian mancave and chairs arranged by ideological subtext. The show gained unexpected attention when German media covered it, linking her small hometown of Zwickau with New York, and she later visited Thomas Hart Benton’s murals at the Met to understand American power and aesthetics.

moma cryptopunks chromie squiggles acquisitions 1234768035

The Museum of Modern Art (MoMA) in New York has acquired eight CryptoPunks and eight Chromie Squiggles for its permanent collection, donated by multiple collectors including ARTnews Top 200 Collector Ryan Zurrer and others. The works, both generative NFT projects on the Ethereum blockchain, were added through MoMA's Media and Performance department and will be displayed alongside new media art. CryptoPunks, launched by Larva Labs in 2017, are considered the first major NFT collection, while Chromie Squiggles were created by Erick Calderon (Snowfro) as the first project on ArtBlocks.

William Nicholson

A major exhibition of William Nicholson (1872-1949) has opened at Pallant House Gallery in Chichester, running from 22 November 2025 to 10 May 2026. It is his first major show in 20 years and spans his entire career, featuring bold posters, woodcuts, portraits, still lifes, and graphic works. The exhibition highlights his collaborations under the name J & W Beggarstaff, his celebrated series *An Alphabet* and *London Types*, and his portraits of both society figures and people from lower social classes. It also includes his book illustrations for works such as *The Velveteen Rabbit* and *Memoirs of a Fox-Hunting Man*.

Israeli art spaces and workers join nationwide strike and protests, calling for hostage deal and end to war in Gaza

On 17 August, a nationwide strike and protests swept across Israel, with organizers estimating 2.5 million participants demanding a hostage deal and an end to the war in Gaza. Israeli art spaces and workers joined the action: the Tel Aviv Museum of Art closed operationally but opened its lobby to protesters and projected Michal Rovner's video work *Signaling (2024)* on its façade; the Israel Museum illuminated its Shrine of the Book in yellow; the Bezalel Academy of Arts and Design and Shenkar College also struck, while the Mishkan Museum of Art ceased activities in solidarity.

Director of the Hermitage Museum Sanctioned by the European Union

Le directeur du Musée de l'Ermitage sanctionné par l'Union européenne

The European Union has imposed sanctions on Mikhail Piotrovsky, the 81-year-old director of the State Hermitage Museum in Saint Petersburg, as part of its 20th sanctions package against Russia. Piotrovsky was blacklisted for supporting the war in Ukraine and overseeing illegal archaeological excavations in occupied Crimea. The EU cited his use of Kremlin war rhetoric—calling the museum's exhibition policy a "cultural special operation"—and the Hermitage's role in incorporating Ukrainian cultural objects from occupied territories into Russia's state museum fund. Additionally, under his leadership, unauthorized digs were conducted at the ancient Greek site of Myrmekion in Crimea, led by Hermitage archaeologist Alexander Butyagin, who was arrested in Warsaw and later released in a prisoner exchange.

haitian museum police rescue artworks from gangs 2669538

Haitian police conducted a two-day armed operation to evacuate thousands of artworks and documents from the Centre d’Art in Port-au-Prince, as gangs tightened control over the capital. The museum, founded in 1944 and housing works by artists such as Hector Hyppolite, Georges Liautaud, and Philomé Obin, had been forced to suspend operations in February after gang members stole solar panels and a generator. Under gunfire, authorities used armored vehicles to clear barricaded streets and removed an estimated 6,000 artworks and 3,600 documents to safety.

ukraine adopts new resolution on evacuating museum objects from conflict zones 1234774548

The Ukrainian government has enacted a new resolution to streamline the evacuation of over three million cultural objects from conflict zones as the Russian invasion nears its fourth year. The policy establishes a mandatory evacuation zone for museum items within 50 kilometers of the frontline and requires storage at least 75 kilometers away. Crucially, the resolution empowers museum directors to act independently during crises and introduces a three-stage evacuation system based on the cultural value of the property.

L'excellent rapport de la commission d'enquête sur la sûreté des musées est paru

A French parliamentary commission of inquiry into museum security, initiated by Alexandre Portier (president) and reported by Alexis Corbière, has published its findings. The report, unanimously adopted across party lines, includes forty recommendations and is notably critical of the Louvre's management under director Laurence des Cars, accusing her of neglecting security priorities and causing significant delays in the museum's master plan. The commission validated earlier criticisms by La Tribune de l'Art, describing the Louvre as an "État dans l'État" (state within a state) and estimating that twenty to twenty-seven months were lost due to postponed decisions.

This Is What Happens When an Art Auction Bidder Changes Their Mind

Auction houses are grappling with a rise in bidders attempting to back out of winning bids, often citing flimsy excuses like cats jumping on keyboards. Richard Wright, CEO of Rago/Wright, describes a 'cat button' on their website that locks the bid button to prevent accidental clicks, but some buyers still renege by blaming spouses or pets. The problem has worsened with online bidding, as remote participants may not grasp the binding nature of a winning bid. Houses like Freeman | Hindman and Eldred's require deposits and registration to mitigate risks, but defaults persist, with Wright estimating 1% of sales become problematic.

At the 2026 Venice Biennale, Spain transforms its Pavilion into a museum of accumulation with artist Oriol Vilanova

Alla Biennale Arte 2026 la Spagna trasforma il suo Padiglione in museo dell’accumulo con l’artista Oriol Vilanova

Spain has announced its participation in the 61st Venice Biennale Arte 2026, selecting Catalan artist Oriol Vilanova to represent the country in its newly renovated national pavilion. The project, titled "Los restos," transforms the pavilion into a pseudo-museum of accumulation, featuring Vilanova's vast personal archive of postcards collected over twenty years from flea markets and secondhand circuits. The installation presents these ephemeral fragments as an infinite, non-narrative mural, exploring themes of accumulation and loss. Curated by Carles Guerra, the project also includes a performative intervention titled "Il fantasma della libertà" (2026), which will unfold across the Giardini and Arsenale during the Biennale.

Perception in orbit: hui.red’s first exhibition with artist Zhang Meichun

hui.red, an independent curatorial platform in Milan founded by Huizhong “Ines” Song, presents its inaugural exhibition "Legitimation of Dust," featuring the work of Chinese artist Zhang Meichun. This marks Zhang Meichun's first exhibition in Italy, showcasing pieces such as "Shoreless River," "Dust of Breath," "Fossil of Light," and "The Blind Oracle" that blend body, data, and cosmic perception through sensors, algorithms, and interactive installations.