Emily Kraus’s solo exhibition at Frieze presents a series of glitchy, digitally inspired paintings that disrupt traditional notions of aesthetic authority. The works employ pixelated distortions and vibrant color fields to question the boundaries between digital error and artistic intention, drawing attention to the role of technology in contemporary art-making.
La poetica dell’errore tra arte e architettura
This essay challenges the historical obsession with perfection in architecture and art, rooted in Hegelian philosophy where beauty is equated with truth and flawlessness. It argues that the pursuit of the 'ideal' is a cognitive bias that ignores the value of complexity and structural failure. By reframing the 'error' not as a mistake but as a generative method, the text suggests that imperfection is often what elevates a work to the status of a masterpiece.