The Untold Story of Peter Hujar and Paul Thek’s Intimate—and Complex—Bond

Andrew Durbin’s new dual biography, *The Wonderful World That Almost Was*, explores the profound and volatile relationship between photographer Peter Hujar and artist Paul Thek. Spanning from their meeting in the late 1950s to their deaths from AIDS-related complications in the 1980s, the book details how their shared experiences—most notably a 1963 visit to the Capuchin Catacombs in Palermo—fundamentally shaped their artistic trajectories. While Hujar captured the mummified remains in haunting photographs, Thek translated the encounter into his visceral "meat pieces" and wax effigies.

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The Museum of Modern Art (MoMA) has completed an extensive conservation project on Andrew Wyeth's iconic painting "Christina's World" (1948), which will soon return to public view. MoMA senior collections photographer Adam Neese documented the process, using advanced imaging techniques such as high-magnification photography, raking light, and infrared reflectography to reveal hidden layers and reworkings by Wyeth. The analysis showed that Wyeth altered the eaves of the house, shed, and horizon line, deepening the painting's emotional isolation. The conservation team also studied the paint's chemical makeup, noting tiny bubbles from water added to egg yolks in the tempera.

Radiohead Hits the Road With a Haunting Immersive Installation

Radiohead has announced a North American tour for "Motion Picture House," a massive 17,000-square-foot immersive audiovisual installation. The project features a 75-minute film titled Kid A Mnesia, directed by Sean Evans, which incorporates art created by frontman Thom Yorke and longtime collaborator Stanley Donwood. Launching at the Coachella festival before traveling to cities like Brooklyn and Mexico City, the experience combines surround-sound studio recordings with physical galleries displaying the original source art from the band's seminal turn-of-the-century albums.

Art as Experimental Setup

Kunst als Versuchsanordnung

The influential Berlin-based artist and professor Thomas Zipp has passed away unexpectedly. Known for his immersive installations that blurred the lines between art, science, and madness, Zipp created complex "experimental setups" involving painting, sculpture, and performance. His work often explored dark parallel worlds, notably evidenced in his haunting 2013 Venice Biennale project that transformed a palazzo into a derelict psychiatric ward.

Anne Hardy’s Hollow Humanoids

British artist Anne Hardy presents a suite of floor-based installations and assemblage sculptures titled "Interloper" at Visual. The exhibition features a series of "Beings"—twisted, life-size humanoid entities constructed from rusted wire, crushed cans, soil, and the artist’s own cast body parts and clothing. These figures, often posed in yoga-like positions or meditative stances, appear as hollow, faceless outlines that blend a sense of vitality with physical disintegration.

9 Contemporary Artists Conjuring Ghosts

Maxwell Rabb profiles nine contemporary artists who explore ghostly and spectral themes in their work, coinciding with two major museum exhibitions: Kunstmuseum Basel's "Ghosts: Visualizing the Supernatural" (through March 2026) and Tacoma Art Museum's "Haunted." The article traces the historical evolution of ghost imagery in art from Renaissance depictions to 19th-century psychological forms by Goya and Fuseli, through 20th-century surrealist and post-war treatments, and highlights living artists such as Xie Lei and Mariann Metsis who use haunting as a metaphor for memory, loss, and the unseen.

Why Beatriz González’s Haunting Paintings Are More Relevant Than Ever

Why Beatriz González’s Haunting Paintings Are More Relevant Than Ever

A major retrospective of Colombian artist Beatriz González, "Beatriz González: A Retrospective," is touring internationally, with recent stops at the Pérez Art Museum Miami and the Museo de Arte Miguel Urrutia in Bogotá. The exhibition, the largest of her 60-year career, showcases over 150 works, including her iconic paintings that appropriate and rework images from art history and mass media to critique political violence, social inequality, and cultural memory in Colombia.

Artemisia Gentileschi Masterpiece Goes to Auction—Without Its Face

The Dorotheum auction house in Vienna is set to auction a rare, autograph replica of Artemisia Gentileschi’s 'St. Mary Magdalen' (c. 1620) that is missing its central focus: the saint's face. Discovered in a private German cellar in 2011 and likely mutilated during the looting of postwar Berlin, the fragment has been authenticated by experts Roberto Contini and Riccardo Lattuada. Despite the missing section, infrared analysis confirms Gentileschi’s hand, and the work is estimated to fetch between $120,000 and $170,000.

Why Felix Gonzalez-Torres’s Go-Go Dancer Piece Remains Subversive

The New York Times examines the enduring power of Felix Gonzalez-Torres's 1991 performance piece "Untitled" (Go-Go Dancing Platform), in which a go-go dancer performs on a pedestal for a brief, scheduled period each day. The work, currently on view at the Art Institute of Chicago, uses the dancer's absence as a central component, creating a poignant metaphor for queer presence and loss.

Precious Okoyomon’s Whitney Biennial Installation Is on View After a Delay, and It’s a True Shocker

Precious Okoyomon's major installation for the 2024 Whitney Biennial, titled 'Everything wants to kill you and you should be afraid,' opened after a brief delay. The work, featuring around 50 stuffed animals and racist dolls suspended by nooses, was moved from the museum lobby to the eighth floor to provide more space for viewers to engage with its disturbing yet beautiful mix of childhood nostalgia and violence.

Gardar Eide Einarsson Leaves You in the Dark

Gardar Eide Einarsson’s latest exhibition at Maureen Paley’s East London space presents a haunting exploration of dissociation and coded information. The show features two distinct series: 'Closed Caption,' a collection of monochrome black gouache paintings featuring isolated subtitles from films, and 'Incendiary Test Area,' a set of hyperrealistic woodblock prints created in collaboration with master Shoichi Kitamura. These prints depict the interiors of mock 'Japanese' houses built by the US Army for fire-bombing tests during World War II.

25 of 2025: 5 Painters Who’ve Been Catching Our Eye

Artnet News has spotlighted five painters in its '25 of 2025' series, highlighting emerging talents defining the year. Among them are Pol Taburet, a Parisian painter known for bold color palettes and a rising market presence, with works selling above estimates at Sotheby's and Artcurial, and Maja Ruznic, a Bosnian-born artist whose haunting, jewel-toned works earned comparisons to Klimt and Rothko and a standout at the 2024 Whitney Biennial. Taburet is set to feature in the 36th Bienal de São Paulo, while Ruznic recently opened a solo exhibition at Karma Gallery and is included in Site Santa Fe International.

The Unbearable Strangeness of Being

South African artist Cinga Samson makes his New York debut at White Cube with "Ukuphuthelwa," an exhibition of haunting, large-scale oil paintings. The works feature figures with distinctive white pupils engaged in enigmatic rituals within dark, crepuscular landscapes. Drawing from the isiXhosa concept of spiritual alertness during sleeplessness, Samson’s compositions blend the palpable with the unearthly, often depicting scenes that feel choreographed yet remain stubbornly illegible to the Western gaze.

Chaïm Kaliski’s Drawings Haunted by the Shoah Revealed in an Exhibition at mahJ

Les dessins hantés par la Shoah de Chaïm Kaliski se révèlent dans une expo au mahJ

The Musée d’Art et d’Histoire du Judaïsme (mahJ) in Paris is hosting the first monographic exhibition dedicated to Chaïm Kaliski, a Belgian artist who began drawing at the age of 60 to process the trauma of the Holocaust. After his death in 2015, thousands of drawings were discovered in his Brussels apartment, documenting his family's history and the fate of Polish Jews in Belgium. The exhibition features 120 works that blend childlike aesthetics with haunting historical narratives, including poignant depictions of his parents' final moments at Auschwitz.

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The 82nd edition of the Whitney Biennial has opened at the Whitney Museum of American Art, curated by Marcela Guerrero and Drew Sawyer. Featuring 56 artists from diverse global backgrounds, the exhibition explores themes of American empire, human-nonhuman relationships, and the impact of infrastructure. Early critical reactions highlight a pervasive sense of "horror" and bodily disturbance, with works utilizing AI, sculpture, and painting to address grief, war, and societal transformation.

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P. Staff's current exhibition at David Zwirner in New York transforms the gallery's Upper East Side townhouse into a haunting, body-centric experience. The show features a new video titled *Penetration* (2025), split across three floors, depicting a person with a laser beamed at their bare stomach, alongside sculptures with wood spikes under latex drapes and ambient sounds of a beating heart. The installation evokes a dread of having a body, with jaundiced yellow window films and disjointed sensory elements creating an uncomfortable, dysphoric atmosphere.

How Claude Monet’s reluctant sojourn reignited his career

A new exhibition, "Monet and Venice," has opened at the de Young Museum in San Francisco. It centers on the pivotal 1908 trip to Venice that the 68-year-old Claude Monet was initially reluctant to take, showcasing over 20 of the luminous, atmospheric paintings of the city he produced there. The show also includes over 100 related items, featuring works by Canaletto, Turner, Sargent, and Whistler, as well as photographs and books, to contextualize Monet's Venetian achievement.

Negative Impressions and Positive Traces of ’20th Century Debris’.

Marc Brandenburg's solo exhibition '20th Century Debris' is on view at the Berlinische Galerie in Berlin until September 14, 2026. The show features approximately 150 works, including early drawings from the 1990s, recent pieces, video, photography, and tattoo editions, all exploring spectral cityscapes and the debris of contemporary life through a process of tonal reversal and inversion.

Artist Offers Haunting Meditation on the 2025 L.A. Fires for the Whitney Biennial

Artist Kelly Akashi has created a major installation for the 2026 Whitney Biennial titled 'Monument (Altadena)', a 13-foot-tall chimney and walkway made of clear glass bricks. The work is a direct response to the 2025 Los Angeles wildfires, which destroyed her home and studio, leaving only the original brick chimney standing. She collaborated with mason Christian Inga to meticulously reconstruct this remnant in a new, spectral form.

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Courtney McClellan's exhibition "Simulations" at the Shirley Fiterman Art Center in Lower Manhattan features deadpan photographs of empty mock courtrooms at universities across the American South, including a haunting simulation of the Supreme Court's chambers at Liberty University, an evangelical Southern Baptist college in Virginia. The show, which includes images taken over six years, is installed with blue borders and wainscoting that blur the line between architecture and image, placing viewers in the position of judge and jury while highlighting the theatricality of these spaces.

mysterious art installation turns up on nycs north brother island 65895

A mysterious art installation featuring an outdoor living room has been discovered on the shores of North Brother Island, an abandoned site in New York City’s East River. The arrangement, which includes a vintage wood-paneled television and a leather armchair perched on a concrete block, was spotted by a local kayaker. The island, once home to a quarantine hospital and the site of the General Slocum maritime disaster, has been closed to the public since 1963.

Patarei Prison Could Become Museum

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Estonia’s Minister of Justice, Urmas Reinsalu, has proposed transforming the historic Patarei Prison in Tallinn into an international museum and research center dedicated to the crimes of communism. The sprawling 10-acre seaside complex, which served as a site of political incarceration under Soviet rule until 2002, remains largely unrestored, containing haunting remnants such as surgical tools and tattered bunk beds. The proposal has gained significant diplomatic traction, receiving formal support from representatives of eight EU member states during a recent meeting in the Estonian capital.

Required Reading

This week's cultural roundup connects diverse stories from art conservation to literary analysis. Novelist Karma Brown draws parallels between restoring artworks and revising novels, inspired by visits to the Art Gallery of Ontario, while an interview with Namwali Serpell examines the complex "monumentalization" of Toni Morrison's legacy. The column also includes a poignant image from Tehran—a framed artwork hanging in a bomb-damaged apartment—and touches on topics ranging from celebrating Eid in Gaza to discussions about "girl games" and the Lindy West drama.

Sound Minds: The Artists Decoding the Noise That Dominates Our Contemporary World

The exhibition "état bruit" at Konschthal Esch explores the concept of noise as a form of interference, cultural signal, and political tool. Featuring works by seven contemporary artists, including Nik Nowak’s Indonesian-inspired sound truck and Open Group’s haunting video installation of refugees mimicking artillery, the show investigates how sound reflects both community identity and the trauma of conflict.

Whitney Biennial 2026 | Art & Artists

The 2026 Whitney Biennial has opened at the Whitney Museum of American Art in New York, featuring a video and sound installation by artists Basel Abbas and Ruanne Abou-Rahme. Their work, titled 'Until we became fire and fire us,' explores collective feelings of love, longing, and haunting in the context of Palestinian erasure, weaving together traditional songs, contemporary footage of indigenous plants, and personal ephemera like drawings by Abou-Rahme's father.

Salomé: Henner and Moreau Confront the Myth

Salomé. Henner et Moreau face au mythe

The Musée National Jean-Jacques Henner in Paris is hosting a focused exhibition exploring the iconographic myth of Salomé through the lenses of Jean-Jacques Henner and Gustave Moreau. The show examines how these two 19th-century masters interpreted the biblical figure who demanded the head of John the Baptist, contrasting their stylistic approaches to her seductive and fatal power. While the Gospels provide no physical description of Salomé, the exhibition highlights how these artists moved away from traditional fleshy depictions to create more ethereal, haunting versions of the femme fatale.

A haunting portrait of the Everglades appears in Miami

Artist Isabelle Brourman, known for courtroom sketches of high-profile figures like Donald Trump and Johnny Depp, has unveiled a new painting titled "No Rest for the Wicked" (2025). The work synthesizes her observations from documenting the Trump administration's immigration crackdown in courtrooms across the country, incorporating imagery from the Everglades and the detention facility nicknamed Alligator Alcatraz in southwest Florida. The painting is featured in the exhibition "The Body is the Body," curated by Simon Brewer and Nathalie Martin at the Rice Hotel, a renovated former hotel in downtown Miami now used as an art studio and exhibition space.

Artificial Intelligence as an Uncanny Machine is on Display in a Florence Air-Raid Shelter

L’intelligenza artificiale come macchina perturbante è in mostra in un rifugio antiaereo di Firenze

Artist and philosopher Francesco D’Isa presents "Latent Rooms" at Rifugio Digitale, a gallery located within a former air-raid shelter in Florence. The exhibition features video works created using generative AI models like Midjourney and Seedance 2.0, which D’Isa manipulates to create dreamlike, glitch-heavy sequences. Rather than aiming for cinematic realism, the artist embraces the technical errors and "hallucinations" of the AI, resulting in an aesthetic that blends Renaissance beauty with haunting, domestic melancholy.

New Tacoma Art Museum exhibit explores haunting power of memory

The Tacoma Art Museum has opened a new fall exhibition titled 'Haunted,' which explores the lingering presence of memory through a blend of visual art and film. Curated by Ellen Ito, the immersive show invites visitors to reflect on how the past echoes in everyday life, combining cinema and fine art to evoke emotional responses. Ito discussed the exhibition on 'ARC Seattle' with co-anchor Tyrah Majors.

A Struggle Between Artist and Machine

Ein Ringen zwischen Künstler und Maschine

Mario Klingemann, a pioneer of AI art, presents "Conflict of Interest," a pop-up exhibition at Sleek Art Space in Berlin during Gallery Weekend. Curated by Anika Meier and produced in collaboration with Art on Tezos, the show features works that challenge the flood of AI-generated imagery. Klingemann displays mundane landscape photographs from private slides, a series called "Weapons of Mass Distraction" where he disrupts an AI algorithm's image generation, and a haunting 2020 video in which AI-generated faces morph to music. The exhibition makes visible the struggle between human control and machine logic.