At Home at Hong Kong Art Week

During Hong Kong Art Week, beyond the dominant Art Basel Hong Kong fair, a series of intimate interventions and installations across the city explore the boundaries between art, design, and everyday life. One notable event is a 'Listening Session' organized by Guangzhou's Vitamin Creative Space in a private home in the New Territories, where Lebanese artist-composer Tarek Atoui debuted two new 'instruments' that transform the living room itself into an interactive sound sculpture. The gathering of about 30 people, mostly in town for art week, blurred the lines between performance, installation, and domestic space.

Master of Madonnas and the Market

Meister der Madonnen und des Marktes

A major exhibition titled "Raphael: Sublime Poetry" has opened at the Metropolitan Museum of Art in New York, exploring how the Renaissance master Raphael's work was deeply intertwined with money, prestige, and patronage. The show traces his career from early mentorship under his father and influences from Leonardo da Vinci to his rivalry with Michelangelo, highlighting commissions from wealthy supporters like the aristocrat Elena Duglioli and Pope Leo X, who commissioned Raphael's extravagant tapestries for the Sistine Chapel.

The Holy See Pavilion asks Venice Biennale Visitors to Slow Down and Listen, and Other News.

The Holy See's pavilion at the 61st Venice Biennale presents "The Ear is the Eye of the Soul," a multi-sensory exhibition centered on deep listening and inspired by Hildegard von Bingen, curated by Hans Ulrich Obrist and Ben Vickers with Soundwalk Collective, featuring new commissions by 24 artists including Patti Smith, Brian Eno, FKA twigs, and Dev Hynes across two Venetian sites. Separately, Chanel and the Solomon R. Guggenheim Foundation have launched the Chanel Culture Fund Fellowship, a transatlantic curatorial program for postgraduate scholars at the Guggenheim Museum in New York and the Peggy Guggenheim Collection in Venice. In other news, a father-daughter duo from New Jersey pleaded guilty to a $2 million counterfeit art scheme involving forged works attributed to Andy Warhol, Banksy, and others; Vienna's Burgtheater is offering guided scaffolding tours of Gustav Klimt's early ceiling paintings during restoration; and the sixth edition of the Head Hi Lamp Show opens in New York.

Discover the Architecture of LACMA’s David Geffen Galleries at These Free Workshops with AIA Los Angeles

LACMA's new David Geffen Galleries, designed by Pritzker Prize-winning architect Peter Zumthor, are now open to the public. The building features a single-floor, sculptural form made of architectural concrete and glass, with natural light and transparency that encourages visitors to explore 6,000 years of art and culture. In collaboration with the American Institute of Architects Los Angeles, LACMA is hosting a series of free workshops on May 15-17, including guided walks, drawing sessions, and landscape tours, to help visitors engage with the building's architecture and design.

Woody De Othello Celebrates First Major Solo Public Exhibition in New York with Public Art Fund

Woody De Othello's first major solo public exhibition in New York, titled "Guardian Spirit," has opened at Brooklyn Bridge Park, presented by Public Art Fund. The exhibition features monumental redwood totems standing 20 to 22 feet tall, carved with chainsaws and grinders, alongside bronze sculptures created between 2021 and 2025. The works explore themes of ritual, spirituality, and the elemental forces of wind and water, drawing inspiration from nkisi, ritual objects from Western and Central Africa. The exhibition runs from May 5, 2026, to March 8, 2027, with sculptures installed at Pier 1 and the Manhattan Bridge View.

Margaret Whyte on Representing Uruguay at the 61st Venice Biennale

Margaret Whyte, an artist from Uruguay, is set to represent her country at the 61st Venice Biennale in 2026, with her pavilion located in the Giardini. In an interview with ArtReview, Whyte discusses her exhibition, which builds on her earlier show "Tiempo de Escuchar" at the National Museum of Visual Arts in Uruguay, curated by Patricia Bentancur. Her work is inspired by Nassim N. Taleb's book "Antifragile" (2012), exploring themes of chaos, uncertainty, and resilience. She sees her antifragile approach as complementary to the Biennale's theme, "In Minor Keys," curated by Koyo Kouoh, emphasizing emotional depth, silence, and healing.

Off-Site Exhibitions Review: The Politics of Listening

Andrew Durbin reviews the national pavilions at an unnamed biennial, contrasting a vacuous US presentation with incisive and moving installations from Britain and Germany. The review critiques the lack of meaningful engagement in the US pavilion while praising the depth and emotional resonance of the British and German contributions.

Luscious Hair Sculptures Sprout Like Branches in a Symbiotic Exhibition

Artists Merryn Omotayo Alaka and Sam Frésquez have created a collaborative exhibition titled "Your Birth is My Birth" at Jane Lombard Gallery in Chicago. The show features synthetic hair sculptures made from Kanekalon, suspended from the ceiling and spread across the floor like organic growths. Five distinct "species" of sculptures—Listening Roots, Hearing Bells, Mother & Child, Stacking Pearls, and Umbra Pods—draw inspiration from epiphytes, non-parasitic plants that grow on host specimens. The works explore themes of symbiosis, interdependence, and genetic inheritance, with mirrored forms emerging within vertical tendrils.

Preemptive Listening review – artist’s film about sirens is buzzing with sonic ideas

The Guardian reviews Aura Satz's art film "Preemptive Listening," which explores the cultural and political meanings of sirens as warning devices. The film features a drone shot of a siren in a residential area, a soundtrack by composer Laurie Spiegel, and commentary from British-Egyptian actor Khalid Abdalla on sirens during the 2011 Arab Spring protests. It also covers sirens on Nakba day in Palestine, a US activist linking emergency vehicle lights to danger for Black women, clocks frozen at the time of the Fukushima disaster, and a Maori activist discussing environmental catastrophe. The reviewer finds the film's ideas interesting but notes it lacks coherence as a feature-length experience, suggesting it would be better suited to a gallery setting.

Dyani White Hawk: LISTEN at the Nasher Museum of Art at Duke University

Dyani White Hawk's eight-channel video installation "LISTEN" (2020–ongoing) is on view at the Nasher Museum of Art at Duke University. The work features Indigenous women speaking in their native languages on their tribal homelands, with no subtitles or explanatory text, encouraging viewers to physically move closer to each screen to hear and engage with the speakers' voices and surrounding environments.

ECUADOR UNVEILS KANUA IN THE CANALS OF VENICE

Ecuador has unveiled "Kanua: listening practices," a public program for its pavilion at the 2026 Venice Biennale, launching on May 8 with solar-powered boat tours through Venice's canals. Developed by the anticolonial film collective Tawna in collaboration with the Kara Solar Foundation and curated by Manuela Moscoso, the project features six intimate boat journeys with discussions on extractivism, aqua-feminism, and territorial resistance, involving artists such as Carolina Caycedo, Mariana Castillo Deball, and Tabita Rezaire. The initiative reactivates Tawna's floating Amazonian film festival, which originally brought cinema to remote communities in Ecuador via a solar-powered boat.

How the Venice Biennale imploded over Israel

The 61st Venice Biennale, scheduled to open on May 9, has been thrown into turmoil after its International Jury announced that national pavilions and artists representing countries whose leaders are charged with crimes against humanity by the International Criminal Court will not be eligible for prizes. This excludes Israel, represented by sculptor Belu-Simion Fainaru, and Russia from competing for the Golden Lion. The decision follows an open letter signed by hundreds of artists and curators demanding Israel's exclusion over the war in Gaza, and comes amid ongoing geopolitical tensions, including Russia's absence from previous editions after its invasion of Ukraine. The Biennale's theme, 'In Minor Keys,' curated by the late Koyo Kouoh, aimed to focus on dignity and listening to marginalized voices, but the prize ban has sparked accusations that identity politics are overshadowing artistic merit.

MARILYN BOROR BOR, SEBA CALFUQUEO, JULIETH MORALES. PERFORMANCE Y DISIDENCIAS

On April 18, 2026, the performance cycle "Atravesar el lago" (Crossing the Lake) took place in open spaces of Casa del Lago UNAM in Chapultepec Park, curated by Adonay Bermúdez. Artists Marilyn Boror Bor, Seba Calfuqueo, and Julieth Morales activated performances that destabilize dominant knowledge frameworks and confront narratives imposed by colonial modernity. Boror Bor's "Lo que el cemento no puede cubrir" turned the body into a living archive summoning ancestral memories; Calfuqueo's "Guardo mis semillas para el futuro" opened fissures in imposed borders; and Morales's "Enchumbarnos: Cuerpo, Norma y Territorio. Ritual para dos cuerpos" configured a threshold of listening and transformation. The article includes a curatorial text fragment exploring water as a dissident force, drawing on Silvia Rivera Cusicanqui's thought.

WaterFire Arts Center Unveils Immersive Summer Exhibitions in Providence

The WaterFire Arts Center in Providence, Rhode Island, is launching two large-scale summer exhibitions in its 15,000-square-foot Main Hall. From June 9–12, artist Yuval Gur presents "RIFT: A Sonic Environment for Multi-Timescale Listening," an immersive sound installation using environmental recordings from Iceland that transforms sound into a physical, felt experience. From July 2 through August 30, the group show "America, Unfinished?!" features artists from Rhode Island and across the country, selected via open call, exploring themes of labor, migration, memory, and civic life through interactive installations and mixed media, with live performances on Thursday evenings.

Robbie Williams' songwriter to play at flower fair

Songwriter Guy Chambers, best known for his long creative partnership with Robbie Williams, will perform a piano recital at the Review of Sussex Arts (ROSA) Botanical Art Fair in Chichester, UK, from 1-4 May. The fair, held at West Dean Gardens, brings together over 100 artists and performers from across Europe, featuring a sculpture garden, contemporary floristry, and a botanical art exhibition curated by 18 members of The Society of Botanical Artists. Environmental organization Forests Without Frontiers will host an immersive "Listening to Nature" performance using headphones to amplify natural sounds.

Where to eat and take a break in Venice during the 2026 Art Biennale?

Dove mangiare e prendersi una pausa a Venezia durante la Biennale Arte 2026?

The article provides a curated guide to dining and refreshment spots in Venice during the 61st edition of the Venice Biennale, which runs from May 9 to November 22, 2026. It lists several recommended venues—including ABC Zattere, Bea Vita, QuasiPronto, Adriatico Mar, Bancogiro, and Osteria Da Pampo—each described with details on location, atmosphere, and specialties, from cicchetti and tramezzini to natural wine and traditional Venetian dishes.