person Didier Rykner

The Guest of La Tribune de l'Art No. 30: Maryvonne de Saint-Pulgent

L'invité de La Tribune de l'Art n° 30 : Maryvonne de Saint-Pulgent

Maryvonne de Saint-Pulgent, former director of heritage and former director of the Caisse nationale des monuments historiques (the predecessor of the Centre des monuments nationaux), is the guest on the 30th episode of La Tribune de l'Art's podcast. She discusses her career, her new book *Alerte sur le patrimoine* (published by Gallimard in the Tracts collection, 2026), and three current contentious heritage issues: the stained-glass windows of Notre-Dame, the relocation of the Bayeux Tapestry, and the Grand Colonnade project at the Louvre. The 90-minute interview is freely accessible to all listeners.

L'Art en une semaine n° 1 - Mardi 26 mai 2026

La Tribune de l'Art has launched a new filmed podcast series titled "L'Art en une semaine n° 1 - Mardi 26 mai 2026." In this first episode, the hosts discuss the Pont-Neuf, the Louvre, Chambord, the Louvre-Lens, and the Société de l'histoire de l'art français. The podcast is being distributed for free on YouTube and Dailymotion, with plans to also host it on the ad-free platform Peertube, though technical issues have delayed that upload. The article provides links to the Société de l'histoire de l'art français website and to Cairn, where issues of La Revue de l'Art can be found.

Pourquoi ce secret autour du Désespéré de Gustave Courbet ?

Gustave Courbet's painting *Le Désespéré* (1843-1845), owned by Qatar Museums Authority, was loaned to the Musée d'Orsay in Paris. The French art publication La Tribune de l'Art requested the loan agreement under transparency laws, but the museum refused, citing a confidentiality clause. The publication then appealed to the Commission d'Accès aux Documents Administratifs (CADA), which has not responded for five months. Separately, the heritage association Sites & Monuments made a similar request to the Ministry of Culture and received a negative response from CADA in March 2026, citing a Conseil d'État ruling that disclosure could harm France's foreign policy.

Notre-Dame: The Lie About Respecting Viollet-le-Duc's Light

Notre-Dame : le mensonge sur le respect de la lumière de Viollet-le-Duc

The article criticizes the planned replacement of the stained-glass windows in Notre-Dame Cathedral, designed by Claire Tabouret, arguing that the public establishment behind the project has made false claims about respecting the original light and colors of Eugène Viollet-le-Duc's 19th-century windows. The author compares the existing and proposed windows baie by baie, asserting that the new designs do not match the chromatic balance or light quality, and calls the official justification a lie. It also highlights two additional alleged falsehoods: that the law for Notre-Dame's restoration deliberately omitted the Venice Charter (when the culture minister said it was unnecessary because the charter was already binding), and that the National Commission for Heritage and Architecture had approved the window replacement (which the author claims is contradicted by the commission's own minutes and multiple members).

Gerard van Honthorst

A major retrospective of the Dutch Golden Age painter Gerard van Honthorst has opened at the Centraal Museum in Utrecht, running from April 25 to September 13, 2025. The exhibition brings together numerous large-format works that trace Honthorst's full career, from his early Caravaggesque phase to his later stylistic and thematic diversification across Utrecht, Rome, London, and The Hague. The show is praised for its successful mix of chronological and thematic hanging, offering a comprehensive view of the artist's complexity.

No, the courts have not cleared the way for contemporary stained-glass windows at Notre-Dame

Non, la justice n'a pas laissé la voie libre aux vitraux contemporains de Notre-Dame

The article clarifies that legal challenges against installing contemporary stained-glass windows in Notre-Dame Cathedral are still ongoing, contrary to misleading headlines. Two judicial procedures remain active: an appeal by the heritage association Sites & Monuments after losing a first-instance ruling on procedural grounds, and a separate case contesting the legitimacy of the works themselves. Although an emergency injunction was denied because the judge found no urgency, the core legal arguments—that replacing Viollet-le-Duc's windows is not conservation or restoration—remain strong. The author warns that if the windows are installed before the appeals are resolved, they may later have to be removed at great expense.

The appalling mediocrity of the chosen project for the 'Grande Colonnade' of the Louvre

L'effarante médiocrité du projet retenu pour la « Grande Colonnade » du Louvre

The French Ministry of Culture has announced the winning team for the 'Grande Colonnade' project at the Louvre, selecting STUDIOS Architecture Paris and Selldorf Architects. The ministry's press release, described as self-congratulatory and written in trendy bureaucratic language, celebrates the choice as a major advancement. However, the article criticizes the lack of transparency, noting that only three exterior visuals have been released, and argues that the project is unfunded and threatens necessary renovations at the museum, as previously highlighted by the Cour des Comptes and parliamentary representatives.

The Guest of La Tribune de l'Art No. 29: Alexis Corbière and Alexandre Portier

L'invité de La Tribune de l'Art n° 29 : Alexis Corbière et Alexandre Portier

This podcast episode of L'invité de La Tribune de l'Art features two guests: Alexis Corbière, the rapporteur, and Alexandre Portier, the president of the Commission d'enquête sur la protection du patrimoine national et la sécurisation des musées. Recorded at the Assemblée nationale, the discussion delves into the commission's findings on protecting national heritage and securing museums, following up on a previous article published by La Tribune de l'Art.

Bayeux Tapestry: A Blank Voyage That Tests Nothing

Tapisserie de Bayeux : un voyage à blanc qui ne teste rien

A confidential interim report obtained by La Tribune de l'Art reveals that the "blank voyage" test transport of the Bayeux Tapestry from Bayeux to London in February 2026 failed to measure actual risks to the artwork. The report admits that the vibration threshold used (2 mm/s) is arbitrary and based on paintings, not on a textile of this size and fragility. Because the tapestry has been stored and inaccessible since September 2025, no mechanical tests could be conducted beforehand to determine safe vibration levels, rendering the test meaningless. A second test took place on April 15, 2026, but its report has not yet been finalized; the actual loan is planned for July 2026, with transport via Eurostar.

L'invité de La Tribune de l'Art n° 28 : Gérard Audinet

Gérard Audinet, director of the Maison de Victor Hugo in Paris, is retiring. In a new podcast episode of "L'invité de La Tribune de l'Art," he discusses the history of the museum, its collections, the Maison de Victor Hugo in Guernsey, and the acquisitions and exhibitions he oversaw during his tenure.

L'excellent rapport de la commission d'enquête sur la sûreté des musées est paru

A French parliamentary commission of inquiry into museum security, initiated by Alexandre Portier (president) and reported by Alexis Corbière, has published its findings. The report, unanimously adopted across party lines, includes forty recommendations and is notably critical of the Louvre's management under director Laurence des Cars, accusing her of neglecting security priorities and causing significant delays in the museum's master plan. The commission validated earlier criticisms by La Tribune de l'Art, describing the Louvre as an "État dans l'État" (state within a state) and estimating that twenty to twenty-seven months were lost due to postponed decisions.

Double vandalism on the Place de la Concorde

Double vandalisme place de la Concorde

During the PSG Champions League semi-final victory celebrations last Wednesday, vandals destroyed an exhibition by Yann Arthus-Bertrand on the theme of 'Living Together' on the Place de la Concorde in Paris. The article describes this as a double vandalism: the physical destruction by rioters compounded what the author considers the original vandalism—the exhibition itself, which was supported by the French government, the Paris city hall, and several other entities.

Notre-Dame : les associations attaquent le projet

Two French heritage associations, Sites & Monuments and SOS Paris, have filed legal challenges against the project to replace the stained-glass windows of Notre-Dame de Paris. The groups have submitted requests to an emergency judge and to the administrative court, seeking to suspend the works, which have already begun and threaten to remove the original windows by Viollet-le-Duc within days. The judge will rule on whether there is a serious doubt about the legality of the decision.

Louvre: Emmanuel Macron's Obstinacy

Louvre : l'obstination d'Emmanuel Macron

Emmanuel Macron, less than a year before leaving office, continues to push controversial projects that harm French historical monuments and museums, including the Louvre's Colonnade project. The article criticizes these initiatives as detrimental to cultural heritage, while noting that his only promising project, the Musée de l'Œuvre Notre-Dame, has been shelved. The piece also highlights the appointment of Christophe Leribault as director of the Louvre as a positive step, but argues that Macron's overall record on cultural heritage is damaging.

Notre-Dame : les travaux commencent, le combat se poursuit

Work has begun on replacing the stained-glass windows at Notre-Dame Cathedral in Paris, with scaffolding installed immediately after the work permit was posted. The project involves removing six ornamental windows created in 1864 by Alfred Gérente under Eugène Viollet-le-Duc and installing six new windows by artist Claire Tabouret and the master glassmakers Simon-Marq. The authorization, signed by the prefect, has sparked legal challenges from the heritage association Sites & Monuments, who argue the replacement is neither conservation nor restoration. The article details how the state's own authorization document inadvertently strengthens opponents' arguments by affirming that the entire cathedral, including Viollet-le-Duc's windows, is protected as a historic monument.

The Long-Awaited Reopening of the Musée Bonnat

La réouverture attendue du Musée Bonnat

After fifteen years of closure, the Musée Bonnat (now renamed Bonnat-Helleu) in Bayonne, France, has finally reopened. The closure was initially due to structural problems, including collapsing skylights and leaks, and even before that, much of the collection had been inaccessible. The renovated museum now features a new extension built from a former school, housing the public reception area, an exhibition space, a courtyard with a café terrace, and storage. The galleries display the museum's full holdings, including Rubens sketches, terracottas from the Paul Cailleux collection, and works by Léon Bonnat himself.

Notre-Dame Stained Glass: The Fight Continues!

Vitraux de Notre-Dame : le combat continue !

The French government has authorized the removal and replacement of the 19th-century stained-glass windows designed by Eugène Viollet-le-Duc in Notre-Dame Cathedral with new windows by contemporary artist Claire Tabouret. This decision, posted as a work permit on the cathedral, is being challenged in court by the heritage association Sites & Monuments, which argues the replacement is not a legitimate act of conservation or restoration.

Fifteen Works Donated to the Musée des Beaux-Arts d'Orléans

Quinze œuvres offertes au Musée des Beaux-Arts d'Orléans

The Musée des Beaux-Arts in Orléans has received a donation of fifteen artworks from art historian Françoise Heilbrun. The gift includes two drawings by Eugène Delacroix, which are immediate donations, and additional drawings, paintings, and a sculpture by artists like Louis Boulanger, which are given with a usufruct clause.

Death of Denis Coekelberghs

Disparition de Denis Coekelberghs

Denis Coekelberghs, an art historian and contributor to La Tribune de l'Art, died on February 25 at the age of 85. He was a specialist in the work of François-Joseph Navez and Flemish Baroque sculpture, and earned his doctorate in art history from the Catholic University of Louvain in 1976.

The Reopening of the Musée de la Vie Romantique

La réouverture du Musée de la Vie Romantique

The Musée de la Vie Romantique in Paris has reopened following a significant renovation project. While the restoration of the historic house and its shutters has sparked some debate regarding historical accuracy, the museum now showcases a substantially enriched permanent collection featuring numerous recent acquisitions of Romantic-era paintings, sculptures, and drawings.

An exhibition centered on Bartholdi's Champollion, deposited in Nogent-sur-Seine

Une exposition autour du Champollion de Bartholdi, déposé à Nogent-sur-Seine

The Musée Camille Claudel in Nogent-sur-Seine is hosting a new exhibition centered around Auguste Bartholdi’s monument to Jean-François Champollion. The statue, recently transferred from the courtyard of the Collège de France by the Fonds national d’art contemporain, serves as the focal point for a display that explores the history and significance of the work. The exhibition provides a scholarly counter-narrative to recent ideological criticisms surrounding the monument's iconography.

In Paris, Emmanuel Grégoire Abolishes the Position of Deputy for Heritage

À Paris, Emmanuel Grégoire supprime le poste d'adjoint au patrimoine

The newly elected Mayor of Paris, Emmanuel Grégoire, has unveiled a leadership team consisting of 36 deputy mayors covering a vast array of specific portfolios, ranging from nightlife and overseas territories to animal welfare and free media. Notably absent from this extensive list is a dedicated deputy for heritage (patrimoine), a move that marks a significant shift in the city's administrative priorities.

"Restitutions": Parliament Ready to Give Everything Up

« Restitutions » : le Parlement prêt à tout lâcher

The French Parliament is moving forward with an accelerated legislative process to pass a framework law governing the restitution of cultural property to foreign states. This bill aims to streamline the return of artworks and artifacts deemed to have been illicitly acquired, fulfilling a long-standing promise made by President Emmanuel Macron to address colonial-era acquisitions and other contested heritage.

Latest acquisitions of the Musée Jules Desbois

Dernières acquisitions du Musée Jules Desbois

The Musée Jules Desbois in Parçay-les-Pins has expanded its collection with several new acquisitions by its namesake sculptor. Jules Desbois, a contemporary and close collaborator of Auguste Rodin, is being highlighted for his distinct artistic career that moved beyond his role as Rodin's assistant. The new additions include examples of his classical training from the Beaux-Arts de Paris as well as his later ventures into decorative arts and Art Nouveau styles.

The non-renewal of Sébastien Allard confirms the Louvre's metamorphosis

Le non renouvellement de Sébastien Allard confirme la métamorphose du Louvre

Christophe Leribault, the new president of the Louvre, has decided not to renew the contract of Sébastien Allard as director of the painting department, a position Allard held since 2014. This move is part of a broader shift in leadership style and institutional direction under Leribault, who is described as fostering genuine social dialogue and actively participating in meetings, in contrast to his predecessor.

A Drawing by Hans Baldung Grien Classified as a National Treasure

Un dessin de Hans Baldung Grien classé trésor national

A 1517 silverpoint drawing by German Renaissance artist Hans Baldung Grien, titled 'Portrait of Susanna Pfeffinger,' has been classified as a French national treasure. The work, which was set to be auctioned at the Hôtel Drouot by Beaussant-Lefèvre, is now subject to an export ban, giving French museums like the Louvre a 30-month window to acquire it.

Details on French museum works in Abu Dhabi

Des précisions sur les œuvres des musées français à Abu Dhabi

French museums and cultural institutions, including the Louvre, Versailles, the Centre Pompidou (Beaubourg), and the Musée d'Orsay, are refusing to disclose which specific artworks from their collections are currently on loan and on display at the Louvre Abu Dhabi. This lack of transparency occurs despite heightened regional security risks, including the threat of Iranian strikes. The French Ministry of Culture claims it is in close contact with UAE authorities to ensure the protection of the loaned works.

TEFAF 2026, an Excellent Edition

La Tefaf 2026, une excellente édition

The 2026 edition of TEFAF Maastricht (running until March 19) is noted as an excellent year, featuring a significant number of major artworks. The article highlights specific pieces of French patrimonial importance, including four 16th-century terracotta terms from the Château d'Oiron and a Sèvres porcelain cabaret dedicated to French painters from 1814.

An ecstatic Mary Magdalene for Washington

Une Marie-Madeleine extatique pour Washington

The National Gallery of Art in Washington, D.C., has acquired Artemisia Gentileschi's painting "Marie-Madeleine en extase" (Mary Magdalene in Ecstasy), dating from around 1625. The work was previously sold at a Sotheby's auction in France in 2014, continuing a trend of important Gentileschi works leaving Europe for American museums.

Verdun enriches itself with a work by a native son

Verdun s'enrichit d'une œuvre d'un enfant du pays

The Musée de la Princerie in Verdun has acquired a painting by Joseph Christophe, a rare artist originally from the city. The work was purchased from the Versailles-based Galerie Barnabé, which specializes in Old Master paintings.

A Caravaggio for Rome

Un Caravage pour Rome

The Italian Ministry of Culture has acquired Caravaggio's 'Portrait of Maffeo Barberini' for the state. The painting, which had been on loan to the Palazzo Barberini from its private owner, will now be permanently deposited at the museum.

Drawings of the Seicento: 17th-Century Italy from the Collections of the Musée Condé

Dessins du Seicento. L'Italie du XVIIe siècle autour des collections du musée Condé

The Musée Condé in Chantilly is presenting an exhibition titled 'Dessins du Seicento' from March 7 to June 14, 2026. It focuses on the museum's previously unexhibited collection of 17th-century Italian drawings, featuring 26 high-quality sheets from its holdings, supplemented by a few prints and related drawings borrowed from other institutions like the Fondation Custodia and the Louvre.

Façade collapse and vandalism at the Saint-Roch church in Paris

Effondrement de façade et vandalisme à l'église Saint-Roch de Paris

A significant portion of the cornice on the right side of the façade of the historic Saint-Roch church in Paris collapsed on March 9, 2026. Fortunately, no one was injured. The incident follows a pattern of similar structural failures at Parisian churches like Saint-Paul, Saint-Merry, and Saint-Augustin. Almost simultaneously, the church was targeted by vandals who severely damaged a gilded wooden altar in the shape of the Ark of the Covenant, a work from 1840 designed by architect Charles Lelong, just before its planned restoration was set to begin.