Vasari Codex. A living chronicle of the art world.

museum exhibitions schedule May 27, 2026

Centuries of Endurance Undergird “In Minor Keys”

The 2026 Venice Biennale's main exhibition, "In Minor Keys," curated by the late Koyo Kouoh, features 111 international artists with strong representation from Africa, the Caribbean, and their diasporas. The show emphasizes calm, centeredness, and self-forgiveness for historically oppressed peoples, setting aside rage and retribution. Kouoh died of liver cancer at age 57 shortly after being named curator, and her team—Rasha Salti, Marie Hélène Pereira, Gabe Beckhurst Feijoo, Siddhartha Mitter, and Rory Tsapayi—completed the exhibition according to her vision. Highlights include a Mardi Gras costume by Big Chief Demond Melancon and dedicated shrines to artists Issa Samb and Beverly Buchanan.

article news schedule May 8, 2026

Historic Strike Disrupts Biennale as Thousands March in Venice

On May 8, 2026, artists and cultural workers staged the first strike in the 131-year history of the Venice Biennale, disrupting the pre-opening of the international exhibition. At least 27 of the 100 national pavilions were partially or fully shut down, and thousands marched through Venice to the Arsenale, which was barricaded by Italian riot police. The strike, organized by the Art Not Genocide Alliance (ANGA) and local activist groups, was a 24-hour action for Palestine and workers' rights, with some artists altering or draping their works in the main exhibition, "In Minor Keys."

rate_review review schedule May 7, 2026

A Whole Lot of Nothing at the US Pavilion

The US Pavilion at the 2026 Venice Biennale features sculptor Alma Allen's exhibition "Call Me the Breeze," curated by Jeffrey Uslip. The show presents untitled, amorphous sculptures in bronze, wood, and stone, including Colorado Yule marble. The selection process was controversial: after the Trump administration excluded the National Endowment for the Arts, the State Department initially picked artist Robert Lazzarini and curator John Ravenal, but that plan collapsed. The American Arts Conservancy, a new nonprofit led by Jenni Parido (a former pet food store operator with Mar-a-Lago ties), then took over, hiring Uslip, who approached Barbara Chase-Riboud and William Eggleston before settling on Allen. Donors include businessman John Phelan and fashion designer Tommy Hilfiger.

article news schedule May 6, 2026

Hundreds Protest Israel’s “Genocide Pavilion” at Venice Biennale

On May 6, 2026, the first day of previews at the Venice Biennale, hundreds of pro-Palestine activists led by the Art Not Genocide Alliance (ANGA) blocked the entrance to the Israeli pavilion, demanding its immediate closure. Protesters waved Palestine flags and banners reading "No Artwashing Genocide" and "No Genocide Pavilion at Biennale," chanting accusations of genocide against Israel. The demonstration temporarily shut down access to Belu-Simion Fainaru's exhibition "Rose of Nothingness" for about half an hour. The protest followed a letter signed by over 200 artists urging the Biennale to exclude Israel, which instead moved the pavilion to an alternative location in the Arsenale due to renovations. Separately, Pussy Riot and FEMEN rallied outside the Russian pavilion, which will only open during preview days due to sanctions. Venice cultural workers plan a 24-hour strike on May 8 in solidarity with Palestinians, potentially disrupting the Biennale's schedule.

rate_review review schedule May 4, 2026

I’ve Got the Post-Duchamp Blues

The article is a review of the Marcel Duchamp retrospective at the Museum of Modern Art (MoMA) in New York, the first such show since 1973. Featuring around 300 works from Duchamp's six-decade career, the exhibition includes his iconic readymades like "Fountain" (1917) and early paintings such as "Nude Descending a Staircase, No. 2" (1912). Co-curated by MoMA's Ann Temkin and Michelle Kuo along with Matthew Affron of the Philadelphia Museum of Art, the show runs through August 22, 2026, before traveling to Philadelphia.

article news schedule Apr 30, 2026

Banksy Erects Anti-Imperialist Monument in Central London

Banksy has installed a new sculpture in Waterloo Place, central London, depicting a suited man with his face covered by a flag walking off a plinth toward his demise. The artist confirmed his authorship via an Instagram video and left his signature on the base. The statue was covertly placed in the early hours of April 29, among existing monuments celebrating the British Empire, including King Edward VII, Florence Nightingale, and the Crimean War Memorial.

person people schedule Apr 15, 2026

In the Studio With Rama Duwaji

Syrian-American artist Rama Duwaji discusses her evolving art practice and her new role as the First Lady of New York City following her husband Zohran Mamdani’s mayoral victory. Known for her distinct illustrations and animations for major institutions like the Tate Modern and the New Yorker, Duwaji is now transitioning into a more public-facing life while maintaining a studio practice at Gracie Mansion. Her work, which spans hand-drawn animation, ceramics, and paintings on found materials like cardboard, continues to blur the lines between commercial illustration and fine art.

rate_review review schedule Apr 13, 2026

Ai Weiwei and the Art of Keeping Your Mouth Shut

Dissident artist Ai Weiwei explores the corrosive nature of state control and self-restraint in his new book, "On Censorship" (2026). Drawing from a lifetime of persecution—including his father’s exile to a labor camp, his own 81-day detention in 2011, and recent digital erasure by Chinese AI—Ai argues that censorship fundamentally strips individuals of their humanity. He highlights how the mechanism of silencing has evolved from overt state violence in the East to a more insidious culture of self-censorship in the West, exemplified by the cancellation of his own 2023 exhibition at Lisson Gallery following comments on the conflict in Gaza.

rate_review review schedule Mar 20, 2026

The Whitney Biennial Is for the Faint-Hearted

A critical review of the 2026 Whitney Biennial argues that the exhibition is timid and fails to directly confront the urgent political crises of the moment, including domestic authoritarianism, state violence, and immigration policies. The reviewer finds the show somber, fearful, and overly focused on mood and introspection, suggesting it represents a retreat from meaningful political engagement.

person Hakim Bishara