Perivale Gallery on Manitoulin Island will host 'Through Ivan’s Eyes: A Northern Vision Lives On' on May 16, a final exhibition and sale of works by the late artist Ivan Wheale. The event includes Wheale’s last painting, completed shortly before his death, and pieces from his personal collection, marking the last chance to acquire his work from his official gallery.
Seven local Indigenous artists were featured in this year's Indigenous Art exhibition at Gallery 121 in Belleville, Ontario. The exhibition, curated by Maureen Swann, showcased works including Tyler Tabobondung Rushnell's painting "Howling into the Sunset," alongside pieces by Mohawk artists David R. Maracle, Janice Brant, and Jennifer Brant, among others. The artists emphasized personal storytelling, cultural heritage, and the use of traditional materials and themes.
A new art exhibition titled “Occupy Thirdspace III: The Park” opens at San Diego’s Central Library, focusing on International Friendship Park, a state park at the western end of the U.S.-Mexico border. Co-curated by Sara Solaimani and Natalia Ventura, the show features three artist collectives—Las Comadres, Art Made Between Opposite Sides (AMBOS), and Friends of International Friendship Park—to visually tell the park’s story. The park opened in 1971 as a meeting place for families divided by the border but has been closed on the U.S. side since 2020, while remaining open on the Mexico side. The exhibition is the third installment in Solaimani’s series exploring Henri Lefebvre’s concept of “third spaces” as symbolic sites that challenge systems of power.
A new contemporary art gallery, kumalo | turpin, has opened in Johannesburg's Parktown North neighborhood, housed within the Nine Yards precinct. The gallery launched with an exhibition titled "gender/genre," featuring works by women artists across sculpture, painting, and photography. Co-founders Zanele Kumalo and MJ Turpin, the latter formerly co-director of the Kalashnikovv Gallery, aim to showcase emerging artists from the global majority. The opening attracted a crowd of local art-world figures, collectors, and creatives, including Marc Lubner, Niki Judelman, and photographer Trevor Stuurman.
An exhibition titled "The Contemporary Lore: Sojourn of Styles and Generations Unfurled" has opened at Bikaner House in New Delhi, bringing together 23 contemporary Indian artists. Curated by Kiran K Mohan with a critical essay by art historian Johny ML, the show features works by veterans like Ashok Bhowmick and emerging talents like Nilisha Phad, spanning paintings, sculptures, and mixed media. The non-chronological arrangement aims to present artistic lineages as a landscape rather than a linear progression, encouraging dialogue across generations. The exhibition runs until May 14 before moving to Shailja Art Gallery in Gurugram from May 17 to June 13.
Thai street artist MUEBON (Danaiphat Lertputtarakarn) and Norwegian stencil artist Martin Whatson have opened a joint exhibition titled "Night and Day" at Sphere Gallery in Bangkok. The show, running from April 28 to May 12, 2026, features a collision of their distinct styles—MUEBON's playful, socially charged cartoon characters and Whatson's layered stencil work with a signature "decay" aesthetic—presented through graffiti, sculpture, and immersive installations. The project took two years to prepare, with the artists exchanging works across time zones in a process akin to sending letters.
Joyce Effinger, a self-taught visual artist based in Corbeil, Ontario, opens her solo exhibition "Anyflatsurface" at the Alex Dufresne Gallery on May 9. The show features paintings on unconventional surfaces such as paddles, saws, rocks, cloth, and found objects, transforming everyday items marked by use and history into vibrant studies of color, form, and place. Effinger, who came to painting later in life, draws inspiration from northern Ontario's landscapes and heritage, as well as poetry and personal reflection.
A new exhibition titled "America 250: Texas Trailblazing Wonder Women" will open this summer at the Atrium Gallery inside McKinney’s historic Cotton Mill Arts District. Organized by the MillHouse Foundation, the show features 25 large-scale works by Texas artists, each honoring influential women from the state’s history, including Ann Richards, Simone Biles, Mary Kay Ash, and Selena Quintanilla. The exhibition runs from June 12 through August 30, with a public reception on June 27, and all pieces will be available for purchase.
The Center for Art, Research and Alliances in New York presents "The Earth, the Fire, the Water, and the Winds: For a Museum of Errantry with Édouard Glissant," running from February 28 to May 10, 2026. The exhibition focuses on the Martinican poet and philosopher Édouard Glissant's personal art collection, tracing how his key concepts—opacity, relation, and creolization—emerged through his engagement with artworks and artists. It features works by artists such as Agustín Cárdenas, Victor Anicet, Eduardo Zamora, Gerardo Chávez, José Gamarra, and M. Emile, and travels from Instituto Tomie Ohtake in São Paulo.
Korean American visual artist Sungmo Cho is returning to South Korea after 14 years to exhibit his 'Along the LOVE Road' series in Seoul and Buyeo. Cho, who moved to New York in 1992, has created over 30 solo shows and 150 group shows across four countries. His works explore themes of migration, memory, and the tension between civilization and nature, with roads serving as a central symbol of both human progress and environmental destruction.
The Art Museum of Eastern Idaho in Rexburg will open a new exhibition titled "Sacred Spaces: Visions of the West from the Prosaic to the Sublime" this Friday. The show features works by six contemporary artists from Idaho and Utah—David Dibble, Bryan Mark Taylor, Josh Clare, Allie Zeyer, Louisa Lorenz, and Carson Thompson—primarily in oil paintings, alongside historic farm photographs from the Museum of Idaho and private collection photos from executive director Alexa Stanger. Free public events include an Art Walk on Thursday, an opening reception on Friday with an audio tour featuring artists' voices, and art demos with a Q&A on Saturday.
Barnaby Barford is marking 20 years of collaboration with David Gill gallery through the exhibition 'We Are Where We Are', featuring 35 ceramic sculptures and large-scale drawings. The show includes a new work titled 'Ascension'. To celebrate, Wallpaper* magazine revisits its November 2007 issue, in which Barford took over the fashion pages, dressing his found porcelain figurines in designer labels such as Missoni, Versace, Gucci, Christian Dior, and Prada, photographed by Theo Cook with fashion styling by Sophie Dean and Sébastien Clivaz.
Glasstire's Five-Minute Tours series features a video walk-through of Dario Robleto's exhibition "If You Remember, I’ll Remember" at Art League Houston, on view from September 26 to December 21, 2025. The show presents works by Robleto, named 2025 Texas Artist of the Year, blending sculpture and print with themes of science, history, and poetics, including pieces inspired by the Voyager Golden Record and 19th-century heartbeat visualization experiments.
Scottsdale Public Art has opened "Desert Diamonds: Scottsdale’s 75th Anniversary" at the Civic Center Public Gallery inside Scottsdale Civic Center Library, running from April 10 through June 30, 2026. The exhibition features works selected from the city’s Fine Art Collection, including photography, painting, and sculpture that trace Scottsdale’s relationship with the arts from its earliest years, such as Mario Martinez’s "Yaqui Deer Dancer: Homage to the Ancestors" and George-Ann Tognoni’s "Helen Scott on Old Maude." The show marks the city’s diamond anniversary, with Scottsdale having been incorporated in 1951.
The Carnegie Arts Center in Turlock, California, will host its annual youth art exhibition, “Ready, Set, Show!”, from May 29 to June 27. The show invites students in grades K–12 to submit up to three pieces of artwork for display in the Ferrari Gallery, with free entry and a special section for the “Parks Are Fun!” banner contest. A free Family Friday reception will open the exhibition on May 29.
Fisherton Mill in Salisbury will host 14 artists and makers as part of the Salisbury Art Trail, running from May 23 to June 7. The mill's first-floor display space will feature resident studio artists, while the main gallery presents 'Brush, Kiln & Camera', a group exhibition from the Nova Art Guild showcasing ceramics, paintings, glasswork, and photography by Fiona Charter, Tamsyn Gregory, Lindsay Keir, Scarlet Leatham, Geraldine McLoughlin, and David Walker. Visitors can meet artists daily during the trail, and admission is free.
An exhibition titled 'Drawings Against Genocide' by British artist Matthew Collings, scheduled to open at Delta House Gallery in Wandsworth, London, has been cancelled after complaints from UK Lawyers for Israel (UKLFI) about antisemitic content. The show, planned for May 2026, included graphic drawings depicting Jews with horns, devouring babies, and denying Hamas's October 7 attacks, and had previously sparked outrage at a Margate gallery. Gallery owners Pineapple Corporation and Delta House Studios Ltd confirmed the cancellation after UKLFI warned of legal risks under the Public Order Act 1986.
Claudia Keep's solo exhibition "Water, Water, Everywhere" is now on view at Parker Gallery in Los Angeles, featuring oil paintings that focus on water in everyday settings such as pools, beaches, cafes, and car windows splattered with rain. The show includes multi-panel panoramic works like "River swimmer" and "Pool swimmer," which depict swimmers in dynamic, distorted forms, and frames that extend each painting's color palette. The exhibition runs through May 30, 2026.
A London gallery, Delta House Gallery in Wandsworth, canceled a traveling exhibition titled "Drawings Against Genocide" by British artist Matthew Collings after UK Lawyers for Israel (UKLFI) intervened, citing antisemitic content. The show, scheduled for May 16-24, featured drawings with swastikas, comparisons of Israel to Nazi Germany, and depictions of Jewish figures with horns, among other imagery. Gallery owner Pineapple Corporation Chairman Tom Berglund confirmed the cancellation, stating the exhibition was arranged without owner consultation.
Maine Art Collective's (MAC) Gallery in Portland, Maine, has added five new artists to its roster for the 2026 season: Ann Tracy, Bill Elinoff, Sheri Oliva, donnersmith, and Tracy Hehmeyer. The gallery, which transitioned from a pop-up to a full-time space about a year ago, now features 17 artists total. Founder Susan Vittner, an artist herself, emphasizes the gallery's mission to support emerging artists through a cooperative model where artists retain most of their profits.
"In meinem Auntieversum sind alle frei, es gibt keine Regeln"
Wenhui Lim, a Singapore-raised artist and former architecture designer, creates AI-generated images and videos featuring older Asian women she calls 'Aunties.' Her surreal 'Auntieversum' depicts these figures bathing in oversized ramen bowls, playing with pastel jellyfish, and driving sushi cars—a fantastical parallel universe where they are free from societal and familial expectations. Lim began the project in early 2023 as a personal exploration to reconcile her own feelings toward the aunties in her life, who often made blunt comments about her appearance while also plying her with food.
Sachsen-Anhalt has enshrined support for art and culture as a state objective in a new law, passed by the state parliament in Magdeburg with the exception of the AfD faction, which abstained. Culture Minister Rainer Robra (CDU) framed the law as fulfilling a promise from 1989, defining what constitutes art and culture in the state, including their roles in education and as an economic factor, and aiming to make cultural structures resilient against future attacks on artistic freedom.
Magischer Realismus gegen die Härte der Vorstadt
French-Chilean artist Tohé Commaret presents an exhibition at MMK Zollamt in Frankfurt featuring quiet, still images that highlight invisible care work and feminist solidarity. The show focuses on women who silently enable events like weddings and galas without being seen, exploring female alliances and the attempt to reclaim new narratives from the suburbs.
"Aktuell wird viel zerstört, das mühsam aufgebaut wurde"
Berlin's Savvy Contemporary, a non-profit art space known for its postcolonial discourse, has been awarded the Art Basel Award in the 'Museums and Institutions' category—the only German institution to receive the honor this year. However, despite the prestigious recognition, Savvy has been unable to open any exhibitions in 2024 due to a lack of funding. In an interview, managing directors Lema Sikod and Lynhan Balatbat-Helbock discuss the award, the institution's 15-year history, and the growing difficulty of sustaining decolonial work amid rising right-wing populism and political backlash.
Wenn die Nacht auf den Tag abfärbt
Berlin-based graffiti artist Paradox Paradise, known for his distinctive red-and-blue "Paraglyphs" painted on high facades, discusses his evolution from classic graffiti to a radically reduced visual language. In an interview with Monopol, he explains how he stripped away decorative elements to focus on precise, vertical outlines and messages like "Mieten runter Wände bunter" (lower rents, more colorful walls). He describes his nocturnal actions as states of heightened presence requiring weeks of planning, where every movement has immediate consequences.
Pavillons der Venedig-Biennale werden bestreikt
Cultural workers and participants of the Venice Biennale went on strike on Friday, protesting Israel's participation in the art exhibition. Organized by the Art Not Genocide Alliance (ANGA) alongside several cultural groups and Italian grassroots unions, the 24-hour walkout led to the closure of several national pavilions on the final preview day. A rally was planned near the Arsenale grounds. The strike aims to oppose the "normalization of genocide in culture" and poor working conditions at the Biennale, following an earlier open letter signed by over 230 artists and curators demanding the exclusion of the Israeli pavilion. Israel is represented by sculptor Belu-Simion Fainaru, who opposes cultural boycotts and advocates for dialogue. The Biennale's leadership has distanced itself from the strike, emphasizing adherence to regulations and support for freedom of speech and pluralism.
"Können wir in der Kunst für die Krisen üben?"
Belgian theater director Miet Warlop is presenting her work "It never SSST" at the Belgian Pavilion during the Venice Biennale. The installation combines performance, sculpture, a radio show, and objects, featuring six performers, musicians, dancers, and a sculptor who periodically calls "Freeze" to capture movements in plaster reliefs. Warlop, known for her physically exhausting ritualistic performances like "One Song," discusses the piece's themes of ceaseless activity and the body as a resource, as well as the challenge of engaging visitors who often rush through the pavilion.
Der Porno-Effekt
Maja Malou Lyse received a bizarre phone call nearly three years ago from the CEO of the world's largest sperm bank, who offered her 20 liters of discarded sperm for artistic purposes. She accepted and created an installation for the Danish Pavilion at the Venice Biennale, working with porn stars to explore how images shape bodies and desire.
Peter Licht, a German musician, author, and playwright, appears as a guest on the 82nd episode of the "Fantasiemuskel" podcast, where he discusses his view of the world as a sound phenomenon. He reflects on his 2006 song "Lied vom Ende des Kapitalismus," which preceded the 2008 financial crisis, and explores how language, fear, and utopian moments manifest through sound in his work—whether in pop songs, theater pieces, or novels. Licht also describes a recent "problem-solving show" at Schauspiel Köln, where audience members submit problems that are collectively sung, turning singing into an act of resistance and community-building.
Annina Roescheisen, a German-born artist now based in New York, presents her work in Venice during the opening days of the Venice Biennale. Her paintings are created through an alchemical ritual where she mixes pigments, charcoal, ash, ink, herbs, and salts, producing pulsating fields of color that blur the line between the visible and invisible. A self-taught artist who never attended art school, Roescheisen draws on art history and philosophy, with a particular passion for medieval art. Her series "Flying Dragons" references the ancient Physiologus, and she has also produced watercolors based on drawings made with her eyes closed to explore how visual perception changes from childhood to adulthood.