‘They tore up everything’: the wolf hunters of Kyrgyzstan – in pictures

Photographer Luke Oppenheimer traveled to the remote Kyrgyz village of Ottuk in 2021 for a short assignment on wolves preying on livestock, but ended up staying for four years. His project, titled 'Ottuk' and published by Aliens in Residence, documents the lives of shepherds who hunt wolves to protect their herds in the Tien Shan mountains, capturing their ancient way of life, harsh winters, and the legends that shape their community.

In Central Java, an Eco-Resort Aims to Build Sustainability Through Creativity

An Indonesian and Australian couple, Wiyoga Muhardanto and Hannah O’Flynn, have transformed a plot of land in Central Java into an eco-resort and creative hub called Yabbiekayu. The project includes a gallery, artist residencies, and workshops, aiming to foster a sustainable creative economy by connecting local artisans with international artists and designers.

13 Nudes That Changed Western Art History

The article presents a curated list of 13 seminal Western artworks featuring the nude form, highlighting how each piece shifted artistic conventions and cultural perceptions. It begins with the Paleolithic Venus of Willendorf and moves chronologically through works by artists including Sandro Botticelli, Leonardo da Vinci, Lavinia Fontana, and Édouard Manet, analyzing their groundbreaking approaches to depicting the human body.

Art and Social Consciousness: The Ideals of Legendary Artist Joseph Beuys Told in a Comic

Arte e coscienza sociale: gli ideali del leggendario artista Joseph Beuys raccontati in un fumetto

A new graphic novel by Italian illustrator Gianluca Costantini explores the life and social ideals of the legendary German artist Joseph Beuys. The comic focuses on Beuys's final major work, 'Palazzo Regale' (1985), an environmental installation housed at the K20 museum in Düsseldorf, interpreting it as a synthesis of his belief in art as a transformative social force.

How Digital Animation Can Help Audiences Understand Installation Art Before They Experience It in Person

The article examines the inherent limitations of traditional photography in documenting installation art, arguing that static images fail to convey the experiential qualities of scale, sequence, and audience interaction central to the medium. It uses Olafur Eliasson's iconic 'The Weather Project' as a prime example of a work whose atmospheric and social dimensions are lost in photographic reproduction.