The Interview: Steven Soderbergh

Steven Soderbergh discusses his new film *The Christophers* (2025), which follows a cantankerous artist and his young assistant tasked with forging his unfinished works, exploring themes of authorship, originality, and the ethics of art-making. In an interview with ArtReview, Soderbergh also addresses his recent use of AI in a documentary about John Lennon, defending the technology as a creative tool akin to his own filmmaking process, and reflects on his career spanning genres from indie dramas to studio blockbusters.

We are in danger of losing our sense of community

"Wir drohen das Gespür für die Gemeinschaft zu verlieren"

Christophe Cherix, the new director of the Museum of Modern Art in New York, discusses his first months in the role, emphasizing museums as "safe social places" in an era of anxiety and screen-induced isolation. He advocates for collective vision-building with staff and defends the MoMA's independence against political pressure in Trump-era America. Separately, critic Paco Barragán argues in The Observer that biennials are in a structural crisis of repetition, tracing their history from instruments of national soft power to a "Global Neo-Liberal Biennial" system that co-opts diversity without changing its core logic. He introduces the concept of the "vibe-ennial," where discourse is replaced by atmosphere and critique by affect. Meanwhile, longtime Bonn museum director Stephan Berg critiques the boom in immersive art experiences like "Van Gogh – The Immersive Experience," calling them a "surrogate reality" tailored to the Instagram age that destroys the integrity of original works. Artforum reconstructs late-1960s debates on art criticism, focusing on Barbara Rose's challenge to formalists like Clement Greenberg and Rosalind Krauss, arguing that art must engage with societal conflicts such as Black Power and war resistance.

New Richard Avedon documentary chronicles how he shaped the evolution of photography

Imagine Documentaries, the nonfiction arm of Ron Howard and Brian Grazer's Imagine Entertainment, premiered a new documentary about photographer Richard Avedon at the Cannes Film Festival on May 17. The film, co-produced by the Richard Avedon Foundation, draws heavily from archival interviews conducted by Helen Whitney for the PBS series *American Masters*, supplemented by new interviews with Avedon's son John, muse Lauren Hutton, Isabella Rossellini, Twyla Tharp, and former *New Yorker* colleagues Tina Brown and John Lahr. The documentary explores Avedon's career, his technique of building rapport with subjects, and his iconic images such as *Dovima with Elephants*, which dealer Larry Gagosian notes sold for $2 million.

Buzkashi horsemen battling for a headless goat: Todd Antony’s best photograph

Photographer Todd Antony discusses his black-and-white series capturing the Central Asian sport of buzkashi, in which horsemen compete to grab and control a headless goat carcass. He traveled to Tajikistan to document matches involving up to 300 riders, shooting from a pickup truck and later taking portraits of riders on farms. One striking image shows three horses and their riders against a snowy mountain backdrop, with fog rolling in—a moment that inspired him to channel Richard Avedon's style using artificial lighting.

Photographer and Activist Claudia Andujar, Known for Documenting Yanomami People of Brazil, Is the Subject of a New Biopic

A new biopic titled *The Outsider (A Estrangeira)* will tell the story of photographer and activist Claudia Andujar, known for documenting the Yanomami people of Brazil. The film is written and directed by Sandra Delgado, produced by São Paulo’s Maria Farinha Filmes, and stars Inga Ibsdotter Lilleaas in the lead role, with Wagner Moura as an executive producer and cast member. The project is based on two decades of research and focuses on Andujar’s journey from Holocaust survivor to Brazilian artist who used photography to resist the military dictatorship’s destruction of Yanomami land in the 1970s.

In the Studio with Casey Engel

Casey Engel, an artist based in Asheville, North Carolina, is profiled in her studio, where she creates ceramic, fiber, and paper works that blend craft traditions with avant-garde sensibilities. The article, structured as an interview with writer Merin McDivitt, explores Engel's tactile process—from pinching clay to hand-stitching quilts—and her emphasis on touch, intuition, and the tension between functionality and art. Engel previously curated over sixty shows at Blue Spiral 1 before dedicating herself full-time to her own practice.

Global Art Biennials: Renovation, Revelation—or Repetition?

The article examines the current state of global art biennials, arguing that recent controversies—such as the 2022 documenta antisemitism crisis and geopolitical tensions at the 61st Venice Biennale—reveal these exhibitions as deeply politicized platforms rather than neutral cultural events. It highlights how juries and curators have introduced geopolitical criteria, and cites ongoing debates in Artforum (April 2026) featuring voices like Daniel Birnbaum, Michelle Grabner, and Adam Szymczyk, who diagnose visible tensions but overlook deeper structural conditions.

Inside New York’s Rogue Project Spaces

A digital cover story profiles New York City's rogue project spaces—artist-run venues like U-Haul Gallery, Desnivel, Spielzeug, Catbox Contemporary, and 95 Gallon Gallery—that operate in unconventional locations such as trash bins, moving trucks, bodegas, laundromats, buses, and cat towers. The article features interviews with founders including Maria De Victoria (Desnivel), James Sundquist and Jack Chase (U-Haul Gallery), and others, highlighting how these spaces counter the bureaucracy of institutional exhibitions by prioritizing artist freedom, intimacy, and community engagement.

Sur Arte Radio et dans une expo, l’enquête d’Adrianna Wallis sur les traces de sa grand-mère peintre spoliée par les nazis

Artist Adrianna Wallis (born 1981) discovers that her paternal grandmother, painter Diane Esmond (1910–1981), was a victim of Nazi looting during World War II. After being contacted by historians Patricia Helletzgruber and Sophie Juliard, Wallis learns that much of Esmond's work was systematically destroyed by the ERR, the Nazi organization responsible for art theft in occupied countries. This revelation sparks a personal investigation that becomes a podcast for Arte Radio titled "Il restera la gravité," blending documentary, autobiographical inquiry, and sound installation. Wallis delves into archives, examining microfilms and lists that detail 46 of Esmond's paintings—each methodically described and declared destroyed, such as "Woman in blue evening dress: annihilated."

Shoot and branch: new photography book highlights the enduring majesty of trees

A new photography book, *Trees of Great Britain and Ireland*, reproduces over 60 photographs originally taken between 1906 and 1913 for Henry John Elwes and Augustine Henry's ambitious seven-volume catalogue of tree species. The images, mostly by uncredited photographers, were printed using a collotype process by the Autotype Company and are now newly lithoprinted to preserve their tonal subtlety. The book includes an introduction by Michael Pritchard and notes by photographic historian Björn Andersson, highlighting the historical and aesthetic significance of these botanical photographs.

Pappi Corsicato's film on photographer Claudio Abate, which recounts the artistic ferment of Rome between the 1960s and 1990s, is now on RaiPlay

È su RaiPlay il film di Pappi Corsicato sul fotografo Claudio Abate che racconta il fermento artistico di Roma tra gli Anni ’60 e ‘90

RaiPlay has released a new documentary film by Pappi Corsicato titled "Claudio Abate. L’obiettivo nell’arte" (2026), which pays tribute to the late photographer Claudio Abate (1943–2017). The film weaves together interviews, archival materials, and footage from Istituto Luce to chronicle Abate's life and work, focusing on his role documenting the vibrant Roman art scene from the 1960s through the 1990s. It highlights his collaborations with key figures such as Jannis Kounellis, Michelangelo Pistoletto, Fabio Sargentini, and the artists of the Pastificio Cerere school, capturing seminal performances, happenings, and installations that defined Arte Povera and other avant-garde movements.

The documentary dedicated to Sicilian patron Antonio Presti airs on Rai Tre. Here is the video preview.

Va in onda su Rai Tre il documentario dedicato al mecenate siciliano Antonio Presti. Qui la video anteprima

On Tuesday, May 19, 2026, at 3:30 PM, RAI 3 will broadcast the documentary "Asteroide 20049 Antonio Presti," produced by Rai Documentari and dedicated to Sicilian patron Antonio Presti (born 1957). Written by Fedora Sasso and Francesco Castellani, curated by Giulietta Venneri, and directed by Fedora Sasso, the film explores Presti's four-decade career using art to intervene in marginalized areas of Sicily. The documentary's title references an asteroid named after Presti, symbolizing his vision linking cosmic and urban space. It opens at the Astrophysical Observatory of Isnello and focuses on the Catania neighborhood of Librino, where Presti created MAGMA, an open-air museum developed through collaboration with students, artists, and residents.

C’è un libro che racconta il sorprendente rapporto storico tra arte, biciclette e ciclismo

Antonio Colombo, the Italian entrepreneur behind Columbus and Cinelli, has published a memoir titled "A.C. Confidential. La mia vita tra arte, bicicletta e design" (Ediciclo Editore, 2026, co-written with Giacomo Pellizzari). The book traces his family's engineering legacy—his father Angelo Luigi Colombo supplied steel tubes to Bauhaus designer Marcel Breuer in 1933—and Colombo's own career fusing technical precision with artistic vision. He acquired Cinelli in 1978, collaborated with artists like Keith Haring, Alessandro Mendini, and Barry McGee, and introduced groundbreaking bicycle models including the Rampichino mountain bike (1985) and the Laser, which won the Compasso d'Oro design award in 1991. The narrative also covers his friendships with artists Mario Schifano (who designed Tour de France jerseys) and his role in the Red Hook Criterium fixed-gear race.

Art Lovers Movie Club: Elisabeth Brun, ‘Big Tech Blues’, 2025

ArtReview's Art Lovers Movie Club presents Elisabeth Brun's film 'Big Tech Blues' (2025), an auto-documentary that follows a small village in northern Norway as it resists the installation of a SpaceX Starlink 'Gateway' transmission site. The film blends personal essay, documentary footage, and interviews with residents who protest the hub over concerns about noise pollution, radiation, and environmental impact on the rural coastline. Brun contrasts slick Starlink promotional material with slow, intimate scenes of the landscape and community organizing on Facebook, highlighting the irony of using digital tools to fight digital infrastructure.

Who Owns the Megayachts Docked Outside the Venice Biennale?

The article examines the megayachts docked outside the Venice Biennale, focusing on the 170-foot vessel 'Private GG' owned by Giancarlo Giammetti, cofounder of the Valentino fashion house. Giammetti, a serious art collector, was in Venice for the Biennale opening, posting photos of artworks and a dinner with actress Salma Hayek and her husband François-Henri Pinault, a major art collector. The yacht, built in 2022 by CRN, features luxury amenities including a jacuzzi, cinema saloon, and beach club.

Women behind the lens: ‘After state massacres, I began burning the prints as an act of mourning’

Iranian-Canadian visual journalist and artist Parisa Azadi describes her process of creating protest photographs during the 2022 Iranian revolution from exile in Dubai. Unable to return to Iran, she used open-source protest footage from social media, isolating frames and printing them with a Fujifilm instax camera to transform ephemeral digital images into physical objects. In January 2026, after state massacres and executions, she began burning these prints as an act of mourning, scarring their surfaces to echo the violence they depict.

In plane sight: how the gilded elite live – in pictures

Photographer Will Vogt's second monograph, *Behind the Hedges*, offers an intimate glimpse into the lives of America's gilded elite, featuring images of his own social circle at hunting estates, weddings, exclusive club lunches, and golf weekends. The book, published by Schilt Publishing, includes quotes by Vogt and text by editor Jennifer Garza-Cuen from her essay 'Posture of Privilege,' capturing a world of inherited wealth and tradition.

Comment | The slopification of political art

The article critiques the rise of AI-generated political imagery, such as Donald Trump depicted as Jesus and viral Lego videos of the Iranian Revolutionary Guard Corps, arguing that these shallow, generic visuals fail to provide meaningful or lasting cultural commentary on current conflicts. The author contrasts this with the inventive, humorous resistance seen during the 2013 Gezi Park protests in Istanbul, which later influenced a generation of Turkish artists.

8 Art Films Worth Watching in May

8 Kunstfilme, die sich im Mai lohnen

Monopol magazine presents eight art films worth streaming in May, including a documentary featuring 40,000 slides from critic Jerry Saltz capturing the 1990s New York art scene, Shirin Neshat's film "Women Without Men" about women in 1953 Tehran, Christian Petzold's new film "Miroirs No. 3," and a documentary on the Shroud of Turin. The roundup also includes a politically charged drama directed by Yael Bartana and a Dada-metal film, offering a diverse selection of art-related cinema.

‘It’s about processing’: the artist who spent three months recreating the most poignant moments with her ex

Photographer Diana Markosian has created a new project titled "Replaced," in which she spent three months recreating intimate moments from her past relationship with an ex-partner. To document the experience of falling in and out of love, she hired an actor to play her ex and traveled with him to locations they once visited together, including Miami, Paris, Naples, Capri, and Nice. The series blurs documentary and fiction, using staged reenactments to process grief, heartbreak, and healing.

Required Reading

This week's Required Reading roundup from Hyperallergic covers a diverse range of art-world stories. French photographer JR has unveiled "La Caverne du Pont Neuf Paris" (2026), an optical illusion installation that transforms the pathway across the Seine into a black-and-white mountain range cave, paying homage to Christo and Jeanne-Claude's 1985 wrapping of the same bridge. Other highlights include architecture scholar Karrie Jacobs investigating a New York waterfront walking initiative for The Nation, curator Tara Contractor writing in Apollo about James McNeill Whistler's use of metallic pigments influenced by Japanese traditions, and Rob Corsini interviewing Amelia Abraham about their new book celebrating photography of queer nightlife for Dazed.

How Art Libraries Make Art Accessible

Wie Artotheken Kunst zugänglich machen

Artotheken, or art libraries, are public institutions that lend artworks to anyone with a library card, making art accessible beyond the traditional museum or gallery system. In Germany, over 100 such artotheken exist, often housed in public libraries, art associations, or museums. The Amerika-Gedenkbibliothek in Berlin, for example, has a collection of 2,000 works, with around 300 currently on loan to homes, doctors' offices, and law firms. The lending process is informal: borrowers can eat, drink, and even touch the works, and transport by bus or bike is encouraged. A jury selects up to 15 new works annually, and the collection includes major names like Roy Lichtenstein and Niki de Saint Phalle, though most users choose pieces based on personal connection rather than prestige.

On ARTE, the Ruffini Affair or the Autopsy of an Extraordinary Scandal in the Art World

Sur Arte, l’affaire Ruffini ou l’autopsie d’un scandale hors norme dans le monde de l’art

The documentary series "Le Peintre, la Pizza et le Corbeau" (The Painter, the Pizza and the Crow), available on ARTE, investigates a sprawling art forgery scandal centered on discreet dealer Giuliano Ruffini. Beginning in spring 2014 with an anonymous letter, the case led to a judicial inquiry by judge Aude Burési and France's Central Office for the Fight against Trafficking in Cultural Goods (OCBC). The series follows multiple suspicious artworks—including a Lucas Cranach Venus seized from an exhibition at the Hôtel de Caumont, a David and Goliath by Artemisia Gentileschi, and a Frans Hals portrait—each raising questions of authenticity. Ruffini, a former painter turned collector, remains an enigmatic figure, portrayed as both intuitive genius and possible cog in an opaque system.

Meet the Writer Who Sees Every Single Show at the Venice Biennale

Jaeyong Park, a Seoul-based writer, translator, and interpreter, has attended every edition of the Venice Biennale since 2022—including both art and architecture cycles—and seen every single show, from the central exhibition and national pavilions to collateral and unofficial events. He documents his journeys in regular dispatches and has compiled a free bilingual guide to the biennial. Park organizes his trips with a group of fellow art workers, splitting accommodation costs and sharing reviews over dinner to ensure full coverage.

‘They tore up everything’: the wolf hunters of Kyrgyzstan – in pictures

Photographer Luke Oppenheimer traveled to the remote Kyrgyz village of Ottuk in 2021 for a short assignment on wolves preying on livestock, but ended up staying for four years. His project, titled 'Ottuk' and published by Aliens in Residence, documents the lives of shepherds who hunt wolves to protect their herds in the Tien Shan mountains, capturing their ancient way of life, harsh winters, and the legends that shape their community.

Long Live the King?

Sam Jacob's essay in ArtReview uses the upcoming Baz Luhrmann film 'EPIC: Elvis Presley in Concert' (2026) as a springboard to explore the cultural and technical implications of digital restoration. The film, a spinoff from Luhrmann's 2022 Elvis biopic, draws on 59 hours of previously unseen footage from Elvis Presley's 1970 and 1972 Las Vegas performances, recovered from Warner's Kansas salt-mine archive. Using Peter Jackson's Park Road Post technology—including Machine Assisted Learning (MAL) for demixing audio and video—the damaged, fragmented material has been digitally scanned, reconstructed, and enhanced to 4k resolution with 12-channel sound, presented in IMAX cinemas.

The Finale Cut: Lucio Fontana e la sua arte al cinema

A new documentary titled "The Final Cut" explores the life and artistic journey of Lucio Fontana, the Italian-Argentine artist famous for his slashed canvases (Concetti Spaziali). Produced by Good Day Films and Nexo Studios, directed by Andrea Bettinetti and narrated by Miriam Leone, the film will screen in Italian cinemas on May 25–27 as part of the "La Grande Arte al Cinema" season. It features archival footage, interviews with artists such as Doug Wheeler, Antony Gormley, Carsten Höller, Alfredo Jaar, Michelangelo Pistoletto, Heinz Mack, and scholars Luca Massimo Barbero and Daniela Alejandra Sbaraglia, highlighting Fontana's revolutionary approach and his first immersive installation, "Ambiente Spaziale a luce nera" (1949).

Being a Street Photographer. Interview with Simone Morelli, the Artist of Slowness

Essere street photographer. Intervista a Simone Morelli, l’artista della lentezza

Simone Morelli, a street photographer born in Rome in 1987, discusses his slow, analog approach to photography in an interview with Artribune. He began after receiving a Praktica film camera as a gift in Sweden in 2012, and was captivated by the process of shooting and printing on film. Morelli describes his method as instinctive yet deliberate, often working on long-term projects that build a coherent visual narrative rather than seeking single 'beautiful' images. He cites Josef Koudelka as a key influence and emphasizes the importance of patience and reflection in an era dominated by fast, digital imagery.

Saving the Street Art of the Bombs: A True Story from Ukraine

Salvare la street art delle bombe: una storia vera dall’Ucraina

A documentary titled "Arte vs Guerra – Banksy e C215 a Borodyanka, Ucraina" will air on Sky Arte on April 26, recounting how street artists Banksy and C215 created murals in Borodyanka, Ukraine, shortly after the Russian invasion began in February 2022. The works include Banksy's "La Ginnasta" and "Davide e Golia," as well as C215's portraits of war victims like Dmytro Kotsiubaylo. The film also follows three Italian restorers—Paola Ciaccia, Alessandro Cini, and Maria Colonna—who risked their safety to preserve these murals from war damage and landmines.

‘Anger, curiosity and hope’: a planet of protest – in pictures

Matthew Connors' new photo book, *The Axe Will Survive the Master*, compiles 12 years of protest photography from Hong Kong, Cairo, New York, Kyiv, North Korea, and beyond. Published by MACK Books, the work weaves together images from the Occupy movement, the Egyptian revolution, Hong Kong's pro-democracy protests, the war in Ukraine, and other confrontations with authoritarian power, dissolving geographic boundaries into a single sequence drawn from an archive of 200,000 images.