The article presents a curated list of 13 seminal Western artworks featuring the nude form, highlighting how each piece shifted artistic conventions and cultural perceptions. It begins with the Paleolithic Venus of Willendorf and moves chronologically through works by artists including Sandro Botticelli, Leonardo da Vinci, Lavinia Fontana, and Édouard Manet, analyzing their groundbreaking approaches to depicting the human body.
2025 Art21 at the Movies
On October 8 and 10, 2025, Art21 hosted its second 'Art21 at the Movies' event in New York. The two-day program featured film premieres, artist talks, and screenings at venues including the Metrograph and the Museum of Modern Art. It highlighted artists from the 'Art in the Twenty-First Century' series and included discussions with filmmakers and curators.
A growing number of gallerists are moving away from the traditional 'white cube' gallery model, opting instead for spaces with unconventional architecture and distinct character. These include locations in repurposed industrial buildings, historic structures, and uniquely designed new constructions that actively shape the visitor's experience of the art.
Art historian Amy Dempsey has published a new book, 'The Female Body in Art,' which examines the historical representation of women in Western art. The book moves from Renaissance archetypes to contemporary works, focusing on a celebratory selection of artists and images rather than critiquing the often problematic history of the female nude.
This article profiles ten young painters to watch this spring, highlighting their innovative approaches to the ancient medium of painting. Featured artists include British painter Francesca Mollett, whose abstractions have exceeded market expectations with works like 'Two Thistles' fetching over GBP 250,000 at auction; Samuel Hindolo, whose mysterious figurative and abstract paintings have caught the attention of critic Hilton Als; and Stanislava Kovalčíková, whose provocative mythological works were exhibited at Aspen Art Museum and who runs the independent space The White Ermine in Düsseldorf. Other artists mentioned include Evelyn Plaschg, who transforms mundane objects into unsettling meditations, with a solo museum exhibition opening at HALLE FÜR KUNST Steiermark.
Arte e coscienza sociale: gli ideali del leggendario artista Joseph Beuys raccontati in un fumetto
A new graphic novel by Italian illustrator Gianluca Costantini explores the life and social ideals of the legendary German artist Joseph Beuys. The comic focuses on Beuys's final major work, 'Palazzo Regale' (1985), an environmental installation housed at the K20 museum in Düsseldorf, interpreting it as a synthesis of his belief in art as a transformative social force.
On Friday night, Bobbi Salvör Menuez, Whitney Mallett, and quori Theodor hosted a fundraiser vintage sale above Chinatown at lighting design studio Blue Green Works, benefiting the Trans Justice Funding Project. The event featured poetry and literary readings, with designer donations from Lena Waithe, Pedro Pascal, Chloë Sevigny, Julia Fox, Tommy Dorfman, Conner Ives, and Eckhaus Latta, plus archival pieces from co-organizer John Mollet's personal collection including Hermès and a Jean Paul Gaultier ballet costume. Guests included artists, writers, and photographers such as Collier Schorr, K8 Hardy, and Erin Markey.
The 2026 Met Gala, held at the Metropolitan Museum of Art under the theme 'Costume Art,' featured Black celebrities and socialites interpreting the human form as art on the red carpet. Notable attendees included Beyoncé in a skeletal silver gown by Olivier Rousteing, Colman Domingo inspired by Jean-Michel Basquiat, Rihanna in a custom Maison Margiela 'living sculpture' by Glenn Martens, and Venus Williams co-chairing the event while wearing a look referencing her own portrait by Robert Pruitt. Others like SZA, Tschabalala Self, and Cardi B offered surreal or literal nods to art history and body imagery.
The article explores the often-overlooked significance of color in museum spaces, prompted by a conversation with architect Annabelle Selldorf about her $220 million renovation of New York's Frick Collection. Selldorf describes the new auditorium's muted grey as creating a calm, meditative environment, contrasting sharply with Tate Modern's Starr Cinema, which architect Jacques Herzog painted shocking red to symbolize the space as the museum's "brain." The piece traces historical approaches to gallery wall colors, from Charles Eastlake's advocacy at the National Gallery in London—informed by Goethe's color theory—to the enduring orthodoxy of reds and greens, and a notable departure with deep Prussian blue for a Gainsborough exhibition at Tate Britain. It also recounts Henri Matisse's 1946 project in Paris, where he covered his room's grimy beige walls with cut-paper forms, creating the screens "Océanie, Le Ciel" and "Océanie, La Mer."
Orlebar Brown and CULTURED magazine hosted a launch event in the Hamptons for the British brand's summer collection, held at Il Buco's Amagansett outpost. Guests included photographers, gallerists, a collector, an investor, a designer, and an artist, who mingled over drinks despite rainy weather.
Patrick Jambon, a 58-year-old French performance artist living in Berlin, has spent the past 25 years attending gallery openings as a continuous performance piece he calls his 'gallery project.' Dressed in a bright red T-shirt, cartoonish metal-framed glasses, and carrying a yellow bike helmet, he visits dozens of galleries daily, compiling opening lists from websites and social media. His project has become so embedded in the city's art scene that his handwritten lists are now exhibited in spaces like Berlin-Weekly, and artists such as Ae Hee Lee note that 'you aren't a real Berlin artist if you don't know him.'
Cultured magazine hosted a launch party for its new Chinese edition, CULTURED China, at The Blond in SoHo, New York. The event brought together fashion, art, and design insiders including designers Prabal Gurung and Bach Mai, gallery directors Lucy Liu and Rachel Uffner, artists Wes Aderhold and Jonathan Gardenhire, and cultural commentator Wesley Breed. A musical performance by Zhang Xiaoqing entertained guests, who received complimentary copies of the September issue.
Marga Sánchez Romero, a professor of Prehistory at the University of Granada and a leading voice in feminist archaeology in Spain, argues in an interview that prehistory has been misrepresented as a sequence of violence and hierarchies. She emphasizes that new questions are reshaping our understanding of the past, highlighting that care, cooperation, and solidarity were as crucial as conflict in human evolution. The conversation covers biases in archaeological interpretation, the famous Viking tomb of Birka, the origins of inequality, and the role of museums in creating more inclusive narratives.