filter_list Showing 32 results for "HOPE" close Clear
search
dashboard All 421 museum exhibitions 210article local 68trending_up market 36article news 36article culture 32rate_review review 11person people 11gavel restitution 7article policy 6candle obituary 4
date_range Range Today This Week This Month All
Subscribe

year in latinx art 2025 artists museums

The article reflects on the state of Latinx art in 2025, a year marked by devastating wildfires in Los Angeles and the start of the second Trump administration, which has intensified ICE raids and targeted communities of color. Amid this crisis, artists have created poignant responses, including AMBOS's ceramics project at Frieze Los Angeles benefiting migrants awaiting asylum hearings, and Consuelo Jimenez Underwood's solo exhibition at Artpace in San Antonio, which explored borders both literal and cosmic. The piece also highlights a two-person show by Beatriz Cortez and rafa esparza at the Americas Society, titled "Earth and Cosmos," featuring works that challenge time and space.

Arghavan Khosravi’s Intricate Paintings Find Hope amid Oppression

Arghavan Khosravi creates intricate, surreal three-dimensional paintings that blend sculptural elements with painted canvases, featuring hidden details such as creased book spines, concealed female figures, and glowing bullets. In an interview at her Connecticut studio, she explains her preference for works that reveal themselves gradually over time, rather than shouting for attention.

The Met’s Frida & Diego Opera Imagines Feminist Revenge from Beyond the Grave

The Metropolitan Opera has opened "El Último Sueño de Frida y Diego," a new opera by composer Gabriela Lena Frank and librettist Nilo Cruz that imagines Frida Kahlo returning from the underworld during Día de los Muertos for a reunion with her husband Diego Rivera. The production features mezzo-soprano Isabel Leonard as Frida, Carlos Álvarez as Diego, and choreography by Deborah Colker, with sets by Jon Bausor that evoke Kahlo's iconic paintings and mirror. The opera explores themes of pain, creativity, and marital strife, granting Kahlo physical freedom denied to her in life while centering her perspective over Rivera's.

art work sally mann memoir

Photographer Sally Mann discusses her new book "Art Work," a follow-up to her National Book Award finalist memoir "Hold Still." In the interview with Cultured, Mann reflects on her career, her black-and-white imagery of family and the Southern landscape, and her shift to digital photography. She shares insights on the changing photography landscape, the melding of art and commerce, and her hopes for the next generation of artists.

collectors queer art pride month

CULTURED revisits four collector questionnaires from Pride Month, featuring Rob and Eric Thomas-Suwall (the Icy Gays), Chad Leat, and Ilan Cohen. Each collector shares their personal journey, motivations, and the LGBTQ+ artists they champion, including Salman Toor, Dominique Fung, Anna Weyant, Roni Horn, John Giorno, Wolfgang Tillmans, Doron Langberg, Louis Fratino, and TM Davy. The article offers intimate glimpses into their homes and collections, highlighting how they discovered art, built relationships with dealers, and navigated collecting from remote or non-traditional locations.

art words of the year

Artnet News critic Ben Davis presents his annual "art words of the year" for 2025, a curated list of terms that capture prevailing moods and ideas in the art world. The list includes "antimemetics" (from writer Nadia Asparhouva and internet fiction), "cyniserity" (coined by art writer David Colman to describe Anne Imhoff's work), "delightmare" (a horror-adjacent feeling linked to overconsumption and AI art, exemplified by Beeple's Art Basel installation), "elite capture" (from philosopher Olúfẹ́mi O. Táíwò's book, now a tool for critiquing identity politics in art), and "K-shaped" (an economic term describing divergent recovery, applied to gallery closures versus record auction sales).

anne imhof doom nike jerseys

Anne Imhof, the German artist known for her sprawling performances and winner of the 2017 Venice Biennale Golden Lion, has created her first brand collaboration with Nike. She designed two rival jerseys for Nike's revived Total 90 line, inspired by the warring 'houses' from her Park Avenue Armory project *Doom: House of Hope*: a black-and-blue short-sleeve jersey for the Tigers and a red long-sleeve jersey with a wolf's head for the Wolves. The designs, realized with Zak Group, feature the Doom crest and 'Imhof 25' on the back, and were launched with a live performance by Berlin musicians Lia Lia and ATK44 during Berlin Art Week. The jerseys will be available from September 16 at Voo Berlin and Dover Street Market in London.

Van Gogh’s family used an erotic Gauguin ceramic as a flower vase

A researcher at the Van Gogh Museum, Joost van der Hoeven, has revealed that Paul Gauguin's erotic ceramic, the Cleopatra Pot (winter 1887-88), was used as a flower vase by Vincent van Gogh's family. Gauguin brought the pot to Arles when he stayed with Van Gogh in 1888, and after Van Gogh's ear incident, Gauguin gave the pot to Vincent's brother Theo as a gift. The pot later remained with Theo's widow, Jo Bonger, and a photograph from 1925-26 shows it on her piano holding flowers, surrounded by still-life paintings.

Nine Lessons on My Path From Engagement to Leadership

The article is an excerpt from the forthcoming field resource 'Curating Engagement,' featuring a first-person reflection by an arts professional. The author outlines nine lessons learned over two decades of practice, moving from engagement-focused roles to institutional leadership. Key lessons emphasize curiosity as a foundational practice, engagement as a form of service to communities rather than extraction, and the importance of site and history as collaborators in curatorial work.

The Narrow Corridor of Normality

Der schmale Korridor der Normalität

Artist Beate Gütschow reflects on Pieter Bruegel the Elder’s 16th-century engraving "Spes" (Hope), which she encountered during a visit to the Kunstmuseum Basel. The artwork depicts a personified figure of Hope standing amidst a chaotic scene of shipwrecks and flooding, symbolizing the necessity of maintaining focus and action even in the face of overwhelming disaster.

A ‘bird of Mexico City’ strikes a revolutionary pose: Pieter Henket’s best photograph

Photographer Pieter Henket describes the creation of his portrait "La Mujer" (The Woman), part of his series "Birds of Mexico City." The image features Ixchel Paz, a young Mexican woman wearing a lucha libre wrestling mask, captured in a dignified pose on the first day of the project. Henket explains how the series evolved from an earlier project, "Birds of New York," which celebrated young people in New York during the first Trump administration. After the pandemic, he traveled to Mexico City with his husband Roger Inniss, collaborated with stylist Chino Castilla and his team, and encouraged subjects to express their identities through costume and culture.

Can Raising Children Make You a Better Artist? Four Artist Mothers Weigh In.

Four artist mothers—Hope Atherton, Jessi Reaves, Sam Moyer, and Sarah Morris—share candid reflections on how raising children has shaped their art practices. They discuss fractured time, heightened decisiveness, evolving rituals like bedtime reading, and the guilt and power that accompany balancing motherhood with studio work. Atherton describes a new sense of urgency and efficiency, while Reaves and others offer personal anecdotes about the interplay between caregiving and creativity.

Three artists, three questions: Immersed in colors

Three Israeli artists—Vera Kunis, Avraham Kan, and Tal Tenne Czaczkes—are featured in a column exploring their use of color amid the ongoing war with Iran. Kunis, a data engineer and artist, opened her first solo exhibition, "Imagination Algorithm," at the Global Art Gallery in Tel Aviv on March 10, 2026, during the conflict. The interview was conducted remotely due to war conditions, with a siren interrupting the conversation. The artists discuss their inspirations, definitions of art, and what makes their work unique, emphasizing resilience and optimism through color.

secret mall apartment documentary michael townsend

A new documentary titled *Secret Mall Apartment*, directed by Jeremy Workman and produced by Jesse Eisenberg, tells the true story of eight artists who secretly built and lived in a hidden apartment inside the Providence Place mall in Providence, Rhode Island, for four years in the late 1990s and early 2000s. Led by Michael Townsend, the group—including Adriana Valdez Young, Andrew Oesch, Jay Zehngebot, Colin Bliss, James Mercer, Greta Scheing, and Emily Ustach—transformed a forgotten dead zone of the corporate complex into a living space and art collective headquarters, calling the project "Malllife." The film features never-before-identified participants and footage of their discovery by mall authorities.

pope francis art artists

Artnet News has compiled a selection of artworks created in anticipation of Pope Francis's first visit to the United States. The works include Anthony VanArsdale's portrait for the North American College in Rome, a new addition to the 'Franks' mural at Philadelphia's Dirty Franks bar, a massive photo-realistic mural by Van Hecht-Nielsen overlooking Madison Square Garden in New York, a large-scale mural by Caesar Viveros for the Philadelphia Mural Arts Program, and a controversial, officially licensed portrait by Perry Milou. Other featured pieces include an illustration by Omkar Shivaprasad and a vandalized mural in Bolivia by William Luna and Guillermo Rodriguez.

best art world movies 2025

Artnet News has published a roundup of the best art world movies of 2025, highlighting films that explore the anxieties, ambitions, and contradictions of the contemporary art scene. The selection includes Kelly Reichardt's heist film *The Mastermind*, about a man stealing Arthur Dove paintings from a museum; the satire *Auction*, which follows a Parisian auctioneer discovering a long-lost Egon Schiele; the documentary *Art for Everybody*, reexamining Thomas Kinkade's legacy; and Ira Sachs's *Peter Hujar's Day*, a gentle portrait of the photographer's daily life. Spike Lee's *Highest 2 Lowest* also features, marking his entry into the old-guard canon.

pope leo xiv olafur eliasson greenland ice blessing

At the Raising Hope conference in Rome, Pope Leo XIV blessed a 20,000-year-old piece of Greenland glacial ice brought onstage by artist Olafur Eliasson. The ice, transported from Nuup Kangerlua fjord with geologist Minik Rosing, had already broken away from the Greenland ice sheet and was melting. Eliasson documented the event on Instagram, calling it a striking moment that underscored the connection between nature and humanity.

kamala culture failure

Ben Davis, an art critic, analyzes the failure of Kamala Harris's 2024 presidential campaign through the lens of its visual culture, particularly a MoveOn.org poster in Brooklyn that renders Harris's face entirely from emojis—smiley eyes, fist-bump skin, octopus lips, and coconut necklace. He argues this poster epitomizes the campaign's reliance on incoherent internet vibes and substance-free memes, contrasting it with Shepard Fairey's uninspired "FORWARD" poster and the self-parody of "Brat Summer" aesthetics. Davis blames Democratic Party consultants for wasting over $1 billion on a campaign that failed to connect with voters on economic anger, instead offering wonkish proposals and appeals to nonexistent Liz Cheney Republicans.

Khaled Sabsabi: Splintered Worlds

Khaled Sabsabi, a Lebanese Australian artist, explores the intersection of spirituality and perception through video and mixed-media installations rooted in Sufism. His work, such as the 18-minute video *Lefke Morning* (2012–18), captures the Naqshbandi-Haqqani Sufi Order's dawn meditations, using blurred imagery and soundscapes to challenge Islamophobic media tropes and evoke a sense of unity. Sabsabi's practice also draws on hip-hop, which he performed as "Peacefender" in the 1980s, using music to address social issues and support marginalized communities in Western Sydney.

Comment | In worrying times for politics and the environment, art can still provide hope

In a reflective essay for 2026, the author draws on conversations with artists Luc Tuymans and Olafur Eliasson from the "A brush with…" podcast to explore art's capacity to offer hope amid political and environmental crises. Eliasson discusses his climate-focused works like the glacier melt series "1999/2019" and his despair after COP30, emphasizing action over hope, while Tuymans addresses political trauma through his exhibition at David Zwirner, including a riff on Géricault's "The Raft of the Medusa" that compares the United States to a fruit basket.

In The Mastermind, an art heist’s aftermath unfolds against the backdrop of Vietnam War-era America

Kelly Reichardt's new film *The Mastermind* premiered at the Cannes Film Festival, following J.B. Mooney (Josh O'Connor), a carpenter who orchestrates an art heist targeting four Arthur Dove paintings from a fictional Massachusetts museum. The heist is inspired by a real 1972 robbery at the Worcester Art Museum, and the film explores the tension between artistic value and monetary worth against the backdrop of Vietnam War-era America.

artists new technology new museum

DEMO2025, the annual festival from NEW INC (the New Museum's incubator for cutting-edge culture), is hosting a public event at Water Street Projects in Lower Manhattan featuring on-site augmented reality experiments and new models of collective storytelling. To mark the festival, CULTURED asked several NEW INC alumni—including Idris Brewster, Mindy Seu, Stephanie Dinkins, LaJuné McMillian, and the MSCHF Collective—to share which technological developments they find most concerning as artists and which offer the most potential. Their responses address surveillance, attention economies, extractive systems, and the promise of radical alternatives rooted in collectivity and world-building.

Saving the Street Art of the Bombs: A True Story from Ukraine

Salvare la street art delle bombe: una storia vera dall’Ucraina

A documentary titled "Arte vs Guerra – Banksy e C215 a Borodyanka, Ucraina" will air on Sky Arte on April 26, recounting how street artists Banksy and C215 created murals in Borodyanka, Ukraine, shortly after the Russian invasion began in February 2022. The works include Banksy's "La Ginnasta" and "Davide e Golia," as well as C215's portraits of war victims like Dmytro Kotsiubaylo. The film also follows three Italian restorers—Paola Ciaccia, Alessandro Cini, and Maria Colonna—who risked their safety to preserve these murals from war damage and landmines.

Learning is something aesthetic and emotional. Marco Dallari says so in his latest book (and in this interview)

L’apprendimento è qualcosa di estetico e di emotivo. Lo dice Marco Dallari nel suo ultimo libro (e in questa intervista)

Italian pedagogist Marco Dallari discusses his latest book, "La bellezza di Sophia" (2026), which explores the intrinsic human drive for knowledge as an aesthetic and emotional necessity rather than a pragmatic survival tool. Drawing on Freudian concepts and the work of Alessandra Risso, Dallari argues that the desire to learn is a primal impulse that should be nurtured through beauty and curiosity rather than stifled by rigid institutional structures.

‘Anger, curiosity and hope’: a planet of protest – in pictures

Matthew Connors' new photo book, *The Axe Will Survive the Master*, compiles 12 years of protest photography from Hong Kong, Cairo, New York, Kyiv, North Korea, and beyond. Published by MACK Books, the work weaves together images from the Occupy movement, the Egyptian revolution, Hong Kong's pro-democracy protests, the war in Ukraine, and other confrontations with authoritarian power, dissolving geographic boundaries into a single sequence drawn from an archive of 200,000 images.

author rob franklin great black hope interview

Rob Franklin, a professor, poet, critic, and co-founder of Art for Black Lives, has released his debut novel "Great Black Hope" on June 10. The book follows Smith, a queer Black Stanford graduate, who is arrested for cocaine possession in the Hamptons after his best friend's death, leading him through New York's nightclubs, courtrooms, and recovery meetings. The novel is described as a satirical, intellectually incisive, and mournful addition to the canon of New York party literature, blending social commentary with a bildungsroman and elegy.

design davone tines julie dash film charleston

Opera singer Davóne Tines and filmmaker Julie Dash collaborated on the short film "HOMEGOING," commemorating the 10-year anniversary of the 2015 mass shooting at Mother Emanuel AME Church in Charleston, South Carolina. The film was created as part of the exhibition "MONUMENTS" at The Brick and MOCA in Los Angeles, curated by Hamza Walker, which interrogates American identity through historical relics. Tines and Dash discuss their shared Southern roots, the role of ritual in healing, and the emotional process of filming inside the historic church.

Die Welt als Sound – mit Peter Licht

Peter Licht, a German musician, author, and playwright, appears as a guest on the 82nd episode of the "Fantasiemuskel" podcast, where he discusses his view of the world as a sound phenomenon. He reflects on his 2006 song "Lied vom Ende des Kapitalismus," which preceded the 2008 financial crisis, and explores how language, fear, and utopian moments manifest through sound in his work—whether in pop songs, theater pieces, or novels. Licht also describes a recent "problem-solving show" at Schauspiel Köln, where audience members submit problems that are collectively sung, turning singing into an act of resistance and community-building.

For Another Buddhism, Against Byung-Chul Han

The article is a critical essay by Alex Taek-Gwang Lee challenging the philosophical approach of popular thinker Byung-Chul Han. It argues that Han's accessible, 'Sloterdijkian' style prioritizes rhetorical flair and immediate recognition over dialectical rigor and material political analysis, resulting in a critique that circulates comfortably within the very neoliberal attention economy it claims to oppose.

Comment | Climate change is forcing tough choices—how much heritage can we save before it is too late?

Climate change is accelerating the degradation of archaeological sites worldwide, forcing archaeologists to make urgent, difficult choices about what to save. From thawing permafrost in the Canadian Arctic threatening Inuit heritage to landslides endangering ancient Buddhist temples in Nepal, researchers are now deploying innovative technologies like ground-penetrating radar, 3D scanning, and even cosmic-ray muon detectors to digitally document and monitor at-risk sites before they are lost.