Christo's posthumous exhibition "Air" at Gagosian in London finally realizes a 1960s concept to contain air within a room, using a massive polyethylene sack suspended from the ceiling that forces visitors to physically engage with the space. The show also includes early wrapped bubble works and a preserved wrapped Volvo, tracing the artist's lifelong fascination with making the invisible tangible.
The 61st Venice International Art Biennale has opened in Venice, running until November, amid unprecedented turmoil. The main exhibition, "In Minor Keys," was curated by Koyo Kouoh, who died of cancer shortly after presenting her vision featuring 111 artists including Carsten Höller, Alvaro Barrington, and Laurie Anderson. Her death has eliminated the Lifetime Achievement Award this year. Additionally, the Biennale faces a funding crisis as the EU threatens to withdraw its €2 million subsidy over Russia's participation with 38 artists following the invasion of Ukraine. Iran, Nigeria, and Israel are absent from their pavilions, while the US Pavilion, now organized by the American Arts Conservancy under inexperienced leadership, features self-taught artist Alma Allen.
The article details the early career of Peggy Guggenheim before she established her famous Venetian museum, focusing on her London gallery Guggenheim Jeune (1938–1939). It describes how the gallery mounted pioneering exhibitions of avant-garde art, including the first UK solo show of Wassily Kandinsky, a group exhibition of contemporary sculpture featuring Jean Arp and Henry Moore, and shows of artists like Marie Vassilief and Gisèle Freund. The Peggy Guggenheim Collection in Venice now presents a retrospective of this formative period, titled "Peggy Guggenheim a Londra. Nascita di una collezionista."
A collateral exhibition at the 2024 Venice Biennale, titled "Tadeusz Kantor (1915-1990) Emballage Cricotage and Madame Jarema," brings together two towering figures of the Polish avant-garde: Tadeusz Kantor and Maria Jarema. Organized by the Starak Family Foundation at the Procuratie Vecchie, the show features over 60 works spanning paintings, monotypes, sculptures, theatre props, and costumes, culminating in a room dedicated to Kantor's seminal theatre piece "The Dead Class" (1975). Jarema's work was shown at the 1958 Venice Biennale, and Kantor exhibited in the Polish pavilion in 1960; the exhibition highlights their intertwined, interdisciplinary practice and their foundational role in post-war Polish avant-garde art.
A major exhibition at Palazzo Reale in Milan explores the Macchiaioli, the 19th-century Italian painting movement often seen as a precursor to Impressionism. The show brings together works by key figures such as Giovanni Fattori, Silvestro Lega, Telemaco Signorini, Giuseppe Abbati, and Odoardo Borrani, alongside tangential artists like Giovanni Boldini, Federico Faruffini, and Gerolamo Induno. It traces the movement's origins at Florence's Caffè Michelangiolo, its epicenter at Castiglioncello under patron Diego Martelli, and its evolution from the 1850s through the 1870s, when the group's democratic ideals and en plein air techniques challenged academic conventions.
British artist LR Vandy has transformed the Weston Gallery at Yorkshire Sculpture Park with "Rise," an exhibition of dynamic rope sculptures that climb walls, loop through pulleys, and coil across the floor. The centerpiece, "A Call to Dance," is a monumental maypole whose braided strands cascade from a metal ring. Vandy, who works from her studio at the historic Chatham Dockyard, uses maritime fibers that evoke ships, cargo, and hard labor. The sculptures appear caught mid-action, hovering between tension and release, with over 30 kilometers of rope used in the installation, much of it evolved onsite through collaboration with technicians.
The High Museum of Art in Atlanta presents "Isamu Noguchi: 'I am not a designer'," the first design retrospective of the Japanese-American sculptor in 25 years. Co-curated by Monica Obniski and Marin R. Sullivan, the exhibition features nearly 200 objects, including sculptural models, furniture for Herman Miller and Knoll, Akari light fixtures, and large-scale installations like Martha Graham's stage set for "Seraphic Dialogue" (1955). The show challenges Noguchi's own resistance to categorization by framing his multidisciplinary practice—spanning sculpture, design, architecture, and public art—through a design lens.
The Tang Museum at Skidmore College will present 'Pursuing Possibilities: Explorations in Glaze,' a student-curated exhibition running from May 30 to September 12, 2026. Organized by Emily Lin, the 2025–26 Charina Endowment Fund Endowed Intern, the show features works from the Tang collection that examine the chemical composition of ceramic glazes and their expressive possibilities. Lin used X-ray fluorescence to analyze glazes and consulted with ceramics professor Matt Wilt, bringing together art history, chemistry, and studio practice.
The Tang Museum at Skidmore College in Saratoga Springs, New York, has announced its summer 2026 public tour program, beginning May 24 with weekly Tang Guide Tours led by trained student ambassadors. The museum will also host three curator-led tours: Rachel Seligman will lead tours of 'All These Growing Things' (June 11) and 'Sheila Pepe: When & Where We Rest' (August 27), while Dayton Director Ian Berry will guide a tour of 'Kathy Butterly: Assume Yes' (July 16). Additional summer programming includes the Upbeat on the Roof concert series, Frances Day community open house, and Family Saturday art-making events.
Wallace Chan will present "Vessels of Other Worlds," a monumental dual-site exhibition across Venice and Shanghai in 2026, coinciding with his 70th birthday and the 61st Venice Biennale. The exhibition premieres on May 8, 2026, at the Chapel of Santa Maria della Pietà in Venice, featuring a new series of titanium sculptures inspired by the three sacred oils of the Catholic Church, with a parallel exhibition opening on July 18, 2026, at the Long Museum (West Bund) in Shanghai, where the sculptures will be displayed at a dramatically larger scale. Curated by James Putnam, the project also includes a complementary site-specific exhibition, "Mythos," at Scala Contarini del Bovolo in Venice from April to October 2026.
Taipei Fine Arts Museum (TFAM), in collaboration with the Institute for Cultural Exchange in Tübingen, Germany, has launched its major spring exhibition "Surrealism: The World in Dialogue." Featuring over 120 works by nearly 60 international artists, the exhibition marks a century since André Breton's 1924 "Surrealist Manifesto." It juxtaposes historical avant-garde works with contemporary practices, organized into sections such as "Collective Dreams," "Body of Desire," and "Absurd Play." Highlights include Yves Tanguy's dreamscapes, Lauren Moffatt's augmented reality installation, Max Ernst's scraping-method works, Patricia Piccinini's hybrid sculptures, and works by Man Ray, Meret Oppenheim, Sarah Lucas, Luis Buñuel, and Salvador Dalí.
The 1-54 Contemporary African Art Fair, now open at the Starrett-Lehigh Building in Manhattan, presents a smaller edition than previous years but continues to offer unexpected, tactile works. Highlights include Rommulo Vieira Conceição's Pop-art-inspired wall installation at Aura gallery, Kendra Frorup's mixed-media piece at the Current: Baha Mar Gallery, and Eymric Moderne's gold-leaf and glass bird painting at TM Arthouse. The fair also features posthumous works by Marcel Gotène at Loeve and Co and Sophia Bounou's enigmatic paintings at Blond Contemporary.
Bow Arts has announced an open call for the 2027 edition of the East London Art Prize, now entering its third cycle. The prize will support 12 shortlisted artists with exhibitions, mentoring, and career development, awarding one artist £15,000 and a solo exhibition at Nunnery Gallery, and another a year-long studio residency. The judging panel includes Brendan Cormier, Alex Needham, Marine Tanguy, and artist Michelle Williams Gamaker, with submissions open from 14 May to 16 August 2026.
Endre Koronczi, the artist representing Hungary at the 61st Venice Biennale (2026), discusses his upcoming exhibition in the Giardini pavilion. His project, titled "Pneuma Cosmic," explores the movement of air as both a physical and metaphysical phenomenon, drawing on decades of research into invisible forces like wind and breath. The exhibition also references his long-term experimental zone, Ploubuter Park, inspired by drifting plastic bags. Koronczi notes a strong resonance with the Biennale's curatorial theme, "In Minor Keys" by Koyo Kouoh, describing it as a "cosmic zeitgeist."
The article announces the exhibition 'Seeing, Again' at Tang Contemporary Art in Beijing, running from May 16 to June 27, 2026. The show features artists Melody Park, Goyoung, Vibeke Slyngstad, Ruo-Hsin Wu, Yasuhito Kawasaki, and Yoshikatsu Ikeuchi, whose works across painting and sculpture explore themes of perception, memory, and the recovery of Walter Benjamin's concept of 'aura' in an age of image saturation. The exhibition is structured as a continuous sensory reawakening, inviting viewers to slow down and engage with art beyond habitual consumption.
QUEUE Gallery in Miami is presenting 'Evidence of Evolution,' a two-person exhibition featuring Fharid LaTorre’s hand-carved wood and metal sculptures alongside Jamieson Pearl’s oil-on-linen paintings. LaTorre’s works, such as 'showing slivers & taking off skin for sake of dopamine layer of diophantine equations' (2026), use scavenged metal and burl wood to evoke surgical transformations and bodily stress, while Pearl’s paintings depict glitch-blocked internet microcelebrities and screenshots from LiveLeak pornos, rendered freehand in distorted blocks. The show runs at QUEUE’s new location above Tunnel Projects in Miami.
A new exhibition titled "Sacred Spaces: Visions of the West from the Prosaic to the Sublime" has opened at The Art Museum of Eastern Idaho in Idaho Falls, featuring works by six contemporary artists—David Dibble, Bryan Mark Taylor, Josh Clare, Allie Zeyer, Louisa Lorenz, and Carson Thompson. The show, curated by museum Executive Director Alexa Stanger, focuses on the agricultural landscapes of the American West, portraying farms, ranches, and working spaces not as scenic backdrops but as living environments shaped by labor, memory, and generational stewardship. It runs through July 3.
ShanghART Singapore presents 'Simplified', a solo exhibition by Chinese artist Tang Maohong opening on 16 May 2026. The show features paintings developed over the past two years since his relocation to Kuala Lumpur, Malaysia, and marks his return to Singapore after a 2019 solo exhibition and twenty years since his participation in the first Singapore Biennale. Tang's new works explore a technique of mixing colors directly on the painting surface rather than using a palette, collapsing the image and the palette into a single pictorial space.
The Griffin Museum of Photography in Winchester is presenting a series of summer exhibitions running from late May through July 2026. Featured shows include "Photosynthesis XXI," a collaboration between Burlington and Winchester high schools; "Atelier 40," showcasing emerging and advanced photographers from a year-long portfolio course; "Caleb Cain Marcus: A Thousand Rectangles: On Design and the Expression of Art"; "Cassidy Thurber: I Want the Sun to Shine Down on You," the winner of the 2025 Carolyn Harder Scholarship; the 16th Annual Photobook Exhibition; a Handmade Photobook show; and "Visionary." A satellite location at Griffin Museum @WinCam will host Ellen Feldman's "WE PROTEST" from June 16 to September 1.
Fractured Horizons: Imaging After Images, the second edition of VSDesign's international exhibition series, returned to the NYCxDesign Festival in 2026, running for a week in New York. Organized by VSDesign in partnership with RAC Studio and Asia Design Week, the exhibition featured 60 works by artists and designers from across Asia and North America, spanning architecture, urbanism, product design, visual communication, and interactive media. The show explored how images no longer simply depict space but actively produce, operate, and regulate it, treating the image as a spatial mechanism rather than a neutral surface.
The article reports on the exhibition "Sicilia. Un’isola, tante Sicilie. Fotografia, memoria e patrimonio culturale nell’opera di Armando Rotoletti" at the Antiquarium Comunale di Centuripe in Sicily, running until September 27, 2026. The show features over thirty years of black-and-white photographic research by Armando Rotoletti (born 1958 in Messina), a photojournalist who left Sicily for London and Milan but maintained a deep connection to his homeland. His work captures the island's plural, complex identity through rituals, daily gestures, and cultural resistance to standardization, with images that blur past and present.
Young Cham artist Kaeu Sreypeou has opened her first solo exhibition, titled "Remembering," at SNA Arts Management in Phnom Penh, running from May 21 to August 8. The show features 18 acrylic paintings that depict traditional Cham Muslim ceremonies, such as the Mawlid Festival and the Tolak bala cleansing ritual, which are now practiced by only a few communities in Cambodia. Sreypeou, a 2023 graduate of the Royal University of Fine Arts, draws on her own memories and participation in these rituals to document and preserve Cham cultural identity.
The Guimet Museum in Paris is presenting Europe's first-ever exhibition dedicated to the ancient Korean kingdom of Silla. The show features archaeological treasures, including gold crowns, jewelry, and Buddhist artifacts, highlighting the cultural and artistic achievements of Silla, which flourished from 57 BCE to 935 CE.
The exhibition "Barı-n/m-ak" has opened at Müze Gazhane in Istanbul, curated by Hicran Aksöz as a social responsibility project that merges contemporary art with animal rights advocacy. Featuring works by 27 Turkish contemporary artists, the show uses a typographic play on the title to question the concepts of shelter and sheltering, prompting reflection on cohabitation in the city, the right to shelter, and interspecies solidarity. Alongside the artworks, the program includes artist talks and workshops on animal rights-themed art, and at the exhibition's close, artists will connect with collectors to generate funds that will directly purchase supplies for Beşiktaş Municipality Shelters and Angels Farm.
The Brentwood Arts Exchange is hosting 'Borderless,' a mixed-media art exhibit celebrating Asian American and Pacific Islander (AAPI) Heritage Month, running through May 30. Curated by ceramics artist and art teacher Akemi Maegawa, the show features works from artists including Mei Mei Chang, Julia Chon, Jeff Huntington (JAHRU), Jun Lee, and Tang, representing Thailand, South Korea, Taiwan, and the Philippines. The exhibit includes oil portraits, 3D masks, found-object installations, sculptures, and woodblock prints exploring themes of identity, migration, and cultural fluidity. On May 9, the artists participated in a talk as part of the Gateway Open Studios Tour, a one-day annual art event spanning multiple Maryland communities.