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guerrilla girls feminist collective why so important 1234745911

The feminist collective Guerrilla Girls began its activism in May 1985 by wheat-pasting posters in SoHo, New York, that listed prominent male artists and revealed that their galleries showed 10 percent or fewer women artists. The group formed after the 1984 MoMA exhibition 'An International Survey of Recent Painting and Sculpture' included only 13 women out of 169 participants, sparking protests that failed to gain traction. For 40 years, the Guerrilla Girls have used statistics-driven, provocative posters to call out sexism and racism in galleries, museums, and the broader art world. This year, their anniversary is marked by retrospective exhibitions at the National Museum for Women in the Arts in Washington, D.C., the Getty Research Institute in Los Angeles, and the National Gallery of Bulgaria in Sofia.

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The Louvre Museum in Paris has announced an architectural competition for a €400 million ($417 million) expansion, which includes a dedicated underground gallery for Leonardo da Vinci's *Mona Lisa* and a new entrance on the eastern facade near the Seine River. The project, dubbed a "New Renaissance" for the Louvre, follows a staff strike over overcrowding and an internal memo from director Laurence des Cars citing crumbling infrastructure. A 21-person international jury will select the winning design in October, with the aim of easing congestion at I.M. Pei's iconic glass pyramid entrance and providing a separate timed-entry space for the *Mona Lisa*.

Frieze London diary: art historical speed dating and frozen faeces

During Frieze week in London, the National Gallery hosted its 'Unexpected Views' talk series, where eight contemporary artists including Grayson Perry, Shirazeh Houshiary, and Haegue Yang gave ten-minute talks on their favorite works. Tracey Emin and British Museum director Nicholas Cullinan held a candid discussion titled 'Confessions in the Museum,' and the art collective Konn Artiss placed ice blocks containing frozen feces outside major galleries and auction houses as a protest against the art market. The week also featured a lavish Frieze Collectors' Dinner with guests including Ari Emanuel, Sadie Coles, and Christian Levett, and a secret performance by musician Sampha.

We visited the 2026 Venice Art Biennale: the exhibitions and pavilions you shouldn’t miss

The 2026 Venice Art Biennale has opened across the Giardini, Arsenale, and venues throughout the city, with geopolitics, climate collapse, and national identities dominating the exhibitions. Notable pavilions include Austria's "Seaworld Venice" by Florentina Holzinger, the Czech and Slovak Pavilion's "Il Silenzio della Talpa" by Jakub Jansa and Selmeci Kocka Jusko, India's "Geographies of Distance: remembering home" featuring multiple artists, and the Taiwan Pavilion's "Screen Melancholy" by Li Yi-Fan. The Russian Pavilion has become a focal point of controversy, with guards and empty beer bottles outside, and the Pussy Riot collective staging a protest nearby.

Art and authoritarianism in Auckland

Auckland Art Gallery is presenting 'Forever Tomorrow: Chinese Art Now,' a major survey of Chinese contemporary art featuring 67 works by 42 artists, running from May 2 to August 23, 2026. The exhibition includes Xiao Lu's iconic 1989 work 'Dialogue,' which she famously shot with a gun hours after its opening, an act later linked to the Tiananmen Square protests. Xiao Lu comments on the political resonance of the show in New Zealand amid global shifts in democracy and US-centric world order.

In an Age of Image Overload, AIPAD’s The Photography Show Reminds Us What a Photograph Can Do

The 2026 Photography Show, organized by AIPAD, opened to VIPs on April 22 at the Park Avenue Armory with record attendance and strong early sales. Featuring 80 domestic and international galleries, the fair showcased works ranging from early photographic experiments to contemporary digital and installation-based practices, with notable acquisitions by the Museum of the City of New York. AIPAD executive director Lydia Melamed Johnson reported a broad demographic of collectors, from established connoisseurs to first-time buyers.

Director of Contemporary Istanbul urges Turkish art to remain ‘radical and clever’ in face of political tension

Contemporary Istanbul (CI) opened its 20th anniversary edition at the Tersane Istanbul complex, a restored Ottoman shipyard, bringing together 51 galleries from 16 countries. The fair coincided with the Istanbul Biennial, drawing a larger crowd of collectors and museum groups than the previous year. Works by leading Turkish artists such as Nil Yalter, Güneş Terkol, and Azade Köker were on view, with prices ranging from €1,000 for emerging artists to over €2m for a James Rosenquist painting. Despite high spirits, the fair unfolded against a backdrop of political tension following the arrest of Istanbul mayor Ekrem İmamoğlu, ongoing protests, and increasing censorship. Galleries displayed politically and socially engaged works, including Rasim Aksan's homoerotic triptych and Fatoş İrwen's prison-made fabric piece, while collectors sought discounts amid Turkey's high inflation and economic volatility.

The Carnegie International Makes Its Mark

The 59th Carnegie International opens in Pittsburgh, featuring 61 artists from around the world in the oldest survey of its kind in the United States. Critic Ed Simon reviews the exhibition, noting it captures the excitement of earlier editions while providing vital commentary on authoritarianism and militarism. In other news, activists protested Jeff Bezos's co-chair role at the Met Gala with a costumed action and guerrilla projections on his penthouse; Iran withdrew from its national pavilion at the Venice Biennale; MoMA PS1 announced the first US survey of Mexican artist Teresa Margolles; and Hakim Bishara reflects on MoMA's Marcel Duchamp exhibition.

Artists Criticize Somalia’s First-Ever Venice Biennale Pavilion: ‘This Pavilion Does Not Speak for Us’

Somalia's inaugural pavilion at the Venice Biennale has sparked significant backlash from the nation's domestic art community. Four major Somali art spaces and nine local artists issued a joint statement criticizing the pavilion for failing to include or consult artists currently living and working within Somalia. The controversy centers on the selection of three diaspora artists based in Europe and the appointment of a Venice-based co-curator, which critics argue ignores the cultural workers who have rebuilt the country's art scene under difficult conditions.

Open Letter Published by Activist Group Calling for Venice Biennale to Eject Israel Signed by Nearly 200 Participating Artists and Curators

An activist group called Art Not Genocide Alliance has published an open letter demanding the Venice Biennale eject Israel from this year's exhibition. The letter has been signed by nearly 200 artists, curators, and arts workers participating in the 2026 Biennale, including members of the main exhibition's curatorial team and contributors to several national pavilions. The letter accuses Israel of genocide and apartheid, and references the 2024 Biennale where Israel's pavilion remained closed due to similar protests.

'Monuments' is the most significant American art museum show right now

The article reports on "MONUMENTS," a major exhibition jointly organized by the Museum of Contemporary Art (MOCA) in Los Angeles and the nonprofit Brick. The show features 10 decommissioned Confederate monuments, some splashed with protesters' paint, alongside works by 20 contemporary artists including Hank Willis Thomas and Karon Davis. It was assembled by curators Hamza Walker, Hannah Burstein, Bennett Simpson, Paula Kroll, and artist Kara Walker, and has been in development for nearly eight years, spurred by events such as the 2015 Charleston church massacre, the 2017 Charlottesville riot, and the 2020 George Floyd protests.

Previews: 61st Venice Biennale: In Minor Keys

The 61st Venice Biennale, titled "In Minor Keys" and curated by the late Koyo Kouoh, opens amid global turmoil and internal controversy. Kouoh, who passed away in May 2025, conceived the exhibition around the metaphor of a "creole garden," emphasizing deep affinities between 111 artists from diverse locations such as Dakar, Beirut, and Salvador. The Biennale is overshadowed by recent geopolitical events, including US-Israeli airstrikes on Iran, and faces protests: over 70 participating artists signed an open letter opposing the participation of Israel, Russia, and the US, while the Australian pavilion saw the reinstatement of Khaled Sabsabi after being dropped, and South Africa withdrew its official pavilion over Gabrielle Goliath's femicide project, which she will still present independently.

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Nadya Tolokonnikova, cofounder of Pussy Riot, has created a performance installation titled "Police State" (2025) at the Museum of Contemporary Art in Los Angeles (LA MOCA). The work recreates a Russian jail cell where Tolokonnikova performs daily activities—making music, creating art, and resting—observed by visitors via security camera footage and peepholes. The installation also features artworks by current and former political prisoners from Russia, Belarus, and the United States, curated through Tolokonnikova's Art Action Foundation and the Artistic Freedom Initiative. Originally scheduled for June 5–14, the show was extended due to the museum's closure amid anti-ICE protests and National Guard deployment.

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The Museum of Contemporary Photography (MoCP) at Columbia College Chicago will host an exhibition titled “If Emmett Till Lived: Freedom on American Ground,” guest curated by Harvard professor Sarah Lewis. Opening September 3, the show draws from MoCP’s permanent collection and features 70 photographers—including Gordon Parks, Henri Cartier-Bresson, Dorothea Lange, and Carrie Mae Weems—to imagine the life Emmett Till might have lived had he not been lynched in 1955. The exhibition includes images of Chicago, the railways Till traveled, and milestones he missed, such as the Chicago Bulls phenomenon, Barack Obama’s election, and ongoing civil rights protests.

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Artist Nadya Tolokonnikova, a founding member of Pussy Riot, began a durational performance titled *Police State* at the Museum of Contemporary Art (MOCA) in Los Angeles on Thursday, inhabiting a cell and sewing clothing. The following day, protests erupted in the city after ICE raids in the garment district, leading to clashes with police and the deployment of 2,000 National Guard troops by President Donald Trump. MOCA closed its Geffen branch early on Sunday for safety, while Tolokonnikova continued her performance, live-streaming audio from the protests into her installation.

The Bad Bunny chairs taking over the art world

Edra Soto, a Puerto Rican artist based in Chicago, has created a series of plastic lawn chairs upholstered with the face of reggaetón superstar Bad Bunny, now on view in the exhibition "Dancing the Revolution: From Dancehall to Reggaetón" at the Museum of Contemporary Art Chicago. The chairs, part of Soto's broader practice transforming everyday Puerto Rican objects into art, also appear at the Kemper Museum of Contemporary Art in Kansas City and were shown at EXPO Chicago. The exhibition explores the visual history and political power of Caribbean music, highlighting Bad Bunny's role in the 2019 protests that led to the resignation of Governor Ricardo Rosselló.

Asian Art Museum’s exhibit finds hope and beauty in ‘Everyday War’

The Asian Art Museum in San Francisco is presenting "Everyday War," the first North American solo exhibition of Taiwanese artist Yuan Goang-Ming, on view through August 4. The show features two video installations—"Dwelling" (2014) and "Everyday War" (2024)—that depict domestic spaces being violently destroyed by unseen forces, only to reassemble moments later. Yuan, who created "Everyday War" for the Venice Biennale, uses slow-motion explosions and intimate household details to evoke anxiety, beauty, and catharsis without showing blood or fleeing figures.

In pictures: meet the ghosts of the US’s East Coast

Photographer Anastasia Samoylova presents her latest exhibition and photobook, "Atlantic Coast," at the Norton Museum of Art in West Palm Beach. The project documents a road trip along the old US Route 1 on the East Coast, inspired by Berenice Abbott's 1954 journey. Through her lens, Samoylova captures a country in transition, juxtaposing decaying Americana with modern structures and political commentary, including images of a statue of John C. Calhoun being removed after the George Floyd protests and the collapsed Francis Scott Key Bridge. She draws parallels between her work and Paul Thomas Anderson's film "One Battle After Another," both centering on road trips and shared anxieties.

A Theatre Group of Exiled Belarusian Artists Arrive in Venice, With an Exhibition That Shows What Repression Feels Like

The Belarus Free Theatre, an exiled underground theater group, will stage its first official collateral exhibition at the 61st Venice Biennale, titled “Official. Unofficial. Belarus.” The show, held in the historic La Chiesa di San Giovanni Evangelista di Venezia, features site-specific paintings, a sound installation, and large-scale sculptures that aim to immerse visitors in the experience of repression under authoritarian rule. This marks only the fifth time Belarus has been present at the Biennale, and the first time it appears not as a state but as a self-governing cultural body, challenging the official narratives of nations like Russia.

‘As an artist I have a duty to reflect the times’: photographer Misan Harriman explores protests and solidarity in new London show

Photographer and filmmaker Misan Harriman has opened a permanent installation titled 'The Purpose of Light' at London's Hope 93 gallery. The exhibition features over 100 black-and-white photographs taken over seven years at protests in the UK, US, and South Africa, including demonstrations related to Black Lives Matter, Gaza, and other social justice movements. The project debuted as a solo show last summer and, due to significant public response, has now been established as a long-term fixture with support from private collectors.

'I never imagined we'd get here': Beirut gallery Marfa' Projects turns ten

Beirut gallery Marfa' Projects celebrates its tenth anniversary, a milestone founder Joumana Asseily never expected to reach given the immense challenges faced since opening in 2015. The gallery, located in the city's port district, survived widespread civil protests, Lebanon's economic crisis, and the devastating 2020 Port of Beirut explosion that destroyed its premises. Asseily rebuilt within a year, supported by a global network of fellow dealers who inspired her with virtual shows and offered solidarity during Israel's 2024 bombardment. The anniversary group exhibition features works consigned by partner galleries including Sadie Coles HQ, Experimenter, and Emalin, alongside Marfa' Projects artists like Mohamad Abdouni and Stéphanie Saadé, both of whom won major art fair prizes last year.

Stars feiern Mode und Kunst bei Met-Gala

The Met Gala, hosted by Anna Wintour at the Metropolitan Museum of Art in New York, raised millions for the museum's Costume Institute. This year's event featured celebrities like Beyoncé, Nicole Kidman, and Heidi Klum, with a dress code of "Fashion is Art." Beyoncé and Kidman brought their daughters for the first time, while Klum dressed as a stone statue. The gala opened the "Costume Art" exhibition and was co-sponsored by Jeff Bezos and Lauren Sánchez Bezos, drawing protests over Bezos's involvement.

Carbon Strata: Billings artist finds meaning in carbon and chaos in Yellowstone Art Museum exhibit

Billings artist Jon Lodge opened his solo exhibition "Carbon Strata" at the Yellowstone Art Museum (YAM) on September 5, 2025. The sprawling multimedia show fills one of the museum's largest galleries with works climbing walls, filling skylights, and spilling onto windows and outdoor spaces, exploring abstraction and the elemental concept of carbon as a unifying thread in life and matter. Lodge, an 80-year-old multimedia creator with a decades-long career, has a long history with YAM as a supporter, donor, and collaborator, including a solo show in 1999.

Ecuador's Bienal de Cuenca marks 40th anniversary with a playful theme but a serious tone

The 17th Bienal de Cuenca, titled "The Game," opened on 24 October in Cuenca, Ecuador, marking its 40th anniversary. The biennial features 51 artists selected by 17 international curators, with works displayed across multiple venues including museums, gardens, and the airport. The event highlights artists and curators from the Global South, focusing on social and political concerns rather than market priorities. It opened just two days after political protests ended, with a ceremony featuring an Andean ritual led by artist Carmen Vicente, whose installation "Infinite Steps" won the acquisition prize.

Aichi Triennale confronts war, memory and environmental collapse

The sixth edition of the Aichi Triennale, titled "A Time Between Ashes and Roses," opened in Japan in September and runs until 30 November. Curated by Hoor Al Qasimi, the first non-Japanese artistic director of the triennial, the exhibition confronts themes of war, displacement, memory, and environmental collapse. Works include Kubo Hiroko's tapestry marking the 80th anniversary of the Hiroshima atomic bombing and a video installation by Palestinian duo Basel Abbas and Ruanne Abou-Rahme. Al Qasimi explicitly linked the triennial to the situation in Gaza, stating, "Free Palestine," during a press conference. Controversy erupted over the Aichi-Israel Matching Program, a separate prefectural initiative pairing Israeli startups with local companies, leading to protests and the resignation of vice chairman Hideyuki Tomita from the organizing committee.

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Avinadav Begin, grandson of former Israeli Prime Minister Menachem Begin, is currently exhibiting his latest abstract metal and steel works at Sheetrit & Wolf Contemporary Art Gallery in Tel Aviv. The pieces, which he describes as “openings, apertures,” are neither paintings nor sculptures but heavy hybrid forms weighing up to 220 pounds, resembling rubble and broken window frames. In interviews, Begin has emphasized his identity as an artist rather than a politician, distancing himself from the current Likud party leadership under Benjamin Netanyahu, while acknowledging the influence of the ongoing war and hostage crisis on his work.

"Hier darf laut gelacht werden"

During the opening week of the Venice Biennale, multiple reports detail controversies surrounding the Israeli and Russian pavilions. According to Hyperallergic, artist Belu-Simion Fainaru of the Israeli pavilion threatened legal action against the Biennale after the jury sought to exclude Israel and Russia from prizes over alleged human rights violations, citing antisemitism and nationality-based discrimination. This may have prompted the jury's sudden resignation. Meanwhile, taz reports that Russia's pavilion is a macabre 'dance of death' blending techno and political denial, while Israel's pavilion faces a 'silent boycott' and social ostracism. Zeit describes protests by Pussy Riot and Femen outside the Russian pavilion as a defining image, with activists chanting 'blood sticks to the art of this country.'

Israeli Artist’s Show in Mexico City Closes After Antisemitic Harassment

An exhibition by Israeli artist Amir Fattal at König gallery in Mexico City was forced to close a week early after a campaign of antisemitic harassment escalated from online abuse to physical protests and vandalism. Vandals spray-painted swastikas, Stars of David, and the phrase "here there are terrorists" on the gallery's facade, and protesters gathered outside calling the artist a murderer and Mossad agent.

Flinders exhibition revives the ’60s-’70s

Flinders University Museum of Art (FUMA) presents 'Anarchive: knowledge follows form', a solo exhibition by South Australian artist Bridget Currie running from 27 April to 19 June 2026. The show reimagines the archive as a living force, drawing on FUMA's 'Post-object and Documentation Art' collection from the 1960s and 1970s. It features works by Bonita Ely, Alison Goodwin, Poppy Johnson, Dorothy Thompson, and Eva Yuen Man-Wah, including Thompson's playful protest performances in bird costumes. The exhibition is co-presented with Adelaide Contemporary Experimental and includes a guest-edited issue of Artlink magazine.

Paul Kroner showcased in first solo exhibit, 'What Have I Done?'

Paul Kroner, an award-winning contemporary visual artist and gallerist, is presenting his first solo exhibition, "What Have I Done?," at his artist-run gallery, Studio Kroner. The show marks his 25th exhibition at the space and coincides with the gallery's fifth anniversary. Featuring nearly 50 works, some begun as early as 2020, the exhibition reflects on themes of creation, responsibility, and inner life. Kroner purchased the studio in 2021 after it was previously owned by Dick Waller, and the exhibition represents a full-circle moment following the challenges of the COVID-19 pandemic and the 2020 protests in Over-the-Rhine.