Maurizio Cattelan Opens Up About Sin, Silence, and Stealing: ‘I’m Guilty Too’

Italian artist Maurizio Cattelan directed the Renaissance Society’s annual benefit gala, titled "The Silent Party!", held at the Chicago Athletic Club during the week of Expo Chicago. The event subverted traditional gala expectations by requiring guests to remain silent for two hours, communicating only via handwritten notes while navigating a labyrinth of performances. The evening featured contributions from artists including Jacob Ryan Renolds, Davide Balula, and Isabelle Frances McGuire, culminating in a dinner that raised approximately $600,000 for the non-profit institution.

From technology to Gen Z collectors, Adrian Cheng shares the key trends in Hong Kong’s art scene

Adrian Cheng, a key figure in Hong Kong's art world, identifies major trends shaping the city's art scene ahead of Art Basel Hong Kong. He highlights the convergence of major art fairs, auction house sales, and new gallery openings during the 'Art March' period, drawing a global audience with high-profile exhibitions by international artists like Mary Weatherford, Nicole Eisenman, and El Anatsui.

Newly Unearthed Letter Reveals Edvard Munch’s Influence on Paula Rego

A newly discovered 1951 letter reveals that a teenage Paula Rego was profoundly impressed by an Edvard Munch exhibition, specifically citing 'The Scream' and 'Inheritance.' This formative experience directly influenced her early work, such as her 1952 painting 'Drought,' which echoes Munch's style and themes. The letter, written to her mother, documents a pivotal artistic encounter she never publicly discussed.

An ecstatic Mary Magdalene for Washington

Une Marie-Madeleine extatique pour Washington

The National Gallery of Art in Washington, D.C., has acquired Artemisia Gentileschi's painting "Marie-Madeleine en extase" (Mary Magdalene in Ecstasy), dating from around 1625. The work was previously sold at a Sotheby's auction in France in 2014, continuing a trend of important Gentileschi works leaving Europe for American museums.

Massive Cache of 42,000 Pottery Shards Reveals Daily Life in Ancient Egypt

Archaeologists from the University of Tübingen and the Egyptian Ministry of Tourism and Antiquities have unearthed a massive collection of over 42,000 inscribed pottery shards, known as ostraca, at the ancient site of Athribis. The shards, dating from the 3rd century B.C.E. to the 11th century C.E., contain tax receipts, religious texts, school exercises, and personal notes written in Demotic, Greek, Hieratic, Coptic, and Arabic scripts, offering an unprecedented window into the daily lives of ordinary people.

Interview: Lukas Amacher Is Building a Chatbot for the Art World

Curator, collector, and entrepreneur Lukas Amacher, in partnership with developer David Simon, has launched CONTXT, an A.I.-powered chatbot platform designed for art exhibitions. The software allows visitors to ask questions about artworks via a chat interface, with answers sourced directly from an institution's curated materials like catalog essays and curator notes, rather than generic internet searches. The platform is currently being tested in a public preview with bitforms gallery.

The History of the Brontë Sisters Portrait

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The only undisputed portrait of the Brontë sisters—Charlotte, Emily, and Anne—is currently gaining renewed attention as it tours Asia in a major exhibition from the National Portrait Gallery, London. Painted in 1834 by their brother Branwell Brontë when he was just 17, the work serves as a rare visual record of the literary icons. The painting's profile has been further elevated by a 'Brontë renaissance' in popular culture, including Emerald Fennell’s recent film adaptation of Wuthering Heights and upcoming television projects.

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Artist Meg Webster has collaborated with the Dia Art Foundation and Japanese fashion house Comme des Garçons to release her first signature perfume. The fragrance, inspired by Webster’s sensory earthworks made of soil and salt, features woodsy and petrichor notes housed in a silver tetrahedral box that mirrors her sculptural vocabulary. To celebrate the launch, a 2017 sculpture by Webster will be installed at the Comme des Garçons boutique in Chelsea, Manhattan.

Gaudí Attribution Confirmed for Xalet del Catllaràs

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A comprehensive architectural report commissioned by the Government of Catalonia has officially confirmed that Antoni Gaudí designed the Xalet del Catllaràs, a remote chalet in the Catalan mountains. Built between 1901 and 1908 for engineers working at coal mines owned by Gaudí’s patron Eusebi Güell, the building’s attribution was previously suspected but unverified. Researchers used structural analysis of the canted arches, room distribution, and specific lime plastering techniques to link the pyramidal structure to Gaudí’s signature modernist style.

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Jeffrey Epstein commissioned a large-scale reproduction of Cornelis Cornelisz van Haarlem's 1591 painting 'The Massacre of the Innocents' for the entrance of his New Mexico ranch. The $1,999 copy, depicting Roman soldiers killing infants, was ordered in 2010 from the reproduction company Ocean's Bridge Group and was requested to be shipped by his assistant in 2011.

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Artnet News is searching for a permanent writer for its Wet Paint gossip column, with guest writers like Janelle Zara filling in temporarily. The column focuses on speculating about the identity of the anonymous Instagram account @artnotnet, which posts humorous, all-caps commentary on art world headlines, and notes the rise of art sales on platforms like Facebook Marketplace.

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Lower Manhattan is getting a new nonprofit art space called Times (styled in lowercase), founded by Summer Guthery and Francesca Sonara. Located on the fourth floor of 151 Lafayette Street above the Museum of Chinese in America, the 3,000-square-foot venue will operate for only three years. Its inaugural exhibition, featuring Danish artist Nina Beier, opens February 21 with a display of melting Cornetto ice cream cones. The space will officially open February 12 with a performance by Latvian choreographer Jana Jacuka. Guthery, previously founding artistic director of Canal Projects, and Sonara, former director of communications at Minnesota Street Project, met as graduate students at Bard College's Center for Curatorial Studies.