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Taichung’s new ‘Museumbrary’ expands Taiwan’s culture credentials

A new cultural complex called the Taichung Green Museumbrary, designed by Japanese architecture firm SANAA, opens tomorrow in Taichung, Taiwan. The 58,000-square-meter project combines the Taichung Art Museum and Taichung Public Library across eight interconnected white-box structures in Central Park. The opening includes site-specific commissions by artists Michael Lin and Haegue Yang, and an inaugural exhibition titled 'A Call of All Beings: See You Tomorrow, Same Time, Same Place' featuring international artists such as Joseph Beuys, Joan Jonas, and Myrlande Constant alongside Taiwanese artists.

On View: 'Nigerian Modernism' at Tate Modern Charts Artistic Revolution Against Backdrop of Political and Cultural Rebellion

Tate Modern in London has opened 'Nigerian Modernism,' a major exhibition tracing the modern art movement in Nigeria from the 1940s through the post-independence era. Spanning 50 years, the show features over 250 works by more than 50 artists, including Jimo Akolo, El Anatsui, Nike Davies-Okundaye, Uzo Egonu, Ibrahim El-Salahi, Ben Enwonwu, Ladi Kwali, Aina Onabolu, Bruce Onobrakpeya, Uche Okeke, and Obiora Udechukwu. Curated by Osei Bonsu and Bilal Akkouche, the exhibition draws from Tate’s holdings and public and private collections across Africa, the United States, and Europe, and runs from October 8, 2025 to May 10, 2026.

Repeat art fraudster arrested for stealing Courbet painting

London gallery owner Patrick Matthiesen consigned a Gustave Courbet painting, *Mother and Child on a Hammock* (1844), to the Nicholas Hall Gallery in New York for Tefaf Maastricht 2023, listed at $650,000. After it failed to sell, Matthiesen was contacted by a man calling himself Thomas Doyle (also A.J. Doyle), who claimed to be a former US Air Force pilot, government contractor, and art dealer with family ties to Doyle Auctions. Despite Doyle having 11 prior fraud convictions—including stealing a bronze Degas statue in 2007—Matthiesen was convinced by artworks Doyle sent for inspection, including works attributed to El Greco, Rubens, and a Michelangelo drawing. In 2024, Doyle borrowed the Courbet to show a potential buyer and never returned it. Doyle has now been arrested for the theft.

Penn Museum opens Native North America Gallery after two-year overhaul

The Penn Museum at the University of Pennsylvania in Philadelphia will open its new 2,000-square-foot Native North America Gallery on Saturday, November 22, after two years of planning. The long-term exhibition replaces the 2014 show "Native American Voices: The People—Here and Now," which was curated by Lucy Fowler Williams with around 80 Native consultants but felt fragmented. This time, Williams and co-curator Megan C. Kassabaum worked closely with eight Native American curators—not just advisors—to determine the stories told. The gallery highlights moments of rupture, loss, and betrayal alongside resilience, and includes an empty vitrine to acknowledge repatriation efforts and culturally sensitive objects that tribes prefer not to display.

Metropolitan Museum's new Condé M. Nast Galleries will put fashion at the forefront

The Metropolitan Museum of Art will open the Condé M. Nast Galleries, a nearly 12,000-square-foot space adjacent to the Grand Hall, next spring. The new galleries will become the permanent home for the annual Costume Institute exhibition, replacing the museum's largest retail space. The inaugural show, "Costume Art" (10 May 2026–10 January 2027), will pair paintings, sculptures, and other art objects with historical and contemporary garments, emphasizing the dressed body as a central theme across the museum's collections. The move follows the record-breaking success of 2018's "Heavenly Bodies: Fashion and the Catholic Imagination," which drew over 1.6 million visitors.

Get Ready to Explore the Recently Renovated Portland Art Museum All Winter Long

The Portland Art Museum (PAM) will reopen its completely renovated campus on November 20 after nine years and $111 million in construction. The centerpiece is the Mark Rothko Pavilion, a glass structure that connects the museum's two historic buildings—the Main Building (1932) and the Mark Building (1924)—replacing a confusing underground tunnel that often caused visitors to miss entire exhibitions. The renovation touches 100,000 square feet total, including a new media gallery, upgraded spaces, and a 24/7 public passageway through the pavilion. An exhibition of eight paintings by Mark Rothko, who spent his childhood in Portland, will open alongside the pavilion.

November Book Bag: from a tome of Japanese printmakers to the first Nina Chanel Abney monograph

The article reviews four new art books released in November. It covers 'Modern Japanese Printmakers: New Waves and Eruptions' by Malene Wagner (Prestel), a survey of 44 Japanese printmakers from the early 20th century to today; the debut monograph on Nina Chanel Abney (Monacelli) with contributions from Thelma Golden and Jazmine Hughes; 'Massimo Listri: Italian Palaces' (Taschen), a photographic tour of grand Italian palaces; and 'Strange Discoveries: The Art of Denton Welch' (John Swarbrooke Fine Art), a catalogue accompanying the first solo exhibition of Welch's work in over 40 years.

Joy Gregory: ‘It’s about translation and trying to understand’

British artist Joy Gregory has opened her first institutional survey show, "Catching Flies with Honey," at Whitechapel Gallery in London, made possible by her winning the 2023 Freelands Award. The exhibition features over 250 works spanning four decades, including photography, film, installation, textiles, sound, and digital media. In an interview with The Art Newspaper, Gregory discusses her early image-making, her interrogation of portraiture, and a new film commission, "The Last Speakers," shot over 20 years with a San community in the Kalahari Desert.

After a turbulent period of reorganisation, the 18th Istanbul Biennial favours futurity over futility

The 18th Istanbul Biennial, titled "The Three-Legged Cat," has opened after a turbulent period of reorganization. Curated by Christine Tohmé, the biennial unfolds over three years instead of the usual two, featuring 47 artists—only six from Turkey, with many from the Middle East. The exhibition spans eight venues, including a former cone factory and a French orphanage, and includes works such as Naomi Rincón-Gallardo's video installation on opossum resilience and Khalil Rabah's site-specific intervention with oil barrels and saplings. The biennial's budget was raised from €2m to €6.5m, mostly funded by Koç Holdings, following controversy over the initial appointment of curator Defne Ayas, which was rejected by the Istanbul Foundation for Culture and Arts (IKSV), leading to Tohmé's eventual selection.

The Art of an Art Exhibition

Seventeen Colby College seniors, all studio art majors, have organized the Senior Art Exhibition 2025 at the Joan Dignam Schmaltz Gallery of Art in downtown Waterville, Maine. The exhibition, on view through May 24, features work by four sculptors, two photographers, three painters, five printmakers, and three digital media artists. It is the culmination of a yearlong capstone course that taught students the behind-the-scenes process of mounting an exhibition, including installation, collaboration with museum preparators, and producing a print catalog with artist statements and critical essays.

Nine Must-See Art Exhibitions to Catch in Philadelphia This Spring

Philadelphia's spring exhibition season features nine must-see shows across the city, including Kelly Kozma's solo exhibition 'Watch Me Backflip' at Paradigm Gallery + Studio, which presents a massive 22-foot installation of 35,000 hand-stitched circles made from repurposed materials. Other highlights include 'Soft/Cover' at The Fabric Workshop and Museum, exploring fabric and screenprinting in relation to the human body; 'Preserving Assyria' at the Penn Museum, focusing on Iraqi archaeologists reclaiming cultural heritage after ISIS destruction; and 'The Battle of the Bathers' at the Barnes Foundation, examining a media kerfuffle involving two Paul Cézanne paintings.

‘It’s a dream vessel for me’: Defne Ayas appointed new director of the Van Abbemuseum

Defne Ayas has been appointed director of the Van Abbemuseum in Eindhoven, Netherlands, replacing Charles Esche, who held the post for two decades. Ayas, previously director of Kunstinstituut Melly in Rotterdam and co-curator of major biennials including the 13th Gwangju Biennale, will take over ahead of the museum's 90th anniversary in 2026. She describes the role as a "dream vessel" and emphasizes the museum's commitment to decolonization, social engagement, and accessibility.

Jeremy Deller to close National Gallery's bicentenary celebrations with ‘first of its kind’ parade and party

London's National Gallery will conclude its bicentenary celebrations on 26 July with a large-scale public event in Trafalgar Square titled "The Triumph of Art," conceived by artist Jeremy Deller. Billed as the largest event of its kind in the UK, the free, family-friendly day will feature processions, performances, parades, and live music, drawing on British folklore and traditions. Deller has also collaborated with organizations across the UK on standalone projects, including events in Derry/Londonderry, Dundee, Llandudno, and Plymouth, which will feed into the London celebration. A new exhibition of works from Deller's archive, including pieces by emerging artists, will accompany the event.

È morto Bruno Bischofberger, il gallerista e collezionista svizzero che fece lavorare assieme Warhol e Basquiat

Bruno Bischofberger, the influential Swiss gallerist and collector, has died at age 86. A pivotal figure in the contemporary art market, he opened his first gallery in Zurich in 1963 and was instrumental in introducing American Pop Art to Europe, exhibiting Warhol, Lichtenstein, and Rauschenberg. He later championed Minimalism, Land Art, and Neo-Expressionism, representing artists like Sol LeWitt, Donald Judd, and Francesco Clemente. Most famously, Bischofberger discovered Jean-Michel Basquiat in 1981 and orchestrated the legendary collaboration between Warhol, Basquiat, and Clemente. His close relationship with Warhol included a first-refusal agreement on future works and the suggestion of standardized portrait commissions that became Warhol's primary income source.

art tidawhitney lek young artist

Tidawhitney Lek, a 33-year-old first-generation Cambodian American artist based in Long Beach, CA, is profiled in CULTURED's 2025 Young Artists list. Her densely layered, brightly colored paintings collapse distinctions between interior and exterior, past and present, and foreground and background, reflecting her life and heritage. She gained attention at the Hammer Museum's "Made in L.A." biennial in 2023 and has upcoming shows at Victoria Miro in London and Art Basel Miami Beach with Night Gallery. The profile highlights her painting "Refuge," currently at the Henry Art Gallery, which depicts a bomb exploding outside a home and addresses themes of disconnect, erasure, violence, and generational trauma.

‘The Queen of the Ghetto’ Gave New York’s Immigrant Community a Voice. A Century Later, It’s Re-emerging

Anzia Yezierska, a Polish-Jewish immigrant who arrived in New York in 1890, defied traditional gender expectations to become a leading literary voice of the 1920s. Dubbed the 'Queen of the Ghetto,' she documented the raw struggles of immigrant women on the Lower East Side using a unique 'immigrant English' style that captured Yiddish idioms. After escaping a restrictive marriage and pursuing an education at Columbia University, she channeled her personal frustrations into stories of poverty, ambition, and the psychological toll of assimilation.

À Marseille, la nouvelle saison culturelle Méditerranée s’ouvre avec deux semaines de festivités

France's new cultural season, "Saison Méditerranée," launches on May 15, 2026, in Marseille with two weeks of festivities running through May 24. Organized by the Institut français and announced by President Emmanuel Macron in 2023, it is the first season to focus on an entire region—the Mediterranean and its 21 bordering countries—rather than a single nation. The program includes exhibitions at venues like the [mac], the Vieille Charité, and the Friche la Belle de Mai, featuring artists such as Louisa Babari, Adrien Vescovi, Zineb Sedira, Mona Benyamin, and Abdessamad El Montassir. Highlights also include the inauguration of the transformed Citadelle de Marseille with works by Saber Zammouri and Hugo Mir-Valette, a performance by Mohamed El Khatib at the Mucem, and a concert by Sofiane Saidi and Camélia Jordana. The season continues across France until October, with a major project by Mohamed Bourouissa at the Grand Palais in Paris.

An outsider artist takes the world's biggest stage with the US Pavilion at the Venice Biennale

U.S. artist Alma Allen, a self-taught sculptor from Utah who works in Mexico, has been selected to represent the United States at the Venice Biennale with his exhibition "Call Me the Breeze" at the U.S. Pavilion. The selection process was fraught and opaque, with institutions declining to bid for the commission due to concerns about administration politics after the open call removed diversity, equity and inclusion language in favor of promoting "American values." A prior proposal for artist Robert Lazzarini fell apart after its institutional sponsor backed out, and Allen's project was quickly assembled with the American Arts Conservancy as sponsor and Jeffrey Uslip as curator. Allen, who has lived outside the critical art world for three decades, created a bronze evil eye for the pavilion's exterior and a headless sheep sculpture as a self-portrait of an outsider.

The FLAG Art Foundation Named Founding Sponsor of Alchemy with Anthony Mason, Launching May 6

The FLAG Art Foundation has been named the founding sponsor of "Alchemy with Anthony Mason," a new long-form interview series launching May 6, 2026. Hosted by CBS News special correspondent Anthony Mason, the series features intimate 45-minute conversations with artists such as Hozier, Paul Simon, Nile Rodgers, Violet Grohl, and Taj Mahal, focusing on the transformative creative process rather than the finished work. The partnership is integrated into the series' identity, with each episode presented under FLAG's support and connecting viewers to contemporary art exhibitions, including Ellsworth Kelly: Eight Decades at the Parrish Art Museum and the reopening of the David Geffen Galleries at LACMA.

How Tony Albert’s childhood instinct became a radical art practice

Tony Albert, a Girramay/Yidinji/Kuku-Yalanji artist, has spent his life collecting Aboriginalia—kitsch household items from the mid-20th century that feature naive or racist depictions of Indigenous culture. These objects, including ashtrays, velvet paintings, and figurines, form the basis of his upcoming exhibition *Tony Albert: Not A Souvenir* at the Museum of Contemporary Art, curated by Bruce Johnson McClean. Albert's practice transforms these mass-produced artifacts into a powerful critique of colonization, displacement, and erasure.

History of soccer exhibition open at Arlington museum ahead of FIFA World Cup

The Arlington Museum of Art has opened "More Than a Match," a large-scale exhibition exploring the history of soccer through World Cup memorabilia, historic jerseys, maps, and contemporary art. The show features items on loan from the National Soccer Hall of Fame, the University of Texas at Arlington's Special Collections, and the National Football Museum in Manchester, England. Highlights include a replica of the 2006 FIFA World Cup Trophy, a jersey worn by Pelé, and artworks by Andy Warhol, Kehinde Wiley, and Darío Escobar, as well as a mural by Dallas-based artist Colton Canava depicting Lionel Messi, Jude Bellingham, and Virgil van Dijk as saint-like figures. The exhibition runs through August 2, 2026, and is located near AT&T Stadium, which will host nine World Cup matches.

What Is the 2026 Met Gala Exhibit “Costume Art” All About?

The Metropolitan Museum of Art's Costume Institute will unveil its 2026 exhibition, “Costume Art,” on May 4, 2026, coinciding with the Met Gala. Curated by Andrew Bolton, the show explores the relationship between fashion and the human body, juxtaposing garments like Rei Kawakubo's bulbous Comme des Garçons ensemble with artworks such as Hans Bellmer's “La Poupée” and Albrecht Dürer's “Adam and Eve.” Mannequins cast from real bodies and mirrored heads by artist Samar Hejazi will enhance the immersive experience. The exhibition runs from May 10, 2026, to January 10, 2027, in the new Condé M. Nast Galleries.

Yu-Chi Lyra Kuo Shares a Vision for the Future of Art, Technology, and Creativity

Yu-Chi Lyra Kuo, an entrepreneur, investor, Harvard-educated lawyer, former Princeton academic, and board member of the Shed, shares her vision for integrating frontier technologies like artificial intelligence and robotics into the art world. She argues that these tools can enhance human creativity rather than replace it, drawing on her early experiences with Asian antiquities and her pioneering work in blockchain, including co-founding OpenSea 2.0. The article, based on an interview with CULTURED, traces her journey from collecting a jade gourd as a child to advising tech companies and joining the board of the Shed, a Bloomberg-backed cultural center in Hudson Yards.

Lucas Museum of Narrative Art unveils opening exhibitions

The Lucas Museum of Narrative Art in Los Angeles has announced its inaugural exhibitions ahead of its opening on September 22. Founded by filmmaker George Lucas and philanthropist Mellody Hobson, the museum was designed by MAD Architects founder Ma Yansong. The opening will feature 18 thematic exhibitions showcasing over 1,200 works across 30 galleries, spanning genres such as cinema, photography, comics, manga, and anime, with dedicated shows for illustrators like Norman Rockwell, Jessie Willcox Smith, and Frank Frazetta. The collection also includes works by Beatrix Potter, Frida Kahlo, Winsor McCay, Alison Bechdel, Gordon Parks, and Dorothea Lange, alongside the Lucas Archives containing props and costumes from Lucas's film career.

Boulder Museum of Contemporary Art’s Artmix is a party built for repeat collectors and first-time buyers

Boulder Museum of Contemporary Art (BMoCA) is hosting its annual Artmix fundraiser on May 8, 2026, a fast-paced evening featuring a silent auction of works by 100 regional artists. The event includes a VIP preview with early access, champagne, and a guided tour, followed by a general admission party where bidding runs from 6 p.m. to 8 p.m. Tickets range from $150 for members to $300 for VIP access, with proceeds supporting BMoCA's exhibitions and education programs.

Landmark Exhibition at the Smithsonian American Art Museum Unites U.S. Bicentennial Photography Surveys for the First Time

The Smithsonian American Art Museum will present "Much Here Is Beautiful: Photography Surveys of the U.S. Bicentennial," a landmark exhibition opening September 18, 2026, that brings together for the first time photography surveys created through a federally funded grant program by the National Endowment for the Arts (NEA) around the 1976 U.S. Bicentennial. Featuring 225 photographs by more than 70 photographers, the show draws on the museum's holdings and collections nationwide, including previously unseen works, and places them in the context of federal survey photography dating back to the 19th century.

How Claude Monet’s reluctant sojourn reignited his career

A new exhibition, "Monet and Venice," has opened at the de Young Museum in San Francisco. It centers on the pivotal 1908 trip to Venice that the 68-year-old Claude Monet was initially reluctant to take, showcasing over 20 of the luminous, atmospheric paintings of the city he produced there. The show also includes over 100 related items, featuring works by Canaletto, Turner, Sargent, and Whistler, as well as photographs and books, to contextualize Monet's Venetian achievement.

Fondation Cartier’s Latest Museum Invents New Ways of Displaying Art

The Fondation Cartier for Contemporary Art has opened a new building in Paris, designed by architect Jean Nouvel, after ten years of planning and construction. Located near the Louvre in the former Grand Hotel du Louvre, the 8,500-square-meter space features transformable architecture with movable walls and floors, conceived as a "machine" for flexible exhibitions. The opening show, "Exposition Générale," curated by Grazia Quaroni and Béatrice Grenier and designed by Formafantasma, highlights the building's structural innovations and features works from the foundation's permanent collection, including pieces by Cai Guo-Qiang, Joan Mitchell, James Turrell, and Malick Sidibé.

From fossils to fine art: top sales at Frieze Masters London

Frieze Masters London opened with notable sales including a 68-million-year-old Triceratops skull priced at £650,000, sold by dealer David Aaron to a private collector. Other strong sales included small drawings by Alexandre-Louis Leloir from Charles Ede, priced between £150 and £10,500, with twenty sold on opening day. Berry Campbell sold four paintings by Janice Biala, priced $18,000 to $55,000, and Stephen Friedman Gallery sold five works by Anne Rothenstein to private collectors. Hauser & Wirth reported the only seven-figure deals, while a €7.5m Rubens painting remained unsold.

Indigenous Artists Infiltrate the Met With a Guerrilla A.R. Project

On Indigenous Peoples' Day, nonprofit media lab Amplifier launched an unsanctioned augmented reality exhibition titled “Encoded” at New York's Metropolitan Museum of Art. The project features 17 Native artists who have digitally altered 25 iconic American artworks from the Met's collection—such as Thomas Cole's *View on the Catskills – Early Autumn* and Emanuel Leutze's *Washington Crossing the Delaware*—overlaying Indigenous perspectives onto the museum's American Wing. Visitors can view the AR works on smartphones or iPads, and Amplifier representatives are on-site to distribute guides and offer tours through the end of the year.