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In plane sight: how the gilded elite live – in pictures

Photographer Will Vogt's second monograph, *Behind the Hedges*, offers an intimate glimpse into the lives of America's gilded elite, featuring images of his own social circle at hunting estates, weddings, exclusive club lunches, and golf weekends. The book, published by Schilt Publishing, includes quotes by Vogt and text by editor Jennifer Garza-Cuen from her essay 'Posture of Privilege,' capturing a world of inherited wealth and tradition.

‘Still lots to talk about’: UK galleries team up to shine light on female artists

A new exhibition titled 'Making Her Mark' opens at Penlee House in Penzance, Cornwall, featuring works by prominent British female artists such as Tracey Emin, Barbara Hepworth, Laura Knight, Elizabeth Forbes, and Gillian Ayres. The show is a collaboration between Penlee House, Worcester City Art Gallery and Museum, and Kirkcaldy Galleries in Fife, Scotland, with each contributing more than 20 works. It is the first exhibition launched under Art Fund's £5 million 'Going Places' programme, which unites 20 museums across the UK over five years to share and celebrate their collections.

‘The doorbell went at 5am. Six masked men were outside’: Belarus Free Theatre bring totalitarian terror to the Venice Biennale

Belarus Free Theatre (BFT), an exiled troupe based in London, is presenting its first major visual art project, titled 'Official. Unofficial. Belarus.', at the Venice Biennale. The installation, masterminded by the founders' daughter Daniella Kaliada, features contributions from former political prisoners, painters, sculptors, composers, and world-renowned chef Rasmus Munk, who created a dish evoking detention under an authoritarian regime. The work includes a giant ball of banned books, surveillance cameras attached to an iron crucifix, and a custom scent of a freshly dug grave, all reflecting the terror of life under Belarusian dictator Alexander Lukashenko.

When archaeology was dominated by men | Letters

A reader named Elke Bachler writes a letter to The Guardian challenging a sentence in a review of Thomas Laqueur's book *The Dog's Gaze*. The review described a prehistoric scene as showing "a boy and a dog" standing together in wonder before cave art. Bachler argues there is no evidence the child was a boy, noting that archaeology has historically been dominated by men who interpreted evidence through contemporary gender roles.

Playing it safe: this year’s Turner prize nominees lack the anger – and joy – of previous years

The 2026 Turner Prize nominees have been announced, featuring artists Marguerite Humeau, Tanoa Sasraku, Kira Freije, and Simeon Barclay. The shortlist is notably lacking in painting, video art, and overtly political work, instead offering sci-fi utopianism, jazz performance poetry, ephemeral sculpture, and anti-corporate satire. Critics describe the selection as timid and safe compared to previous years, missing the anger, radicalism, and transformative joy of past editions.

Has the world grown weary of art biennials? In search of an antidote, a Portuguese festival turns to anarchism

Anozero, a biennial art festival held in Coimbra's Monastery of Santa Clara-a-Nova, has opened a ghostly edition that uses installations—including Taryn Simon's sound piece of laments in multiple languages—to protest plans by the Portuguese government to redevelop the 17th-century convent into a hotel under its Revive programme. Festival co-founder Carlos Antunes threatens to cancel the biennial if the development proceeds, framing the event as a warning to the developer about the spirits that haunt the building.

Art for art’s sake, but for people’s health too | Letter

Art Fund director Jenny Waldman responds to a philosophical article about art's intrinsic value, arguing that while art should be enjoyed for its own sake, promoting its measurable health benefits can serve as a crucial entry point for new audiences. She cites the organization's National Art Pass adverts and recent research with King's College London, which demonstrated immediate physiological responses to viewing original art, as tools to invite people who might otherwise feel excluded from cultural institutions.

The Wonderful World that Almost Was by Andrew Durbin review – the queer artists who shaped New York cool

Andrew Durbin's new book, 'The Wonderful World that Almost Was,' is a double biography of painter and sculptor Paul Thek and photographer Peter Hujar. It chronicles their artistic maturation, their open and unapologetic gay relationship, and their central role in defining the 'cool' of the New York creative scene from the 1950s to the mid-1970s, before their deaths from AIDS.

Chris Mullen obituary

Chris Mullen, a distinguished educator and historian of art and design, has died at the age of 81. Throughout a career spanning over three decades at the Norwich School of Art and the University of Brighton, Mullen became a pivotal figure in integrating contextual studies with studio practice. He was renowned for his vast personal archive of printed ephemera and his digital project, "The Visual Telling of Stories," which served as a vital resource for generations of students and researchers.

Colours of Time review – Monet meets Mamma Mia in charming French artist comedy

Director Cédric Klapisch’s new film, *Colours of Time* (originally *La Venue de L’Avenir*), is a sentimental French comedy that weaves a fictional romantic history around Impressionist master Claude Monet and pioneering photographer Félix Nadar. The plot follows a group of modern-day descendants who discover a trove of historical secrets in a derelict cottage, leading to a whimsical, time-bending exploration of their ancestors' lives in Belle Époque Paris.

Artists, clowns, runaways: a stay at the Chelsea Hotel – in pictures

Photographer Albert Scopin has released a new book through Kerber Verlag documenting his residency at New York’s iconic Chelsea Hotel between 1969 and 1971. The collection features rare, intimate portraits of the hotel's legendary inhabitants, including a young Patti Smith and Robert Mapplethorpe before their rise to global fame, alongside long-time manager Stanley Bard and avant-garde figures like Vali Myers and Holly Woodlawn. Scopin’s lens captures the 'creative chaos' of the era, from the art-filled lobby to the eccentric private quarters of residents like composer George Kleinsinger.

Bridget Jones statue becomes permanent resident of Leicester Square: ‘She makes Londoners feel seen’

A bronze statue of the iconic literary and film character Bridget Jones has been granted permanent residency in London’s Leicester Square. Originally intended for a three-year temporary stay, the sculpture was unveiled in November as part of Westminster Council’s 'Scenes in the Square' trail, joining other cinematic figures like Harry Potter and Mary Poppins. The decision to make the installation permanent coincides with the 25th anniversary of the first film's release.

‘One simple gesture says it all’: the world in black and white – in pictures

Photographer Marina Sersale has released a new monograph titled 'Liminal Space,' published by Gost, which compiles over a decade of monochrome photography. The collection features dramatic black-and-white images captured between 2013 and 2021 across diverse locations including Italy, Japan, Iran, and the United States. Sersale, a former documentary filmmaker, focuses on the interplay of light and shadow to document fleeting, everyday moments—from sunbathers in Positano to commuters in Naples.

And this one shows the police evicting me: the fabulous fabric visions of Elizabeth Allen

The British textile artist Elizabeth Allen, who lived in a dilapidated hut and gained brief international fame in the 1960s after being discovered by artist Patrick Heron, is the subject of a major rediscovery. A new exhibition at Compton Verney in Warwickshire features works that have been hidden in storage or private collections for nearly fifty years, including the first public display of 'Autobiraggraphy,' a textile work documenting her wrongful eviction in 1934.

‘Even more beautiful than I imagined’: the nifty Japanese printing gadget uniting artists worldwide

Designer Gabriella Marcella has curated a new exhibition at Glasgow’s Glue Factory Galleries celebrating the global community of risograph printing. The show highlights work from her 'Riso Club' initiative, a non-profit program that distributes monthly sets of artist-designed postcards from cities ranging from Kyiv to Damascus. Originally developed in Japan in the 1980s as an affordable office tool, the risograph has been reclaimed by independent creatives for its unique soy-ink aesthetic and tactile, screenprint-like quality.

Gangnam styles: South Korea’s brutalist gems – in pictures

Photographer Paul Tulett has captured the stark, concrete landscapes of South Korea in his new book, *Brutalist Korea*, published by Prestel. The photo series highlights a range of architectural landmarks, from Tadao Ando’s minimalist Jeju Glass House and Zaha Hadid’s futuristic Dongdaemun Design Plaza to the playful geometry of the Paju Kindergarten. Tulett’s work documents how the raw, monumental aesthetic of Brutalism has evolved from the country’s postwar industrialization into a sophisticated tool for modern urban experimentation.

The Guide #237: Fab 5 Freddy, the street artist at the heart of New York’s creative zenith

A new memoir by Fred Brathwaite, known as Fab 5 Freddy, chronicles his life as a pivotal figure connecting the emerging hip-hop and graffiti scenes of 1970s and 80s Brooklyn with the downtown Manhattan art world. The book, "Everybody's Fly: A Life of Art, Music, and Changing the Culture," serves as an all-access pass to a transformative era, featuring encounters with icons like Jean-Michel Basquiat, Keith Haring, Andy Warhol, and Debbie Harry.

‘Occasionally a picture can change the course of history’: 33 scandalous photos that shocked the world

The article presents a curated collection of 33 photographs deemed to have caused public scandal, ranging from political and royal controversies to celebrity missteps and historical moments of defiance. It analyzes how these images, from Prince Andrew with Virginia Giuffre to Lee Miller in Hitler's bathtub, have exposed hidden truths, shattered carefully managed public images, and sometimes altered public perception or the course of events.

Björk, Rihanna and a passionate embrace: visions of love – in pictures

A new book titled 'Can Love Be a Photograph: 40 Years of Inez and Vinoodh' has been published, accompanied by an exhibition at the Kunstmuseum Den Haag. The publication celebrates four decades of work by the influential fashion photography duo Inez van Lamsweerde and Vinoodh Matadin, featuring celebrity portraits and surrealist visions organized around 16 thematic connections.

Frank Bowling: Seeking the Sublime review – shipwrecked Ophelia points the path to freedom

A new exhibition of Frank Bowling's work traces the artist's early struggle to find his voice within the rigid artistic categories of the 1960s. The show features paintings from his student days in London, where he grappled with expectations to be either a political 'Black artist' or a formalist 'artist' free from identity constraints, resulting in works that felt derivative of figures like Francis Bacon.

A Mirrored Monet review – painter reflects on his past in a musical with heart and humour

A new musical titled 'A Mirrored Monet' explores the life of Impressionist painter Claude Monet, focusing on his later years as he reflects on his youth, his artistic struggles, and the personal sacrifices he made, particularly regarding his first wife Camille. The production uses innovative set design to immerse the audience in the Impressionist style and features a strong cast portraying Monet and his contemporaries.

Vincent in Brixton review – a radiant portrait of the artist as a young romantic

A revival of Nicholas Wright's 2002 play "Vincent in Brixton" is receiving a tender production directed by Georgia Green at the Orange Tree Theatre. The play dramatizes a speculative romantic episode from the young Vincent van Gogh's life when he lived as a lodger in south London, focusing on his relationship with his widowed landlady, Ursula.

‘The male ego is even more fragile than it ever was’: Kim Gordon on shyness, AI and Zohran Mamdani’s cool

Musician and artist Kim Gordon answered questions from Guardian readers, reflecting on her career with Sonic Youth, her solo work, and her approach to creativity. She discussed the band's initial aim to create something new, her intuitive process, and her recent acting role in Kristen Stewart's film adaptation of Lidia Yuknavitch's memoir.

Love & Fury: how poster artists responded to the Aids crisis – in pictures

A new exhibition titled 'Love & Fury: New York’s Fight Against AIDS' showcases posters created by grassroots groups and artists in response to the AIDS crisis from the late 1970s to the 2000s. The show features works from collectives like the Silence=Death Project and Gay Men’s Health Crisis, as well as artists including Keith Haring and Howard Cruse, highlighting how graphic design was used to promote safe sex, demand government action, and build community resilience.

‘The way the world is, something daft is appealing’ – why everything from pizzas to podcasts has a cartoon character on it

A distinctive cartoon illustration style, rooted in 1920s 'rubber hose' animation and influenced by graffiti, vintage Americana, and underground comics, has become ubiquitous in contemporary branding. This aesthetic, characterized by exaggerated, jointless limbs and friendly faces, now adorns everything from independent pizza shops like London's Yard Sale Pizza to wine labels for Top Cuvee, podcasts, and even global fashion collaborations.

‘Arms and legs are very expressive, especially with bruises’: the absurdist photography of Yorgos Lanthimos

Director Yorgos Lanthimos has opened a photography exhibition at the Onassis Stegi in Athens, showcasing personal images taken in Greece over recent years. The show includes a central, temple-like installation housing his newer, non-film-related work, alongside earlier photographic series connected to his movies 'Poor Things' and 'Kinds of Kindness'.

Anish Kapoor Condemns Inclusion of US in Venice Biennale

Anish Kapoor has publicly condemned the inclusion of the United States in the upcoming 61st Venice Biennale, calling for its exclusion due to what he describes as the country's 'abhorrent politics of hate and its incessant warmongering.' In an interview with The Guardian, Kapoor praised the five-person jury that resigned en masse after refusing to consider Israel and Russia for the event's top prize, both nations having been accused by the International Criminal Court of crimes against humanity. Kapoor's remarks come amid the ongoing US war with Iran under the Trump administration, and he previously threatened to sue the Trump administration over a photo taken at his Cloud Gate sculpture in Chicago.

Musician Jack White will debut his artwork at Damien Hirst’s gallery this May.

Musician Jack White will debut his first major solo art exhibition, "The Problem of Color," at Damien Hirst’s Newport Street Gallery in London this May. The exhibition will feature over 40 works, including paintings, sculpture, and furniture, primarily in a monochromatic palette, exploring themes of constraint and creativity. This marks a significant public foray into the visual arts for the former White Stripes frontman, who has long engaged with art and design through his music projects and Third Man Records.

‘It’s about processing’: the artist who spent three months recreating the most poignant moments with her ex

Photographer Diana Markosian has created a new project titled "Replaced," in which she spent three months recreating intimate moments from her past relationship with an ex-partner. To document the experience of falling in and out of love, she hired an actor to play her ex and traveled with him to locations they once visited together, including Miami, Paris, Naples, Capri, and Nice. The series blurs documentary and fiction, using staged reenactments to process grief, heartbreak, and healing.

Britain and Ireland’s wildflowers – in pictures

The Eden Project's National Wildflower Centre is opening entries for its Wildflower Photographer of the Year 2026 competition on 29 May. A selection of photos from last year's competition will be on display at Eden Dock, Canary Wharf, London, during CWG's Nature Week from 13 July. The article showcases a gallery of winning and commended images from the 2025 competition, featuring wildflowers such as foxgloves, sea thrift, heath spotted-orchids, and common poppies, captured by photographers including Juliet Klottrup, Reece Gibbins, and Emma Eccles.