Ohio veterans turn experience into expression in statewide art showcase

Daniel King, an Air Force veteran and lens-based artist who once concealed his military service for a decade, is serving as juror for the 2025 Ohio Veterans and Military Art Exhibition at the Ohio Arts Council's Riffe Gallery in Columbus. The show features 37 works by 23 artists, selected by King to highlight the complex, often overlooked stories veterans tell through creative expression. King, who leads workshops through the Central Ohio VA Medical Center's veteran artist initiative, uses photography and proto-photographic techniques like cyanotypes and pinhole cameras in his own practice.

Homestead’s “Artist in the Spotlight” Returns with a Bold Celebration of Black Identity

The City of Homestead is bringing back its 'Artist in the Spotlight' program on November 15, 2025, at the Historic Seminole Theatre. The event, presented by Councilwoman Jenifer N. Bailey in partnership with The ArtBeat and Friends of the Seminole Theatre, features a month-long visual arts exhibition titled 'Blackity: Reframing Race, Ethnicity & Nationality Across the Diaspora,' curated by founding artist Ms. Tawana in collaboration with ArtWalk Presents. The opening reception includes live performances and opportunities to meet the artists.

A World Reshaped by A.I. Needs Museums More Than Ever

The New York Times article argues that as artificial intelligence rapidly transforms society, museums have become more essential than ever. It contends that museums offer a crucial counterbalance to the speed and abstraction of AI by providing spaces for slow, embodied, and critical engagement with history, culture, and human creativity. The piece emphasizes that museums are not just repositories of the past but vital institutions for fostering the kind of deep thinking, empathy, and perspective needed to navigate an AI-driven world.

A Museum Show About Disability Asks: ‘Who’s Sorry Now?’

The New York Times reports on a new museum exhibition that centers on disability, posing the provocative question 'Who’s Sorry Now?' The show challenges conventional narratives around disability, moving beyond pity or inspiration to explore themes of agency, identity, and societal attitudes. It features works by disabled artists and aims to reframe how disability is represented in cultural institutions.

No One Knows All It Takes // Haggerty

The Haggerty Museum of Art at Marquette University will present the exhibition "No One Knows All It Takes" from August 22 to December 20, 2025. Curated by Christopher Jobson and Grace Ebert of Colossal, the show features four artists—Bryana Bibbs, Raoul Deal, Maria Gaspar, and Swoon (Caledonia Curry)—whose work addresses the effects of concealed trauma, including addiction, incarceration, immigration, and lack of systemic support for caregivers. The exhibition aims to move beyond individual self-care to highlight root causes of trauma and systemic issues undermining collective well-being.

Arts of Oceania

The article explores the rich artistic traditions of Oceania, emphasizing how the vast network of islands and ocean passageways fostered a dynamic exchange of cultures, materials, and ideas over millennia. It describes Oceanic art as vessels for metaphysical journeys, with objects like fishhooks, stick charts, and carved figures serving as tangible expressions of ancestral power and cultural knowledge. The text highlights the role of artists as chiefs and orators who manipulate local materials to manifest spirits, and traces the region's entanglements with European colonial powers from the sixteenth century onward.

A New Art Exhibition Ponders the Perpetual Cycle of Urban Transition

The article reviews "Contemporary Ruin future visions," an exhibition at Drexel University's Leonard Pearlstein Gallery curated by artist Nancy Agati. The show explores the perpetual cycle of urban construction, demolition, and renewal, focusing on Philadelphia's evolving neighborhoods. Featured artists include Sophie White, who documents rapid gentrification in Fishtown/Kensington through plein-air gouache paintings, and Jennifer Johnson, whose sculptural maps trace the transformation of the Black Bottom area from 1725 to 2025. Joseph E. B. Elliott contributes photographs of decaying buildings, such as Saint Bonaventure Church and Richmond Generating Station, capturing ruins both past and present.

Above Lake Maggiore sits Italy's highest bookstore, fighting mountain depopulation

Sopra il Lago Maggiore c’è la libreria più in altitudine d’Italia che combatte lo spopolamento delle montagne

The Libreria Alpe Colle, located in the Lepontine Alps overlooking Lake Maggiore, has become Italy's highest-altitude bookstore. Established in 2014, this unique cultural hub is accessible only by a hike through beech forests and historical WWI fortifications. It houses thousands of rare, out-of-print, and antique volumes, attracting a diverse mix of serious collectors and casual hikers who visit for both literature and local artisanal products.

Dancing the Revolution: The Exhibition

The Museum of Contemporary Art Chicago has opened 'Dancing the Revolution: From Dancehall to Reggaetón,' a major exhibition exploring dance as a political language. It features over forty artists working across installation, video, sculpture, and sound, tracing the cultural trajectories of dancehall and reggaetón from the Caribbean diaspora to global contexts.

Tide of Returns: Reclaiming Memory Through Oceanic Ritual

Thyssen-Bornemisza Art Contemporary (TBA21) Academy has opened its 2026 program at Ocean Space in Venice with the exhibition 'Tide of Returns'. Developed by the Repatriates Collective, the show features artists, filmmakers, and Indigenous communities from across the globe, transforming the former Church of San Lorenzo into an immersive environment. It moves beyond conventional restitution debates by presenting repatriation as a living, tidal process expressed through ritual, memory, and community care, using materials like sand from Anindilyakwa Country and returned shell dolls.

From Hand to Heirloom: Orillia museum unveils new exhibition

The Orillia Museum of Art & History (OMAH) has opened a new exhibition titled 'From Hand to Heirloom: The Art of Craft.' The show features historical and contemporary craft objects like quilts, embroidery, and beadwork, highlighting their personal, cultural, and intergenerational significance. It includes works by local and Indigenous makers and aims to reframe craft as a vital form of artistic expression.

A New Show at the National Hispanic Cultural Center Highlights the Art of Nuclear Activism

The National Hispanic Cultural Center in Albuquerque has opened a new exhibition titled "Nuclear Futures: Art, Activism, and the Legacy of the Manhattan Project." The show features works by contemporary artists who use their practice to address the history, present dangers, and future implications of nuclear weapons and energy, with a particular focus on the impact on Hispanic and Indigenous communities in the American Southwest.

What does it really mean to ‘age well’?

The article explores the concept of 'aging well' through the lens of art and creativity, examining how artists and cultural figures approach their later years. It discusses various perspectives on maintaining vitality, purpose, and artistic practice as one ages.

Art Macao host ‘Since it is•The Future: Media Art Exhibition’

Art Macao's collateral exhibition 'Since it is•The Future: Media Art Exhibition' opened on Saturday evening at the Cardinal Newman Centre for Culture and Arts Performance of Macau (CCCN). Part of the Art Macao: Macao International Art Biennale 2025, the show is co-curated by Willa Chan and Ha Tin Cheong, featuring works by four local artists—Ng Man Cheng, Cheong Ka Kit, U Ka Kit, and Lo Hio Leng—under a 'post-apocalyptic cultural archaeology' narrative. The exhibition uses media art to explore Macau's identity between passive acceptance and active creation, with each artist presenting interactive installations that reimagine the present through a speculative future lens.

The Health Museum Announces an Open Call for Writers & Visual Artists

The Health Museum in Houston has announced an open call for its upcoming healing arts exhibition "Age in Our Times," inviting writers and visual artists to submit works that reframe aging as a deeply human process. More than 20 works will be selected by a panel of jurors for an exhibition opening in October 2025 and running through Spring 2026. The call is open to Greater Houston area artists and writers age 18 or over, with a submission deadline of July 31, 2025.

A Reinterpretation of the Fuentes Angarita Collection at La Neomudéjar

A REINTERPRETATION OF THE FUENTES ANGARITA COLLECTION AT LA NEOMUDEJAR

Museo La Neomudéjar in Madrid is presenting a major exhibition titled '30 Years of Irreverence and Vision in the Fuentes Angarita Collection.' The show features over 130 works from the collection of Venezuelan artist and collector Andreína Fuentes Angarita, curated by Néstor Prieto and Omar Castañeda. It is structured as a living archive, mapping three decades of Latin American political art through four thematic stations: the collective self, diaspora, identity and gender, and the memory of the body.