A Thai gallery has removed artworks focused on China from its exhibition after reportedly facing pressure from Beijing. The pieces, which addressed sensitive political themes, were taken down following diplomatic or official intervention, according to the gallery's statement. The incident highlights ongoing tensions between artistic expression and geopolitical influence in Southeast Asia.
Ai-Da, the AI humanoid robot artist, unveiled a portrait of King Charles III titled *Algorithm King* at the UK Mission in Geneva during the UN's 2025 'AI for Good Summit'. The robot, created by Oxford gallerist Aidan Meller, previously painted the late Queen Elizabeth II and set a record in November 2024 when her work *A.I. God. Portrait of Alan Turing* sold for over £1 million at Sotheby's New York.
Ukrainian Railways (Ukrzaliznytsia) has partnered with the Howard G. Buffett Foundation to launch an 'art train' — three train cars converted into a traveling gallery — that is currently crossing Ukraine. The exhibition, titled *Courage of a Nation*, features photographs taken by billionaire Howard Buffett during his 19 trips to Ukraine between April 2022 and February 2025, documenting the country's resilience after Russia's full-scale invasion. Curated by Pulitzer Prize-winning National Geographic photographer Muhammed Muheisen, the show will make 63 stops over four months, starting in Odesa. Due to security risks, the exact timetable is not publicly announced. A book of the same name, with a foreword by Ukraine's first lady Olena Zelenska, has also been published.
L’UE sanctionne Mikhaïl Piotrovski, directeur de l’Ermitage
The European Union has added Mikhail Piotrovsky, the 81-year-old director of the State Hermitage Museum in St. Petersburg, to its sanctions list as part of the 20th package of measures against Russia. Brussels accuses him of publicly supporting the war in Ukraine and of conducting archaeological excavations by the museum in occupied Crimea. His assets in the EU are frozen and he is banned from entering European territory.
Le Musée de la Reddition de Reims rouvre ses portes après un an de travaux
The Musée de la Reddition de Reims (Museum of the Surrender of Reims) reopened on May 7, the 81st anniversary of the German surrender signed in its map room, after a year-long closure. The renovation, costing approximately €2 million, focused on conservation: protective glazing, improved ventilation and lighting, and anoxic treatment of collections to halt degradation of original maps, documents, and war room objects. The museum also overhauled its scenography, designed by Belgian agency Kascen, to present a clearer chronological narrative covering the occupation, Allied presence in Reims, liberation, postwar reconstruction, and reconciliation, rather than just the surrender itself. The museum now displays 17 uniforms, 130 objects and weapons, and 65 archival documents, including the act of capitulation and General McAuliffe's jacket.
L’Iran absent de la Biennale de Venise
Iran will be absent from the 2026 Venice Biennale, marking a notable gap in the international art exhibition. The decision reflects ongoing geopolitical tensions and logistical challenges that have prevented the country from participating in one of the world's most prestigious cultural events.
French art training institutions are expanding their curricula to include provenance research, responding to a 2022 government report that identified gaps in conservator education. The Institut national du patrimoine (INP) now offers seminars on Nazi-era spoliation (1933-1945) and has added a five-day provenance research module for external competition students since 2024-2025. Paris-Nanterre University launched a master's-level diploma in 2022 covering legal, historical, and methodological aspects of provenance research. The École du Louvre now offers a specialized master's in "sensitive goods and provenance research" addressing spoliated works, human remains, colonial acquisitions, and illicit trafficking, while also integrating provenance methodology into its general curriculum from master's level one.
La Biennale e il peso delle bandiere. Che senso hanno i padiglioni nazionali?
The article examines the inherent contradiction within the Venice Biennale: its historical structure of national pavilions, a legacy of 19th-century world fairs and state-sponsored art, clashes with the transnational, post-identity vision of the international exhibition curated by Koyo Kouoh. The return of the Russia Pavilion amid geopolitical conflict and the international show titled "In Minor Keys," which rejects national belonging as an interpretive criterion, highlight this tension. The piece also addresses the controversy over the lack of Italian artists in the main exhibition, questioning whether a Biennale hosted in Italy should guarantee national representation.
Ecco com’è il chiacchieratissimo Padiglione Russia della Biennale di Venezia. Foto e video
The Russian Pavilion at the 2026 Venice Biennale has opened amid intense controversy over its unauthorized participation. The pavilion, housed in a 1914 building recently restored by Italian architects 2050+, features a program of musical improvisations, ensemble performances, techno concerts, and interactive actions, including free used clothing. The space is designed as a fragrant flower shop with a chill-out room featuring a conifer grove and video installations. The exhibition, titled "L’Albero Radicato nel Cielo" (The Tree Rooted in the Sky), is organized by young poets, musicians, and philosophers who prefer to remain anonymous as a collective, coordinated by the Gnessin Russian Academy of Music. However, due to sanctions, the pavilion is only open from May 5 to 8, as organizers cannot obtain the necessary permit to operate beyond the private opening.
A Piazza Navona l’École française de Rome apre uno spazio per le mostre (saranno tutte ad accesso gratuito)
The École française de Rome, founded in 1875 and housed at Palazzo Farnese, has opened a permanent exhibition space at Piazza Navona 62 in Rome. A current exhibition running until April 30, 2026, traces the institute's 150-year history of historical, archaeological, and social science research, highlighting its Italian and Mediterranean focus and the collaborative spirit between France and Italy. The new gallery will host a regular program of free-admission exhibitions and events dedicated to cultural heritage, archaeology, and history, starting with the show "Isole e santi – Monasteri e santuari dell’Adriatico orientale, da san Girolamo a Gregorio VII" from May 27, 2026.
The China Pavilion at the 61st International Art Exhibition - La Biennale di Venezia has been announced under the title "Dream Stream." The pavilion will be part of the prestigious Venice Biennale, one of the world's most important contemporary art exhibitions, and is organized by the Chinese government or cultural authorities. The announcement was made via a press release distributed by PR Newswire, highlighting China's continued participation in this global art event.
公募｜令和8年度新進芸術家海外研修制度における「日本文化発信・普及事業」
Japan's Agency for Cultural Affairs (Bunka-cho) is now accepting applications for the "Japanese Culture Promotion and Dissemination Project" under the 2026 (Reiwa 8) Overseas Training Program for Emerging Artists. This separate track supports established cultural figures, artists, and researchers—not just emerging artists—to conduct activities that promote and disseminate Japanese culture abroad. The program covers travel, accommodation, and activity costs up to 1.5 million yen, with派遣 periods ranging from 20 to 80 days between October 1, 2026 and March 31, 2027. Applications must be received by June 5, 2025, and results will be announced by early September.
The 2026 Venice Biennale has been overshadowed by controversy rather than its art. The main curator, Cameroon-born Koyo Kouoh, died unexpectedly in May. Russia, absent since 2022, returned to the exhibition, prompting the biennale jury to resign in protest after declaring it would not award prizes to countries accused of war crimes, with protests also targeting Israel.
Japan's Crown Prince Akishino and Crown Princess Kiko visited a special exhibition at Kokugakuin University Museum in Tokyo's Shibuya Ward, celebrating the 160th anniversary of Japan-Belgium diplomatic relations. The exhibition, opening May 23, 2026, features about 40 items from the Royal Museums of Art and History in Belgium, including a flower vase donated by Emperor Meiji and diplomatic documents. The royal couple viewed the exhibits while listening to explanations from a Belgian researcher.
An exhibition titled 'Pioneers of Omani Art' has opened at the State Tretyakov Museum in Moscow, organized by the National Museum of Oman. Running until August 16, it features 23 artworks by 17 prominent Omani artists, including pieces such as 'The Shirt of Dreams 2' by Musa bin Omar Al Zadjali and 'Faces' by Alia bint Ali Al Farsi, showcasing the evolution of Oman's modern visual art movement through themes of culture, heritage, and natural environment.
The Embassy of Ecuador in Hungary opened the art exhibition “Equatorial Territories” (Territorios Ecuatoriales) on May 7th at the Széphárom Community Space in Budapest, running through May 29th. The show features 40 paintings and sculptures by five Ecuadorian artists—Miguel Betancourt, William Cáceres García, María Fernández de Córdova, Salomé Lalama, and María Elena Machuca—exploring the colors of the Andean equatorial zone and advocating for environmental preservation. Admission is free.
An exhibition of American anti-war pop art has opened in Tehran, Iran, featuring works that critique war and militarism through the lens of popular culture. The show brings together iconic pieces from American artists known for their anti-war stance, displayed in a country that has long been subject to U.S. sanctions and political tensions.
Hong Kong officials, led by Secretary for Culture, Sports and Tourism Rosanna Law, inaugurated the Hong Kong Exhibition at the 61st Venice Biennale on May 8, 2026. For the first time, the Hong Kong Museum of Art (HKMoA) is collaborating with the Hong Kong Arts Development Council (HKADC) to present works by local artists Kingsley Ng and Angel Hui in a Collateral Event running through November 2026. Law also attended the Chinese Pavilion opening and met with the Italian ambassador and the rector of Ca' Foscari University.
The Venice Biennale, the world's largest contemporary art exhibition, opened to the press amid turmoil over Russia's return for the first time since the Ukraine war began. The event features artists from several conflict-affected nations, including Ukraine, Israel, and the US, while Iran has canceled its participation. Resignations, boycotts, and threats to cut funding have marked the lead-up to the opening.
Pakistan’s High Commission in Canada launched a three-day art exhibition in Mississauga celebrating the legacy of renowned artist Syed Sadequain Ahmed Naqvi. Inaugurated by High Commissioner Muhammad Saleem, the exhibition features Sadequain’s paintings, murals, drawings, and Urdu poetry, organized by the Sadequain Foundation with local partners. Attendees include students from the Aga Khan Foundation Academy Toronto, and scholar Ashfaq Hussain will deliver a talk on the artist’s multifaceted legacy.
The Kyrgyz National Museum of Fine Arts named after Gapar Aitiev is set to host a specialized exhibition of Ebru art, the traditional Turkish technique of painting on water. Organized by the Ebristan public foundation and supported by the Turkish Embassy, the event features live masterclasses where artists will demonstrate the creation of symbolic imagery, including the national flags of Turkey and Kyrgyzstan and the Batken region's Aigul flower, before transferring the floating pigments onto solid surfaces.
North Korea has organized a series of events, including a large book and art exhibition at the Korean Art Museum in Pyongyang, to generate public enthusiasm ahead of a key Workers' Party congress scheduled for late February. The exhibition featured approximately 10,000 books on party ideology alongside paintings, sculptures, and artifacts depicting the daily lives of North Korean citizens.
The second edition of Chitralekha, an art exhibition featuring works by 21 Sri Lankan alumni of Indian institutions, opened at the J.D.A. Perera Gallery in Colombo. The exhibition was inaugurated by Deputy High Commissioner of India Dr. Satyanjal Pandey and Member of Parliament Jagath Manuwarna, and is organized by the Swami Vivekananda Cultural Centre of the High Commission of India. It runs until September 13.