Prague, opening of the exhibition “De Chirico – Painting is the Magical Art”

Prague, opening of the exhibition “De Chirico – Painting is the Magical Art”

The Italian Cultural Institute in Prague has inaugurated a major retrospective titled “De Chirico – Painting is the Magical Art,” dedicated to the master of Metaphysical art. Curated by Lorenzo Canova, the exhibition features over 70 works sourced from prominent private collections across Europe, spanning the artist's career from the 1930s through his final creative years. The display includes his iconic Italian Piazzas, Baroque-inspired horses, and "silent life" still lifes, alongside a significant selection of graphic works and lithographs.

Sotheby’s to Hold Auction in Diriyah Featuring over 60 Artworks

A priceless 2,500-year-old golden helmet and three golden bracelets from Romania's Dacia civilization, stolen from the Drents Museum in the Netherlands in January 2025, were returned to Romania on Tuesday. The artifacts arrived at Bucharest Henri Coanda International Airport under guard and were displayed at Bucharest's National History Museum, flanked by armed security. The recovery followed 14 months of investigations, diplomatic tensions, and an ongoing trial of three suspects; one bracelet remains missing but Dutch authorities vow to continue the search.

Opening of Museum of West African Art in Nigeria delayed after protests

The official preview weekend of the Museum of West African Art (MOWAA) in Benin City, Nigeria, was disrupted on Sunday when a group of protestors broke into the main building. Over 250 invited guests, including donors and diplomats, had gathered for a cultural program featuring the exhibition "Nigeria Imaginary: Homecoming," which was an expanded presentation of the Nigerian Pavilion at the 2024 Venice Biennale. The protestors, wearing red hats, blocked access, shouted accusations about former governor Godwin Obaseki, and forced their way inside, leading to the indefinite cancellation of remaining events. MOWAA subsequently announced a postponement of public opening events, citing the protests and misconceptions about its role, while welcoming a presidential committee to resolve related matters.

Here's where to see the best art in Singapore this week (Oct 3)

This article from The Straits Times, dated October 3, highlights a series of cultural events in Singapore during the first week of October. It details a literary conference hosted by Nanyang Technological University's English department from October 3 to 5, featuring public talks by notable writers including Singaporean author Amanda Lee Koe, Malaysian novelist Tan Twan Eng, graphic novelist Sonny Liew, and American poet Alice Lyons. The article also covers a new dining theatre experience called 'Rasa' at Dempsey, which combines 12th-century Sanskrit poetry, bharatanatyam dance, live Carnatic music, and a curated vegetarian menu. Additionally, it announces an exhibition at the Museum of Contemporary Art at Tanjong Pagar Distripark, organized by Lianhe Zaobao and Qiu Zhai Art Studio, celebrating the 35th anniversary of diplomatic relations between Singapore and China, featuring 368 works by Singaporean and Chinese artists.

Everything to Know About Christie’s Modern Middle Eastern Art Auction

Christie’s has opened an online auction of Modern and Contemporary Middle Eastern Art, running through May 8th and featuring 69 works from across the Gulf, Levant, North Africa, Iraq, and Iran. The sale is led by pioneering artist Samia Halaby’s 2013 painting 'Water Lilies', estimated at $100,000–$150,000, and includes a dedicated 'Saudi Now!' section with 12 pieces by Saudi artists such as Ahmed Mater and Manal AlDowayan. Over a third of the lots are by women artists, including Etel Adnan, Helen Khal, Huguette Caland, Tala Madani, and Tagreed Darghouth, alongside North African figures like Mohamed Melehi and Hassan Hajjaj.

Indonesia Returns to Venice Biennale for 2026 Edition

Indonesia will return to the Venice Biennale in 2026 after a six-year absence. The national pavilion, titled "Printing the Unprinted," will be curated by Aminudin TH Siregar and will feature archival materials alongside works by 14 emerging artists, aiming to explore the country's cultural identity and art history.

Gold Romanian Helmet Recovered After Explosive Heist at Dutch Museum

Dutch police have recovered a 2,500-year-old gold Dacian helmet and two of three gold bracelets stolen in a 2025 museum heist. The artifacts were returned as part of a plea deal with suspects, who were offered reduced sentences and a cash enticement to reveal their location.

The Syrian Pavilion returns to Venice after the fall of the regime. The interview

A Venezia torna il Padiglione della Siria dopo il crollo del regime. L’intervista

The Syrian Pavilion returns to the Venice Biennale after the fall of the regime, marking the country's first participation since 2024. The pavilion, curated by artist Sara Shamma, is housed in the former refrigerated warehouses of Santa Marta at the Iuav University of Venice and runs until November 22. It features an installation inspired by the ancient funerary towers of Palmyra, combining painting, architecture, light, sound, and scent to explore cultural heritage and the restitution of looted antiquities.

Two years ago Russia ceded its pavilion at the Biennale to Bolivia. A testimony from within

Due anni fa la Russia cedette il suo padiglione in Biennale alla Bolivia. Una testimonianza da dentro

Two years ago, Russia ceded its national pavilion at the Venice Biennale to Bolivia, a move that artist Inés Fontenla experienced firsthand when she was invited by Bolivia to participate in the 2024 edition. Fontenla recounts how the pavilion's organization shifted after Bolivia's 2025 elections, with the curator replaced by the new Minister of Culture just one month before the opening. She realized Russia was using Bolivia as a front to re-enter the Biennale after closing its own pavilion in 2022 in protest of the Ukraine invasion, and she ultimately withdrew from the project to avoid being instrumentalized by a military power.

Italy's Soft Power in China Thanks to Two Major Exhibitions on Pompeii and Palladio

Il soft power dell’Italia in Cina grazie a due grandi mostre su Pompei e Palladio

The National Museum of China in Beijing is currently hosting two major exhibitions celebrating Italian cultural heritage: "Pompeii: An Eternal Discovery" and "Geometry, Harmony and Life: The Architecture of Andrea Palladio from Antiquity to Classicism." These exhibitions, marking the 55th anniversary of diplomatic relations between Italy and China, were inaugurated by Italian Culture Minister Alessandro Giuli. The Pompeii showcase traces 250 years of archaeological history using artifacts and multimedia, while the Palladio exhibition explores the Renaissance master’s influence on Western architecture and creates a cross-cultural dialogue with traditional Chinese building techniques.

Nigerian art, culture returns to Atlanta in historic international exhibition

Fulton County Arts & Culture in Atlanta has announced "Threads of Heritage: A Cultural Confluence Connecting Africa to Atlanta," a major Nigerian-American cultural exchange initiative running from May to June 2026. The program, led by Nigerian textile icon Nike Monica Okundaye and involving Nike Art & Culture Foundation, Nike Art USA, and UniSpectrum Inc., will feature Nigerian artists, cultural practitioners, bata dancers, and tradition bearers in visual arts, textile traditions, muralism, sculpture, storytelling, workshops, and youth education at the Fulton County Arts & Culture Downtown Exhibition Space.

Around the World

Einmal um die Welt

The article previews the national pavilions at the Venice Biennale, where 99 countries present exhibitions across the Giardini, Arsenale, and venues throughout the city. It highlights Iceland's pavilion, featuring Ásta Fanney Sigurðardóttir's project "Pocket Universe" at the Docks Cantieri Cucchini, a multimedia work combining performance, sound, moving image, and installation centered on a film about a creature.

Gitte Zschoch wird Generalsekretärin des Goethe-Instituts

Gitte Zschoch has been appointed as the new Secretary General of the Goethe-Institut, taking over the role and chairmanship of the board on July 18. She succeeds Johannes Ebert, who has held the position since 2012 and will now lead the institute's regional office in Athens. Zschoch, currently Secretary General of the Institute for Foreign Cultural Relations (ifa), previously worked for the Goethe-Institut in various roles, including founding director of its branch in the Democratic Republic of Congo. The appointment was confirmed by German Foreign Minister Johann Wadephul and approved by the institute's presidium.

Under pressure, the Venice Biennale jury resigns and is replaced by a public vote

Sous pression, le jury de la Biennale de Venise démissionne et est remplacé par un vote du public

On April 30, just days before the Venice Biennale's public opening on May 9, the entire international jury responsible for awarding the Golden and Silver Lions resigned. The jury—comprising Solange Farkas, Zoe Butt, Elvira Dyangani Ose, Marta Kuzma, and Giovanna Zapperi—had been caught in a escalating controversy after Biennale president Pietrangelo Buttafuoco reinstated Russia, which had been excluded since the 2022 invasion of Ukraine. The European Union threatened to suspend or cancel its €2 million subsidy if Russia remained included. The jury attempted to exclude countries whose leaders face International Criminal Court arrest warrants, effectively targeting Russia and Israel, but ultimately resigned under pressure from both external diplomatic turmoil and internal institutional opposition to any discrimination between pavilions.

Explore the projects of the 2024 and 2025 graduating classes of Ésad

Explorez les projets des promotions 2024 et 2025 de l’Ésad

The Ésad Saint-Étienne is presenting "recto verso," an exhibition running from April 29 to October 4, 2026, featuring projects by 84 young artists and designers who earned their DNSEP in June 2024 and June 2025. The show is designed as a non-linear, interactive space where objects, performances, and activations encourage visitors to explore both finished works and the preparatory stages behind them, including sketches, models, and archival materials. The exhibition is curated by the collective ppdesigner and Éric Jourdan, with production by the Cité du design.

Mexico faces sales of pre-Columbian art

Le Mexique face aux ventes d’art précolombien

The Mexican government is facing ongoing legal and diplomatic hurdles in its attempts to halt the sale of pre-Columbian artifacts in Paris. Despite formal protests from the Mexican embassy citing national heritage laws from 1827, auction houses like Millon continue to proceed with sales, generating millions in revenue. French authorities and legal experts maintain that Mexican national laws do not supersede French jurisdiction, which largely adheres to the 1970 UNESCO Convention regarding the illicit import and export of cultural property.

Ieva Lygnugarytė “Carmen: Utopias of Belonging” at Oratorio dei Crociferi, Venice

Artist Ieva Lygnugarytė presents "Carmen: Utopias of Belonging," a video installation at Oratorio dei Crociferi in Venice. The work reactivates a little-known story from 1523, when poet Nicolaus Hussovianus wrote "Carmen de Statura, Feritate ac Venatione Bisontis" as a diplomatic gesture for the Grand Duchy of Lithuania, intended to accompany a straw-stuffed European bison.

US-based dissident artist put on trial in China over satirical Mao sculptures, says rights group

Chinese dissident artist Gao Zhen, based in the US, has been tried in a closed-door court in China on charges of "defaming national heroes and martyrs" related to his satirical sculptures of former leader Mao Zedong. The one-day trial concluded without a verdict, and the artist faces up to three years in prison. His wife and young son, both US citizens, are under exit bans and unable to leave China.

Nike Okundaye leads Nigerian artists to historic U.S. show

Nike Okundaye, founder of Nike Art Gallery, is leading 13 US-based Nigerian artists in a cultural diplomacy initiative titled "Threads of Heritage: A Cultural Confluence Connecting Africa to Atlanta." Organized by Fulton County Arts and Culture under Commissioner Robb Pitts and Director David Manuel, alongside Georgia State Representative Kim Schofield, the show opened last Friday at Fulton County Arts and Culture Downtown exhibition space in Atlanta. The event features artists including Shayee Awoyomi, Lasaki Olubunmi, Adeleke Akeem, Ola Balogun, Ajibade Awoyemi, and Bimbo Samson Adenugba, among others, and includes masquerade performances, African-American dances, and cuisines. The exhibition runs through the end of June.

40 years of Hammersmith art on show – for FREE – at Riverside Studios

The Riverside Artists Group is celebrating its 40th anniversary with a major retrospective titled "PULL FOCUS" at the Riverside Studios in Hammersmith. The exhibition features 48 artworks across various media—including oil paintings, sculptures, and digital prints—by 33 artists, alongside a 30-minute documentary film and an extensive archive of the group's history. Founded in 1986 following an open submission call that drew over 1,000 entrants, the collective has grown from a local community initiative into an international presence.

Students Worked on Exhibit of Gowns Worn at La Scala by Maria Callas

Six opera gowns worn by Maria Callas onstage at La Scala in Milan are on display at the Luther W. Brady Art Gallery in Washington, D.C., as part of the exhibition “Callas at La Scala.” The exhibition, located within the Corcoran School of the Arts and Design, features costumes from roles including Anna Bolena and Ifigenia, alongside costume sketches by designers Nicola Benois and Piero Tosi and photographs of Callas. Students from the Corcoran School, guided by assistant professor Tanya Wetenhall, contributed by researching, writing labels, and installing the show, while ambassadors from Greece and Italy spoke at the opening.

Penang Welcomes Lin Xiang Xiong Art Gallery, A New Beacon Of Cultural Diplomacy

The Lin Xiang Xiong Art Gallery officially opened in Penang, Malaysia, at The Light Waterfront in Gelugor, with a ceremony attended by the Governor of Penang, Tun Dato’ Seri DiRaja Ramli Ngah Talib, and Chief Minister Chow Kon Yeow. Founded by acclaimed artist Professor Lin Xiang Xiong, the gallery debuted with a private preview of "The Vicissitudes of Life," an exhibition of 99 artworks addressing war, pollution, and poverty. The event gathered artists, government officials, business leaders, and academics, highlighting Penang's ambition to become an international cultural destination.

The Biennale Must Remain Open – Also for Russia

Die Biennale muss offen bleiben – auch für Russland

The article argues against calls to exclude Russia from the Venice Biennale, focusing on the controversy surrounding the Russian pavilion's planned exhibition titled "Der Baum ist im Himmel verwurzelt" (The Tree Is Rooted in Heaven). The pavilion is set to feature musicians from Russia, Argentina, Mali, and Mexico, and its theme revolves around the idea that politics is time-bound. The author contends that while the demand to exclude Russia is understandable given the geopolitical context, it is dangerous because once a biennial begins disinviting states, it undermines the very concept of the international exhibition.

Bayeux Tapestry: A Blank Voyage That Tests Nothing

Tapisserie de Bayeux : un voyage à blanc qui ne teste rien

A confidential interim report obtained by La Tribune de l'Art reveals that the "blank voyage" test transport of the Bayeux Tapestry from Bayeux to London in February 2026 failed to measure actual risks to the artwork. The report admits that the vibration threshold used (2 mm/s) is arbitrary and based on paintings, not on a textile of this size and fragility. Because the tapestry has been stored and inaccessible since September 2025, no mechanical tests could be conducted beforehand to determine safe vibration levels, rendering the test meaningless. A second test took place on April 15, 2026, but its report has not yet been finalized; the actual loan is planned for July 2026, with transport via Eurostar.

Details on French museum works in Abu Dhabi

Des précisions sur les œuvres des musées français à Abu Dhabi

French museums and cultural institutions, including the Louvre, Versailles, the Centre Pompidou (Beaubourg), and the Musée d'Orsay, are refusing to disclose which specific artworks from their collections are currently on loan and on display at the Louvre Abu Dhabi. This lack of transparency occurs despite heightened regional security risks, including the threat of Iranian strikes. The French Ministry of Culture claims it is in close contact with UAE authorities to ensure the protection of the loaned works.

How Do You Curate an Exhibition on Genocide? Faisal Saleh and the Palestinian Question That Crosses the Venice Biennale

“Come si cura una mostra sul genocidio?”: Faisal Saleh e la domanda palestinese che attraversa la Biennale di Venezia

At the 2026 Venice Biennale, a collateral exhibition titled “Gaza – No Words – See the Exhibit” presents 100 embroidered works using the traditional Palestinian technique of Tatreez. Curated by artist Faisal Saleh, founder of the Palestine Museum US, the show transforms embroidery from decoration into political testimony, reconstructing scenes from Gaza over the past two and a half years: shrouded bodies, killed children, mothers bidding farewell, bombed hospitals. The exhibition is housed at Palazzo Mora and has been called by many visitors “the real Palestinian Pavilion” of the Biennale, though it is not an official national pavilion.

Iran Pushes Back on Venice Biennale Withdrawal Reports: ‘We’re Still Coming’

Iran has pushed back against reports that it withdrew from the 2024 Venice Biennale, with Aydin Mahdizadeh Tehrani, director-general of visual arts at Iran's ministry of culture, stating that the country never withdrew and is still in negotiations to participate. Tehrani told the Iran Students News Agency that Iran submitted a plan for a pavilion and is awaiting a final response, despite unresolved issues including sanctions, high rental costs, and the ongoing war with Israel and the US. Meanwhile, a separate unofficial pavilion called the Hyperstitional Pavilion of Iran, curated by Pouya Jafari and Nazli Jan Parvar, has been announced, featuring works by Iranian artists and organized by Finland-based nonprofit Perpetuum Mobile.

Iran has not withdrawn from 2026 Venice Biennale, pavilion commissioner says

Iran has denied withdrawing from the 2026 Venice Biennale, despite the Biennale's announcement that the country would not participate. Aydin Mahdizadeh Tehrani, director-general of visual arts at Iran's ministry of culture and Islamic guidance and the country's pavilion commissioner, stated that Iran requested more time rather than submitting a withdrawal. He cited the US-Israel war with Iran, political and economic challenges, and a sharp currency devaluation that tripled projected costs as reasons for the delay. Iran proposed a shorter two-to-three-month participation, which was rejected, but has since sent a letter insisting on opening its pavilion even after the opening. The foreign ministry has intervened to support Iran's participation, and a final response from the Biennale is expected soon.

New book shows why physical maps have an important role to play in our digital world

Professor James Cheshire spent three years cataloging forgotten maps in a University College London storage room, resulting in the book 'The Library of Lost Maps.' The volume presents 96 historically significant maps, ranging from a pre-atomic bomb Hiroshima map to a Victorian geological survey of India, highlighting their physical fragility and hidden stories.

portugal returns looted mexican antiquities

Portugal has repatriated three pre-Columbian artifacts to Mexico, marking the first time the country has returned unlawfully acquired antiquities to the Mexican government. The returned items include a Shaft Tomb Culture female figure, a Maya painted vessel, and a Zapotec funerary urn representing the deity Cocijo. The objects were recovered through the cooperation of Portuguese judicial authorities and the Mexican embassy after being flagged at auctions and in various cities including Lisbon, Guimarães, and Évora.