Cambodian artist Kanitha Tith presents "Cycle of Life" at SNA Arts Management in Phnom Penh, a solo exhibition reflecting on nearly two decades of abstract practice. The show features her signature woven steel-wire sculptures, ink paintings created using metal strings as tools, and an oneiric video work titled "Boding" that explores the memory of the now-demolished White Building.
Thomas Duffield, a photographer, has created a body of work documenting his relationship with his father after years of estrangement. The project captures their gradual reconnection, moving beyond superficial conversation to address deeper, unspoken tensions. Duffield's images explore the emotional landscape of rebuilding a father-son bond, using photography as a tool for reconciliation and understanding.
Artist Jessica Smith, originally from Texas, is opening her first solo exhibition in Salt Lake City titled "35 Years of Not Painting" at the Salt Lake City Public Library's Lower Urban Room Gallery from May 11 to June 21. After a high school art teacher censored her work, Smith abandoned painting for decades, turning to theater and later creating personalized picture books for her son with autism. She returned to art during the COVID-19 pandemic, painting portraits of admired figures like Mr. Rogers, Tupac Shakur, and Stevie Nicks. Smith is an enrolled member of the Cherokee Nation and has become TERO Certified, allowing her to be listed as a potential artist for tribal commissions. She credits the Urban Indian Center of Salt Lake as a key support system.
The University's art gallery at 41 Park Row hosted its Annual Art Student Exhibition from April 10 to April 25, 2026, featuring 75 student artists. Notable works include Kaitlin Espinal's painting "La Casa de Tia Lelia," inspired by her great aunt's house in the Dominican Republic; Jet Coyan's digital photography piece "Trauma Imposter" exploring depersonalization and anxiety; and Deilene Rodriguez's "Vino," which celebrates her Hispanic heritage through a wine-inspired composition. Students credited their professors, classmates, and the University's art classes for supporting their creative development.
M. Lyn Arts will host its first 2026 Art Show on May 9-10 at Mystic Brew in Tillet Gardens, St. Croix, featuring original artwork for sale. The exhibition introduces new techniques, color palettes, and larger-scale works, including storm-themed pieces inspired by hurricanes Irma and Maria, with a shift toward personifying storms to convey human emotions. Food and drinks will be provided by Mystic Brew and Rock City Tacos.
The Westmont Ridley-Tree Museum of Art is hosting "Re-Encounter," the annual senior art exhibition featuring works by 14 graduating students. The showcase highlights a diverse range of mediums, including salvaged wood paintings by Kailea Najera, ceramic floral sculptures by Makena Wick, and an immersive installation by Arianna Rheault that processes childhood trauma. The exhibition serves as a formal conclusion to the academic year, blending personal narratives with spiritual themes reflective of the institution's background.
Grants from the Kordelin Foundation’s Rauma Fund for 2026 Awarded – Emphasis on Local Roots and New Experiments
The Alfred Kordelin Foundation’s Rauma Fund has awarded €30,000 in cultural grants for 2026, distributed equally among three recipients. The funding supports puppet theatre artist Aati Hanikka for an experimental underwater performance, Rauman Konserttiyhdistys ry for an immersive musical storytelling project in Old Rauma, and Tarvonsaari Art House for a series of pilot exhibitions.
Israeli artist Zoya Cherkassky-Nnadi has unveiled a new body of work that utilizes the visual language of Old Masters and classical mythology to process the collective trauma of the October 7 attacks. By referencing iconic compositions from art history, Cherkassky-Nnadi creates a bridge between historical depictions of suffering and the immediate, raw experiences of contemporary Israeli life, offering a formal structure to otherwise unspeakable events.
Tehran-born artist and human rights lawyer Sanam Ghandehari is presenting a new body of work in Paterson, New Jersey, against the backdrop of escalating military conflict in Iran. Her multi-layered pieces reflect the duality of the current crisis, juxtaposing the hope for democratic liberation with the immediate trauma of seeing her childhood home bombarded.
Southwestern University’s Sarofim Fine Arts Gallery recently debuted the Spring 2026 B.A. Senior Art Exhibition, showcasing the final projects of seven graduating Fine Arts majors. The exhibition features a diverse range of media and themes, including Christopher Bowers’ historical-fantastical landscapes, Sophie Kinkade’s Y2K-inspired "spill art," and Trinidad Laurenzi’s exploration of Catholic iconography and body horror. Other featured artists include Maeve Lloyd, Aris Morgan, Grace Sapienza, and Isa Wilson, whose works span sculpture, anime-influenced illustration, and charcoal drawings addressing mental health.
Indigenous artist Scott Kwah is set to debut a deeply personal exhibition titled "A.R.E.N.A. babies" at the Salmon Arm Art Gallery, running from April 11 to June 16, 2026. The installation centers on 18 hand-cast concrete figures seated on vintage chairs that emit audio of fragmented, childlike voices questioning their origins and loss of language. The work directly confronts Kwah’s history as a survivor of the Sixties Scoop, specifically referencing the Adoption Resource Exchange of North America (ARENA) program that facilitated the cross-border displacement of Indigenous children.
The Salmon Arm Art Gallery is set to host "A.R.E.N.A. babies," an immersive installation by local artist Scott Kwah that explores the trauma and resilience of Sixties Scoop survivors. The exhibition's centerpiece features 18 hand-cast concrete figures seated on vintage chairs, utilizing childlike voices to create a sensory space for reflecting on the forced adoption of Indigenous children into non-Indigenous families.
The Pierro Gallery in South Orange is hosting the opening night for "Female Hysteria," a group exhibition featuring nine women artists. The show directly confronts the historical use of "hysteria" as a misogynistic medical diagnosis used to pathologize female emotions and bodies, instead reclaiming the term as a source of creative power.
Syrian visual artist Mai al-Halwani opened her latest exhibition, “Arteries with Wings”, at the Palace of Culture in Homs on Wednesday, December 18. The show features 40 paintings in her signature expressionist style, combining miniature art and decorative motifs to explore themes of life, freedom, and resilience. Organized by the Union of Visual Artists, the exhibition marks al-Halwani's first in Homs since the city's liberation, with some pieces referencing the Syrian revolution. Half of the proceeds will go to the Syrian Development Fund.
A group of Southland artists from C.S Art Studio will present their annual exhibition titled "Circles" at Whare Taupua art space in Invercargill, New Zealand, from September 5-26. The show features paintings and sculptures by 43 artists with disabilities and lived experience with mental health or trauma, challenging them to create works within a circular format rather than traditional squares or rectangles.
In July 2025, 25 artists in Gaza staged an exhibition titled "Aphenix" inside a coffee shop in Gaza City, organized by Mohaned Asayas, a student at Al-Aqsa University. The exhibition featured 55 new works created during a month-long workshop that provided a rare space for artistic expression amid the ongoing war, offering materials like soft charcoal, pastel, and acrylic. Artists such as Bisan Al Amasy produced pieces addressing themes of starvation, displacement, bombardment, and loss, using symbolic imagery like a fatigued donkey to represent Gaza City.
The Haggerty Museum of Art at Marquette University will present the exhibition "No One Knows All It Takes" from August 22 to December 20, 2025. Curated by Christopher Jobson and Grace Ebert of Colossal, the show features four artists—Bryana Bibbs, Raoul Deal, Maria Gaspar, and Swoon (Caledonia Curry)—whose work addresses the effects of concealed trauma, including addiction, incarceration, immigration, and lack of systemic support for caregivers. The exhibition aims to move beyond individual self-care to highlight root causes of trauma and systemic issues undermining collective well-being.
The article explores the rise of independent art spaces in Palermo, Italy, where artists have formed collaborative, non-commercial studios and exhibition venues outside the official art system. These spaces prioritize shared research, community growth, and collective projects over individual achievement or market goals, creating a unique artistic ecosystem rooted in the city's social fabric.
An art exhibition in southern Israel brought together religious and secular artists to process the trauma of the October 7 Hamas-led massacre. Held at the Shafir Youth Center, the event was part of the Herzog Center for Promoting Inclusive Creativity's yearlong "Creating Space" initiative, curated by Israeli designer Zohar Yerom. Works spanned movement, poetry, painting, sculpture, and video art, with interactive installations including Avivit Shaked's "The Womb" and Avital Ora Fishwait's "The Birth Room." Audience members participated by writing pre-October 7 memories and painting images of healing.
Ein anderes Deutschland
The German Pavilion at the Venice Biennale, historically burdened by its Nazi-era origins, presents a new exhibition titled "Ruin." For the first time, the pavilion explicitly adopts an East German perspective, confronting its fraught past from a fresh angle. The show features massive pillars and a prominent "Germania" inscription above the entrance, directly engaging with the building's controversial history.
Marianna Simnett has opened a new multimedia exhibition titled "Circus" at the Secession in Vienna. The show features a combination of light, sound, and sculptural works that delve into her Yugoslav heritage, weaving together personal family history with folklore.
Cambodian artists are celebrating Khmer New Year with the free exhibit “My Soul of Gold” at Xia Gallery & Cafe in St. Paul, Minnesota, running through April 27, 2025. The show features portraits of cyclo drivers and elders by photographer Hao Taing, paintings by Cambodian American artist Sara Gregor, and traditional wedding dresses, all exploring themes of heritage, war, and displacement. Inspired by kintsugi, the exhibit uses art to “fill in the cracks” left by the Khmer Rouge regime and historical erasure. Separately, documentary photographer Drew Arrieta is debuting “Infinite Bonds” at Resource gallery in Minneapolis, blending photography, audio, and personal objects to explore intimate relationships.
An exhibition titled “Seri: Woman Perspective – Voice of Our Time” at 22Hale Street Heritage Gallery in Ipoh, Perak, brings together 10 women artists showcasing 24 paintings and six ceramic- and clay-based sculptural works. The show explores the psychology of art, emotional expression, identity, and social reflection. A parallel talk, “From Pain to Healing: The Art of Emotional Recovery,” was given by Health Ministry psychology officer Rahilah Abdul Rahim, who introduced the Art Drawing House-Tree-Person (ADHTP) technique and color-based exercises as therapeutic tools for accessing and understanding emotions.
Da prigione a spazio per la cultura: nuova vita per le ex carceri austriache di Busto Arsizio
The city of Busto Arsizio has officially inaugurated the transformation of its mid-19th-century Austrian prison into a vibrant cultural hub. Following a €2.35 million restoration project largely funded by the EU’s PNRR (NextGenerationEU), the historic structure on Via Borroni now serves as an extension of the "G.B. Roggia" Civic Library. The facility features three levels of study rooms, multi-purpose exhibition spaces, and a literary café, all while preserving original architectural elements like cell doors and prisoner graffiti.
A documentary screening in Whippany, New Jersey, featured artwork created by Ukrainian children affected by the ongoing war. The event, organized by local community groups, aimed to share these personal expressions of trauma and resilience with an American audience, fostering cross-cultural understanding and highlighting the human impact of the conflict. The artwork served as a poignant centerpiece, transforming the children's experiences of displacement and fear into a visual dialogue accessible to the Whippany community.
The Veterans Wellness Centre and Art Gallery in Port Stanley, Ontario, is celebrating its first anniversary while facing a surge in demand that exceeds its current financial capacity. Founded by veteran James Agesen, the center provides a dedicated space for veterans and first responders to engage in art therapy, exhibit their work, and access peer support services to assist in their transition to civilian life.
Kentucky-based painter Samuel Baltes will be featured in a solo exhibition opening May 8 at Yes Arts in Frankfort. The showcase highlights Baltes’ plein air landscape paintings, which draw heavily from Realist and Impressionist traditions to capture the subtle shifts of light and atmosphere in everyday environments.
Local artist Claire Vaughan has launched a solo exhibition at Colchester General Hospital, showcasing a series of works inspired by her personal journey of recovery and the loss of her lifelong friend, Debbie Cuthbert. The exhibition serves as a tribute to Cuthbert, who passed away from ovarian cancer, with proceeds from art sales being donated to the Cancer Wellbeing Centre.
The National Museum “Kyiv Art Gallery” has launched a major exhibition titled “Andriy Chebykin. MASTER AND WORKSHOP” to celebrate the 80th birthday of the renowned Ukrainian graphic artist and educator. The show features a comprehensive range of Chebykin’s work, from his classic 1970s etchings and 1990s nudes to recent pieces created during the full-scale invasion of Ukraine, such as “The Enemy Was Shot Down Over Tatarka.” Uniquely, the exhibition also includes works by his former students, highlighting his 55-year legacy at the National Academy of Fine Arts and Architecture.
Kansas City artist Michelle Pond is debuting a new solo exhibition titled "The Journey Back," which chronicles her grueling two-year recovery from a severe case of COVID-19. The collection features a series of paintings that transition from dark, chaotic imagery representing her time on a ventilator to bright, hopeful compositions symbolizing her physical and emotional rehabilitation.