The 11th JIDAR Rabat Street Art Festival has transformed Morocco's capital into an open-air gallery, with artists from Ecuador, South Africa, Peru, Russia, and Morocco painting large-scale murals on buildings. Works include Oscar Medina's bird clutching the sun and moon, Keya Tama's lion with Arabic script, and Mohamed Roshdi's portrait of a woman holding fish. The festival runs until 27 April.
Die meistbesuchten Museen weltweit – und warum Deutschland hinterherhinkt
The Art Newspaper's 2025 ranking of the world's most-visited museums reveals a global landscape dominated by institutions in Paris, Seoul, London, and New York. The Louvre leads with just over nine million visitors, followed by the Vatican Museums and Seoul's National Museum of Korea, which doubled its attendance to 6.5 million. Notable trends include strong post-pandemic recoveries at New York's MoMA and the State Russian Museum in St. Petersburg, while London's Tate Modern and National Gallery still lag significantly behind their 2019 numbers.
The Victoria and Albert Museum (V&A) in London will revamp its Gilbert Galleries, dedicated to the Rosalinde and Arthur Gilbert Collection, expanding from four to seven galleries. Set to open in March, the redesigned space by Citizens Design Bureau will include a new room focused on Nazi and Soviet looting and provenance research. Highlights include 200 gold boxes, micro-mosaics, and two silver-gilt gates looted from Kyiv’s Pechersk Lavra monastery after the Russian Revolution, acquired by William Randolph Hearst in 1935. The expansion is part of the V&A’s Future Plan development programme, funded by the Gilbert Trust for the Arts and The National Lottery Heritage Fund.
The 61st Venice Biennale's main exhibition, 'In Minor Keys', curated by the late Koyo Kouoh, has opened after her sudden passing in 2025. Kouoh had fully planned the exhibition before her death, and a team of seven realized her vision. The show features 110 artists, including Wangechi Mutu, Nick Cave, Alfredo Jaar, and emerging talents like Ranti Bam. It opens with a poem by Refaat Alareer and an installation by Khaled Sabsabi, setting a contemplative tone amid themes of mourning, grief, and healing. The exhibition also highlights minority perspectives, including Caribbean and Central American artists, and confronts colonial histories through works like Florence Lazar's film on a hurricane-exposed necropolis.
Protests against the reopening of the Russian pavilion erupted at the Venice Biennale and spread across the city on the second day of the 61st edition. Visual artist Shalva Nikvashvili, who grew up in post-Soviet Georgia, began a silent performance wearing a muzzle-style mask and carrying a chair, holding a sign reading “La Biennale di Venezia” and “violence.” Shortly after, a group of about 20 protesters led by Pussy Riot co-founder Nadya Tolokonnikova gathered outside the Russian pavilion, chanting against Vladimir Putin, waving Ukrainian flags, and releasing a pink smoke flare. The protests followed the Biennale's decision to allow Russia to participate for the first time since its 2022 invasion of Ukraine, despite calls from artists and politicians to exclude the country.
More than 200 works by the elusive British street artist Banksy will go on display in Austin, Texas, this summer. The traveling exhibition, titled "The Art of Banksy Without Limits," opens at Fair Market on May 29 and runs through September 7. It features certified original prints, photos, sculptures, and reproduced murals, along with video mapping, an infinity room, and a hologram installation. A portion of ticket sales will support the Banksy-founded Louise Michel organization, which operates a rescue vessel in the Mediterranean.
The Venice Art Biennale's official awards ceremony, scheduled for May 9, has been canceled after the entire five-member jury resigned days before the event. The jury had previously announced they would not consider countries whose leaders face International Criminal Court charges, directly impacting Russia and Israel. Instead of jury-selected prizes, visitors will vote throughout the Biennale's run, with "Visitor Lions" awarded on November 22. The event, running from May 9 to November 22, features 100 national participations, including seven first-time countries, and a posthumous main exhibition titled "In Minor Keys" curated by the late Koyo Kouoh, the first African woman to lead the show. Iran withdrew on May 4 amid Middle East tensions, while Russia's return to the Biennale in 2026 has sparked EU threats to cut funding.
The jury of the 61st Venice Biennale Art Exhibition has resigned en masse to protest the decision to allow Russian participation for the first time since the 2022 invasion of Ukraine. The jury stated it would refuse to consider artists from countries whose leaders face International Criminal Court warrants, specifically Israel and Russia, citing a commitment to human rights. The Biennale organizers defended the re-admission as consistent with openness and dialogue, while Ukrainian Foreign Minister Andriy Sybiha and EU foreign policy chief Kaja Kallas condemned the move, with the EU threatening to cut funding. The Italian government distanced itself, calling the Biennale autonomous.
The 2026 Venice Art Biennale is proceeding with a posthumous main exhibition, "In Minor Keys," curated by the late Cameroonian-born artistic director Koyo Kouoh, who died in May 2025. The event features 100 national participations, including seven first-time countries, and has reinstated Russia's pavilion after its voluntary withdrawal following the 2022 invasion of Ukraine.
The Mons Museum of Fine Arts has launched "Plural Perspectives: Belgian Art and the Communist Utopia in the 20th Century," an exhibition running from April 11 to August 16. The showcase traces nearly a hundred years of Belgian artistic production influenced by the communist movement, featuring a diverse array of mediums including painting, sculpture, and monumental works by figures such as René Magritte and Frans Masereel.
The European Union has threatened to withdraw a €2m grant from the Venice Biennale following the foundation's decision to allow Russia to reopen its national pavilion for the first time since the 2022 invasion of Ukraine. EU commissioners Henna Virkkunen and Glenn Micallef, supported by 22 European culture ministers, argue that the Biennale must not provide a platform for Kremlin propaganda or individuals who justify military aggression. The Russian pavilion's return is reportedly being organized by the Gnesin Russian Academy of Music under the direction of the Russian Ministry of Culture.
Two Ukrainian artists—Lana Chornohorska, a 27-year-old left-wing journalist and artist known for her anarchist and LGBTQ+ activism, and Yurii Kostyshyn, a 48-year-old photographer and artist who joined the Armed Forces of Ukraine in 2015—have been killed on the frontlines while fighting for Ukraine. Additionally, Timofey Anufriev, a 21-year-old Russian-born philosophy student raised in Odesa and son of prominent contemporary artist Sergei Anufriev, was killed while serving with the Russian Volunteer Corps (RVC) fighting alongside Ukrainian forces. Their deaths come as the fourth anniversary of Russia's full-scale invasion approaches next month.
The I.V. Savitsky State Art Museum in Nukus, Uzbekistan, near the former Aral Sea, houses nearly 100,000 works of 20th-century art, including Russian avant-garde pieces and Central Asian folk art. After a 2024 exhibition in Florence and Venice, the museum underwent a major renovation led by Italian academics and new director Gulbahar Izentaeva, reopening with updated galleries and a new exhibition, "The World of Igor Savitsky." The project is backed by the Art and Culture Development Foundation (ACDF), which also launched the inaugural Bukhara Biennial and partnered with Art Basel Paris.
Maria "Masha" Alyokhina, a member of the protest group Pussy Riot, recounts her life-changing meeting with Icelandic performance artist Ragnar Kjartansson at the opening of the GES-2 art centre in Moscow in late 2021. In an extract from her new book *Political Girl: Life and Fate in Russia*, she describes their encounter, during which Kjartansson praised her group's "Punk Prayer" as one of the greatest performances in art history. The book charts her years of dissent, including her 2012 imprisonment with fellow Pussy Riot founder Nadya Tolokonnikova and her 2022 escape from Russia disguised as a food courier, allegedly facilitated by Kjartansson.
Icelandic artist Ragnar Kjartansson's video work *Soap Opera*—a recording of his durational performance *Santa Barbara: A Living Sculpture*—is on view for the first time at i8 Grandi in Reykjavík. The original performance, staged at the V-A-C Foundation's GES-2 House of Culture in Moscow from December 2021 to February 2022, featured Russian and Ukrainian actors reenacting episodes of the American soap opera *Santa Barbara*, which had been a cultural phenomenon in post-Soviet Russia. The production was halted at episode 81 on February 24, 2022, the day Russia launched its full-scale invasion of Ukraine.
Pook & Pook will hold an online auction on July 16, 2025, featuring over 500 lots of modern and post-war art deaccessioned from a distinguished East Coast educational institution. Highlights include eight works by Romare Bearden, over one hundred pieces by Leonid Sokov, paintings by Mikhail Turovsky, conceptual works by Lydia Dona, and a sculpture by Frederick Eversley. The auction will be accessible via PookLive, Bidsquare, and Invaluable, with in-person previews at Pook & Pook's Downingtown, Pennsylvania gallery on July 14-15.
Chinese artist and activist Ai Weiwei will unveil a major new commission in Kyiv, Ukraine, this autumn. The installation, titled "Three Perfectly Proportioned Spheres and Camouflage Uniforms Painted White," is a site-specific response to global armed conflicts, housed in Pavilion 13, a renovated Soviet-era exposition hall. The work features three large spheres covered in camouflage uniforms painted white, inspired by Leonardo da Vinci's illustrations, and incorporates patterns based on rescued cats. The project is commissioned by RIBBON International and supported by the Pavilion of Culture.
Nadya Tolokonnikova, co-founder of Pussy Riot, began a durational performance titled "Police State" at the Museum of Contemporary Art (MOCA) in Los Angeles on June 5, 2025. Inside a mock prison cell at the Geffen Contemporary, she screams, plays a pink toy piano, synthesizer, and laptop, and layers live music with sampled prison noises to create an 80-hour experimental soundscape. The performance, running until June 15, references her own 2012 imprisonment in Russia for an anti-Putin protest. On the fourth day, MOCA closed due to clashes between ICE agents, the California National Guard, and protesters over immigrant raids, prompting Tolokonnikova to post: "Police State exhibit closed today due to police state."
Henri Matisse made two pivotal trips to Tangier, Morocco, in 1912-1913, documented in Jeff Koehler's new book *Matisse in Morocco: A Journey of Light and Colour*. At a low point in his career—having lost patrons and critical support after his Fauve period—Matisse sought new inspiration, producing over 20 paintings despite challenges like rain, insomnia, and difficulty finding models. Commissions from Russian collectors Sergei Shchukin and Ivan Morozov helped fund the trips, and Matisse worked at the Villa Brooks estate, creating works such as *Moroccan Landscape (Acanthus)* (1912) and *The Palm* (1912). The article also highlights Matisse's discovery of fingerprints on *View of the Bay of Tangier* (1912-13) and his reliance on a Moroccan model named Zorah.
Zhenya Gershman, a Moscow-born, bi-coastal painter based in New York and Los Angeles, is opening a new exhibition titled "ICU2" on May 10, the second part of her "I See You" project addressing homelessness. Gershman, who began her career at age 14 in St. Petersburg and now runs Zhenya's Art Academy, draws inspiration from subway encounters, approaching strangers to photograph them and transforming candid, imperfect shots into oil-on-canvas portraits. The exhibition follows her previous activist projects, including a portrait of Russian opposition leader Alexei Navalny and a painting of a Ukrainian war victim that sold for $100,000 to benefit the Ukraine Red Cross.
American photojournalist Carol Guzy won the 2026 World Press Photo of the Year for her image "Separated by ICE," which captures a tearful family torn apart by Immigration and Customs Enforcement (ICE) after an immigration court hearing in New York amid President Trump's broader crackdown. The contest, established in 1955, selected 42 global winners from over 57,000 photographs submitted by nearly 3,800 photographers across 141 countries. Finalists included Saber Nuraldin's "Aid Emergency in Gaza" and Victor J. Blue's "The Trials of the Achi Women," while other winners addressed displacement, war, and environmental crises.
Russia e Israele non potranno vincere nessun premio alla prossima Biennale Arte di Venezia 2026. La giuria prende posizione
The international jury for the 61st Venice Biennale, led by Solange Farkas, has unanimously declared it will not consider countries whose leaders are currently accused of crimes against humanity by the International Criminal Court. This means Russia and Israel are excluded from competing for the Golden Lion awards, including Best National Participation and Best Artist. The jury's statement, published on e-Flux Notes, emphasizes the Biennale's historical role as a platform connecting art with contemporary urgencies and acknowledges the complex relationship between artistic practice and state representation.
The Venice Biennale previewed its 61st edition in chaos on Tuesday, marked by the unprecedented resignation of its jury over the participation of Israel and Russia. Ukrainian artists displayed a statue of an origami deer from the war-torn eastern front, while Russian pavilion participants danced to house music and Palestinians marched wearing the names of artists killed in Gaza. The jury had stated it would not award prizes to countries under International Criminal Court investigation, singling out Russia and Israel, and its resignation has thrown the exhibition's structure into question.
A 15-foot-tall gold-leafed bronze statue of Donald Trump, titled "Don Colossus," was unveiled at his National Doral golf club in Miami, Florida, ahead of the G20 summit. The statue, funded by $450,000 raised by cryptocurrency moguls and sculpted by Alan Cottrill (founder of Four Star Pizza), depicts Trump raising a triumphant fist with a plaque reading "FIGHT, FIGHT, FIGHT!" The unveiling was organized by televangelist Mark Burns of "Pastors for Trump," who posted that the statue was "not a golden calf," and was attended by evangelical Christian leaders and reportedly some Hassidic rabbis.
New reports reveal that Israeli Pavilion artist Belu-Simion Fainaru issued legal threats against the Venice Biennale, alleging antisemitism and discrimination after the awards jury decided to exclude Israel and Russia from consideration due to human rights charges. The jury, which included Elvira Dyangani Ose, Zoe Butt, Marta Kuzma, Giovanna Zapperi, and Solange Farkas, initially stated on April 22 it would not consider nations whose leaders are charged with crimes against humanity by the International Criminal Court. Fainaru filed legal warnings with the Biennale, the Italian Ministry of Culture, and the Prime Minister's office. The jury abruptly resigned eight days later, leading the Biennale to scrap the Golden Lion awards and institute "Visitor Lions" decided by public vote. Reports indicate the Biennale's legal department warned jurors could be personally liable for damages, and Italian Culture Minister Alessandro Giuli promised to promote Fainaru's work.
The article announces Chiara Camoni's project "Con te con tutto" for the Italian Pavilion at the 61st Venice Biennale in 2026, curated by Cecilia Canziani. The project emphasizes relational and communal practices, rejecting the identity-driven rhetoric of national representation. It stems from a fifteen-year dialogue between artist and curator, incorporating workshops, shared readings, and collaborative works like "La Giusta Misura." The pavilion is conceived as an ecosystem of artworks, texts, and activations rather than a linear exhibition, with a catalog designed as a critical reader.
The 61st Venice Biennale has scrapped its traditional Golden Lion awards, replacing them with public-voted “Visitor Lions” after the entire award jury resigned on April 30. The jury had previously announced its intention to exclude countries whose leaders are charged with crimes against humanity by the International Criminal Court, effectively targeting Russia and Israel. The Biennale Foundation, however, stated that all official national pavilions—including Russia and Israel—will be eligible for the new Visitor Lions, citing principles of inclusion and equal treatment. The awards ceremony has been moved from May 9 to November 22, the final day of the Biennale, to allow ticket holders to vote throughout the event.
Due anni fa la Russia cedette il suo padiglione in Biennale alla Bolivia. Una testimonianza da dentro
Two years ago, Russia ceded its national pavilion at the Venice Biennale to Bolivia, a move that artist Inés Fontenla experienced firsthand when she was invited by Bolivia to participate in the 2024 edition. Fontenla recounts how the pavilion's organization shifted after Bolivia's 2025 elections, with the curator replaced by the new Minister of Culture just one month before the opening. She realized Russia was using Bolivia as a front to re-enter the Biennale after closing its own pavilion in 2022 in protest of the Ukraine invasion, and she ultimately withdrew from the project to avoid being instrumentalized by a military power.
Venedig-Biennale-Chef unter Druck
Just before the opening of the Venice Art Biennale, its president Pietrangelo Buttafuoco is facing mounting criticism after the entire jury resigned. Italian Culture Minister Alessandro Giuli accused Buttafuoco of pursuing a form of "parallel foreign policy" by readmitting Russia to the six-month exhibition, calling him a "victim of a pacifist fantasy." The opening ceremony and the traditional Golden Lion awards have been canceled; prizes will now be decided by visitor vote at the end of the Biennale in November.
Jury der Venedig-Biennale tritt zurück
The entire jury of the Venice Biennale, appointed by artistic director Koyo Kouoh, has resigned with immediate effect. In a statement released on Thursday, the jury members—including chair Solange Oliveira Farkas, Zoe Butt, Elvira Dyangani Ose, Marta Kuzma, and Giovanna Zapperi—cited a prior declaration from April 22 in which they announced they would not award Golden or Silver Lions to artists from countries whose political leadership is currently indicted by the International Criminal Court (ICC) for crimes against humanity. Although no specific countries were named, the move implicitly targets Russia (President Vladimir Putin) and Israel (Prime Minister Benjamin Netanyahu), both subject to ICC arrest warrants. The resignation comes amid escalating tensions over Russia's participation in the Biennale despite EU sanctions, which had already led to a freeze of EU funding and widespread protests.